Karajan A-Z: Berg - Borodin

~ Release by Alban Berg, Hector Berlioz, Georges Bizet, Luigi Boccherini, Alexander Borodin; Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

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13 Pieces for Orchestra, op. 6: No. 1, Praeludium
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-12-08 until 1972-12-09)
conductor:
Herbert von Karajan (conductor) (from 1972-12-08 until 1972-12-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-12-08 until 1972-12-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-12-08 until 1972-12-09)
recording of:
Drei Orchesterstücke, op. 6: I. Präludium (Three Pieces for Orchestra, op. 6: I. Prelude) (from 1972-12-08 until 1972-12-09)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
Alban Berg55:25
23 Pieces for Orchestra, op. 6: No. 2, Reigen
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-12-08 until 1972-12-09)
conductor:
Herbert von Karajan (conductor) (from 1972-12-08 until 1972-12-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-12-08 until 1972-12-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-12-08 until 1972-12-09)
recording of:
Drei Orchesterstücke, op. 6: II. Reigen (Three Pieces for Orchestra, op. 6: II. Round Dance) (from 1972-12-08 until 1972-12-09)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
Alban Berg55:28
33 Pieces for Orchestra, op. 6: No. 3, Marsch
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-12-08 until 1972-12-09)
conductor:
Herbert von Karajan (conductor) (from 1972-12-08 until 1972-12-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-12-08 until 1972-12-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-12-08 until 1972-12-09)
recording of:
Drei Orchesterstücke, op. 6: III. Marsch (Three Pieces for Orchestra, op. 6: III. March) (from 1972-12-08 until 1972-12-09)
composer:
Alban Berg (Austrian composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra, op. 6, Three Pieces for Orchestra)
Alban Berg510:02
4Lyric Suite, 3 Pieces for String Orchestra: I. Andante amoroso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-09 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-09-09 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-09 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-09 until 1973-12-06)
recording of:
Lyrische Suite: I. Andante amoroso (for string orchestra) (from 1973-09-09 until 1973-12-06)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
arranger:
Alban Berg (Austrian composer)
orchestration of:
Lyrische Suite: II. Andante amoroso
part of:
Lyrische Suite (Lyric Suite, for string orchestra)
recording of:
Lyrische Suite: II. Andante amoroso
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
part of:
Lyrische Suite (Lyric Suite)
Alban Berg56:38
5Lyric Suite, 3 Pieces for String Orchestra: II. Allegro misterioso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-09 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-09-09 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-09 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-09 until 1973-12-06)
recording of:
Lyrische Suite: II. Allegro misterioso (for string orchestra) (from 1973-09-09 until 1973-12-06)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
arranger:
Alban Berg (Austrian composer)
orchestration of:
Lyrische Suite: III. Allegro misterioso
part of:
Lyrische Suite (Lyric Suite, for string orchestra)
recording of:
Lyrische Suite: III. Allegro misterioso
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
part of:
Lyrische Suite (Lyric Suite)
Alban Berg53:26
6Lyric Suite, 3 Pieces for String Orchestra: III. Adagio appassionato
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-09-09 until 1973-12-06)
conductor:
Herbert von Karajan (conductor) (from 1973-09-09 until 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-09-09 until 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-09 until 1973-12-06)
recording of:
Lyrische Suite: III. Adagio appassionato (for string orchestra) (from 1973-09-09 until 1973-12-06)
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
arranger:
Alban Berg (Austrian composer)
orchestration of:
Lyrische Suite: IV. Adagio appassionato
part of:
Lyrische Suite (Lyric Suite, for string orchestra)
recording of:
Lyrische Suite: IV. Adagio appassionato
composer:
Alban Berg (Austrian composer) (from 1925 until 1926)
part of:
Lyrische Suite (Lyric Suite)
Alban Berg57:08
7Symphonie fantastique, H. 48: I. Rêveries – Passions - Recorded 1964
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-12-27 until 1964-12-30)
conductor:
Herbert von Karajan (conductor) (from 1964-12-27 until 1964-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-12-27 until 1964-12-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-12-27 until 1964-12-30)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (from 1964-12-27 until 1964-12-30)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz14:13
8Symphonie fantastique, H. 48: II. Un bal. Valse - Recorded 1964
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-12-27 until 1964-12-30)
conductor:
Herbert von Karajan (conductor) (from 1964-12-27 until 1964-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-12-27 until 1964-12-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-12-27 until 1964-12-30)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 1964-12-27 until 1964-12-30)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:08
9Symphonie fantastique, H. 48: III. Scène aux champs - Recorded 1964
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-12-27 until 1964-12-30)
conductor:
Herbert von Karajan (conductor) (from 1964-12-27 until 1964-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-12-27 until 1964-12-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-12-27 until 1964-12-30)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (from 1964-12-27 until 1964-12-30)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz16:41
10Symphonie fantastique, H. 48: IV. Marche au supplice - Recorded 1964
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-12-27 until 1964-12-30)
conductor:
Herbert von Karajan (conductor) (from 1964-12-27 until 1964-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-12-27 until 1964-12-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-12-27 until 1964-12-30)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1964-12-27 until 1964-12-30)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:39
11Symphonie fantastique, H. 48: V. Songe d'une nuit du Sabbat - Recorded 1964
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-12-27 until 1964-12-30)
conductor:
Herbert von Karajan (conductor) (from 1964-12-27 until 1964-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-12-27 until 1964-12-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-12-27 until 1964-12-30)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (from 1964-12-27 until 1964-12-30)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz10:28
12Symphonie fantastique, H. 48: I. Rêveries – Passions - Recorded 1975
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz14:30
13Symphonie fantastique, H. 48: II. Un bal. Valse - Recorded 1975
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:20
14Symphonie fantastique, H. 48: III. Scène aux champs - Recorded 1975
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz16:48
15Symphonie fantastique, H. 48: IV. Marche au supplice - Recorded 1975
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:37
16Symphonie fantastique, H. 48: V. Songe d'une nuit du Sabbat - Recorded 1975
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz10:51
17La damnation de Faust, H. 111, Pt. 2: Ballet des sylphes
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-09-22 until 1971-09-24)
conductor:
Herbert von Karajan (conductor) (from 1971-09-22 until 1971-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-09-22 until 1971-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-22 until 1971-09-24)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre) (from 1971-09-22 until 1971-09-24)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:27
18La damnation de Faust, H. 111, Pt. 3: Menuet des follets
producer:
Hans Weber (producer/engineer)
orchestra:
Radio Sinfonie-Orchester Frankfurt (Frankfurt Radio Symphony) and Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09, from 1971-09-22 until 1971-09-24)
conductor:
Eliahu Inbal (Israeli conductor) and Herbert von Karajan (conductor) (in 1971-09, from 1971-09-22 until 1971-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1971-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-22 until 1971-09-24)
recording of:
La Damnation de Faust : Troisième Partie : Scène 12. Menuet des Feux follets … « Maintenant, chantons à cette belle … » (Méphistophélès) (from 1971-09-22 until 1971-09-24)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Troisième Partie
recording of:
La Damnation de Faust : Troisième Partie : Scène 12. Menuet des Feux follets … « Maintenant, chantons à cette belle … » (Méphistophélès) (in 1971-09)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz6:10
19L'Arlésienne Suite no. 1, WD 40: I. Prelude "La marche des Rois"
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet7:02
20L'Arlésienne Suite no. 1, WD 40: II. Minuetto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:48
21L'Arlésienne Suite no. 1, WD 40: III. Adagietto
producer:
Hans Weber (producer/engineer)
alto saxophone:
Daniel Deffayet (French classical saxophonist) (in 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:26
22L'Arlésienne Suite no. 1, WD 40: IV. Carillon
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:56
23L'Arlésienne Suite no. 1, WD 40: I. Prelude "La marche des Rois"
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1984-02-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1984-02-19)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (from 1983-09-28 until 1984-02-19)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet6:52
24L'Arlésienne Suite no. 1, WD 40: II. Minuetto
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1984-02-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1984-02-19)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (from 1983-09-28 until 1984-02-19)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:53
25L'Arlésienne Suite no. 1, WD 40: III. Adagietto
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1984-02-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1984-02-19)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (from 1983-09-28 until 1984-02-19)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:33
26L'Arlésienne Suite no. 1, WD 40: IV. Carillon
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1984-02-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1984-02-19)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (from 1983-09-28 until 1984-02-19)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:27
27L'Arlésienne Suite no. 2 (arr. Guiraud): I. Pastorale
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet5:43
28L'Arlésienne Suite no. 2 (arr. Guiraud): II. Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet5:34
29L'Arlésienne Suite no. 2 (arr. Guiraud): III. Menuet
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:57
30L'Arlésienne Suite no. 2 (arr. Guiraud): IV. Farandole
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:21
31L'Arlésienne Suite no. 2 (arr. Guiraud): I. Pastorale
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1984-02-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1984-02-19)
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra) (from 1983-09-28 until 1984-02-19)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet6:07
32L'Arlésienne Suite no. 2 (arr. Guiraud): II. Intermezzo
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1984-02-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1984-02-19)
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra) (from 1983-09-28 until 1984-02-19)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet5:14
33L'Arlésienne Suite no. 2 (arr. Guiraud): III. Menuet
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1984-02-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1984-02-19)
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra) (from 1983-09-28 until 1984-02-19)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet4:10
34L'Arlésienne Suite no. 2 (arr. Guiraud): IV. Farandole
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1984-02-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1984-02-19)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (from 1983-09-28 until 1984-02-19)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:16
35Carmen: Prelude. Allegro giocoso – Andante moderato (Fate Motive)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Prélude
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:36
36Carmen, Act I: Scene & Chorus. Sur la place chacun passe
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:44
37Carmen, Act I: Scene & Chorus (Cont.) Que cherchez-vous, la belle?
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
soprano vocals [Micaëla]:
Katia Ricciarelli (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. Dialogue « Regardez donc cette petite » (Moralès, les Soldats, Micaëla)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:41
38Carmen, Act I: Chorus of Street-Boys. Avec la garde montante
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:26
39Carmen, Act I: Melodrama. Repos! ... Une jolie fille
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 3 Dialogue « Il y a une jolie fille qui est venue te demander » (Moralès, Don José)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
Georges Bizet0:53
40Carmen, Act I: Chorus of Street-Boys. Et la garde descendante
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins « Et la garde descendante rentre chez elle » (Chœur des gamins)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
Georges Bizet1:24
41Carmen, Act I: Dialogue. Dites-moi, brigadier
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. Dialogue « Dites-moi, brigadier ? » (Zuniga, Don José)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
Georges Bizet0:37
42Carmen, Act I: Chorus of Cigarette Girls. La cloche a sonné
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:25
43Carmen, Act I: Chorus of Cigarette Girls (Cont). Dans l'air, nous suivons des yeux la fumée
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 4 Chœur et scène « Dans l’air, nous suivons des yeux la fumée » (Les jeunes gens, les soldats, les cigarières)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
Georges Bizet2:52
44Carmen, Act I: Chorus. Mais nous ne voyons pas la Carmencita
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 4 Chœur et scène « Mais nous ne voyons pas la Carmencita ! » (Les Soldats, les Jeunes Gens)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
Georges Bizet0:47
45Carmen, Act I: Quand je vous aimerai? – Habanera. L'amour est un oiseau rebelle
producer:
Michel Glotz
choir vocals:
Chœur de l’Opéra de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1982-09 until 1983-03)
conductor:
Herbert von Karajan (conductor) (from 1982-09 until 1983-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-09 until 1983-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1982-09 until 1983-03)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet5:01
46Carmen, Act I: Carmen, sur tes pas
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:48
47Carmen, Act I: Monsieur le brigadier? – Duet. Parle-moi de ma mère!
soprano vocals [Micaëla]:
Katia Ricciarelli (soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:43
48Carmen, Act I: Duet. Votre mère avec moi sortait de la chapelle
soprano vocals [Micaëla]:
Katia Ricciarelli (soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:06
49Carmen, Act I: Duet. Ma mère, je la vois
soprano vocals [Micaëla]:
Katia Ricciarelli (soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:41
50Carmen, Act I: Tu la verras! Eh bien!
soprano vocals [Micaëla]:
Katia Ricciarelli (soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:51
51Carmen, Act I: Au secours!
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:01
52Carmen, Act I: Dialogue. Ah! enfin! un peu de silence!
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 8 Chœur « Voyons brigadier » (Zuniga, les Cigarières, un Soldat, Don José)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
Georges Bizet0:55
53Carmen, Act I: Avez-vous quelque chose à repondre? – Tra la la la
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 9 Chanson et mélodrame « Tralalalala, coupe-moi, brûle-moi » … « Fais-nous grâce de tes chansons » (Carmen, Don José, Zuniga, chœur de femmes)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:39
54Carmen, Act I: Dialogue. Vous êtes si jeune, seigneur officier
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 9 Chanson et mélodrame « Où me conduirez-vous ? » (Carmen, Don José)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
Georges Bizet1:18
55Carmen, Act I: Seguidilla. Près des remparts de Séville – Tais toi!
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:47
56Carmen, Act I: Finale. Le lieutenant! Prenez garde!
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte I. No. 11 Finale « Voici l'ordre, partez » (Zuniga, Carmen)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:16
57Carmen: Les dragons d'Alcala (Entracte After Act I)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet1:36
58Carmen, Act II: Chanson bohème. Les tringles des sistres tintaient
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:57
59Carmen, Act II: Dialogue. Vous avez quelque chose à nous dire?
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. Dialogue « Vous avez quelque chose à nous dire, maître Lillas Pastia ? » (Zuniga, Pastia, Andrès, Frasquita, Carmen)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte II
Georges Bizet1:21
60Carmen, Act II: Vivat le toréro!
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 13 Chœur « Vivat ! Vivat le toréro ! » (Frasquita, Mercédès, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d'hommes)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:39
61Carmen, Act II: Toreador's Song. Votre toast, je peux vous le rendre
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:25
62Carmen, Act II: Messieurs les officiers, je vous en supplie – Marche
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. Dialogue « Messieurs les officiers, je vous en prie » / « La belle, un mot » / « Le Dancaïre et le Remendado ont à vous parler » (Pastia, Zuniga, Escamillo, Carmen, chœur, Frasquita, Le Dancaïre)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet2:52
63Carmen, Act II: Quintet. Nous avons en tête une affaire
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:16
64Carmen, Act II: Dialogue. En voilà assez
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 15 Dialogue « En voilà assez » (Le Dancaïre, Carmen, Frasquita, Mercédès)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte II
Georges Bizet0:40
65Carmen, Act II: Halte-là! Qui va là?
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:39
66Carmen, Act II: Dialogue. Enfin ... Tu as mis le temps!
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 16b Récit « Enfin c’est toi ! » (Carmen, Don José)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:21
67Carmen, Act II: Je vais danser en votre honneur
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte II
Georges Bizet5:57
68Carmen, Act II: La fleur que tu m'avais jetée "Flower Song"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor) (in 1982-09, from 1982-09 until 1983-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1982-09, from 1982-09 until 1983-03, from 1982-09 until 1983-04)
conductor:
Herbert von Karajan (conductor) (in 1982-09, from 1982-09 until 1983-03, from 1982-09 until 1983-04, in 1983)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-09 until 1983-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1982-09 until 1983-03)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1982-09)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:20
69Carmen, Act II: Non, tu ne m'aimes pas!
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:06
70Carmen, Act II: Finale. Holà! Carmen! Holà!
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet3:44
71Carmen, Act II: Suis-nous à travers la campagne
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:44
72Carmen: Intermezzo (Entracte After Act II)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1982-09 until 1983-03)
conductor:
Herbert von Karajan (conductor) (from 1982-09 until 1983-03)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-09 until 1983-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1982-09 until 1983-03)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:43
73Carmen, Act III: Sextet & Chorus. Écoute, compagnons, écoute
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:56
74Carmen, Act III: Dialogue. Carmen, ne me fuis pas...
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:57
75Carmen, Act III: Trio. Mêlons! Coupons!
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:32
76Carmen, Act III: Carreau! Pique! La mort!
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte III
Georges Bizet3:11
77Carmen, Act III: Parlez encore, parlez, mes belles
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte III
Georges Bizet0:49
78Carmen, Act III: Dialogue. Alerte! – Ensemble. Quant au douanier, c'est notre affaire!
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:11
79Carmen, Act III: Dialogue. Nous y sommes
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Micaëla]:
Katia Ricciarelli (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:49
80Carmen, Act III: Je dis que rien ne m'épouvante "Micaëla's Aria"
soprano vocals [Micaëla]:
Katia Ricciarelli (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:19
81Carmen, Act III: Dialogue. Mais... je ne me trompe pas...
soprano vocals [Micaëla]:
Katia Ricciarelli (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:45
82Carmen, Act III: Duet. Je suis Escamillo
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:38
83Carmen, Act III: Finale. Holà, holà José!
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Micaëla]:
Katia Ricciarelli (soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:11
84Carmen, Act III: FInale (Cont.) Halte! quelqu'un est là qui cherche à se cacher
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Micaëla]:
Katia Ricciarelli (soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet6:09
85Carmen: Aragonaise (Entracte After Act III)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
Georges Bizet2:10
86Carmen, Act IV: Chorus. A deux cuartos!
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet2:23
87Carmen, Act IV: Qu'avez-vous fait de la Carmencita? – March & Chorus. Les voici! les voici!
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte IV. Dialogue « Qu'avez-vous donc fait de la Carmencita ? » (Zuniga, Frasquita, Mercédès)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte IV
Georges Bizet4:31
88Carmen, Act IV: Si tu m'aimes, Carmen
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:42
89Carmen, Act IV: Finale. Duet & Final Chorus. C'est toi!
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
mezzo-soprano vocals [Carmen]:
Agnes Baltsa (mezzo-soprano)
tenor vocals [Don José]:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet10:27
90Carmen Suite no. 1: VI. Les toréadors (Act I Prelude. Allegro giocoso)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer)
part of:
Carmen Suite no. 1
Georges Bizet2:16
91Carmen Suite no. 1: V. Les dragons d'Alcala (Entracte After Act I)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:34
92Carmen Suite no. 1: III. Intermezzo (Entracte After Act II)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:39
93Carmen Suite no. 1: II. Aragonaise (Entracte After Act III)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:13
94String Quintet in C major, G. 324 "La musica notturna delle strade di Madrid": I. Introduzione
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-08-05)
conductor:
Herbert von Karajan (conductor) (on 1969-08-05)
balance engineer:
Günter Hermanns (producer/engineer) (on 1969-08-05)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (on 1969-08-05)
partial recording of:
Musica notturna delle strade di Madrid, op. 30 no. 6 (catch-all for arrangements) (in 1969-08)
composer:
Luigi Boccherini (Italian composer) (in 1780)
arrangement of:
Quintet no. 60 in C major, G. 324 "La Musica Notturna delle strade di Madrid" op. 30 no. 6
Luigi Boccherini0:43
95String Quintet in C major, G. 324 "La musica notturna delle strade di Madrid": II. Minuetto. Allegretto "Tanz der Blinden"
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-08-05)
conductor:
Herbert von Karajan (conductor) (on 1969-08-05)
balance engineer:
Günter Hermanns (producer/engineer) (on 1969-08-05)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (on 1969-08-05)
partial recording of:
Musica notturna delle strade di Madrid, op. 30 no. 6 (catch-all for arrangements) (in 1969-08)
composer:
Luigi Boccherini (Italian composer) (in 1780)
arrangement of:
Quintet no. 60 in C major, G. 324 "La Musica Notturna delle strade di Madrid" op. 30 no. 6
Luigi Boccherini1:51
96String Quintet in C major, G. 324 "La musica notturna delle strade di Madrid": III. Largo assai, senza rigor di Battuta
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-08-05)
conductor:
Herbert von Karajan (conductor) (on 1969-08-05)
balance engineer:
Günter Hermanns (producer/engineer) (on 1969-08-05)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (on 1969-08-05)
partial recording of:
Musica notturna delle strade di Madrid, op. 30 no. 6 (catch-all for arrangements) (on 1969-08-05)
composer:
Luigi Boccherini (Italian composer) (in 1780)
arrangement of:
Quintet no. 60 in C major, G. 324 "La Musica Notturna delle strade di Madrid" op. 30 no. 6
Luigi Boccherini2:36
97String Quintet in C major, G. 324 "La musica notturna delle strade di Madrid": IV. Passacalle. Allegro vivo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-08-05)
conductor:
Herbert von Karajan (conductor) (on 1969-08-05)
balance engineer:
Günter Hermanns (producer/engineer) (on 1969-08-05)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (on 1969-08-05)
partial recording of:
Musica notturna delle strade di Madrid, op. 30 no. 6 (catch-all for arrangements) (on 1969-08-05)
composer:
Luigi Boccherini (Italian composer) (in 1780)
arrangement of:
Quintet no. 60 in C major, G. 324 "La Musica Notturna delle strade di Madrid" op. 30 no. 6
Luigi Boccherini2:50
98String Quintet in C major, G. 324 "La musica notturna delle strade di Madrid": V. Ritirata. Maestoso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-08-05)
conductor:
Herbert von Karajan (conductor) (on 1969-08-05)
balance engineer:
Günter Hermanns (producer/engineer) (on 1969-08-05)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (on 1969-08-05)
partial recording of:
Musica notturna delle strade di Madrid, op. 30 no. 6 (catch-all for arrangements) (on 1969-08-05)
composer:
Luigi Boccherini (Italian composer) (in 1780)
arrangement of:
Quintet no. 60 in C major, G. 324 "La Musica Notturna delle strade di Madrid" op. 30 no. 6
Luigi Boccherini2:20
99Prince Igor: Dance of the Polovtsian Maidens. Presto
recording engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-29 until 1971-01-08)
conductor:
Herbert von Karajan (conductor) (from 1970-12-29 until 1971-01-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-29 until 1971-01-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-29 until 1971-01-08)
recording of:
Polovtsian Dances no. 8, “Dance of the Polovtsian Maidens”: Presto, 6/8, F major (from 1970-12-29 until 1971-01-08)
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
Prince Igor: Act II. Dance of the Polovtsian Maidens
part of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
recording of:
Prince Igor: Act II. Dance of the Polovtsian Maidens
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Alexander Borodin2:14
100Prince Igor: Polovtsian Dances: a. Introduction. Andantino
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-01)
conductor:
Herbert von Karajan (conductor) (in 1971-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
edit of:
Prince Igor: Polovtsian Dance by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: I. Introduction: Andantino, 4/4, A major (no choir) (in 1971-01)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major (in 1971-01)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
Alexander Borodin2:35
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