Complete Edition Vol. 12: Arias, Lieder etc,

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Tracklist

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#TitleRatingLength
1La finta semplice, K. 51 - 1st (original) version / Act 1: "Guarda la donna in viso"
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
La finta semplice, K. 46a / KV 51: Act I, Scene III. No. 5 Aria. Allegro moderato "Guarda la donna in viso" (Fracasso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
La finta semplice, K. 46a / KV 51: Act I
5:05
2La finta semplice, K. 51 - 1st (original) version / Act 3: "Sono in amore, voglio marito"
soprano vocals:
Elżbieta Szmytka (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
La finta semplice, K. 46a / KV 51: Act III
3:00
3Mitridate, re di Ponto, K. 87 - 1st (original version) / Act 1: "Al destin, che la minaccia"
soprano vocals:
Edith Wiens (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act I
8:44
4Mitridate, re di Ponto, K. 87 - 1st (original version) / Act 1: "In faccia all'oggetto"
soprano vocals:
Elżbieta Szmytka (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act I
5:08
5Mitridate, re di Ponto, K. 87 - 1st (original version) / Act 2: "Lungi da te, mio bene"
soprano vocals:
Edith Wiens (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act II
7:39
6Mitridate, re di Ponto, K. 87 - 1st (original version) / Act 2: "Se viver non degg'io"
soprano vocals:
Elżbieta Szmytka (soprano) and Edith Wiens (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
basset clarinet arranger and flute arranger:
Stephan Koncz (Austrian cellist and composer)
part of:
Mitridate, rè di Ponto, K. 74a/87: Act II
8:30
7Mitridate, rè di Ponto, K. 87 (1st version): "Vado incontro, al fato estremo"
tenor vocals:
Gunnar Guðbjörnsson
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Vittorio Amedeo Cigna-Santi
part of:
Mitridate, rè di Ponto, K. 74a/87: Act III
2:58
8Lucio Silla, K. 135 (Mozart's ornamentation from K. 293e): "Ah se a morir mi chiama"
harpsichord:
Klaus von Wildemann (Klaus von Wildermann, pianist)
mezzo-soprano vocals:
Iris Vermillion (mezzo-soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giovanni de Gamerra
part of:
Lucio Silla, K. 135: Act II
7:49
9"Non più, tutto ascoltai..Non temer, amato bene", K. 490
violin:
Peter Mirring (German violinist)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene”
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 490), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 490) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 490)
8:20
10Idomeneo, re di Creta, K. 366 - with alternative Duet, K. 489: Principessa, a' tuoi sguardi - Spiegarti non poss'io
soprano vocals:
Edith Mathis (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
6:51
11Welch ängstliches Beben, K. 389
tenor vocals:
Stuart Burrows (tenor) and Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Colin Davis (English conductor)
recording of:
Duet for 2 Tenors in E-flat major, K. 384a/389 (Erik Smith completion): "Welch ängstliches Beben"
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
5:40
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