Music to Watch Girls By

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Music to Watch Girls By
produttore:
Nick de Caro
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione cover di:
Music to Watch Girls By (il 1967-02-21)
autore:
Sid Ramin e Tony Velona
editore:
Sidray Enterprises Ltd. e Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.652:35
2Up, Up and Away
tecnico:
“Bones” Howe
produttore:
Johnny Rivers (Singer, songwriter, and guitarist) e Marc Gordon (soul songwriter, producer, and manager)
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria :
Hal Blaine (U.S. studio drummer and percussionist)
direttore d'orchestra:
Jim Webb (US songwriter, composer, producer, pianist & singer)
arrangiatore archi e arrangiatore ottoni [horns] :
Marty Paich
arrangiatore:
Jim Webb (US songwriter, composer, producer, pianist & singer)
registrata presso:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Up, Up and Away
paroliere e compositore:
Jim Webb (US songwriter, composer, producer, pianist & singer)
editore:
Johnny Rivers Music
The 5th Dimension2.52:39
3The Good Life
pianoforte :
John Bunch (jazz pianist) e Ralph Sharon
voce:
Tony Bennett (US jazz/standards vocalist)
registrazione cover di:
The Good Life
paroliere:
Jack Reardon (American songwriter)
compositore:
Sacha Distel (nel 1962)
editore:
Intersong USA, Inc. (publisher) e Prosadis
versione di:
Marina
Tony Bennett42:16
4Spanish Eyes
produttore:
Tom Morgan (producer)
direttore d'orchestra:
Peter de Angelis (nel 1965)
arrangiatore:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1965)
registrazione cover di:
Spanish Eyes (Moon Over Naples) (nel 1965)
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
versione di:
Moon Over Naples
Al Martino2.52:46
5Theme From a Summer Place
esecutore:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione cover di:
Theme from “A Summer Place” (original instrumental version)
compositore:
Max Steiner (nel 1959)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
registrazione di:
Theme from “A Summer Place” (original instrumental version)
compositore:
Max Steiner (nel 1959)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
Percy Faith3.652:24
6On the Street Where You Live
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1956)
registrazione cover di:
On the Street Where You Live (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
My Fair Lady (full musical)
Vic Damone42:43
7A Certain Smile
produttore:
Al Ham e Mitch Miller
orchestra:
Ray Ellis and His Orchestra (il 1958-05-12)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1958)
registrazione cover di:
A Certain Smile (il 1958-05-12)
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI United Partnership Ltd.
parte di:
The 31st Academy Award for Best Original Song (numero: 2)
registrazione di:
A Certain Smile
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI United Partnership Ltd.
parte di:
The 31st Academy Award for Best Original Song (numero: 2)
Johnny Mathis32:47
8Joanna
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1968)
registrazione di:
Joanna
autore:
Tony Hatch e Jackie Trent (English singer‐songwriter and actress)
editore:
ATV Music Ltd.
Scott Walker33:51
9Wishin’ and Hopin’
produttore:
John Franz
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1964) e Mercury Records Ltd. (not for release label use!) (nel 1964)
registrazione cover di:
Wishin’ and Hopin’
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David Music, New Hidden Valley Music Co. e Warner/Chappell (Warner/Chappell Music, Inc.)
Dusty Springfield4.52:54
10Moon River
voce:
Danny Williams
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961)
registrazione cover di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
registrazione di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Danny Williams3.52:35
11The Girl With the Sun in Her Hair
produttore:
John Barry (English score composer)
direttore d'orchestra e esecutore:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
registrazione strumentale di:
The Girl With the Sun in Her Hair
paroliere:
Don Black (English lyricist)
compositore:
John Barry (English score composer)
editore:
Chappell/Morris Ltd.
John Barry32:54
12Magic Moments
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1957-12-03) e The Ray Charles Singers (il 1957-12-03)
orchestra:
Mitchell Ayres and His Orchestra (il 1957-12-03)
arrangiatore:
Joe Reisman
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1958)
registrazione di:
Magic Moments (il 1957-12-03)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Music Publishing Ltd. e MCA Music Ltd.
Perry Como3.152:40
13Let There Be Love
batteria :
Shelly Manne (US jazz drummer) (il 1961-12-20)
chitarra :
Al Hendrickson (il 1961-12-20)
contrabbasso :
Al McKibbon (double bassist) (il 1961-12-20)
contrabbasso [arco bass] :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (il 1961-12-20)
pianoforte :
George Shearing (British jazz pianist) (il 1961-12-20)
vibrafono :
Emil Richards (il 1961-12-20)
viola :
Joseph DiFiore (il 1961-12-20), Alvin Dinkin (il 1961-12-20), Allan Harshman (violist) (il 1961-12-20) e Paul Robyn (il 1961-12-20)
violino :
Victor Arno (il 1961-12-20), Emil Briano (Violinist) (il 1961-12-20), Jacques Gasselin (il 1961-12-20), James Getzoff (American concertmaster and violinist) (il 1961-12-20), Joseph Livoti (violinist) (il 1961-12-20), Dan Lube (il 1961-12-20), Erno Neufeld (il 1961-12-20), Isadore Roman (violin) (il 1961-12-20), Mischa Russell (violinist) (il 1961-12-20), Felix Slatkin (il 1961-12-20), Joseph Stepansky (il 1961-12-20) e Gerald Vinci (American violinist and strings conductor) (il 1961-12-20)
violoncello :
Hyman Gold (cellist) (il 1961-12-20), Armand Kaproff (il 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (il 1961-12-20) e William Vandenburg (Session Musician/Cello) (il 1961-12-20)
voce:
Nat King Cole (il 1961-12-20)
direttore d'orchestra:
Ralph Carmichael (il 1961-12-20)
arrangiatore:
Ralph Carmichael
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1962)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1961-12-20)
registrazione cover di:
Let There Be Love (il 1961-12-20)
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole1.22:45
14Fly Me to the Moon
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
diritti fonografici (℗) detenuti da:
Liberty (a division of UMG Recordings, Inc.) (nel 1964)
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London42:34
15Perhaps, Perhaps, Perhaps
registrazione di:
Perhaps, Perhaps, Perhaps
paroliere:
Joe Davis (US lyricist, producer, publisher & promoter)
compositore:
Osvaldo Farrés
editore:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
versione tradotta di:
Quizás, quizás, quizás
Doris Day2:33
16Almost Like Being in Love
registrazione di:
Almost Like Being in Love (from “Brigadoon”)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
Brigadoon (complete musical)
Vic Damone2:49
2▶CD

Accreditamenti

Pubblicazione

fabbricata da:Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02)
copyright (©) detenuto da:Sony Music Entertainment (Australia) Ltd. (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 2000)
Discogs:https://www.discogs.com/release/19235368 [info]

Gruppo di pubblicazioni

parte di:Music to Watch Girls By (numero: 1) (ordine: 1)
Discogs:https://www.discogs.com/master/737558 [info]