Throwback Tunes: Classic Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2017 UMG Recordings, Inc.»
℗ «A Universal Music Enterprises Release; This Compilation»

Countries excluded (iTunes + Deezer + Spotify)

(As of 2020-07-26).

  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
Anmerkung zuletzt geändert am 2020-07-26 23:24 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Show Me the Way (live)
Produzent(in):
Peter Frampton
Bassgitarre:
Stanley Sheldon (bass player)
Flügel, Orgel und Rhodes Piano:
Bob Mayo (US session keyboardist & guitarist)
Gitarre:
Peter Frampton und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug [drums]:
John Siomos
Talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) und Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographisches Urheberrecht (℗) von:
A&M Records (in 1976)
live recording of:
Show Me the Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und United Artists Music Co., Inc.
Peter Frampton3.74:39
2Ballroom Blitz
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und engineered at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Ballroom Blitz
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
The Sweet4.64:01
3Crazy on You
Techniker(in):
Mike Flicker und Rolf Hennemann
assistierende(r) Produzent(in):
Howard Leese
Produzent(in):
Mike Flicker
Akustikgitarre:
Nancy Wilson (guitarist/singer of “Heart”)
Bassgitarre:
Steve Fossen
E-Gitarre:
Roger Fisher (US rock guitarist) und Howard Leese
flute und Sologesang:
Ann Wilson (lead singer of Heart)
Schlagzeug:
Kat Hendrikse
Synthesizer:
Rob Deans
Hintergrundgesang:
Geoff Foubert, Ann Wilson (lead singer of Heart) und Nancy Wilson (guitarist/singer of “Heart”)
aufgenommen bei und mixed at:
Mushroom Studios in Vancouver, British Columbia, Kanada
recording of:
Crazy on You
Verfasser(in):
Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) und Nancy Wilson (guitarist/singer of “Heart”)
publisher:
How About Music, Sony/ATV Tunes LLC (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.154:53
4The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:27
5We're an American Band
Assistent recording engineer:
Seth Snyder
Techniker(in) und Produzent(in):
Todd Rundgren
Akustikgitarre, Conga, Gitarre und Hybrid-Piano:
Mark Farner
Bass:
Mel Schacher
Clavinet, Klavier, Moog und Orgel:
Craig Frost
Perkussion und Schlagzeug:
Don Brewer (drummer for Grand Funk Railroad)
vocals:
Don Brewer (drummer for Grand Funk Railroad) und Mark Farner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1987, in 1991)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 99) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
We’re an American Band
Texter und Komponist(in):
Don Brewer (drummer for Grand Funk Railroad)
publisher:
Brew Music Company
Grand Funk Railroad4.153:26
6Calling Dr. Love
Techniker(in) und Produzent(in):
Eddie Kramer (engineer)
Sologesang:
Gene Simmons (KISS bassist and vocalist)
aufgenommen bei:
Star Theatre in Nanuet, New York, Vereinigte Staaten (von 1976-09-13 bis 1976-10-04)
recording of:
Calling Dr. Love
Texter und Komponist(in):
Gene Simmons (KISS bassist and vocalist)
publisher:
Café Americana Inc. und Hori Productions America Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
Revision von:
Bad Bad Lovin’
KISS43:41
7Too Much Time on My Hands
assistierende(r) Techniker(in):
Will Rascati
Techniker(in):
Rob Kingsland und Gary Loizzo
Produzent(in):
Styx (rock band from Chicago)
Bassgitarre und Basspedal:
Chuck Panozzo
Gitarre:
Tommy Shaw (of Styx) und James Young (member of Styx, guitarist, singer and songwriter)
Horn:
Dan Barber, John Haynor (horn), Mark Ohlsen (Trumpet), Mike Halpin (Trombone) und Bill Simpson (horn)
Keyboard:
Dennis DeYoung
Schlagzeug und Perkussion:
John Panozzo
Sologesang:
Tommy Shaw (of Styx)
vocals:
Dennis DeYoung und James Young (member of Styx, guitarist, singer and songwriter)
Horn arranger:
Ed Tossing
arranger:
Styx (rock band from Chicago)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981)
aufgenommen bei und mixed at:
Pumpkin Studios in Oak Lawn, Illinois, Vereinigte Staaten
recording of:
Too Much Time on My Hands
Texter und Komponist(in):
Tommy Shaw (of Styx)
publisher:
日音 Synch事業部 (NICHION, INC. Synch Division) und Stygian Songs (publishing company for the rock band Styx) (vom 1980 bis heute)
Styx4.154:33
8Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:41
9Get Ready
Produzent(in):
Rare Earth (Detroit band)
cover recording of:
Get Ready
Texter und Komponist(in):
William “Smokey” Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Rare Earth52:47
10Rocky Mountain Way
Produzent(in):
Bill Szymczyk und Joe Walsh (Eagles/James Gang)
Bassgitarre und Gitarre:
Kenny Passarelli (Bass, piano) (von 1972 bis 1973) und Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Hybrid-Piano, Klavier, Perkussion und Schlagzeug:
Joe Vitale (von 1972 bis 1973)
Keyboard:
Rocke Grace (von 1972 bis 1973), Joe Vitale (von 1972 bis 1973) und Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Synthesizer und Sologesang:
Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Hintergrundgesang:
Rocke Grace (von 1972 bis 1973) und Kenny Passarelli (Bass, piano) (von 1972 bis 1973)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1973)
recording of:
Rocky Mountain Way (von 1972 bis 1973)
Verfasser(in):
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale und Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI)
Joe Walsh3.75:08
11Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:30
12All Right Now
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
All Right Now
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free53:48
13Takin' Care of Business
assistierende(r) Techniker(in):
Marc Sterling
Techniker(in):
Buzz Richmond
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Bassgitarre:
C.F. Turner (von 1973-09 bis 1973-10)
Gitarre [lead guitar] und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter) (von 1973-09 bis 1973-10)
Gitarre [second lead guitar]:
Tim Bachman (von 1973-09 bis 1973-10)
Klavier:
Norman Durkee (von 1973-09 bis 1973-10)
Perkussion und Schlagzeug:
Rob Bachman (von 1973-09 bis 1973-10)
Hintergrundgesang:
C.F. Turner (von 1973-09 bis 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (von 1973-09 bis 1973-10) und Tim Bachman (von 1973-09 bis 1973-10)
phonographisches Urheberrecht (℗) von:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten (von 1973-09 bis 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 59)
recording of:
Takin’ Care of Business (von 1973-09 bis 1973-10)
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
Bachman–Turner Overdrive4.254:50
14Maggie May
Bearbeitung von:
Maggie May (without “Henry” prelude) von Rod Stewart
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart33:43
15Ramblin' Man
Techniker(in):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks und Buddy Thornton
Produzent(in):
The Allman Brothers Band und Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
Bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1972-10)
Conga:
Jai Johanny Johanson (in 1972-10)
Gitarre:
Les Dudek (in 1972-10)
Gitarre [lead guitar] und Sologesang:
Dickey Betts (in 1972-10)
Klavier und Hintergrundgesang:
Gregg Allman (in 1972-10) und Chuck Leavell (in 1972-10)
Orgel:
Gregg Allman (in 1972-10)
Schlagzeug:
Jai Johanny Johanson (in 1972-10) und Butch Trucks (in 1972-10)
vocals:
Gregg Allman (in 1972-10)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
aufgenommen bei:
Capricorn Sound Studio in Macon, Georgia, Vereinigte Staaten (in 1972-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Ramblin’ Man (in 1972-10)
Texter und Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Australia Pty. Ltd.
The Allman Brothers Band4.554:48
16Bad to the Bone
Techniker(in):
Paul Mufson und John Nagy
assistierende(r) Produzent(in):
Ken Irwin und John Nagy
Produzent(in):
Terry Manning (US recording engineer) und The Delaware Destroyers (George Thorogood & the Destroyers)
Mix:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) und Terry Manning (US recording engineer) (in 1992)
Bass:
Bill Blough (von 1981 bis 1982)
Gitarre und Sologesang:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (von 1981 bis 1982)
Keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (von 1981 bis 1982)
Klavier:
Ian Stewart (piano/keyboard, Rolling Stones member)
Saxophon:
Hank Carter (Hank "Hurricane" Carter) (von 1981 bis 1982)
Schlagzeug:
Jeff Simon (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
aufgenommen bei:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Vereinigte Staaten (von 1981 bis 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, Vereinigte Staaten
recording of:
Bad to the Bone (von 1981 bis 1982)
Texter und Komponist(in):
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:51
17Heartbreaker
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Peter Coleman
Bassgitarre:
Roger Capps
E-Gitarre [lead guitar], Keyboard und Slide-Gitarre:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
E-Gitarre [rhythm guitar]:
Scott St. Clair Sheets
Schlagzeug:
Glen Alexander Hamilton
Hintergrundgesang:
Pat Benatar, Roger Capps und Neil Giraldo (multi-instrumentalist, songwriter, producer)
Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979)
aufgenommen bei:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (von 1979-06 bis 1979-07)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 72)
cover recording of:
Heartbreaker
Verfasser(in):
Geoff Gill und Cliff Wade
publisher:
DJM Music
Pat Benatar4.153:28
18Imaginary Lover
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1978) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 51)
recording of:
Imaginary Lover (1982 from Champagne Jam)
Verfasser(in):
Buddy Buie, J. R. Cobb und Robert Nix (drummer)
publisher:
Low‐Sal, Inc. und Sony/ATV Songs LLC
Atlanta Rhythm Section55:05
19Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
20The Stroke
Assistent recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Billy Squier
Gitarre und Sologesang:
Billy Squier
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Mark Clarke (Rock, UK) und Alan St. Jon
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 59)
recording of:
The Stroke
Texter und Komponist(in):
Billy Squier
publisher:
Songs of the Knight
Billy Squier3.753:38

Nennungen

Veröffentlichung

zum Herunterladen kaufen:https://itunes.apple.com/us/album/id1296331711 [Info]
https://itunes.apple.com/us/album/id1446015797 [Info]
https://play.google.com/store/music/album?id=Bz72bp2zabcugf6jjlkksdvbb6m [Info] (bis 2020-10-12)
ASIN:US: B076FGK27N [Info]
kostenlos streamen:https://open.spotify.com/album/3fNhyXjcqOWEo4gXnE8UTV [Info]
https://www.deezer.com/album/49843452 [Info]
Streaming-Seite:Amazon Music US [Info]
https://music.apple.com/us/album/1446015797 [Info]
https://tidal.com/album/79970495 [Info]
https://us.napster.com/artist/various-artists/album/throwback-tunes-classic-rock [Info] (bis 2022-06-08)