Seven Classic Albums

~ Release by Lee Konitz (see all versions of this release, 1 available)

Tracklist

1▶CD: (1-8) Konitz (1954) / (9-18) At Storyville (1954)
2▼CD: (1-8) Lee Konitz With Warne Marsh (1955) / (9-14) Inside Hi-Fi (1957)
#TitleArtistRatingLength
1Topsy
recorded in:
New York, New York, United States (on 1955-06-14)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1955-06-14)
bass:
Oscar Pettiford (on 1955-06-14)
drums (drum set):
Kenny Clarke (on 1955-06-14)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-06-14)
tenor saxophone:
Warne Marsh (on 1955-06-14)
recording of:
Topsy (on 1955-06-14)
composer:
Edgar Battle and Eddie Durham (American guitarist, trombonist, composer and arranger.)
publisher:
Leosong Copyright Service Ltd.
Lee Konitz With Warne Marsh5:27
2There Will Never Be Another You
recorded in:
New York, New York, United States (on 1955-06-14)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1955-06-14)
bass:
Oscar Pettiford (on 1955-06-14)
drums (drum set):
Kenny Clarke (on 1955-06-14)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-06-14)
piano:
Sal Mosca (on 1955-06-14)
tenor saxophone:
Warne Marsh (on 1955-06-14)
instrumental recording of:
There Will Never Be Another You (on 1955-06-14)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
Lee Konitz With Warne Marsh4:47
3I Can't Get Started
recorded in:
New York, New York, United States (on 1955-06-14)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1955-06-14)
bass:
Oscar Pettiford (on 1955-06-14)
drums (drum set):
Kenny Clarke (on 1955-06-14)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-06-14)
tenor saxophone:
Warne Marsh (on 1955-06-14)
instrumental recording of:
I Can’t Get Started (on 1955-06-14)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Lee Konitz With Warne Marsh3:57
4Donna Lee
recorded in:
New York, New York, United States (on 1955-06-14)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1955-06-14)
bass:
Oscar Pettiford (on 1955-06-14)
drums (drum set):
Kenny Clarke (on 1955-06-14)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-06-14)
piano:
Sal Mosca (on 1955-06-14)
tenor saxophone:
Warne Marsh (on 1955-06-14)
recording of:
Donna Lee (on 1955-06-14)
composer:
Charles Christopher Parker, Jr (aka “Bird”, jazz alto saxophonist) and Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Atlantic Music Corp. (BMI)
Lee Konitz With Warne Marsh6:19
5Two Not One
recorded in:
New York, New York, United States (on 1955-06-14)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1955-06-14)
bass:
Oscar Pettiford (on 1955-06-14)
drums (drum set):
Kenny Clarke (on 1955-06-14)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-06-14)
tenor saxophone:
Warne Marsh (on 1955-06-14)
recording of:
Two Not One (on 1955-06-14)
composer:
Lennie Tristano
Lee Konitz With Warne Marsh5:32
6Don't Squawk
recorded in:
New York, New York, United States (on 1955-06-14)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1955-06-14)
bass:
Oscar Pettiford (on 1955-06-14)
drums (drum set):
Kenny Clarke (on 1955-06-14)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-06-14)
piano:
Sal Mosca (on 1955-06-14)
tenor saxophone:
Warne Marsh (on 1955-06-14)
Lee Konitz With Warne Marsh7:19
7Ronnie's Line
recorded in:
New York, New York, United States (on 1955-06-15)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1955-06-15)
bass:
Oscar Pettiford (on 1955-06-15)
drums (drum set):
Kenny Clarke (on 1955-06-15)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-06-15)
piano:
Ronnie Ball (on 1955-06-15)
tenor saxophone:
Warne Marsh (on 1955-06-15)
recording of:
Ronnie’s Line (on 1955-06-15)
composer:
Ronnie Ball
Lee Konitz With Warne Marsh3:09
8Background Music
recorded in:
New York, New York, United States (on 1955-06-14)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1955-06-14)
bass:
Oscar Pettiford (on 1955-06-14)
drums (drum set):
Kenny Clarke (on 1955-06-14)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-06-14)
piano:
Sal Mosca (on 1955-06-14)
tenor saxophone:
Warne Marsh (on 1955-06-14)
recording of:
Background Music (on 1955-06-14)
composer:
Warne Marsh
Lee Konitz With Warne Marsh5:51
9Kary's Trance
recorded in:
New York, New York, United States (on 1956-10-16)
recording engineer:
Rudy van Gelder (on 1956-10-16)
alto saxophone and tenor saxophone:
Lee Konitz (jazz saxophonist) (on 1956-10-16)
double bass:
Arnold Fishkind (on 1956-10-16)
drums (drum set):
Dick Scott (drums) (on 1956-10-16)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1956-10-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-16)
instrumental recording of:
Kary’s Trance (on 1956-10-16)
composer:
Lee Konitz (jazz saxophonist)
Lee Konitz6:05
10Everything Happens to Me
recorded in:
New York, New York, United States (on 1956-10-16)
recording engineer:
Rudy van Gelder (on 1956-10-16)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1956-10-16)
double bass:
Arnold Fishkind (on 1956-10-16)
drums (drum set):
Dick Scott (drums) (on 1956-10-16)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1956-10-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-16)
instrumental cover recording of:
Everything Happens to Me (on 1956-10-16)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Lee Konitz4:31
11Sweet and Lovely
recorded in:
New York, New York, United States (on 1956-10-16)
recording engineer:
Rudy van Gelder (on 1956-10-16)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1956-10-16)
double bass:
Arnold Fishkind (on 1956-10-16)
drums (drum set):
Dick Scott (drums) (on 1956-10-16)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1956-10-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-16)
instrumental cover recording of:
Sweet and Lovely (on 1956-10-16)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
Lee Konitz4:01
12Cork 'n' Bib
recorded in:
New York, New York, United States (on 1956-10-16)
recording engineer:
Rudy van Gelder (on 1956-10-16)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1956-10-16)
double bass:
Arnold Fishkind (on 1956-10-16)
drums (drum set):
Dick Scott (drums) (on 1956-10-16)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1956-10-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-16)
instrumental recording of:
Cork ’n’ Bib (on 1956-10-16)
composer:
Lee Konitz (jazz saxophonist)
Lee Konitz5:29
13All of Me
recorded in:
New York, New York, United States (on 1956-09-26)
recording engineer:
Rudy van Gelder (on 1956-09-26)
double bass:
Peter Ind (on 1956-09-26)
drums (drum set):
Dick Scott (drums) (on 1956-09-26)
piano:
Sal Mosca (on 1956-09-26)
tenor saxophone:
Lee Konitz (jazz saxophonist) (on 1956-09-26)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-26)
instrumental cover recording of:
All of Me (on 1956-09-26)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Lee Konitz5:09
14Star Eyes
recorded in:
New York, New York, United States (on 1956-09-26)
recording engineer:
Rudy van Gelder (on 1956-09-26)
double bass:
Peter Ind (on 1956-09-26)
drums (drum set):
Dick Scott (drums) (on 1956-09-26)
piano:
Sal Mosca (on 1956-09-26)
tenor saxophone:
Lee Konitz (jazz saxophonist) (on 1956-09-26)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-26)
instrumental cover recording of:
Star Eyes (on 1956-09-26)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
Lee Konitz5:19
3▶CD: (1-2) Inside Hi-Fi (cont...) / (3-10) Tranquility (1957) / (11-13) Very Cool (1957)
4▶CD: (1-3) Very Cool (cont...) / (4-8) Motion (1961)