Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Karl Richter (see all versions of this release, 1 available)

Annotation

The complete recordings of Karl Richter on Archiv Produktion and Deutsche Grammophon. The set consists of 97 CDs and 3 Blu-Ray audio discs containing 24 bit/192 kHz versions of Bach's cantatas and other major sacred works included in the set.

Annotation last modified on 2021-08-15 10:30 UTC.

Tracklist

1▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)
2▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)
3▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)
4▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)
5▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)
6▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)
7▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)
8▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)
9▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)
10▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)
11▶CD: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)
12▶CD: Bach: St. John Passion, BWV 245 (Part II cont.)
13▶CD: Bach: Christmas Oratorio, BWV 248 (Part I & Part II beg.)
14▶CD: Bach: Christmas Oratorio, BWV 248 (Part II cont., Parts III & IV)
15▶CD: Bach: Christmas Oratorio, BWV 248 (Parts V & VI)
16▶CD: Karl Richter Rehearses Bach's Christmas Oratorio
17▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Bereitet die Wege, bereitet die Bahn”, BWV 132 / “Christen, ätzet diesen Tag”, BWV 63
18▶CD: Bach: “Christum wir sollen loben schon”, BWV 121 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Gottlob! nun geht das Jahr zu Ende”, BWV 28 / “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171
19▶CD: Bach: “Ach Gott, wie manches Herzeleid”, BWV 58 / “Sie werden aus Saba alle kommen”, BWV 65 / “Meinen Jesum lass ich nicht”, BWV 124 / “Meine Seufzer, meine Tränen”, BWV 13
20▶CD: Bach: “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Jesus schläft, was soll ich hoffen?”, BWV 81 / “Ich habe genug”, BWV 82
21▶CD: Bach: “Ich hab in Gottes Herz und Sinn”, BWV 92 / “Erhalt uns, Herr, bei deinem Wort”, BWV 126 / “Du wahrer Gott und Davids Sohn”, BWV 23
22▶CD: Bach: “Wie schön leuchtet der Morgenstern”, BWV 1 / “Himmelskönig, sei willkommen”, BWV 182
23▶CD: Bach: “Christ lag in Todes Banden”, BWV 4 / “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Der Friede sei mit dir”, BWV 158 / “Halt im Gedächtnis Jesum Christ”, BWV 67
24▶CD: Bach: “Du Hirte Israel, höre”, BWV 104 / “Weinen, Klagen, Sorgen, Zagen”, BWV 12
25▶CD: Bach: “Es ist euch gut, dass ich hingehe”, BWV 108 / “Bisher habt ihr nichts gebeten in meinem Namen”, BWV 87
26▶CD: Bach: “Lobet Gott in seinen Reichen”, BWV 11 / “Sie werden euch in den Bann tun”, BWV 44 / “O ewiges Feuer, o Ursprung der Liebe”, BWV 34
27▶CD: Bach: “Also hat Gott die Welt geliebt”, BWV 68 / “Er rufet seinen Schafen mit Namen”, BWV 175 / “Gelobet sei der Herr, mein Gott”, BWV 129
28▶CD: Bach: “Brich dem Hungrigen dein Brot”, BWV 39 / “Die Himmel erzählen die Ehre Gottes”, BWV 76 / “Ach Herr, mich armen Sünder”, BWV 135
29▶CD: Bach: “Ich hatte viel Bekümmernis”, BWV 21 / “Ein ungefärbt Gemüte”, BWV 24
30▶CD: Bach: “Freue dich, erlöste Schar”, BWV 30 / “Wer nur den lieben Gott lässt walten”, BWV 93
31▶CD: Bach: “Herz und Mund und Tat und Leben”, BWV 147 / “Meine Seel erhebt den Herren”, BWV 10
32▶CD: Bach: “Es ist das Heil uns kommen her”, BWV 9 / “Es wartet alles auf dich”, BWV 187 / “Wo Gott der Herr nicht bei uns hält”, BWV 178
33▶CD: Bach: “Es ist dir gesagt, Mensch, was gut ist”, BWV 45 / “Herr, gehe nicht ins Gericht”, BWV 105 / “Herr, deine Augen sehen nach dem Glauben”, BWV 102
34▶CD: Bach: “Mein Herze schwimmt im Blut”, BWV 199 / “Siehe zu, dass deine Gottesfurcht nicht heuchelei sei”, BWV 179 / “Lobe den Herren, den mächtigen König der Ehren”, BWV 137
35▶CD: Bach: “Allein zu dir, Herr Jesu Christ”, BWV 33 / “Jesu, der du meine Seele”, BWV 78 / “Wer Dank opfert, der preiset mich”, BWV 17
36▶CD: Bach: “Jauchzet Gott in allen Landen”, BWV 51 / “Was Gott tut, das ist wohlgetan”, BWV 100 / “Wer weiß, wie nahe mir mein Ende!”, BWV 27
37▶CD: Bach: “Liebster Gott, wann werd' ich sterben?”, BWV 8 / “Bringet dem Herrn Ehre seines Namens”, BWV 148
38▶CD: Bach: “Herr Christ, der einge Gottessohn”, BWV 96 / “Wo soll ich fliehen hin”, BWV 5 / “Ich will den Kreuzstab gerne tragen”, BWV 56
39▶CD: Bach: “Schmücke dich, o liebe Seele”, BWV 180 / “Aus tiefer Not schrei ich zu dir”, BWV 38 / “Ich armer Mensch, ich Sündenknecht”, BWV 55
40▶CD: Bach: “Mache dich, mein Geist, bereit”, BWV 115 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “O Ewigkeit, du Donnerwort”, BWV 60 / “Ach wie flüchtig, ach wie nichtig”, BWV 26
41▶CD: Bach: “Du Friedefürst, Herr Jesu Christ”, BWV 116 / “Wachet! betet! betet! wachet!”, BWV 70 / “Wachet auf, ruft uns die Stimme”, BWV 140
42▼CD: Bach: “Herr Gott, dich loben alle wir”, BWV 130 / “Ein feste Burg ist unser Gott”, BWV 80 / “Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106
#TitleArtistRatingLength
1“Herr Gott, dich loben alle wir”, BWV 130: 1. Chorus and Chorale: “Herr Gott, dich loben alle wir” (chorus soprano)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": I. Coro "Herr Gott, dich loben alle wir" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach3:01
2“Herr Gott, dich loben alle wir”, BWV 130: 2. Recitative: “Ihr heller Glanz und hohe Weisheit zeigt” (alto)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": II. Recitativo (Alt) "Ihr heller Glanz und hohe Weisheit zeigt" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:11
3“Herr Gott, dich loben alle wir”, BWV 130: 3. Aria: “Der alte Drache brennt vor Neid” (bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": III. Aria (Bass) "Der alte Drache brennt vor Neid" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach4:00
4“Herr Gott, dich loben alle wir”, BWV 130: 4. Recitative: “Wohl aber uns, dass Tag und Nacht” (soprano, tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
soprano vocals:
Edith Mathis (soprano) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": IV. Recitativo (Sopran, Tenor) "Wohl aber uns, daß Tag und Nacht" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:23
5“Herr Gott, dich loben alle wir”, BWV 130: 5. Aria: “Lass, o Fürst der Cherubinen” (tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": V. Aria (Tenor) "Laß, o Fürst der Cherubinen" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach4:31
6“Herr Gott, dich loben alle wir”, BWV 130: 6. Chorale: “Darum wir billig loben dich”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": VI. Choral "Darum wir billig loben dich" (in 1976-03)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 131)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:25
7“Ein feste Burg ist unser Gott”, BWV 80: 1. Chorus: “Ein feste Burg ist unser Gott”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:52
8“Ein feste Burg ist unser Gott”, BWV 80: 2. Duet. Aria with Chorale: “Alles, was von Gott geboren” (bass) / “Mit unsrer Macht ist nichts getan” (soprano)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
soprano vocals:
Edith Mathis (soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
9“Ein feste Burg ist unser Gott”, BWV 80: 3. Recitative: “Erwäge doch, Kind Gottes, die so große Liebe” (bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach2:14
10“Ein feste Burg ist unser Gott”, BWV 80: 4. Aria: “Komm in mein Herzenshaus” (soprano)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
soprano vocals:
Edith Mathis (soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
performer:
Edith Mathis (soprano) (in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:27
11“Ein feste Burg ist unser Gott”, BWV 80: 5. Chorale: “Und wenn die Welt voll Teufel wär”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:05
12“Ein feste Burg ist unser Gott”, BWV 80: 6. Recitative: “So stehe denn bei Christi blutgefärbter Fahne” (tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:28
13“Ein feste Burg ist unser Gott”, BWV 80: 7. Duet: “Wie selig sind doch die, die Gott im Munde tragen” (alto, tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:11
14“Ein feste Burg ist unser Gott”, BWV 80: 8. Chorale: “Das Wort sie sollen lassen stahn”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1978-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:37
15“Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106: 1. Sonatina. Molto adagio
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:48
16“Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106: 2a. Chorus: “Gottes Zeit ist die allerbeste Zeit”
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:22
17“Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106: 2b. Arioso: “Ach Herr, lehre uns bedenken” (tenor)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
tenor vocals:
Ernst Haefliger (tenor) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:18
18“Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106: 2c. Aria: “Bestelle dein Haus” (bass)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:19
19“Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106: 2d. Chorus and Arioso with Chorale: “Es ist der alte Bund” (chorus soprano)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:30
20“Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106: 3a. Aria: “In deine Hände befehl ich meinen Geist” (alto)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:12
21“Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106: 3b. Arioso with Chorale: “Heute wirst du mit mir im Paradies sein” (bass)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
contralto vocals:
Hertha Töpper (mezzo soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
partial recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:10
22“Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106: 3b: Arioso with Chorale: “Mit Fried und Freud ich fahr dahin” (chorus alto)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
partial recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:45
23“Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106: 4. Chorus: “Glorie, Lob, Ehr und Herrlichkeit”
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:00
43▶CD: Bach: Magnificat, BWV 243 / “Jauchzet Gott in allen Landen”, BWV 51
44▶CD: Bach: “Ach wie flüchtig, ach wie nichtig”, BWV 26 / Hoffman: “Meine Seele rühmt und preist” / Bach: “Weichet nur, betrübte Schatten”, BWV 202
45▶CD: Bach: 20 Sacred Songs from Schemelli's Song-Book
46▶CD: Bach: Brandenburg Concertos nos. 1-5, BWV 1046-1050
47▶CD: Bach: Brandenburg Concerto no. 6, BWV 1051 / Orchestral Suites nos. 1 & 2, BWV 1066 & 1067
48▶CD: Bach: Orchestral Suites nos. 3 & 4, BWV 1068 & 1069 / Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo, BWV 1044
49▶CD: Bach: 3 Double Concertos BWV 1060R, 1043, 1060 / Concerto for Oboe d'amoure, Strings and Basso continuo, BWV 1055R / Concerto for 3 Violins, Strings and Basso continuo, BWV 1064R
50▶CD: Bach: Harpsichord Concertos, BWV 1052-1055
51▶CD: Bach: Harpsichord Concertos, BWV 1056-1058, 1060, 1061
52▶CD: Bach: Harpsichord Concertos, BWV 1062-1065
53▶CD: Bach: Musical Offering, BWV 1079
54▶CD: Sonatas for Violin and Harpsichord nos. 1-3, BWV 1014-1016
55▶CD: Sonatas for Violin and Harpsichord no. 4-6, BWV 1017-1019
56▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1030-1032 / C. P. E. Bach?: Sonata in G minor, H 542 (ex BWV 1020)
57▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1033-1035 / Partita for Solo Flute, BWV 1013
58▶CD: Bach: Aria with 30 Variations “Goldberg Variations”, BWV 988
59▶CD: Bach: Italian Concerto, BWV 971 / Chromatic Fantasia and Fugue, BWV 903 / Toccata and Fugue, BWV 915 / Pastorale, BWV 590 / Fantasia, BWV 906 / Handel: Suite no. 5, HWV 430 / Chaconne with 21 Variations, HWV 435
60▶CD: Bach: Toccata and Fugue, BWV 565 / (Trio) Sonata no. 2, BWV 526 / Prelude and Fugue, BWV 532 / Prelude and Fugue, BWV 543 / Fantasia (Prelude) and Fugue, BWV 542 / Prelude and Fugue, BWV 552 / Prelude and Fugue, BWV 548
61▶CD: Bach: Sonatas, BWV 525 & 529 / “Wachet auf, ruft uns die Stimme”, BWV 645 / “Kommst du nun, Jesu, vom Himmel herunter”, BWV 650 / “Schmücke dich, o liebe Seele”, BWV 654 / 2 Preludes and Fugues, BWV 544 & 546 / Canzona, BWV 588
62▶CD: Bach: Toccata and Fugue, BWV 540 / Partite diverso sopra: “O Gott, du frommer Gott”, BWV 767 / Toccata and Fugue “Dorian”, BWV 538 / Partite diverse sopra: “Sei gegrüßet, Jesu gütig”, BWV 768 / Passacaglia and Fugue, BWV 582
63▶CD: Bach: Toccata and Fugue, BWV 565 / “Ich ruf zu dir, Herr Jesu Christ”, BWV 639 / Passacaglia and Fugue, BWV 582 / “Wachet auf, ruft uns die Stimme”, BWV 645 / Fantasia (Prelude) and Fugue, BWV 542 / “Kommst du nun, Jesu, von Himmel herunter”, BWV 650 / “Von Himmel hoch, da komm ich her”, BWV 606 / Prelude and Fugue, BWV 548
64▶CD: Bach: Organ Concertos nos. 1-6, BWV 592-597
65▶CD: C. P. E. Bach: 4 Orchestral Sinfonias, Wq 183
66▶CD: Beethoven: Mass in C major, op. 86
67▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Overtura, Act I & Act II beg.)
68▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Act II cont. & Act III)
69▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I beg.)
70▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I cont. & Part II beg.)
71▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part II cont. & Part III)
72▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part I & Part II beg.)
73▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part II cont. & Part III)
74▶CD: Handel: Samson, HWV 57 (Symfony, Act I)
75▶CD: Handel: Samson, HWV 57 (Act II)
76▶CD: Handel: Samson, HWV 57 (Act III)
77▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Overture, Act I beg.)
78▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act I cont.)
79▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act II)
80▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act III)
81▶CD: Handel: Arias from Serse, Giulio Cesaree in Egitto & Samson / Schütz: Musikalische Exequien, SWV 279-281
82▶CD: Handel: Overtures from Alcina, Deidamia, Agrippina, Radamisto, Rinaldo, Jephtha, Rodelinda, Belshazzar, Susanna
83▶CD: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334
84▶CD: Handel: Concerti grossi, op. 3 nos. 1-6, HWV 312-317 / Concerto grosso, op. 3 no. 4b
85▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
86▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
87▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330 / Concerto grosso “Alexander's Feast”, HWV 318
88▶CD: Handel: Trumpet Concertos nos. 1-3, HWV 301, 302a, 287 / Telemann: 3 Trumpet Concertos, TWV 51:e1, Anh. 51:G1, 51:c1
89▶CD: Handel: 6 Flute Sonatas: HWV 379, 363b, 367b (op. 1 nos. 1, 5, 9) / HWV 374-376 (“Halle Sonatas” nos. 1-3)
90▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
91▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
92▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330
93▶CD: Haydn: Symphony no. 94 “Surprise”, Hob. I:94 / Symphony no. 101 “The Clock”, Hob. I:101
94▶CD: Maria Stader Sings Arias by Bach, Handel, Haydn, Mendelssohn, Scarlatti
95▶CD: Mozart: Fantasia, K. 608 / Brahms: 11 chorale Preludes, op. post. 122 / Liszt: Prelude and Fugue on the Name B-A-C-H, S 260
96▶CD: Liszt: Prelude and Fugue on the Name B-A-C-H, S 260 / Reger: Fantasia and Fugue on the Name B-A-C-H, op. 46
97▶CD: In dulci jubilo: 18 European Christmas Carols
98▶Blu-ray: Bach: St. Matthew Passion, BWV 244 (1958 Recording) / St. John Passion, BWV 245 / Christmas Oratorio, BWV 248 / Magnificat, BWV 243 / Mass in B minor, BWV 232 (1961 Recording)
99▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 1)
100▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 2)

Credits

Release

photography:Siegfried Lauterwasser
Werner Neumeister (photographer)
miscellaneous support:Nicole Albring (art director and designer) (task: creative production manager)
Martin Dirnberger (project manager) (task: product manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Eva Reisinger
texthouse (liner notes)
purchase for mail-order:https://www.deutschegrammophon.com/en/catalogue/products/karl-richter-complete-recordings-on-archiv-and-deutsche-grammophon-12084 [info]
https://www.prestomusic.com/classical/products/8846072--karl-richter-complete-recordings-on-archiv-produktion-and-deutsche-grammophon [info]