Samson et Dalila

~ Release by Camille Saint‐Saëns (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Samson et Dalila, Act II: Prelude
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II. Prélude (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:05
2Samson et Dalila, Act II Scene 1: Samson, recherchant ma présence... Amour! viens aider ma faiblesse!
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
3:58
3Samson et Dalila, Act II Scene 2: J'ai gravi la montagne
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 2. « J’ai gravi la montagne » (Le grand prêtre, Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:16
4Samson et Dalila, Act II Scene 2: À tes genoux sa force un jour l'abondonna
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 2. « À tes genoux sa force un jour l’abondonna » (Le grand prêtre, Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:54
5Samson et Dalila, Act II Scene 2: Mais sur son cœur déjà n'aurais-tu pas en vain
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 2. « Mais sur son cœur déjà n’aurais‐tu pas en vain » (Le grand prêtre) (from 1962-09-25 until 1962-10-10)
part of:
Samson et Dalila : Acte II
3:02
6Samson et Dalila, Act II Scene 2: Il faut, pour assouvir ma haine
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 2. « Il faut, pour assouvir ma haine » (Dalila, le grand prêtre) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:10
7Samson et Dalila, Act II Scene 2: Samson, me disais-tu, dans ces lieux doit se rendre? / Se pourrait-il que sur son cœur
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 2. « Samson, me disais‐tu, dans ces lieux doit se rendre ? » … « Se pourrait‐il que sur son cœur » (Le grand prêtre, Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
3:15
8Samson et Dalila, Act II Scene 3: En ces lieux, malgré moi, m'ont ramené mes pas
producer:
René Challan (French composer)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « En ces lieux » (Samson, Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
1:09
9Samson et Dalila, Act II Scene 3: C'est toi! c'est toi, mon bien-aimé!
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « C’est toi, c’est toi, mon bien‐aimé ! » (Dalila, Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:45
10Samson et Dalila, Act II Scene 3: D'Israël renaît l'espérance
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « D’Israël renaît l’espérance » (Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:56
11Samson et Dalila, Act II Scene 3: Un dieu plus puissant que le tien
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « Un dieu plus puissant que le tien » (Dalila, Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
3:07
12Samson et Dalila, Act II Scene 3: Mon cœur s'ouvre à ta voix
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
5:16
13Samson et Dalila, Act II Scene 3: Mais!... non! que dis-je? hélas, la triste Dalila!
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « Mais ! Non ! Que dis-je ? Hélas ! La triste Dalila » (Dalila, Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
4:46
14Samson et Dalila, Act II Scene 3: À moi! Philistins!... / Trahison!
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « À moi ! Philistins ! À moi ! » … « Trahison ! » (Dalila, Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
1:39
15Samson et Dalila, Act III: Introduction
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 1. Introduction (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:43
16Samson et Dalila, Act III Scene 1: Vois ma misère, hélas! vois ma détresse!
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 1. « Vois ma misère, hélas » (Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:25
17Samson et Dalila, Act III Scene 1: Hélas! Israël dans les fers
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 1. « Hélas ! Israël dans les fers » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:52
18Samson et Dalila, Act III Scene 1: Frères! votre chant douloureux
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 1. « Frères ! Votre chant douloureux » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:54
19Samson et Dalila, Act III Scene 1: Interlude
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 1. Interlude (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:24
20Samson et Dalila, Act III Scene 2: L'aube qui blanchit déjà les coteaux
producer:
René Challan (French composer)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 2. Chœur des Philistins « L’aube qui blanchit déjà les coteaux » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:33
21Samson et Dalila, Act III Scene 2: Bacchanal
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 2. Bacchanale (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
6:58
22Samson et Dalila, Act III Scene 3: Salut! Salut au juge d'Israël
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Salut ! Salut au juge d’Israël » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:17
23Samson et Dalila, Act III Scene 3: L'âme triste jusqu'à la mort
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « L’âme triste jusqu’à la mort » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
3:32
24Samson et Dalila, Act III Scene 3: Allons, Samson, divertis-nous
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Allons, Samson, divertis-nous » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:10
25Samson et Dalila, Act III Scene 3: Viens, Dalila, rendre grâce à nos dieux / Gloire à Dagon vainqueur!
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Gloire à Dagon » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:40
26Samson et Dalila, Act III Scene 3: Dagon se révèle!
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Dagon se révèle ! » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:17
27Samson et Dalila, Act III Scene 3: Pour que le sort soit favorable
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Pour que le sort soit favorable » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:24
28Samson et Dalila, Act III Scene 3: Dagon se révéle!
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Dagon se révèle ! » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:50
29Samson et Dalila, Act III Scene 3: Souviens-toi de ton serviteur
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Souviens‐toi de ton serviteur » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:31