We Gotta Groove: The Brother Studio Years (Super Deluxe Edition)

~ Release by The Beach Boys (see all versions of this release, 3 available)

Annotation

℗ & © «2026 Brother Records, LLC., and Iconic Brothers Masters, LLC., under exclusive license to Capitol Records, LLC.»

Countries excluded (Deezer + Spotify)

(As of 2026-02-13).

  • Eastern Europe: 🇧🇾 Belarus (by)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu)
Annotation last modified on 2026-02-13 08:50 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleRatingLength
1Life Is for the Living
engineer:
Chuck Britz and Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Earle Mankey (from 1977-03 until 1977-06)
cello:
Armand Kaproff (from 1977-03-11 until 1977-06) and Raphael Kramer (from 1977-03-11 until 1977-06)
drums (drum set):
Earl Palmer (from 1977-03-11 until 1977-06)
electric bass guitar:
Todd Clark (bassist) (from 1977-03-11 until 1977-06)
electric guitar:
Dennis Budimir (from 1977-03-11 until 1977-06)
French horn:
David Duke (horn) (from 1977-03-11 until 1977-06), Arthur Maebe (US horn player) (from 1977-03-11 until 1977-06), Richard Perissi (from 1977-03-11 until 1977-06) and Alan Robinson (from 1977-03-11 until 1977-06)
grand piano:
Brian Wilson (Beach Boys co‐founder) (from 1977-03-11 until 1977-06)
trombone:
Edward Kusby (from 1977-03-11 until 1977-06), Francis Howard (trombone) (from 1977-03-11 until 1977-06), Morris Repass (from 1977-03-11 until 1977-06) and Lloyd Ulyate (American trombonist (1927-2004)) (from 1977-03-11 until 1977-06)
violin:
Arnold Belnick (from 1977-03-11 until 1977-06), Harry Bluestone (from 1977-03-11 until 1977-06), Jerome Reisler (from 1977-03-11 until 1977-06), Ambrose Russo (Violinist) (from 1977-03-11 until 1977-06), Josef Schoenbrun (from 1977-03-11 until 1977-06), Sheldon Sanov (violinist) (from 1977-03-11 until 1977-06), Marshall Sosson (from 1977-03-11 until 1977-06) and Gerald Vinci (American violinist and strings conductor) (from 1977-03-11 until 1977-06)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1977-03-11 until 1977-06) and Carl Wilson (Beach Boys) (from 1977-03-11 until 1977-06)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (from 1977-03-11 until 1977-06)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
concertmaster:
Gerald Vinci (American violinist and strings conductor) (from 1977-03-11 until 1977-06)
recorded at:
Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1977-03-11) and Brother Studios in Santa Monica, California, United States (from 1977-03 until 1977-06)
mixed at:
Brother Studios in Santa Monica, California, United States (from 1977-03 until 1977-06)
recording of:
Life Is for the Living (from 1977-03-11 until 1977-06)
writer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
1:53
2Deep Purple
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Earle Mankey (from 1977-02 until 1977-06)
cello:
Igor Horoshevsky (from 1977-02-25 until 1977-06), Raymond Kelley (cellist) (from 1977-02-25 until 1977-06), Kathleen Lustgarten (from 1977-02-25 until 1977-06) and Frederick Seykora (from 1977-02-25 until 1977-06)
double bass:
Meyer Rubin (US bassist 1930s - 1960s) (from 1977-02-25 until 1977-06) and Robert Stone (bass, cello) (from 1977-02-25 until 1977-06)
drums (drum set):
Earl Palmer (from 1977-02-25 until 1977-06)
electric bass guitar:
Stephens LaFever (from 1977-02-25 until 1977-06)
electric guitar:
Dennis Budimir (from 1977-02-25 until 1977-06)
flute:
Jules Jacob (US jazz woodwind player) (from 1977-02-25 until 1977-06), Ted Nash (40s-80s US swing reedman, uncle of the other) (from 1977-02-25 until 1977-06) and William Calkins (from 1977-02-25 until 1977-06)
French horn:
Sinclair Lott (french horn) (from 1977-02-25 until 1977-06) and Richard Perissi (from 1977-02-25 until 1977-06)
oboe:
Jules Jacob (US jazz woodwind player) (from 1977-02-25 until 1977-06)
trombone:
Edward Kusby (from 1977-02-25 until 1977-06), Gilbert Falco (from 1977-02-25 until 1977-06), Francis Howard (trombone) (from 1977-02-25 until 1977-06) and Morris Repass (from 1977-02-25 until 1977-06)
violin:
Murray Adler (from 1977-02-25 until 1977-06), Bonnie Douglas (from 1977-02-25 until 1977-06), Elliott Fisher (from 1977-02-25 until 1977-06), James Getzoff (American concertmaster and violinist) (from 1977-02-25 until 1977-06), Lou Klass (from 1977-02-25 until 1977-06), Alfred Lustgarten (Violinist) (from 1977-02-25 until 1977-06), Jerome Reisler (from 1977-02-25 until 1977-06), Josef Schoenbrun (from 1977-02-25 until 1977-06), Paul Shure (from 1977-02-25 until 1977-06) and Gerald Vinci (American violinist and strings conductor) (from 1977-02-25 until 1977-06)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1977-02-25 until 1977-06)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (from 1977-02-25 until 1977-06)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
concertmaster:
James Getzoff (American concertmaster and violinist) (from 1977-02-25 until 1977-06)
recorded at:
Brother Studios in Santa Monica, California, United States (from 1977-02-25 until 1977-06)
mixed at:
Brother Studios in Santa Monica, California, United States (from 1977-02 until 1977-06)
recording of:
Deep Purple (from 1977-02-25 until 1977-06)
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
cover recording of:
Deep Purple
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
2:27
3It’s Over Now
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Earle Mankey (on 1977-04-13)
cello:
Igor Horoshevsky (from 1977-02-25 until 1977-06), Raymond Kelley (cellist) (from 1977-02-25 until 1977-06), Kathleen Lustgarten (from 1977-02-25 until 1977-06) and Frederick Seykora (from 1977-02-25 until 1977-06)
double bass:
Meyer Rubin (US bassist 1930s - 1960s) (from 1977-02-25 until 1977-06) and Robert Stone (bass, cello) (from 1977-02-25 until 1977-06)
drums (drum set):
Earl Palmer (from 1977-02-25 until 1977-06)
electric bass guitar:
Stephens LaFever (from 1977-02-25 until 1977-06)
electric guitar:
Dennis Budimir (from 1977-02-25 until 1977-06)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (from 1977-02-25 until 1977-06) and William Calkins (from 1977-02-25 until 1977-06)
French horn:
Sinclair Lott (french horn) (from 1977-02-25 until 1977-06) and Richard Perissi (from 1977-02-25 until 1977-06)
grand piano:
Brian Wilson (Beach Boys co‐founder) (from 1977-02-25 until 1977-06)
oboe:
Jules Jacob (US jazz woodwind player) (from 1977-02-25 until 1977-06)
trombone:
Edward Kusby (from 1977-02-25 until 1977-06), Gilbert Falco (from 1977-02-25 until 1977-06), Francis Howard (trombone) (from 1977-02-25 until 1977-06) and Morris Repass (from 1977-02-25 until 1977-06)
violin:
Murray Adler (from 1977-02-25 until 1977-06), Bonnie Douglas (from 1977-02-25 until 1977-06), Elliott Fisher (from 1977-02-25 until 1977-06), James Getzoff (American concertmaster and violinist) (from 1977-02-25 until 1977-06), Lou Klass (from 1977-02-25 until 1977-06), Alfred Lustgarten (Violinist) (from 1977-02-25 until 1977-06), Jerome Reisler (from 1977-02-25 until 1977-06), Josef Schoenbrun (from 1977-02-25 until 1977-06), Paul Shure (from 1977-02-25 until 1977-06) and Gerald Vinci (American violinist and strings conductor) (from 1977-02-25 until 1977-06)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1977-02-25 until 1977-06), Carl Wilson (Beach Boys) (from 1977-02-25 until 1977-06) and Marilyn Wilson (from 1977-02-25 until 1977-06)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (from 1977-02-25 until 1977-06)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
concertmaster:
James Getzoff (American concertmaster and violinist) (from 1977-02-25 until 1977-06)
recorded at:
Brother Studios in Santa Monica, California, United States (from 1977-02-25 until 1977-06)
mixed at:
Brother Studios in Santa Monica, California, United States (on 1977-04-13)
remixed at:
Brother Studios in Santa Monica, California, United States (from 1977-04 until 1977-06)
recording of:
It’s Over Now (Brian Wilson) (from 1977-02-25 until 1977-06)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
2:43
4Still I Dream of It
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Earle Mankey (on 1977-06-19)
cello:
Raymond Kelley (cellist) (from 1977-02-09 until 1977-06), Edgar Lustgarten (from 1977-02-09 until 1977-06), Kathleen Lustgarten (from 1977-02-09 until 1977-06) and Frederick Seykora (from 1977-02-09 until 1977-06)
double bass:
Meyer Rubin (US bassist 1930s - 1960s) (from 1977-02-09 until 1977-06) and Robert Stone (bass, cello) (from 1977-02-09 until 1977-06)
drums (drum set):
Earl Palmer (from 1977-02-09 until 1977-06)
electric bass guitar:
Max Bennett (US jazz bassist and session musician) (from 1977-02-09 until 1977-06)
electric guitar:
Dennis Budimir (from 1977-02-09 until 1977-06)
flute:
Harry Klee (from 1977-02-09 until 1977-06), Wilbur Schwartz (from 1977-02-09 until 1977-06) and William Calkins (from 1977-02-09 until 1977-06)
French horn:
James Decker (French hornist) (from 1977-02-09 until 1977-06), Arthur Maebe (US horn player) (from 1977-02-09 until 1977-06) and Richard Perissi (from 1977-02-09 until 1977-06)
grand piano and lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1977-02-09 until 1977-06)
oboe:
Jules Jacob (US jazz woodwind player) (from 1977-02-09 until 1977-06)
violin:
Murray Adler (from 1977-02-09 until 1977-06), Harry Bluestone (from 1977-02-09 until 1977-06), Bonnie Douglas (from 1977-02-09 until 1977-06), Elliott Fisher (from 1977-02-09 until 1977-06), James Getzoff (American concertmaster and violinist) (from 1977-02-09 until 1977-06), Lou Klass (from 1977-02-09 until 1977-06), Alfred Lustgarten (Violinist) (from 1977-02-09 until 1977-06), Nathan Ross (from 1977-02-09 until 1977-06), Josef Schoenbrun (from 1977-02-09 until 1977-06) and Paul Shure (from 1977-02-09 until 1977-06)
background vocals:
Brian Wilson (Beach Boys co‐founder) (from 1977-02-09 until 1977-06) and Carl Wilson (Beach Boys) (from 1977-02-09 until 1977-06)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (from 1977-02-09 until 1977-06)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
concertmaster:
James Getzoff (American concertmaster and violinist) (from 1977-02-09 until 1977-06)
recorded at:
Brother Studios in Santa Monica, California, United States (from 1977-02-09 until 1977-06)
mixed at:
Brother Studios in Santa Monica, California, United States (on 1977-06-19)
remixed at:
Brother Studios in Santa Monica, California, United States (from 1977-06-20 until 1977-06-25)
recording of:
Still I Dream of It (from 1977-02-09 until 1977-06)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
3:26
5Everybody Wants to Live
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Earle Mankey (from 1977-04 until 1977-06)
drums (drum set):
Dennis Wilson (Beach Boys) (on 1977-04-11)
electric guitar and lead vocals:
Carl Wilson (Beach Boys) (on 1977-04-11)
grand piano, Hammond organ [Hammond B-3 Organ] and Minimoog:
Brian Wilson (Beach Boys co‐founder) (on 1977-04-11)
vocals:
Billy Hinsche (on 1977-04-11), Brian Wilson (Beach Boys co‐founder) (on 1977-04-11), Carl Wilson (Beach Boys) (on 1977-04-11) and Dennis Wilson (Beach Boys) (on 1977-04-11)
recorded at:
Brother Studios in Santa Monica, California, United States (on 1977-04-11)
mixed at:
Brother Studios in Santa Monica, California, United States (from 1977-04 until 1977-06)
recording of:
Everybody Wants to Live (on 1977-04-11)
writer:
Brian Wilson (Beach Boys co‐founder)
3:08
6Lines
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Earle Mankey (on 1977-06-19)
drums (drum set):
Dennis Wilson (Beach Boys) (from 1977-04-12 until 1977-06-25)
electric bass guitar:
Carl Wilson (Beach Boys) (from 1977-04-12 until 1977-06-25)
grand piano and Minimoog:
Brian Wilson (Beach Boys co‐founder) (from 1977-04-12 until 1977-06-25)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1977-04-12 until 1977-06-25) and Carl Wilson (Beach Boys) (from 1977-04-12 until 1977-06-25)
recorded at:
Brother Studios in Santa Monica, California, United States (on 1977-04-12, from 1977-06-20 until 1977-06-25)
mixed at:
Brother Studios in Santa Monica, California, United States (on 1977-06-19)
remixed at:
Brother Studios in Santa Monica, California, United States (from 1977-06-20 until 1977-06-25)
recording of:
Lines (from 1977-04-12 until 1977-06-25)
writer:
Brian Wilson (Beach Boys co‐founder)
1:46
7It’s Trying to Say
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Earle Mankey (from 1977-04 until 1977-06)
drums (drum set), snare drum and lead vocals:
Dennis Wilson (Beach Boys) (on 1977-04-11)
electric guitar:
Carl Wilson (Beach Boys) (on 1977-04-11)
grand piano and Minimoog:
Brian Wilson (Beach Boys co‐founder) (on 1977-04-11)
background vocals:
Brian Wilson (Beach Boys co‐founder) (on 1977-04-11), Carl Wilson (Beach Boys) (on 1977-04-11) and Dennis Wilson (Beach Boys) (on 1977-04-11)
vocals:
Brian Wilson (Beach Boys co‐founder) (on 1977-04-11), Carl Wilson (Beach Boys) (on 1977-04-11) and Dennis Wilson (Beach Boys) (on 1977-04-11)
recorded at:
Brother Studios in Santa Monica, California, United States (on 1977-04-11)
mixed at:
Brother Studios in Santa Monica, California, United States (from 1977-04 until 1977-06)
recording of:
It’s Trying to Say (on 1977-04-11)
writer:
Brian Wilson (Beach Boys co‐founder)
2:09
8Shortenin’ Bread
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Earle Mankey (in 1977-06)
baritone saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1977-06-03)
drums (drum set):
Dennis Wilson (Beach Boys) (on 1977-06-03)
grand piano, Minimoog, organ, Rhodes piano and tambourine:
Brian Wilson (Beach Boys co‐founder) (on 1977-06-03)
background vocals:
Diane Rovell (on 1977-06-03) and Brian Wilson (Beach Boys co‐founder) (on 1977-06-03)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1977-06-03) and Carl Wilson (Beach Boys) (on 1977-06-03)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Brother Studios in Santa Monica, California, United States (on 1977-06-03)
mixed at:
Brother Studios in Santa Monica, California, United States (in 1977-06)
recording of:
Short’nin’ Bread (traditional song) (on 1977-06-03)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4209)
2:50
9New England Waltz
engineer:
Chuck Britz and Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Chuck Britz (on 1977-03-11)
cello:
Armand Kaproff (on 1977-03-11) and Raphael Kramer (on 1977-03-11)
drums (drum set):
Earl Palmer (on 1977-03-11)
electric bass guitar:
Todd Clark (bassist) (on 1977-03-11)
electric guitar:
Dennis Budimir (on 1977-03-11)
French horn:
David Duke (horn) (on 1977-03-11), Arthur Maebe (US horn player) (on 1977-03-11), Richard Perissi (on 1977-03-11) and Alan Robinson (on 1977-03-11)
grand piano:
Brian Wilson (Beach Boys co‐founder) (on 1977-03-11)
trombone:
Edward Kusby (on 1977-03-11), Francis Howard (trombone) (on 1977-03-11), Morris Repass (on 1977-03-11) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1977-03-11)
trumpet:
John Audino (on 1977-03-11), Buddy Childers (American jazz trumpeter & composer) (on 1977-03-11), Jack Laubach (trumpeter) (on 1977-03-11) and James Zito (on 1977-03-11)
violin:
Arnold Belnick (on 1977-03-11), Harry Bluestone (on 1977-03-11), Jerome Reisler (on 1977-03-11), Ambrose Russo (Violinist) (on 1977-03-11), Josef Schoenbrun (on 1977-03-11), Sheldon Sanov (violinist) (on 1977-03-11), Marshall Sosson (on 1977-03-11) and Gerald Vinci (American violinist and strings conductor) (on 1977-03-11)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (on 1977-03-11)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
concertmaster:
Gerald Vinci (American violinist and strings conductor) (on 1977-03-11)
recorded at and mixed at:
Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1977-03-11)
recording of:
New England Waltz (on 1977-03-11)
writer:
Brian Wilson (Beach Boys co‐founder)
2:40
10Life Is for the Living (backing track)
engineer:
Chuck Britz and Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
cello:
Armand Kaproff (from 1977-03-11 until 1977-06) and Raphael Kramer (from 1977-03-11 until 1977-06)
drums (drum set):
Earl Palmer (from 1977-03-11 until 1977-06)
electric bass guitar:
Todd Clark (bassist) (from 1977-03-11 until 1977-06)
electric guitar:
Dennis Budimir (from 1977-03-11 until 1977-06)
French horn:
David Duke (horn) (from 1977-03-11 until 1977-06), Arthur Maebe (US horn player) (from 1977-03-11 until 1977-06), Richard Perissi (from 1977-03-11 until 1977-06) and Alan Robinson (from 1977-03-11 until 1977-06)
grand piano:
Brian Wilson (Beach Boys co‐founder) (from 1977-03-11 until 1977-06)
trombone:
Edward Kusby (from 1977-03-11 until 1977-06), Francis Howard (trombone) (from 1977-03-11 until 1977-06), Morris Repass (from 1977-03-11 until 1977-06) and Lloyd Ulyate (American trombonist (1927-2004)) (from 1977-03-11 until 1977-06)
trumpet:
John Audino (from 1977-03-11 until 1977-06), Buddy Childers (American jazz trumpeter & composer) (from 1977-03-11 until 1977-06), Jack Laubach (trumpeter) (from 1977-03-11 until 1977-06) and James Zito (from 1977-03-11 until 1977-06)
violin:
Arnold Belnick (from 1977-03-11 until 1977-06), Harry Bluestone (from 1977-03-11 until 1977-06), Jerome Reisler (from 1977-03-11 until 1977-06), Ambrose Russo (Violinist) (from 1977-03-11 until 1977-06), Josef Schoenbrun (from 1977-03-11 until 1977-06), Sheldon Sanov (violinist) (from 1977-03-11 until 1977-06), Marshall Sosson (from 1977-03-11 until 1977-06) and Gerald Vinci (American violinist and strings conductor) (from 1977-03-11 until 1977-06)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (from 1977-03-11 until 1977-06)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
concertmaster:
Gerald Vinci (American violinist and strings conductor) (from 1977-03-11 until 1977-06)
recorded at:
Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1977-03-11) and Brother Studios in Santa Monica, California, United States (from 1977-03 until 1977-06)
mixed at:
Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1977-03-11)
instrumental recording of:
Life Is for the Living (from 1977-03-11 until 1977-06)
writer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
1:56
11Deep Purple (2025 backing track)
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
cello:
Igor Horoshevsky (from 1977-02-25 until 1977-06), Raymond Kelley (cellist) (from 1977-02-25 until 1977-06), Kathleen Lustgarten (from 1977-02-25 until 1977-06) and Frederick Seykora (from 1977-02-25 until 1977-06)
double bass:
Meyer Rubin (US bassist 1930s - 1960s) (from 1977-02-25 until 1977-06) and Robert Stone (bass, cello) (from 1977-02-25 until 1977-06)
drums (drum set):
Earl Palmer (from 1977-02-25 until 1977-06)
electric bass guitar:
Stephens LaFever (from 1977-02-25 until 1977-06)
electric guitar:
Dennis Budimir (from 1977-02-25 until 1977-06)
flute:
Jules Jacob (US jazz woodwind player) (from 1977-02-25 until 1977-06), Ted Nash (40s-80s US swing reedman, uncle of the other) (from 1977-02-25 until 1977-06) and William Calkins (from 1977-02-25 until 1977-06)
French horn:
Sinclair Lott (french horn) (from 1977-02-25 until 1977-06) and Richard Perissi (from 1977-02-25 until 1977-06)
oboe:
Jules Jacob (US jazz woodwind player) (from 1977-02-25 until 1977-06)
trombone:
Edward Kusby (from 1977-02-25 until 1977-06), Gilbert Falco (from 1977-02-25 until 1977-06), Francis Howard (trombone) (from 1977-02-25 until 1977-06) and Morris Repass (from 1977-02-25 until 1977-06)
violin:
Murray Adler (from 1977-02-25 until 1977-06), Bonnie Douglas (from 1977-02-25 until 1977-06), Elliott Fisher (from 1977-02-25 until 1977-06), James Getzoff (American concertmaster and violinist) (from 1977-02-25 until 1977-06), Lou Klass (from 1977-02-25 until 1977-06), Alfred Lustgarten (Violinist) (from 1977-02-25 until 1977-06), Jerome Reisler (from 1977-02-25 until 1977-06), Josef Schoenbrun (from 1977-02-25 until 1977-06), Paul Shure (from 1977-02-25 until 1977-06) and Gerald Vinci (American violinist and strings conductor) (from 1977-02-25 until 1977-06)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (from 1977-02-25 until 1977-06)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
concertmaster:
James Getzoff (American concertmaster and violinist) (from 1977-02-25 until 1977-06)
recorded at:
Brother Studios in Santa Monica, California, United States (from 1977-02-25 until 1977-06)
mixed at:
The Audio Labs in Glendale, California, United States
instrumental recording of:
Deep Purple (from 1977-02-25 until 1977-06)
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:00
12It’s Over Now (2025 backing track mix)
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
cello:
Igor Horoshevsky (from 1977-02-25 until 1977-06), Raymond Kelley (cellist) (from 1977-02-25 until 1977-06), Kathleen Lustgarten (from 1977-02-25 until 1977-06) and Frederick Seykora (from 1977-02-25 until 1977-06)
double bass:
Meyer Rubin (US bassist 1930s - 1960s) (from 1977-02-25 until 1977-06) and Robert Stone (bass, cello) (from 1977-02-25 until 1977-06)
drums (drum set):
Earl Palmer (from 1977-02-25 until 1977-06)
electric bass guitar:
Stephens LaFever (from 1977-02-25 until 1977-06)
electric guitar:
Dennis Budimir (from 1977-02-25 until 1977-06)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (from 1977-02-25 until 1977-06) and William Calkins (from 1977-02-25 until 1977-06)
French horn:
Sinclair Lott (french horn) (from 1977-02-25 until 1977-06) and Richard Perissi (from 1977-02-25 until 1977-06)
grand piano:
Brian Wilson (Beach Boys co‐founder) (from 1977-02-25 until 1977-06)
oboe:
Jules Jacob (US jazz woodwind player) (from 1977-02-25 until 1977-06)
trombone:
Edward Kusby (from 1977-02-25 until 1977-06), Gilbert Falco (from 1977-02-25 until 1977-06), Francis Howard (trombone) (from 1977-02-25 until 1977-06) and Morris Repass (from 1977-02-25 until 1977-06)
violin:
Murray Adler (from 1977-02-25 until 1977-06), Bonnie Douglas (from 1977-02-25 until 1977-06), Elliott Fisher (from 1977-02-25 until 1977-06), James Getzoff (American concertmaster and violinist) (from 1977-02-25 until 1977-06), Lou Klass (from 1977-02-25 until 1977-06), Alfred Lustgarten (Violinist) (from 1977-02-25 until 1977-06), Jerome Reisler (from 1977-02-25 until 1977-06), Josef Schoenbrun (from 1977-02-25 until 1977-06), Paul Shure (from 1977-02-25 until 1977-06) and Gerald Vinci (American violinist and strings conductor) (from 1977-02-25 until 1977-06)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (from 1977-02-25 until 1977-06)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
concertmaster:
James Getzoff (American concertmaster and violinist) (from 1977-02-25 until 1977-06)
recorded at:
Brother Studios in Santa Monica, California, United States (from 1977-02-25 until 1977-06)
mixed at:
The Audio Labs in Glendale, California, United States
instrumental recording of:
It’s Over Now (Brian Wilson) (from 1977-02-25 until 1977-06)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
3:17
13Still I Dream of It (2025 backing track mix)
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
cello:
Raymond Kelley (cellist) (from 1977-02-09 until 1977-06), Edgar Lustgarten (from 1977-02-09 until 1977-06), Kathleen Lustgarten (from 1977-02-09 until 1977-06) and Frederick Seykora (from 1977-02-09 until 1977-06)
double bass:
Meyer Rubin (US bassist 1930s - 1960s) (from 1977-02-09 until 1977-06) and Robert Stone (bass, cello) (from 1977-02-09 until 1977-06)
drums (drum set):
Earl Palmer (from 1977-02-09 until 1977-06)
electric bass guitar:
Max Bennett (US jazz bassist and session musician) (from 1977-02-09 until 1977-06)
electric guitar:
Dennis Budimir (from 1977-02-09 until 1977-06)
flute:
Harry Klee (from 1977-02-09 until 1977-06), Wilbur Schwartz (from 1977-02-09 until 1977-06) and William Calkins (from 1977-02-09 until 1977-06)
French horn:
James Decker (French hornist) (from 1977-02-09 until 1977-06), Arthur Maebe (US horn player) (from 1977-02-09 until 1977-06) and Richard Perissi (from 1977-02-09 until 1977-06)
grand piano:
Brian Wilson (Beach Boys co‐founder) (from 1977-02-09 until 1977-06)
oboe:
Jules Jacob (US jazz woodwind player) (from 1977-02-09 until 1977-06)
violin:
Murray Adler (from 1977-02-09 until 1977-06), Harry Bluestone (from 1977-02-09 until 1977-06), Bonnie Douglas (from 1977-02-09 until 1977-06), Elliott Fisher (from 1977-02-09 until 1977-06), James Getzoff (American concertmaster and violinist) (from 1977-02-09 until 1977-06), Lou Klass (from 1977-02-09 until 1977-06), Alfred Lustgarten (Violinist) (from 1977-02-09 until 1977-06), Nathan Ross (from 1977-02-09 until 1977-06), Josef Schoenbrun (from 1977-02-09 until 1977-06) and Paul Shure (from 1977-02-09 until 1977-06)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (from 1977-02-09 until 1977-06)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
concertmaster:
James Getzoff (American concertmaster and violinist) (from 1977-02-09 until 1977-06)
recorded at:
Brother Studios in Santa Monica, California, United States (from 1977-02-09 until 1977-06)
mixed at:
The Audio Labs in Glendale, California, United States
instrumental recording of:
Still I Dream of It (from 1977-02-09 until 1977-06)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
3:37
14Holy Man (2025 mix Carl Wilson vocal)
engineer:
Earle Mankey and Stephen Moffitt
producer:
Carl Wilson (Beach Boys) and Dennis Wilson (Beach Boys)
acoustic guitar, electric bass guitar, electric guitar and lead vocals:
Carl Wilson (Beach Boys) (from 1974 until 1976)
bell, drums (drum set) and tambourine:
Ricky Fataar (from 1974 until 1976)
grand piano, mellotron, organ, synthesizer [ARP String Ensemble] and Wurlitzer electric piano:
Dennis Wilson (Beach Boys) (from 1974 until 1976)
recorded at:
Brother Studios in Santa Monica, California, United States (from 1974 until 1976)
mixed at:
The Audio Labs in Glendale, California, United States
recording of:
Holy Man (Dennis Wilson song, new lyrics) (from 1974 until 1976)
lyricist:
Taylor Hawkins and Gregg Jakobson
composer:
Dennis Wilson (Beach Boys)
version of:
Holy Man
4:10
15Carl’s Song 1 – It Could Be Anything (2025 mix)
engineer:
Earle Mankey
producer:
Carl Wilson (Beach Boys)
12 string guitar:
Billy Hinsche (from 1974 until 1975) and Carl Wilson (Beach Boys) (from 1974 until 1975)
drums (drum set) and snare drum:
Ricky Fataar (from 1974 until 1975)
glockenspiel, organ, synthesizer [ARP Pro Soloist], synthesizer [ARPR String Ensemble], tack piano, tambourine and lead vocals:
Carl Wilson (Beach Boys) (from 1974 until 1975)
grand piano:
Gerry Beckley (from 1974 until 1975)
recorded at:
Brother Studios in Santa Monica, California, United States (from 1974 until 1975)
mixed at:
The Audio Labs in Glendale, California, United States
recording of:
It Could Be Anything (Carl's Song 1) (from 1974 until 1975)
writer:
Carl Wilson (Beach Boys)
3:28
16Carl’s Song 2 – Angels Come Home (2025 mix)
engineer:
Earle Mankey
producer:
Carl Wilson (Beach Boys)
12 string guitar, acoustic guitar, cabasa, castanets, electric guitar, Hammond organ [Hammond B-3 Organ], Minimoog and other instruments [styrofoam]:
Carl Wilson (Beach Boys) (in 1975)
drums (drum set):
Ricky Fataar (in 1975)
recorded at:
Brother Studios in Santa Monica, California, United States (in 1975)
mixed at:
The Audio Labs in Glendale, California, United States
recording of:
Angels Come Home (Carl's Song 2) (in 1975)
writer:
Carl Wilson (Beach Boys)
3:41
17String Bass Song (Rainbows) (2025 mix)
engineer:
Earle Mankey
producer:
Dennis Wilson (Beach Boys)
grand piano, Minimoog and organ:
Dennis Wilson (Beach Boys) (on 1974-03-05)
recorded at:
Brother Studios in Santa Monica, California, United States (on 1974-03-05)
mixed at:
The Audio Labs in Glendale, California, United States
recording of:
Rainbows (on 1974-03-05)
lyricist:
Steve Kalinich (songwriter)
composer:
Carl Wilson (Beach Boys) and Dennis Wilson (Beach Boys)
3:22
1810,000 Years Ago
engineer:
Earle Mankey and Stephen Moffitt
producer:
Carl Wilson (Beach Boys) and Dennis Wilson (Beach Boys)
mixer:
Stephen Moffitt (from 1974 until 1976)
bell, bongos, drums (drum set) and tambourine:
Ricky Fataar (from 1974 until 1976)
clavinet and Minimoog:
Carl Wilson (Beach Boys) (from 1974 until 1976) and Dennis Wilson (Beach Boys) (from 1974 until 1976)
electric guitar:
Carl Wilson (Beach Boys) (from 1974 until 1976)
grand piano, Hammond organ [Hammond B-3 Organ], synthesizer [ARP String Ensemble], upright piano and Wurlitzer electric piano:
Dennis Wilson (Beach Boys) (from 1974 until 1976)
recorded at and mixed at:
Brother Studios in Santa Monica, California, United States (from 1974 until 1976)
recording of:
10,000 Years Ago (from 1974 until 1976)
writer:
Mike Love (Beach Boys) and Dennis Wilson (Beach Boys)
5:04
19Gimme Some Lovin’ (2025 mix)
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
drums (drum set):
Dennis Wilson (Beach Boys) (on 1977-06-23)
electric guitar:
Chuck Crane (on 1977-06-23)
synthesizer [ARP String Ensemble] and tack piano:
Brian Wilson (Beach Boys co‐founder) (on 1977-06-23)
recorded at:
Brother Studios in Santa Monica, California, United States (on 1977-06-23)
mixed at:
The Audio Labs in Glendale, California, United States
cover recording of:
Gimme Some Lovin’ (on 1977-06-23)
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
3:29
20Honeycomb (Marilyn Wilson‐Rutherford vocal)
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
mixer:
Chuck Britz (on 1975-09-30)
accordion, electric bass guitar, grand piano, rototom and tambourine:
Brian Wilson (Beach Boys co‐founder) (on 1975-09-30)
background vocals:
Diane Rovell (on 1975-09-30), Brian Wilson (Beach Boys co‐founder) (on 1975-09-30) and Marilyn Wilson (on 1975-09-30)
lead vocals:
Marilyn Wilson (on 1975-09-30)
recorded at:
Western Recorders, Studio 3 in Hollywood, Los Angeles, California, United States (on 1975-09-30)
mixed at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1975-09-30)
cover recording of:
Honeycomb (on 1975-09-30)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1954)
2:14
21In the Back of My Mind
engineer:
Earle Mankey
producer:
Brian Wilson (Beach Boys co‐founder)
grand piano:
Tandyn Almer (in 1975)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (in 1975)
recorded at:
Brother Studios in Santa Monica, California, United States (in 1975)
recording of:
In the Back of My Mind (in 1975)
lyricist:
Brian Wilson (Beach Boys co‐founder)
composer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
2:45
3▶Digital Media