Red Cab to Manhattan (expanded edition)

~ Veröffentlichung von Stephen Bishop (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1The Big House
recording engineer und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Akustikgitarre, Hintergrundgesang und Sologesang:
Stephen Bishop (American singer-songwriter)
E-Gitarre:
Stephen Bishop (American singer-songwriter), Sid McGinnis (American musician and guitarist) und David Spinozza
Klavier und Rhodes Piano:
Don Grolnick
Marimba:
Mike Mainieri
Schlagzeug:
Andy Newmark
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
The Big House
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
3:47
2Don’t You Worry
recording engineer:
Scott Litt (producer and engineer) und Alan Vonner
Produzent(in):
Tommy LiPuma und Mike Mainieri
Mix:
Scott Litt (producer and engineer)
Akustikgitarre und E-Gitarre:
Stephen Bishop (American singer-songwriter) und David Spinozza
Bassgitarre:
Jeffrey Staton (long‐time collaborator w/ Stephen Bishop, later known as Jeff Jones)
Klavier und Sologesang:
Stephen Bishop (American singer-songwriter)
Schlagzeug:
Andy Newmark
Slide-Gitarre:
Hugh McCracken
Hintergrundgesang:
Stephen Bishop (American singer-songwriter) und Jeffrey Staton (long‐time collaborator w/ Stephen Bishop, later known as Jeff Jones)
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
Don’t You Worry
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
3:58
3Thief in the Night
recording engineer und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Bassgitarre:
Willie Weeks (US bass player)
E-Gitarre:
Stephen Bishop (American singer-songwriter) und David Spinozza
Klavier:
Don Grolnick
Schlagzeug:
Andy Newmark
Hintergrundgesang:
Phoebe Snow
Sologesang:
Stephen Bishop (American singer-songwriter)
conductor:
Don Sebesky
Blechblasinstrumente [horns] arranger:
Don Sebesky
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
Thief in the Night
Texter:
Judy Maizel
Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Sashay Music, Inc., Stephen Bishop Music Publishing, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:28
4Send a Little Love My Way (Like Always)
recording engineer und Mix:
Scott Litt (producer and engineer)
Synthesizer-Programmierung:
Ed Walsh (US synthesizer player & programmer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Akustikgitarre und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
Dennis Belfield
E-Gitarre:
Dean Parks (American session guitarist) und John Tropea
Perkussion:
Lenny Castro
Rhodes Piano:
Warren Bernhardt
Schlagzeug:
Steve Gadd (drummer)
Synthesizer und Vibraphon:
Mike Mainieri
Hintergrundgesang:
Stephen Bishop (American singer-songwriter), David Lasley, Arnold McCuller und Jeffrey Staton (long‐time collaborator w/ Stephen Bishop, later known as Jeff Jones)
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
zusätzlich aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
Send a Little Love My Way (Like Always)
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
3:50
5Let Her Go
recording engineer und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Akustikgitarre und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
Willie Weeks (US bass player)
E-Gitarre:
Sid McGinnis (American musician and guitarist) und David Spinozza
Klavier:
Don Grolnick
Schlagzeug:
Andy Newmark
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
Let Her Go
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
3:41
6Little Moon
recording engineer und Mix:
Steve Churchyard und Scott Litt (producer and engineer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Akustikgitarre, Hintergrundgesang und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
John Giblin
Cello:
Clive Anstree (cellist)
E-Gitarre:
Eric Clapton
Klavier:
Chris Stainton (keyboard player, session musician and songwriter)
Rhodes Piano:
Gary Brooker
Schlagzeug:
Phil Collins (of Genesis)
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
Little Moon
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
3:11
7The Story of a Boy in Love
recording engineer und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Akustikgitarre und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
Neil Jason (bassist)
E-Gitarre:
Stephen Bishop (American singer-songwriter) und Jeff Mironov
Klavier:
Neil Larsen und Chris Stainton (keyboard player, session musician and songwriter)
Perkussion:
Lenny Castro
Rhodes Piano:
Warren Bernhardt
Schlagzeug:
Chris Parker (American drummer)
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
The Story of a Boy in Love
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
4:59
8Living in the Land of Abe Lincoln
recording engineer und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Akustikgitarre und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
Willie Weeks (US bass player)
Becken und Pauke:
Mike Mainieri
E-Gitarre:
David Spinozza
Perkussion:
Lenny Castro
Rhodes Piano:
Don Grolnick
Schlagzeug:
Andy Newmark
flute arranger und Piccoloflöte arranger:
Mike Mainieri
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
Living in the Land of Abe Lincoln
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
3:04
9Red Cab to Manhattan
recording engineer und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Akustikgitarre, Posaune und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
Willie Weeks (US bass player)
E-Gitarre:
David Spinozza
Holzblasinstrumente und Saiteninstrumente:
Jeremy Lubbock
Koto:
Mike Mainieri und Ed Walsh (US synthesizer player & programmer)
Rhodes Piano:
Don Grolnick
Schlagzeug:
Andy Newmark
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
Red Cab to Manhattan
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
4:37
10Sex Kittens Go to College
recording engineer und Mix:
Steve Churchyard und Scott Litt (producer and engineer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Akustikgitarre und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
John Giblin
E-Gitarre:
Eric Clapton
Klavier:
Gary Brooker
Rhodes Piano:
Chris Stainton (keyboard player, session musician and songwriter)
Schlagzeug:
Phil Collins (of Genesis)
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
Sex Kittens Go to College
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
1:23
11City Girl
recording engineer und Mix:
Scott Litt (producer and engineer)
Synthesizer-Programmierung:
Ed Walsh (US synthesizer player & programmer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Akustikgitarre und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
Neil Jason (bassist)
E-Gitarre:
Sid McGinnis (American musician and guitarist) und Jeff Mironov
Perkussion:
Lenny Castro
Rhodes Piano:
Warren Bernhardt
Schlagzeug:
Chris Parker (American drummer)
Solo-E-Gitarre:
Buzzy Feiten
Synthesizer und Vocoder:
Mike Mainieri
Hintergrundgesang:
David Lasley und Arnold McCuller
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
City Girl
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
4:57
12My Clarinet
recording engineer und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Tommy LiPuma und Mike Mainieri
Akustikgitarre und Sologesang:
Stephen Bishop (American singer-songwriter)
Marimba und Vibraphon:
Mike Mainieri
arranger:
Stephen Bishop (American singer-songwriter) und Mike Mainieri
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1979), Penny Lane Studios in New York, New York, Vereinigte Staaten (in 1979), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1979) und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich
recording of:
My Clarinet
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
3:03
13Hit the Road Jack (session outtake)
phonographisches Urheberrecht (℗) von:
Stephen Bishop (American singer-songwriter) (in 2018)
2:05
14Send a Little Love My Way (Like Always) (single version)
recording of:
Send a Little Love My Way (Like Always)
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
3:31
15Shine On You Crazy Moon (demo)
phonographisches Urheberrecht (℗) von:
Stephen Bishop (American singer-songwriter) (in 2018)
3:46
16Smile When You Touch Her (demo)
phonographisches Urheberrecht (℗) von:
Stephen Bishop (American singer-songwriter) (in 2018)
3:27
17I’d Come Home for You (demo)
phonographisches Urheberrecht (℗) von:
Stephen Bishop (American singer-songwriter) (in 2018)
3:56
18Teenage Millionaire (demo)
phonographisches Urheberrecht (℗) von:
Stephen Bishop (American singer-songwriter) (in 2018)
4:39

Nennungen

Veröffentlichung

art direction und design:Kosh (UK art director)
Produzent(in):Dan Perloff
remastering:Bill Inglot (archival music producer/remastering engineer)
Dave Schultz
urheberrechtlich geschützt (©) von:Stephen Bishop (American singer-songwriter) (in 1980, in 2018)
zusätzlich design:Lisa Sutton (art director/graphic designer)
lizenziert an:Extra Term Audio LLC
mastered at:Masterdisk in New York, New York, Vereinigte Staaten
remastered at:d2 Mastering in Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/12073578 [Info]
ASIN:US: B07B5VXY97 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/252921 [Info]
Wikidata:Q20813959 [Info]