The Real Kansas City of the ’20s, ’30s & ’40s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Kater Street Rag
recorded in:
Kansas City, Missouri, Vereinigte Staaten (am 1925-05-14)
alto saxophone:
Harlan Leonard (am 1925-05-14)
Banjo:
Laforest Dent (am 1925-05-14)
Klarinette und Rohrblattinstrumente:
Harlan Leonard (am 1925-05-14) und Woody Walder (am 1925-05-14)
Klavier:
Bennie Moten (jazz pianist) (am 1925-05-14)
Kornett:
Harry Cooper (am 1925-05-14) und Lammar Wright (am 1925-05-14)
Posaune:
Thamon Hayes (am 1925-05-14)
Schlagzeug:
Willie Hall (drummer, worked with Bennie Moten) (am 1925-05-14)
Tenorsaxophon:
Woody Walder (am 1925-05-14)
Tuba:
Vernon Page (am 1925-05-14)
recording of:
Kater Street Rag (am 1925-05-14)
Komponist(in):
Bennie Moten (jazz pianist)
Bennie Moten’s Kansas City Orchestra2:33
2Boot to Boot
recorded in:
St. Louis, Missouri, Vereinigte Staaten (am 1927-04-27)
alto saxophone:
Glenn Hughes (early saxophonist) (am 1927-04-27) und Jack Washington (am 1927-04-27)
Banjo:
Silas Cluke (am 1927-04-27)
baritone saxophone:
Jack Washington (am 1927-04-27)
Klavier:
Jesse Stone (am 1927-04-27)
Posaune:
Druie Bess (am 1927-04-27)
Schlagzeug:
Max Wilkinson (am 1927-04-27)
Tenorsaxophon:
Elmer Burch (am 1927-04-27)
Trompete:
Albert Hinton (am 1927-04-27) und Slick Jackson (am 1927-04-27)
Tuba:
Pete Hassel (am 1927-04-27)
arranger:
Jesse Stone
Jesse Stone & His Blues Serenaders3:01
3Won’t You Come Over to My House?
recorded in:
Kansas City, Missouri, Vereinigte Staaten (am 1929-11-07)
alto saxophone:
Clarence Taylor (am 1929-11-07)
Banjo und Gitarre:
Charles Rousseau (am 1929-11-07)
Klavier:
Jesse Stone (am 1929-11-07)
Posaune:
Jimmy Jones (jazz trombonist) (am 1929-11-07)
Schlagzeug:
Pete Woods (jazz drummer) (am 1929-11-07)
Tenorsaxophon:
Budd Johnson (am 1929-11-07)
Trompete:
Harold Knox (am 1929-11-07)
vocals:
Julia Lee (am 1929-11-07)
conductor:
George E. Lee (am 1929-11-07)
Julia Lee with George E. Lee's Novelty Singing Orchestra2:51
4Paseo Street (Strut)
recorded in:
Kansas City, Missouri, Vereinigte Staaten (am 1929-11-16)
alto saxophone:
Clarence Taylor (am 1929-11-16) und Herman Walder (am 1929-11-16)
Banjo:
Charles Rousseau (am 1929-11-16)
bass saxophone und Sopransaxophon:
Clarence Taylor (am 1929-11-16)
Klarinette:
Herman Walder (am 1929-11-16)
Klavier:
Jesse Stone (am 1929-11-16)
Posaune:
Jimmy Jones (jazz trombonist) (am 1929-11-16)
Schlagzeug:
Pete Woods (jazz drummer) (am 1929-11-16)
Tenorsaxophon:
Budd Johnson (am 1929-11-16)
Trompete:
Harold Knox (am 1929-11-16) und Sam Utterbach (am 1929-11-16)
Tuba:
Clint Weaver (am 1929-11-16)
conductor:
George E. Lee (am 1929-11-16)
arranger:
Jesse Stone
George E. Lee's Novelty Singing Orchestra2:43
5Blue Devil Blues
recorded in:
Kansas City, Missouri, Vereinigte Staaten (am 1929-11-10)
alto saxophone:
Ted Manning (am 1929-11-10) und Buster Smith (saxophone) (am 1929-11-10)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1929-11-10)
Klarinette:
Buster Smith (saxophone) (am 1929-11-10)
Klavier:
Charles Washington (jazz pianist) (am 1929-11-10)
Kontrabass [string bass] und Tuba:
Walter Page (am 1929-11-10)
Posaune:
Dan Minor (am 1929-11-10)
Schlagzeug:
Alvin Burroughs (am 1929-11-10)
Solo-Trompete:
Hot Lips Page (am 1929-11-10)
Tenorsaxophon:
Reuben Roddy (am 1929-11-10)
Trompete:
James Simpson (jazz trumpeter) (am 1929-11-10)
vocals:
Jimmy Rushing (am 1929-11-10)
conductor:
Walter Page (am 1929-11-10)
Walter Page’s Blue Devils2:48
6Prince of Wails
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-13)
Produzent(in):
Eli Oberstein
alto saxophone:
Eddie Barefield (am 1932-12-13) und Jack Washington (am 1932-12-13)
baritone saxophone:
Jack Washington (am 1932-12-13)
Gitarre:
Leroy "Buster" Berry (am 1932-12-13) und Eddie Durham (American guitarist, trombonist, composer and arranger.) (am 1932-12-13)
Klarinette:
Eddie Barefield (am 1932-12-13)
Klavier:
Count Basie (pianist) (am 1932-12-13)
Kontrabass:
Walter Page (am 1932-12-13)
Posaune:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (am 1932-12-13) und Dan Minor (am 1932-12-13)
Schlagzeug:
Willie McWashington (am 1932-12-13)
Tenorsaxophon:
Ben Webster (am 1932-12-13)
Trompete:
Joe Keyes (am 1932-12-13), Hot Lips Page (am 1932-12-13) und Prince "Dee" Stewart (am 1932-12-13)
Ventilposaune:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (am 1932-12-13)
conductor:
Bennie Moten (jazz pianist) (am 1932-12-13)
arranger:
Eddie Durham (American guitarist, trombonist, composer and arranger.)
Bennie Moten’s Kansas City Orchestra2:52
7Queer Notions
recorded in:
New York, New York, Vereinigte Staaten (am 1933-08-18)
Produzent(in):
John Hammond (producer)
alto saxophone:
Hilton Jefferson (am 1933-08-18) und Russell Procope (am 1933-08-18)
Gitarre:
Bernard Addison (am 1933-08-18)
Klarinette:
Coleman Hawkins (am 1933-08-18), Hilton Jefferson (am 1933-08-18) und Russell Procope (am 1933-08-18)
Klavier:
Fletcher Henderson (am 1933-08-18)
Kontrabass und Kontrabass [string bass]:
John Kirby (jazz bass/trombone/tuba player) (am 1933-08-18)
Posaune:
Dicky Wells (am 1933-08-18) und Sandy Williams (American jazz trombonist) (am 1933-08-18)
Schlagzeug:
Walter Johnson (drums) (am 1933-08-18)
Tenorsaxophon:
Coleman Hawkins (am 1933-08-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1933-08-18), Russell Smith (US jazz trumpeter) (am 1933-08-18) und Bobby Stark (am 1933-08-18)
conductor:
Fletcher Henderson (am 1933-08-18)
arranger:
Horace Henderson
recording of:
Queer Notions (am 1933-08-18)
Komponist(in):
Coleman Hawkins
Fletcher Henderson & His Orchestra2:52
8Lotta Sax Appeal
recorded in:
New York, New York, Vereinigte Staaten (am 1936-03-02)
Produzent(in):
Bob Stephens
alto saxophone, baritone saxophone und Klarinette:
John Harrington (jazz saxophonist) (am 1936-03-02) und John Williams (jazz saxophonist) (am 1936-03-02)
Gitarre:
Ted Brinson (am 1936-03-02)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1936-03-02)
Kontrabass [string bass]:
Booker Collins (am 1936-03-02)
Posaune:
Ted "Muttonleg" Donnelly (am 1936-03-02)
Schlagzeug:
Ben Thigpen (am 1936-03-02)
Tenorsaxophon:
Dick Wilson (am 1936-03-02)
Trompete:
Paul King (jazz trumpeter) (am 1936-03-02), Harry Lawson (am 1936-03-02) und Earl Thompson (trumpeter) (am 1936-03-02)
conductor:
Andy Kirk (jazz saxophonist and tubist) (am 1936-03-02)
arranger:
Mary Lou Williams (American jazz pianist and composer)
Andy Kirk & His 12 Clouds of Joy2:57
9Lady Be Good
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1936-11-09)
Produzent(in):
John Hammond (producer)
Klavier:
Count Basie (pianist) (am 1936-11-09)
Kontrabass:
Walter Page (am 1936-11-09)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1936-11-09)
Tenorsaxophon:
Lester Young (saxophonist) (am 1936-11-09)
Trompete:
Carl "Tatti" Smith (trumpeter) (am 1936-11-09)
instrumental recording of:
Oh, Lady Be Good! (am 1936-11-09)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
Jones-Smith, Inc.3:08
10Rockin’ and Swingin’
recorded in:
San Antonio, Texas, Vereinigte Staaten (am 1936-11-18)
Produzent(in):
Don Law
alto saxophone:
Herb Hall (am 1936-11-18), Gus Patterson (am 1936-11-18) und Harold "Dink" Taylor (am 1936-11-18)
baritone saxophone:
Herb Hall (am 1936-11-18)
Gitarre:
Ferdinand Dejan (am 1936-11-18)
Klarinette:
Louis Cottrell, Jr. (am 1936-11-18) und Herb Hall (am 1936-11-18)
Klavier:
Lloyd Glenn (am 1936-11-18)
Kontrabass [string bass]:
James Johnson (jazz double bassist) (am 1936-11-18)
Posaune:
Frank Jacquet (am 1936-11-18) und James "Geechy" Robinson (am 1936-11-18)
Schlagzeug:
Albert "Fats" Martin (am 1936-11-18)
Tenorsaxophon:
Louis Cottrell, Jr. (am 1936-11-18)
Trompete:
Alvin Alcorn (am 1936-11-18), Billy Douglas (am 1936-11-18) und Hiram Harding (am 1936-11-18)
conductor:
Don Albert (am 1936-11-18)
arranger:
Don Albert und Lloyd Glenn
Don Albert & His Orchestra2:41
11Western (Moten) Swing
recorded in:
Birmingham, Alabama, Vereinigte Staaten (am 1937-03-24)
Produzent(in):
Art Satherly
alto saxophone:
Albert Martin (am 1937-03-24) und Lew Williams (jazz saxophonist) (am 1937-03-24)
baritone saxophone:
Booker T. Starks (am 1937-03-24) und Addison White (am 1937-03-24)
Bass:
Lee Thurman (am 1937-03-24)
Gitarre:
W. J. Edwards (am 1937-03-24)
Klavier:
Cliff Smalls (am 1937-03-24)
Posaune:
Julius Watson (jazz trombonist), Eugene Earl (am 1937-03-24) und Leroy Hardinson (am 1937-03-24)
Schlagzeug:
Otis Walker (am 1937-03-24)
Tenorsaxophon:
Walter Bash (am 1937-03-24), Booker T. Starks (am 1937-03-24) und Addison White (am 1937-03-24)
Trompete:
Ben Martin (jazz trumpeter) (am 1937-03-24), Thaddeus Seabrook (am 1937-03-24), John Williams (jazz trumpeter) (am 1937-03-24) und Joseph WIlliams (jazz trumpeter) (am 1937-03-24)
recording of:
Moten Swing (am 1937-03-24)
Verfasser(in):
Bennie Moten (jazz pianist)
Komponist(in):
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) und Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
Carolina Cotton Pickers2:32
12Swinging at the Chat and Chew
recorded in:
Hot Springs, Arkansas, Vereinigte Staaten (am 1937-03-05)
Produzent(in):
Art Satherly
alto saxophone:
Monroe Fingers (am 1937-03-05) und Clifton Jones (am 1937-03-05)
Gitarre:
Jesse Saville (am 1937-03-05)
Klarinette:
Monroe Fingers (am 1937-03-05)
Klavier:
Durant Allen (am 1937-03-05)
Kontrabass [string bass]:
Wiley Fuller (am 1937-03-05)
Schlagzeug:
Theodore Saville (am 1937-03-05)
Tenorsaxophon:
William Pate (am 1937-03-05)
Trompete:
Earl Watkins (am 1937-03-05) und Aubrey Yancey (am 1937-03-05)
Original Yellow Jackets2:54
13Life Goes to a Party
recorded in:
New York, New York, Vereinigte Staaten (am 1937-12-01)
Produzent(in):
John Hammond (producer)
alto saxophone:
Earle Warren (am 1937-12-01) und Jack Washington (am 1937-12-01)
baritone saxophone:
Jack Washington (am 1937-12-01)
Klavier:
Jess Stacy (am 1937-12-01)
Kontrabass [string bass]:
Walter Page (am 1937-12-01)
Posaune:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (am 1937-12-01)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1937-12-01)
Tenorsaxophon:
Herschel Evans (am 1937-12-01)
Trompete:
Buck Clayton (am 1937-12-01) und Harry James (US big band leader, trumpeter & actor) (am 1937-12-01)
conductor:
Harry James (US big band leader, trumpeter & actor) (am 1937-12-01)
arranger:
Eddie Durham (American guitarist, trombonist, composer and arranger.)
recording of:
Life Goes to a Party (am 1937-12-01)
Verfasser(in):
Benny Goodman (clarinetist and bandleader) und Harry James (US big band leader, trumpeter & actor)
Harry James & His Orchestra2:53
14Cherry Red
recorded in:
New York, New York, Vereinigte Staaten (am 1939-06-30)
Produzent(in):
John Hammond (producer)
alto saxophone:
Buster Smith (saxophone) (am 1939-06-30)
Gitarre:
Lawrence Lucie (am 1939-06-30)
Klavier:
Pete Johnson (US boogie‐woogie pianist) (am 1939-06-30)
Kontrabass [string bass]:
Abe Bolar (am 1939-06-30)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-06-30)
Trompete:
Hot Lips Page (am 1939-06-30)
vocals:
Big Joe Turner (am 1939-06-30)
recording of:
Cherry Red (am 1939-06-30)
Verfasser(in):
Pete Johnson (US boogie‐woogie pianist) und Big Joe Turner
Pete Johnson & His Boogie Woogie Boys2:56
15Lester Leaps In
recorded in:
New York, New York, Vereinigte Staaten (am 1939-09-05)
Produzent(in):
John Hammond (producer)
Gitarre:
Freddie Green (am 1939-09-05)
Klarinette, Klarinette und Tenorsaxophon und Tenorsaxophon:
Lester Young (saxophonist) (am 1939-09-05)
Klavier und Pianoakkordeon:
Count Basie (pianist) (am 1939-09-05)
Kontrabass und Kontrabass [string bass]:
Walter Page (am 1939-09-05)
Posaune:
Dicky Wells (am 1939-09-05)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1939-09-05)
Trompete:
Buck Clayton (am 1939-09-05)
Orchester:
Count Basie and His Orchestra (am 1939-09-05)
conductor:
Count Basie (pianist) (am 1939-09-05)
recording of:
Lester Leaps In (am 1939-09-05)
Komponist(in):
Lester Young (saxophonist) (in 1939)
Count Basie’s Kansas City Seven3:16
16T-Town Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-08-02)
Produzent(in):
John Hammond (producer)
alto saxophone:
Hunter Gray (am 1939-08-02) und Luther West (am 1939-08-02)
Gitarre:
René Hall (am 1939-08-02)
Klavier:
Rozelle Claxton (am 1939-08-02)
Kontrabass [string bass]:
Robert Lewis (jazz double bassist) (am 1939-08-02)
Posaune:
René Hall (am 1939-08-02), Edward Middleton (am 1939-08-02) und Russell Moore (jazz trombonist) (am 1939-08-02)
Schlagzeug:
Clarence Dixon (jazz drummer) (am 1939-08-02)
Tenorsaxophon:
Roy Douglas (jazz saxophonist) (am 1939-08-02) und Harry Garnett (am 1939-08-02)
Trompete:
Jeff Carrington (am 1939-08-02), Edwin Middleton (am 1939-08-02) und Amos Woodruff (am 1939-08-02)
vocals:
Melvin Moore (Trumpet, Violin, Voice) (am 1939-08-02)
conductor:
Ernie Fields (am 1939-08-02)
Ernie Fields & His Orchestra2:55
17Tickle Toe
recorded in:
New York, New York, Vereinigte Staaten (am 1940-03-19)
Produzent(in):
John Hammond (producer)
alto saxophone:
Earl Warren (am 1940-03-19) und Jack Washington (am 1940-03-19)
alto saxophone und baritone saxophone und baritone saxophone:
Jack Washington (am 1940-03-19)
Gitarre:
Freddie Green (am 1940-03-19)
Klavier:
Count Basie (pianist) (am 1940-03-19)
Kontrabass, Kontrabass [bass] und Kontrabass [string bass]:
Walter Page (am 1940-03-19)
Posaune:
Vic Dickenson (am 1940-03-19), Dickie Wells (am 1940-03-19), Dan Minor (am 1940-03-19) und Benny Morton (am 1940-03-19)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1940-03-19)
Tenorsaxophon:
Leon “Chu” Berry (am 1940-03-19), Buddy Tate (US jazz saxophonist & clarinetist) (am 1940-03-19) und Lester Young (saxophonist) (am 1940-03-19)
Trompete:
Buck Clayton (am 1940-03-19), Shad Collins (am 1940-03-19), Harry Edison (am 1940-03-19), Al Killian (am 1940-03-19) und Ed Lewis (jazz trumpeter) (am 1940-03-19)
conductor:
Count Basie (pianist) (am 1940-03-19)
arranger:
Andy Gibson (trumpet, arranger, composer) (am 1940-03-19)
recording of:
Tickle Toe (am 1940-03-19)
Komponist(in):
Lester Young (saxophonist)
Count Basie & His Orchestra2:39
18Baby, Look at You
recorded in:
New York, New York, Vereinigte Staaten (am 1939-06-30)
Produzent(in):
John Hammond (producer)
alto saxophone:
Buster Smith (saxophone) (am 1939-06-30)
Gitarre:
Lawrence Lucie (am 1939-06-30)
Klavier:
Pete Johnson (US boogie‐woogie pianist) (am 1939-06-30)
Kontrabass und Kontrabass [string bass]:
Abe Bolar (am 1939-06-30)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-06-30)
Trompete:
Hot Lips Page (am 1939-06-30)
Sologesang:
Joe Turner
vocals:
Big Joe Turner (am 1939-06-30)
Pete Johnson & His Boogie Woogie Boys3:04
19Little Joe From Chicago
recorded in:
New York, New York, Vereinigte Staaten (am 1939-10-12)
Produzent(in):
John Hammond (producer)
Solo-Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1939-10-12)
Mary Lou Williams32:37
20I Left My Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1939-11-06)
Produzent(in):
John Hammond (producer)
alto saxophone:
Earle Warren (am 1939-11-06) und Jack Washington (am 1939-11-06)
baritone saxophone und Saxophon:
Jack Washington (am 1939-11-06)
Gitarre:
Freddie Green (am 1939-11-06)
Klavier:
Count Basie (pianist) (am 1939-11-06)
Kontrabass und Kontrabass [string bass]:
Walter Page (am 1939-11-06)
Posaune:
Dan Minor (am 1939-11-06), Benny Morton (am 1939-11-06) und Dicky Wells (am 1939-11-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1939-11-06)
Tenorsaxophon:
Buddy Tate (US jazz saxophonist & clarinetist) (am 1939-11-06) und Lester Young (saxophonist) (am 1939-11-06)
Trompete:
Buck Clayton (am 1939-11-06), Shad Collins (am 1939-11-06), Harry “Sweets” Edison (am 1939-11-06) und Ed Lewis (jazz trumpeter) (am 1939-11-06)
vocals:
Jimmy Rushing (am 1939-11-06)
conductor:
Count Basie (pianist) (am 1939-11-06)
arranger:
Andy Gibson (trumpet, arranger, composer)
Count Basie & His Orchestra3:15
21My Gal Sal
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1940-01-11)
Produzent(in):
Ernest Williams
alto saxophone:
Darwin Jones (am 1940-01-11) und Harlan Leonard (am 1940-01-11)
baritone saxophone:
Harlan Leonard (am 1940-01-11)
Gitarre:
Efferge Ware (am 1940-01-11)
Klarinette:
Henry Bridges (am 1940-01-11) und Harlan Leonard (am 1940-01-11)
Klavier:
William S. Smith (am 1940-01-11)
Kontrabass [string bass]:
Winston Williams (jazz double bassist) (am 1940-01-11)
Posaune:
Fred Beckett (am 1940-01-11) und Richmond Henderson (am 1940-01-11)
Schlagzeug:
Jesse Price (US jazz/R&B drummer & singer) (am 1940-01-11)
Tenorsaxophon:
Henry Bridges (am 1940-01-11) und Jimmy Keith (am 1940-01-11)
Trompete:
Edward Johnson (jazz trumpeter) (am 1940-01-11), James Ross (jazz trumpeter) (am 1940-01-11) und William H. Smith (am 1940-01-11)
conductor:
Harlan Leonard (am 1940-01-11)
arranger:
Richard J. Smith
recording of:
My Gal Sal (am 1940-01-11)
Texter und Komponist(in):
Paul Dresser
Harlan Leonard & His Rockets2:59
22Swingmatism
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1941-04-30)
alto saxophone:
John Jackson (American jazz saxophonist) (am 1941-04-30) und Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1941-04-30)
Klavier:
Jay McShann (am 1941-04-30)
Kontrabass [string bass]:
Gene Ramey (am 1941-04-30)
Posaune:
Taswell Baird (am 1941-04-30)
Schlagzeug:
Gus Johnson (drums) (am 1941-04-30)
Tenorsaxophon:
Harold Ferguson (am 1941-04-30) und Bob Mabane (am 1941-04-30)
Trompete:
Bernard Anderson (jazz trumpeter) (am 1941-04-30), Harold Bruce (am 1941-04-30) und Orville "Piggy" Minor (am 1941-04-30)
conductor:
Jay McShann (am 1941-04-30)
arranger:
William J. Scott
recording of:
Swingmatism (am 1941-04-30)
Verfasser(in):
Jay McShann und William J. Scott
Jay McShann & His Orchestra2:43
23Harvard Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1941-11-17)
Produzent(in):
John Hammond (producer)
alto saxophone:
Tab Smith (am 1941-11-17) und Earle Warren (am 1941-11-17)
baritone saxophone:
Jack Washington (am 1941-11-17)
Gitarre:
Freddie Green (am 1941-11-17)
Klavier:
Count Basie (pianist) (am 1941-11-17)
Kontrabass und Kontrabass [string bass]:
Walter Page (am 1941-11-17)
Posaune:
Eli Robinson (trombonist) (am 1941-11-17), Robert Scott (jazz trombonist) (am 1941-11-17) und Dicky Wells (am 1941-11-17)
Saxophon und Sopransaxophon:
Tab Smith (am 1941-11-17)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1941-11-17)
Tenorsaxophon:
Don Byas (am 1941-11-17) und Buddy Tate (US jazz saxophonist & clarinetist) (am 1941-11-17)
Trompete:
Buck Clayton (am 1941-11-17), Harry “Sweets” Edison (am 1941-11-17), Al Killian (am 1941-11-17) und Ed Lewis (jazz trumpeter) (am 1941-11-17)
Sologesang:
Jimmy Rushing (am 1941-11-17)
vocals:
Jimmy Rushing (am 1941-11-17)
conductor:
Count Basie (pianist) (am 1941-11-17)
recording of:
Harvard Blues (am 1941-11-17)
Texter:
George Frazier
Komponist(in):
Count Basie (pianist) und Tab Smith
publisher:
Chappell Paris
Count Basie & His Orchestra3:21
24Smooth Sailing
recorded in:
New York, New York, Vereinigte Staaten (am 1940-10-23)
Produzent(in):
John Hammond (producer)
alto saxophone:
Howard Johnson (alto saxophone) (am 1940-10-23) und Charles Price (jazz saxophonist) (am 1940-10-23)
baritone saxophone:
Leonard Talley (am 1940-10-23)
Klavier:
Horace Henderson (am 1940-10-23)
Kontrabass [string bass]:
Israel Crosby (am 1940-10-23)
Posaune:
Archie Brown (jazz trombone) (am 1940-10-23) und Leo Williams (jazz trombone) (am 1940-10-23)
Schlagzeug:
Debo Mills (am 1940-10-23)
Tenorsaxophon:
Bob Dorsey (jazz saxophonist) (am 1940-10-23) und Lee Pope (tenor saxophonist) (am 1940-10-23)
Trompete:
Nathanial Robert "Nat" Bates (40s jazz trumpeter) (am 1940-10-23), Emmett Berry (am 1940-10-23) und Harold Johnson (US jazz trumpeter aka "Money") (am 1940-10-23)
arranger:
Sir Charles Thompson (jazz)
recording of:
Smooth Sailing (am 1940-10-23)
Komponist(in):
Sir Charles Thompson (jazz)
Horace Henderson & His Orchestra2:57
25Long Gone Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-03-21)
Produzent(in):
Bernie Hanighen
alto saxophone und Sopransaxophon:
Tab Smith (am 1939-03-21)
Gitarre:
Jimmy McLin (am 1939-03-21)
Klavier:
Ken Kersey (am 1939-03-21)
Kontrabass [string bass]:
Johnny Williams (jazz bassist) (am 1939-03-21)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-03-21)
Tenorsaxophon:
Kenneth Hollon (am 1939-03-21) und Stanley Payne (am 1939-03-21)
Trompete:
Hot Lips Page (am 1939-03-21)
vocals:
Billie Holiday (am 1939-03-21)
recording of:
Long Gone Blues (am 1939-03-21)
Verfasser(in):
Billie Holiday
Billie Holiday & Her Orchestra3:04

Nennungen

Veröffentlichung

art direction und Design/Illustrationen:Julian Peploe (art direction)
liner notes:Frank DIggs (in 1996-03)
Techniker(in):Larry Keyes (engineer)
leitende(r) Produzent(in):Steve Berkowitz (A&R executive at Sony, also credited as reissue producer)
Produzent(in):Michael Brooks (music historian, archivist, producer)
engineered at:Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
ASIN:US: B000002ACU [Info]