Now That’s What I Call Music! 102

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1Digital Media
2Digital Media
#TitleArtistRatingLength
1Someone You Loved
programming:
Tom Barnes (UK songwriter and drummer)
producer and mixer:
TMS (UK songwriting/production team)
bass guitar:
Pete Kelleher (multi-instrumentalist)
piano:
Benjamin Kohn (songwriter and producer)
strings:
Phil Cook (member of Megafaun, Justin Vernon collaborator)
vocals:
Lewis Capaldi (singer-songwriter)
part of:
Billboard Year-End Hot 100 singles of 2020 (number: 10), Spotify: Top Hits of 2019 (number: 11) and Billboard Year-End Hot 100 singles of 2019 (number: 27)
recording of:
Someone You Loved
writer:
Benjamin Kohn (songwriter and producer), Lewis Capaldi (singer-songwriter), Pete Kelleher (multi-instrumentalist), Sam Roman (Sam Roman, singer / songwriter / producer) and Tom Barnes (UK songwriter and drummer)
Lewis Capaldi3.453:03
2Shallow
part of:
BILLIONS CLUB
recording of:
Shallow
writer:
Mark Ronson (British DJ and producer), Anthony Rossomando, Stefani Germanotta and Andrew Wyatt (US vocalist, songwriter)
publisher:
Stephaniesays Music
part of:
The 91st Academy Award for Best Original Song (number: 1), Prix de l’œuvre internationale de l’année (number: 2019) and Academy Award for Best Original Song (number: 2018 winner)
Lady Gaga & Bradley Cooper3:36
3This Is Me
engineer:
Derik Lee (engineer)
producer:
Adam Gubman (US songwriter, arranger & composer) and Greg Wells
vocals:
Keala Settle
arranger:
Rob Mathes
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recording of:
This Is Me
writer:
Benj Pasek and Justin Paul
part of:
The 90th Academy Award for Best Original Song (number: 2)
part of:
The Greatest Showman (2017 musical film)
Keala Settle & The Greatest Showman Ensemble2.53:54
4Thursday
phonographic copyright (℗) by:
Atlantic Records UK (company credits only; do not use as release label!) (in 2018)
recording of:
Thursday
writer:
Ed Sheeran (UK singer‐songwriter), Jess Glynne and Steve Mac (British pop producer/songwriter Steve McCutcheon)
Jess Glynne4.253:36
5Lost Without You
part of:
Spotify: Top Hits of 2019 (number: 51)
recording of:
Lost Without You
lyricist and composer:
Freya Ridings (British singer)
publisher:
Good Soldier Songs
Freya Ridings33:44
6Rewrite the Stars
cover recording of:
Rewrite the Stars
writer:
Benj Pasek and Justin Paul
part of:
The Greatest Showman (2017 musical film)
recording of:
Rewrite the Stars
writer:
Benj Pasek and Justin Paul
part of:
The Greatest Showman (2017 musical film)
James Arthur & Anne‐Marie3.353:39
7Candlelight
recording of:
Candlelight
writer:
Joel Pott and Jack Savoretti
Jack Savoretti3:36
8It’s Not Living (If It’s Not With You)
assistant recording engineer:
Luke Gibbs
recording engineer and engineer:
Jonathan Gilmore
programming:
George Daniel (drummer for The 1975)
producer:
George Daniel (drummer for The 1975), Matthew Healy (The 1975) and Robin Schmidt (mastering engineer)
assistant mixer:
Stephen Sesso
mixer:
Mike Crossey
bass guitar:
Ross MacDonald (member of The 1975)
drums (drum set), keyboard and synthesizer:
George Daniel (drummer for The 1975)
guitar:
Adam Hann and Matthew Healy (The 1975)
piano, background vocals and lead vocals:
Matthew Healy (The 1975)
choir vocals:
London Community Gospel Choir
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), George Daniel (drummer for The 1975), Matthew Healy (The 1975) and Sam Swallow
phonographic copyright (℗) by:
Dirty Hit (in 2018)
recording of:
It’s Not Living (If It’s Not With You)
writer:
George Daniel (drummer for The 1975), Adam Hann, Matthew Healy (The 1975) and Ross MacDonald (member of The 1975)
The 19754.54:09
9Hello My Love
recording of:
Hello My Love
writer:
Steve Mac (British pop producer/songwriter Steve McCutcheon) and Ed Sheeran (UK singer‐songwriter)
Westlife3:35
10Everlasting
recording of:
Everlasting
writer:
Gary Barlow, Howard Donald, Mark Owen (singer–songwriter), Rick Parkhouse and George Tizzard
Take That3:43
11Almost (Sweet Music)
recording engineer:
Iain Berryman (engineer) and Robbie Nelson (engineer)
assistant engineer:
Nathaniel Graham and Ivan Wayman
producer:
Andrew Hozier‐Byrne (Irish singer/songwriter) and Markus Dravs
mixer:
Shawn Everett
bass and keyboard:
Alex Ryan (multi-instrumentalist)
castanets and percussion:
Andrew Hozier‐Byrne (Irish singer/songwriter), Rory Doyle and Alex Ryan (multi-instrumentalist)
guitar, piano and shakers:
Andrew Hozier‐Byrne (Irish singer/songwriter)
organ:
Booker T. Jones
tambourine:
Paul Clarvis (percussionist)
vocals:
Andrew Hozier‐Byrne (Irish singer/songwriter)
phonographic copyright (℗) by:
Rubyworks Ltd. (in 2019)
recording of:
Almost (Sweet Music)
lyricist and composer:
Andrew Hozier‐Byrne (Irish singer/songwriter)
Hozier3.53:37
12Shine a Light
recording engineer:
Matt Harvey (engineer), Derik Lee (engineer) and Hayden Watson
producer:
Bryan Adams (Canadian singer/songwriter)
assistant mixer:
Michael Freeman (UK engineer and recording professional)
mixer:
Mike “Spike” Stent (producer, engineer)
acoustic guitar, bass guitar, electric guitar, keyboard and percussion:
Bryan Adams (Canadian singer/songwriter)
bass [sub bass]:
Johan Carlsson (Swedish‐American pop producer and songwriter)
drums (drum set):
Mickey Curry
phonographic copyright (℗) by:
Badams Music Limited (in 2019)
recording of:
Shine a Light
publisher:
Ed Sheeran (UK singer‐songwriter)
writer:
Bryan Adams (Canadian singer/songwriter) and Ed Sheeran (UK singer‐songwriter)
publisher:
Badams Music Limited, Sony/ATV Songs LLC and UMPG
Bryan Adams43:26
13Love You Anymore
electric guitar:
Johan Carlsson (Swedish‐American pop producer and songwriter)
keyboard [keyboards]:
Johan Carlsson (Swedish‐American pop producer and songwriter) and David Foster (Canadian music producer, arranger and composer)
percussion:
Jochem van der Saag
slide guitar:
Dean Parks (American session guitarist)
background vocals:
Charlie Puth
arranger:
Johan Carlsson (Swedish‐American pop producer and songwriter), David Foster (Canadian music producer, arranger and composer) and Jochem van der Saag
recording of:
Love You Anymore
writer:
Johan Carlsson (Swedish‐American pop producer and songwriter), Scott Harris (Shawn Mendes collaborator), Ilsey (US | pop singer) and Charlie Puth
publisher:
Artist 101 Publishing Group, Charlie Puth Music Publishing, MXM, Sony/ATV Songs (SOCAN), Sparko Phone Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Michael Bublé33:01
14Look in Her EyesRod Stewart4:13
15The Greatest Show
engineer:
Derik Lee (engineer)
producer:
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Jake Sinclair and Greg Wells
mixer:
Greg Wells
arranger:
Rob Mathes
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recording of:
The Greatest Show
writer:
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Benj Pasek and Justin Paul
part of:
The Greatest Showman (2017 musical film)
Hugh Jackman, Keala Settle, Zac Efron, Zendaya & The Greatest Showman Ensemble25:06
16Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
17Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:27
18Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:01
19Girls Just Want to Have Fun
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
bass:
Eric Bazilian
electric guitar:
Rick DiFonzo
electronic drum set:
Anton Fig
keyboard [keyboards] and synthesizer [synthesizers]:
Rob Hyman
background vocals:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson (vocals)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Girls Just Want to Have Fun by Cyndi Lauper
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 63)
recording of:
Girls Just Want to Have Fun
lyricist and composer:
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:53
20It’s a Miracle
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
It’s a Miracle by Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.53:25
21Hold Me Now
recording engineer, engineer and mixer:
Phil Thornalley
drums (drum set) programming:
Tom Bailey (Thompson Twins)
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
congas and synthesizer [Prophet V]:
Joe Leeway
double bass [contrabass], guitar, harmonica, piano and synthesizer:
Tom Bailey (Thompson Twins)
drums (drum set), marimba, percussion and xylophone:
Alannah Currie
background vocals:
Alannah Currie and Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographic copyright (℗) by:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
music videos:
Hold Me Now by Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) and Point Music Ltd.
Thompson Twins4.54:46

Credits

Release

phonographic copyright (℗) by:NOW That’s What I Call Music LLP (British holding company) (in 2019)
stream for free:https://open.spotify.com/album/1ywwywgwPJETrJPdhGwAsq [info]

Release group

part of:Now That’s What I Call Music! (UK) (number: 102) (order: 102)
Allmusic:https://www.allmusic.com/album/mw0003253511 [info]
standalone website:https://www.nowmusic.com/albums/now-102/ [info]