100 Gold Jazz Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Honeysuckle Rose
registrazione di:
Honeysuckle Rose
paroliere:
Andy Razaf (nel 1928)
compositore:
Fats Waller (nel 1928)
editore:
Intersong Music
parte di:
New York, New York (1977 musical film soundtrack)
parte di:
Thousands Cheer (1943 movie)
Count Basie3:02
2I Wanna Be Loved by You
registrazione cover di:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
paroliere:
Bert Kalmar
compositore:
Harry Ruby e Herbert Stothart (composer)
editore:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
paroliere:
Bert Kalmar
compositore:
Harry Ruby e Herbert Stothart (composer)
editore:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:59
3Satin Doll
Jo Jones5:54
4Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:50
5’S Wonderful
batteria :
Jimmy Crawford (US swing-era jazz drummer) (nel 1953)
chitarra :
Steve Jordan (guitar) (nel 1953)
clarinetto :
Edmond Hall (American jazz clarinetist, bandleader) (nel 1953)
contrabbasso :
Walter Page (nel 1953)
pianoforte :
Henderson Chambers (nel 1953) e Mel Powell (American composer and jazz pianist) (nel 1953)
tromba :
Buck Clayton (nel 1953)
registrazione strumentale di:
’S Wonderful (nel 1953)
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
Mel Powell4:16
6A Quiet Gass
ance :
Gene Cipriano, Plas Johnson, Ronnie Lang e Ted Nash (40s-80s US swing reedman, uncle of the other)
batteria :
Shelly Manne (US jazz drummer) e Alvin Stoller
chitarra :
Bob Bain (guitarist), Al Hendrickson e Barney Kessel
contrabbasso :
Rolly Bundock e Joe Mondragon
corno francese :
John Cave (french horn), Vincent DeRosa, John Graas e Richard Perissi
legni :
Paul Horn, Ted Nash (40s-80s US swing reedman, uncle of the other) e Ronny Lang
pianoforte :
John Williams (American jazz pianist)
tromba :
Frank Beach (trombone, trumpet), Pete Candoli e Conrad Gozzo
trombone :
Hoyt Bohannon, John Halliburton, Karl De Karske, Dick Nash e Jimmy Priddy
vibrafono :
Larry Bunker e Victor Feldman (jazz musician)
registrazione di:
A Quiet Gass
compositore:
Henry Mancini (US composer, conductor & arranger)
Henry Mancini3:06
7Lullaby of Birdland
registrazione di:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
paroliere:
B. Y. Forster (pseudonym of George David Weiss)
autore:
George David Weiss
compositore:
George Shearing (British jazz pianist)
editore:
EMI Longitude Music, Good Music Limited e Planetary Nom (London) Ltd.
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Lionel Hampton4:17
8Let Me Off Uptown
Gene Krupa3:04
9My Melancholy Baby
registrazione di:
My Melancholy Baby
paroliere:
George A. Norton (nel 1912)
compositore:
Ernie Burnett (nel 1911)
editore:
Francis, Day & Hunter Ltd. e Shapiro, Bernstein & Co., Inc.
versione di:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Mildred Bailey2:53
10Pennies From Heaven
Jimmy Rushing5:25
11Sing, Sing, Sing
registrazione di:
Sing, Sing, Sing (With a Swing)
paroliere e compositore:
Louis Prima
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (conclusa) e EMI Robbins Catalog Inc. (ASCAP)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Benny Goodman5:05
12Black Coffee
Ed Bentley6:18
13Lullaby of Birdland
Mel Tormé34:50
14A Night in Tunisia
batteria :
Phil Seamen (il 1955-10-11)
registrazione di:
Night in Tunisia (instrumental) (il 1955-10-11)
compositore:
Dizzy Gillespie e Frank Paparelli
editore:
Universal‐MCA Music Publishing (US)
Ronnie Scott3:41
15That’s My Desire
registrazione di:
That’s My Desire
paroliere:
Carroll Loveday
compositore:
Helmy Kresa
editore:
Mills Music, Inc.
Frankie Laine2:52
16Off Minor
registrazione di:
Off Minor
compositore:
Thelonious Monk
editore:
Embassy Music Corporation
Thelonious Monk5:14
17Patterns
basso :
Jamil Nasser (dal 1970-02-02 al 1970-02-03)
batteria :
Frank Gant (dal 1970-02-02 al 1970-02-03)
pianoforte :
Ahmad Jamal (dal 1970-02-02 al 1970-02-03)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti (dal 1970-02-02 al 1970-02-03)
registrazione di:
Patterns (nel 1970-02)
compositore:
Ahmad Jamal
Ahmad Jamal6:15
18I’ve Got You Under My Skin
Stan Getz3:19
19The Lady Is a Tramp
Erroll Garner3:38
20Embraceable You
registrata a:
New York, New York, Stati Uniti (il 1954-12-18)
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1954-12-18)
contrabbasso :
Joe Benjamin (US jazz bassist) (il 1954-12-18)
voce:
Sarah Vaughan (il 1954-12-18)
direttore d'orchestra:
Ernie Wilkins (il 1954-12-18)
arrangiatore:
Ernie Wilkins
registrazione cover di:
Embraceable You (il 1954-12-18)
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Sarah Vaughan4:52
21Moon River
basso :
Jymie Merritt (il 1961-11-28)
batteria :
Art Blakey (il 1961-11-28)
pianoforte :
Cedar Walton (il 1961-11-28)
sassofono tenore :
Wayne Shorter (US jazz saxophonist and composer) (il 1961-11-28)
trombone :
Curtis Fuller (il 1961-11-28)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1961-11-28)
registrazione strumentale cover di:
Moon River (il 1961-11-28)
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Art Blakey55:11
22Bewitched, Bothered and Bewildered
Eddie “Lockjaw” Davis3:42
23Old Devil Moon
registrazione cover di:
Old Devil Moon (from “Finian’s Rainbow”)
paroliere:
Yip Harburg
compositore:
Burton Lane
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK) e Victoria Music Ltd.
adattamenti:
Old Devil Moon / Stari vražji mesec
parte di:
Finian’s Rainbow (1947 Broadway musical)
Lena Horne2:35
24Crazy Rhythm
Benny Carter3:26
25Here, There and Everywhere
registrazione cover di:
Here, There and Everywhere
scritta a:
Weybridge, Surrey, England, Regno Unito (nel 1966-06)
autore:
John Lennon (The Beatles) (nel 1966-06) e Paul McCartney (The Beatles) (nel 1966-06)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs e Sony/ATV Music Publishing LLC (1995–2020)
David Benoit4:07
26Dragnet
Ray Anthony and His Orchestra2:49
27Smoke Gets in Your Eyes
Lawrence Welk2:20
28Drummin’ Man
Gene Krupa3:04
29Lullaby in Rhythm
batteria :
Shelly Manne (US jazz drummer) (il 1946-07-31)
contrabbasso :
Eddie Safranski (il 1946-07-31)
pianoforte :
Arnold Ross (il 1946-07-31)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1946-07-31)
tromba :
John Anderson (US jazz trumpeter) (il 1946-07-31)
trombone :
Kai Winding (il 1946-07-31)
registrazione di:
Lullaby in Rhythm (il 1946-07-31)
paroliere:
Walter Hirsch (nel 1938)
compositore:
Benny Goodman (clarinetist and bandleader) (nel 1938), Clarence Profit (nel 1938) e Edgar Sampson (nel 1938)
June Christy2:36
30East of the Sun
Ted Heath3:34
31Tuxedo Junction
Al Hirt2:42
32Begin the Beguine
Artie Shaw3:18
33Jumpin’ at the Woodside
registrazione di:
Jumpin’ at the Woodside (with lyrics by Jon Hendricks)
paroliere:
Jon Hendricks (nel 1957)
compositore:
Count Basie (pianist)
editore:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
versione di:
Jumpin’ at the Woodside (original instrumental)
Count Basie3:12
34Buona Sera
produttore:
Voyle Gilmore
chitarra :
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-04-19)
contrabbasso :
Amato Rodrigues (il 1956-04-19)
pianoforte :
Willie McCumber (il 1956-04-19)
sassofono tenore :
Sam Butera (il 1956-04-19)
tromba :
Louis Prima (il 1956-04-19)
trombone :
James Blount, Jr. (il 1956-04-19)
voce:
Louis Prima (il 1956-04-19)
orchestra:
The Witnesses (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1956)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-04-19)
registrazione di:
Buona sera (il 1956-04-19)
paroliere:
Carl Sigman
compositore:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione tradotta di:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima42:59
35The Good Earth
produttore:
Woody Herman
ance :
Woody Herman (il 1946-03-25)
basso :
Chubby Jackson (il 1946-03-25)
batteria :
Don Lamond (il 1946-03-25)
chitarra :
Billy Bauer (US cool jazz guitarist) (il 1946-03-25)
pianoforte :
Tony Aless (il 1946-03-25)
sassofono baritono :
Sam Rubinowitch (US baritone/alto sax player & flautist) (il 1946-03-25)
sassofono contralto :
John LaPorta (il 1946-03-25) e Sam Marowitz (saxophonist and clarinetist) (il 1946-03-25)
sassofono tenore :
Mickey Folus (il 1946-03-25) e Flip Phillips (il 1946-03-25)
tromba :
Sonny Berman (il 1946-03-25), Pete Candoli (il 1946-03-25), Conrad Gozzo (il 1946-03-25), Marky Markowitz (il 1946-03-25) e Shorty Rogers (trumpet) (il 1946-03-25)
trombone :
Bill Harris (jazz trombonist) (il 1946-03-25), Ed Kiefer (il 1946-03-25) e Ralph Pfeffner (il 1946-03-25)
vibrafono :
Red Norvo (il 1946-03-25)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
registrata presso:
Carnegie Hall in Midtown Manhattan, New York, New York, Stati Uniti (il 1946-03-25)
registrazione di:
The Good Earth
autore:
Neal Hefti
Woody Herman2:35
36Between the Devil and the Deep Blue Sea
batteria :
Bill Beason (il 1937-07-07)
chitarra solista :
Django Reinhardt (French jazz guitarist and composer) (il 1937-07-07)
contrabbasso :
Richard Fullbright (il 1937-07-07)
tromba :
Bill Coleman (US jazz trumpeter) (il 1937-07-07), Shad Collins (il 1937-07-07) e Bill Dillard (il 1937-07-07)
trombone :
Dicky Wells (il 1937-07-07)
parte di:
The Gramophone Company Limited (by matrix number) (numero: 0LA 1885-1) e Swing (by matrix number) (numero: OLA 1885-1)
registrazione strumentale di:
Between the Devil and the Deep Blue Sea (il 1937-07-07)
paroliere:
Ted Koehler
compositore:
Harold Arlen
editore:
Mills Music, S.A. Music Co. e Ted Koehler Music Co.
Django Reinhardt2:57
37Route 66
registrazione di:
(Get Your Kicks on) Route 66
paroliere e compositore:
Bobby Troup
editore:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Burke-Van Heusen, Inc. (il 1946-04-22)
Nat King Cole3:03
38Dream a Little Dream of Me
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Frankie Laine2:49
39The Entertainer
pianoforte :
Scott Joplin (composer and pianist)
registrazione di:
The Entertainer
compositore:
Scott Joplin (composer and pianist) (nel 1902)
editore:
Chappell, EMI Music Publishing (do not use as a release label!) e Multimood Music (publisher)
parte di:
Classic 100: Piano (2025) (numero: 25)
Scott Joplin3:37
40Let’s Do It, Let’s Fall in Love
orchestra:
Henri René & His Orchestra (il 1953-10-05)
registrazione di:
Let’s Do It (Noël Coward version)
paroliere e compositore:
Cole Porter (composer)
paroliere aggiunto:
Noël Coward
versione di:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Eartha Kitt3:10
41Stranger on the Shore
Acker Bilk3:08
42It Could Happen to You
produttore:
Lee Gillette
ance :
Buddy Collette (il 1960-04-27) e Chuck Gentry (il 1960-04-27)
basso :
Joe Mondragon (il 1954-01-18, il 1960-04-27)
batteria :
Shelly Manne (US jazz drummer) (il 1954-01-18) e Larry Bunker (il 1960-04-27)
chitarra :
Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1954-01-18) e Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1960-04-27)
corno francese :
John Graas (il 1954-01-18) e Vincent DeRosa (il 1960-04-27)
flauto e sassofono tenore :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1954-01-18)
legni :
Bob Cooper (US jazz saxophonist) (il 1954-01-18, il 1960-04-27), Harry Klee (il 1954-01-18) e Paul Horn (il 1960-04-27)
pianoforte :
Russ Freeman (pianist) (il 1954-01-18) e Joe Castro (il 1960-04-27)
sassofono baritono :
Johnny Rotella (woodwind) (il 1954-01-18)
sassofono contralto :
Bud Shank (il 1954-01-18, il 1960-04-27)
tromba :
Maynard Ferguson (il 1954-01-18), Conrad Gozzo (il 1954-01-18, il 1960-04-27), Shorty Rogers (trumpet) (il 1954-01-18), Frank Beach (trombone, trumpet) (il 1960-04-27) e Conte Candoli (il 1960-04-27)
trombone :
Milt Bernhart (il 1954-01-18, il 1960-04-27), Harry Betts (il 1954-01-18), Tommy Pederson (il 1954-01-18) e Frank Rosolino (il 1960-04-27)
trombone basso :
George Roberts (american bass trombone) (il 1960-04-27)
tuba :
Paul Sarmento (jazz tubist) (il 1954-01-18) e Phil Stephens (bass and tuba player) (il 1960-04-27)
voce:
June Christy (il 1954-01-18, il 1960-04-27)
direttore d'orchestra:
Pete Rugolo (il 1954-01-18, il 1960-04-27)
arrangiatore:
Pete Rugolo
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-01-18) e Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1960-04-27)
registrazione di:
It Could Happen to You (il 1954-01-18)
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Jimmy Van Heusen
editore:
Chappell & Co., Sony/ATV Harmony e Sony/ATV Music Publishing LLC (1995–2020)
sub-editore:
Gehrmans Musikförlag, Sony/ATV Harmony UK e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
June Christy42:01
43Toot‐Toot Tootsie
Sonny Rollins4:23
44Six Flats Unfurnished
registrazione di:
Six Flats Unfurnished
autore:
Richard Maltby (Richard Maltby, Sr., 1914-1991)
Benny Goodman3:18
45That Old Feeling
registrazione di:
That Old Feeling
paroliere:
Lew Brown
compositore:
Sammy Fain
editore:
Leo Feist, Inc. e Warner Bros. Music Corp.
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
Gerry Mulligan6:00
46Fly Me to the Moon
Cy Coleman2:53
47On the Sunny Side of the Street
registrazione di:
On the Sunny Side of the Street
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. e Vydia Music Publishing
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
Dizzy Gillespie5:41
48Love for Sale
tecnico:
Rudy van Gelder
produttore:
Alfred Lion
batteria :
Art Blakey (il 1958-03-09)
contrabbasso :
Sam Jones (US jazz bassist) (il 1958-03-09)
pianoforte :
Hank Jones (piano) (il 1958-03-09)
sassofono contralto :
Julian “Cannonball” Adderley (il 1958-03-09)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1958-03-09)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (nel 1999, nel 2012) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1999)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1958-03-09)
registrazione strumentale cover di:
Love for Sale (il 1958-03-09)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
Cannonball Adderley57:08
49My Old Flame
Libbie Jo Snyder6:47
50Sentimental Journey
registrazione di:
Sentimental Journey
paroliere:
Bud Green (nel 1944)
compositore:
Les Brown (American big band & jazz musician) (nel 1944) e Ben Homer (nel 1944)
editore:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. e Morley Music Corp.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Merry Macs3:03
51Yardbird Suite
tecnico di registrazione:
Tom Dowd (il 1958-08-03)
produttore:
Nesuhi Ertegun (il 1958-08-03)
batteria :
Connie Kay (il 1958-08-03)
contrabbasso [bass] :
Percy Heath (il 1958-08-03)
pianoforte :
John Lewis (pianist, member of Modern Jazz Quartet) (il 1958-08-03)
vibrafono :
Milt Jackson (il 1958-08-03)
registrazione dal vivo di:
Yardbird Suite (instrumental version) (il 1958-08-03)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (nel 1946)
The Modern Jazz Quartet5:15
52Mack the Knife
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:26
53Venus de Milo
batteria :
Kenny Clarke (il 1949-04-22)
contrabbasso :
Nelson Boyd (il 1949-04-22)
corno francese :
Sanford J. Siegelstein (il 1949-04-22)
pianoforte :
John Lewis (pianist, member of Modern Jazz Quartet) (il 1949-04-22)
sassofono baritono :
Gerry Mulligan (il 1949-04-22)
sassofono contralto :
Lee Konitz (jazz saxophonist) (il 1949-04-22)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1949-04-22)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1949-04-22)
tuba :
Bill Barber (Jazz tuba player) (il 1949-04-22)
arrangiatore:
Gerry Mulligan
registrata presso:
WOR Studios in New York, New York, Stati Uniti (il 1949-04-22)
registrazione di:
Venus de Milo (il 1949-04-22)
compositore:
Gerry Mulligan
Miles Davis43:12
54Peggy’s Blue Skylight
registrazione di:
Peggy's Blue Skylight
compositore:
Charles Mingus
parte di:
The Real Book (compilation of jazz standards, volume I)
Charles Mingus5:20
55S’ Wonderful
registrazione cover di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
Quincy Jones3:15
56My Funny Valentine
registrazione cover di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Sammy Davis Jr.3:08
57Blackbird
Dave Valentin6:25
58I Wanna Be Loved
registrazione cover di:
I Wanna Be Loved
paroliere:
Edward Heyman e Billy Rose (lyricist and Broadway producer)
compositore:
Johnny Green (composer and conductor, often credited as John Green) (nel 1932)
Dinah Washington2:53
59Summertime
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald4:56
60So What
registrata a:
New York, New York, Stati Uniti (il 1959-03-02)
tecnico di registrazione:
Fred Plaut (il 1959-03-02)
produttore:
Irving Townsend
batteria :
Jimmy Cobb (US jazz drummer) (il 1959-03-02)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1959-03-02)
pianoforte :
Bill Evans (pianist) (il 1959-03-02)
sassofono contralto :
Cannonball Adderley (il 1959-03-02)
sassofono tenore :
John Coltrane (il 1959-03-02)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1959-03-02)
registrata presso:
Columbia 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1959-03-02)
remix di:
So What (stereo) di Miles Davis (jazz trumpeter, bandleader, songwriter)
registrazione di:
So What (il 1959-03-02)
compositore:
Miles Davis (jazz trumpeter, bandleader, songwriter)
editore:
Jazz Horn Music
parte di:
The Real Book (compilation of jazz standards, volume I)
Miles Davis4.29:23
61Take the “A” Train
registrazione di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
Duke Ellington3:00
62Sing Me a Swing Song
registrazione cover di:
Sing Me a Swing Song (and Let Me Dance)
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
Hoagy Carmichael
Ella Fitzgerald2:34
63The Girl From Ipanema
Stan Getz & João Gilberto5:22
64Stolen Moments
New York Voices6:46
65Take Five
batteria :
Joe Morello (il 1963-02-22)
contrabbasso :
Eugene Wright (bass) (il 1963-02-22)
pianoforte :
Dave Brubeck (il 1963-02-22)
sassofono contralto :
Paul Desmond (il 1963-02-22)
registrata presso:
Carnegie Hall in Midtown Manhattan, New York, New York, Stati Uniti (il 1963-02-22)
registrazione dal vivo di:
Take Five (original instrumental version) (il 1963-02-22)
compositore:
Paul Desmond
editore:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
parte di:
The Real Book (compilation of jazz standards, volume I)
The Dave Brubeck Quartet3:24
66Mr. Bojangles
produttore:
Don Costa (US pop music arranger & producer) e Mike Curb
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (nel 1971)
registrazione cover di:
Mr. Bojangles
paroliere e compositore:
Jerry Jeff Walker
editore:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Sammy Davis Jr.5:46
67Strangers in the Night
registrazione di:
Strangers in the Night
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
sub-editore:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Vaughn1:47
68Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.253:20
69God Bless the Child
registrazione di:
God Bless the Child
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:08
70In the Mood
registrata a:
New York, New York, Stati Uniti (il 1939-08-01)
sassofono tenore :
Tex Beneke (il 1939-08-01) e Al Klink (il 1939-08-01)
tromba :
Clyde Hurley (il 1939-08-01)
registrazione strumentale di:
In the Mood (il 1939-08-01)
paroliere:
Andy Razaf
compositore:
Wingy Manone
editore:
Shapiro Bernstein and Co. Limited e Shapiro, Bernstein & Co., Inc.
sub-editore:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
si basa su:
Tar Paper Stomp
parte di:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3:37
71My Funny Valentine
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954) e Blue Note (nel 1989)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
My Funny Valentine (from “Babes in Arms”) (il 1954-02-15)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker2.652:22
72Jeepers Creepers
registrata a:
New York, New York, Stati Uniti (nel 1957-07)
basso :
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (nel 1957-07)
batteria :
Larry Bunker (nel 1957-07)
pianoforte :
Bobby Timmons (nel 1957-07)
sassofono :
Jimmy Ford (saxophone) (nel 1957-07) e Anthony Ortega (jazz saxophonist) (nel 1957-07)
sassofono baritono :
Tate Houston (nel 1957-07)
sassofono tenore :
Willie Maiden (nel 1957-07)
tromba :
John Bellow (nel 1957-07), Joe Burnett (nel 1957-07), Maynard Ferguson (nel 1957-07) e Tom Slaney (nel 1957-07)
trombone :
Bob Burgess (american trombonist) (nel 1957-07) e Jimmy Cleveland (US jazz trombonist) (nel 1957-07)
registrazione strumentale di:
Jeepers Creepers (nel 1957-07)
paroliere:
Johnny Mercer (nel 1938)
autore:
Richard A. Whiting (composer)
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1938 nominee)
Maynard Ferguson2:35
73Is You Is or Is You Ain’t My Baby
tecnico e tecnico di missaggio:
Al Schmitt (nel 1994-09)
produttore:
Tommy LiPuma (nel 1994-09)
batteria :
Lewis Nash (American jazz drummer) (nel 1994-09)
contrabbasso [bass] :
Ray Brown (jazz bassist) (nel 1994-09)
pianoforte :
Diana Krall (nel 1994-09)
sassofono :
Stanley Turrentine (nel 1994-09)
voce:
Diana Krall (nel 1994-09)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1994-09)
registrazione cover di:
Is You Is or Is You Ain’t My Baby? (nel 1994-09)
autore:
Bill Austin (nel 1944) e Louis Jordan (US jazz, blues and r&b musician and songwriter) (nel 1944)
editore:
Universal‐MCA Music Publishing (US)
parte di:
The Real Book (compilation of jazz standards, volume I)
Diana Krall3.254:57
74Mack the Knife
The Lol Williams Band3:44
75Strange Fruit
basso :
John Fields (Jazz bassist)
batteria :
Marquis Foster
pianoforte :
Buster Harding
registrazione di:
Strange Fruit
paroliere e compositore:
Lewis Allan
editore:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) e Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Bitter Fruit
Billie Holiday3:18
76Ornithology
registrazione di:
Ornithology
compositore:
Benny Harris e Charlie Parker (aka “Bird”, jazz alto saxophonist)
editore:
Marada Music Ltd.
Charlie Parker3:04
77Skyliner
registrazione di:
Skyliner (for brass band, Geldard)
compositore:
Charlie Barnet (saxophonist, bandleader)
arrangiatore:
Bill Geldard (British trombone player and composer)
arrangiamento di:
Skyliner
Charlie Barnet3:01
78Softly, as in a Morning Sunrise
basso :
Tom Kennedy (US double-bass and electric bass player)
batteria :
Dave Weckl
pianoforte :
Ray Kennedy (Jazz pianist and composer)
Dave Weckl5:01
79My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.853:33
80Giant Steps
Candido Camero5:37
81Put Off
Milt Jackson5:37
82Baby It’s Cold Outside
voce:
Buddy Clark (US 1930s~1940s singer) e Dinah Shore
orchestra:
Ted Dale and His Orchestra
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1949)
registrazione di:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
The 22nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1949 winner)
Buddy Clark2:22
83What a Difference a Day Makes
registrazione cover di:
What a Diff’rence a Day Made
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Dinah Washington2:33
84Among My Souvenirs (From the Best Years of Our Lives)
registrata a:
Los Angeles, California, Stati Uniti (il 1942-04-17)
batteria :
Sid Catlett (il 1942-04-17)
chitarra :
Lawrence Lucie (il 1942-04-17)
contrabbasso :
John Simmons (bassist) (il 1942-04-17)
pianoforte :
Luis Russell (il 1942-04-17)
sassofono contralto :
Rupert Cole (swing era jazz clarinetist and saxophonist) (il 1942-04-17) e Carl Frye (il 1942-04-17)
sassofono tenore :
Joe Garland (saxophonist, composer) (il 1942-04-17) e Prince Robinson (il 1942-04-17)
tromba :
Louis Armstrong (il 1942-04-17), Bernard Flood (il 1942-04-17), Frank Galbreath (il 1942-04-17) e Shelton "Scad" Hemphill (il 1942-04-17)
trombone :
Henderson Chambers (il 1942-04-17), George Washington (jazz trombonist) (il 1942-04-17) e James Whitney (US trombonist) (il 1942-04-17)
voce:
Louis Armstrong (il 1942-04-17)
orchestra:
Louis Armstrong & His Orchestra (il 1942-04-17)
registrazione di:
Among My Souvenirs (il 1942-04-17)
paroliere:
Edgar Leslie
compositore:
Horatio Nicholls
editore:
Crawford Music Inc., DeSylva, Brown and Henderson, Inc. (il 1927-10-05), Lawrence Wright Music Co., Ltd. (il 1927-10-05) e Chappell & Co., Inc. (USA) (il 1968-09-23)
Louis Armstrong2:45
85So Long Eric
registrazione di:
So Long Eric (il 1977-11-06)
compositore:
Charles Mingus
Charles Mingus44:35
86Autumn in New York
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1955-09-18)
basso :
Leroy Vinnegar (il 1955-09-18)
batteria :
Lawrence Marable (il 1955-09-18)
pianoforte :
Kenny Drew (il 1955-09-18)
sassofono tenore :
Dexter Gordon (il 1955-09-18)
registrazione strumentale cover di:
Autumn in New York (1934) (il 1955-09-18)
paroliere e compositore:
Vernon Duke
editore:
Chappell & Co. e Warner Bros., Inc. (not for release label use!)
Dexter Gordon6:33
87Frenesi
The American Patrol Orchestra2:50
88La Mer
Henry Cuesta2:35
89The Entertainer
Chris Barber’s Jazz Band3:52
90Ain’t Misbehavin’
Sidney Bechet2:54
91Baby, It’s Cold Outside
voce:
Buddy Clark (US 1930s~1940s singer) e Dinah Shore
orchestra:
Ted Dale and His Orchestra
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1949)
registrazione di:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
The 22nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1949 winner)
Dinah Shore2:22
92Greenbacks
registrazione di:
Greenbacks
paroliere e compositore:
Renald Richard
Ray Charles2:56
93Manhattan Serenade
voce:
Dinah Shore (il 1942-07-30)
orchestra:
Orchestra conducted by Paul Weston (il 1942-07-30)
registrazione di:
Manhattan Serenade (il 1942-07-30)
paroliere:
Harold Adamson
compositore:
Louis Alter
Dinah Shore3:09
94As Time Goes By
registrazione cover di:
As Time Goes By (the song from “Casablanca”)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
Tony Bennett3:15
95Contrasts
registrazione di:
Contrasts
compositore:
Jimmy Dorsey
Jimmy Dorsey & His Orchestra3:01
96On the Sunny Side of the Street
The Memphis Belle Orchestra3:25
97Stairway to the Stars
tecnico di registrazione:
Bill Schwartau (il 1962-06-02)
basso :
Chuck Israels (il 1962-06-02)
batteria :
Paul Motian (US jazz drummer, percussionist & composer) (il 1962-06-02, il 1962-06-05)
contrabbasso [bass] :
Chuck Israels (il 1962-06-02, il 1962-06-05)
pianoforte :
Bill Evans (pianist) (il 1962-06-02, il 1962-06-05)
registrata presso:
Sound Makers in New York, New York, Stati Uniti (il 1962-06-02)
registrazione strumentale cover di:
Stairway to the Stars (il 1962-06-02)
paroliere:
Mitchell Parish
compositore:
Matty Malneck e Frank Signorelli
editore:
EMI United Partnership Ltd. e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
registrazione strumentale di:
Stairway to the Stars (il 1962-06-05)
paroliere:
Mitchell Parish
compositore:
Matty Malneck e Frank Signorelli
editore:
EMI United Partnership Ltd. e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Bill Evans4:51
98In Other Words (Fly Me to the Moon)
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nancy Wilson (with The Billy May Orchestra)2:54
99Rags to Riches
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione di:
Rags to Riches (il 1953-03-17)
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
registrazione cover di:
Rags to Riches
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
Tony Bennett2:51
100Harlem Nocturne
Jonny Cooper Orchestra3:17

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