Road to Perdition (Original Motion Picture Soundtrack)

~ Veröffentlichung von Thomas Newman (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Anmerkung

Copyright: © 2002 UMG Recordings, Inc.
℗ 2002 UMG Recordings, Inc.

Anmerkung zuletzt geändert am 2025-01-06 23:19 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Rock Island, 1931
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Rock Island, 1931
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman3:22
2Wake
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Wake
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman1:56
3Just the Feller
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Just the Feller
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:45
4Mr. Rance
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Mr. Rance
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman1:39
5Bit Borrowers
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Bit Borrowers
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:25
6Murder (In Four Parts)
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Murder (in four parts)
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman7:53
7Road to Chicago
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
Orchester:
[anonymous] (special purpose artist)
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Road to Chicago (Road to Perdition)
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Teil von:
Road to Perdition
Thomas Newman3:06
8Reading Room
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Reading Room
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman1:26
9Someday Sweetheart
recording of:
Someday Sweetheart
Texter und Komponist(in):
Benjamin Franklin Spikes (Benjamin Franklin "Reb" Spikes) und John Curry Spikes
publisher:
Spikes Bros. and Carter Music House (am 1919-12-26)
The Charleston Chasers3:07
10Meet Maguire
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Meet Maguire
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman1:44
11Blood Dog
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Blood Dog
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman1:06
12Fin McGovern
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Fin McGovern
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:12
13The Farm
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
The Farm
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:10
14Dirty Money
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Dirty Money
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman3:11
15Rain Hammers
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Rain Hammers
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:42
16A Blind Eye
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
A Blind Eye
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:27
17Nothing to Trade
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Nothing to Trade
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:25
18Queer Notions
recording of:
Queer Notions
Komponist(in):
Coleman Hawkins
Fletcher Henderson and His Orchestra2:45
19Virgin Mary
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Virign Mary
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman1:34
20Shoot the Dead
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Shoot the Dead
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:26
21Grave Drive
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Grave Drive
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman1:21
22Cathedral
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
Samples:
Alma Redemptoris mater (Marian Antiphon) von Choir of King’s College, Cambridge, Stephen Cleobury (organist, conductor)
recording of:
Cathedral
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:40
23There'll Be Some Changes Made
recording of:
There’ll Be Some Changes Made
publisher:
Harry H. Pace (in 1921)
Texter:
Billy Higgins (1920s composer and singer)
Komponist(in):
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
Chicago Rhythm Kings2:59
24Ghosts
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Ghosts
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman3:40
25Lexington Hotel, Room 1432
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Lexington Hotel, Room 1432
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman1:44
26Road to Perdition
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Road to Perdition
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman3:56
27Perdition (Piano Duet)
recording of:
Perdition (piano duet)
Komponist(in):
John M. Williams
Tom Hanks & Paul Newman1:39