Nature Boy

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1I'm Lost
3:09
2Straighten Up and Fly Right
recording of:
Straighten Up and Fly Right
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30)
2:26
3Gee, Baby Ain't I Good to You?
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1943-11-30)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
2:56
4If You Can't Smile and Say Yes
recording of:
If You Can’t Smile and Say Yes
writer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Timmie Rogers
3:06
5Sweet Lorraine
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:09
6Embraceable You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
instrumental cover recording of:
Embraceable You (on 1943-12-15)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:23
7It's Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
2:56
8I Can't See for Lookin'
3:07
9I'm a Shy Guy
recording of:
I’m a Shy Guy
lyricist and composer:
Nat King Cole
2:49
10The Frim Fram Sauce
recording of:
The Frim‐Fram Sauce
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:18
11I'm in the Mood for Love
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
I’m in the Mood for Love (on 1946-03-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:12
12I Don't Know Why (I Just Do)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano and lead vocals:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
cover recording of:
I Don’t Know Why (on 1946-03-15)
lyricist:
Roy Turk (in 1931)
composer:
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. and Redwood Music
3:11
13(Get Your Kicks on) Route 66
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
instruments:
The Nat King Cole Trio (in 1946)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole
vocals:
Nat King Cole (in 1946, on 1946-03-15)
performer:
The Nat King Cole Trio (on 1946-03-15)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (on 1946-03-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
3:01
14Everyone Is Sayin' Hello Again (Why Must We Say Goodbye)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole (on 1946-03-15)
vocals:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
Everyone Is Sayin’ Hello Again (Why Must We Say Goodbye?) (on 1946-03-15)
writer:
Jerry Marlowe and Jack Segal (US songwriter)
2:39
15I've Got the World on a String
recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:16
16What Can I Say After I Say I'm Sorry
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano and lead vocals:
Nat King Cole (on 1946-04-05)
vocals:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
What Can I Say After I Say I’m Sorry? (on 1946-04-05)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
3:02
17Baby, Baby All the Time
cover recording of:
Baby Baby All the Time
lyricist and composer:
Bobby Troup
3:01
18On the Sunny Side of the Street3:00
19Mabel, Mabel
3:16
20How Deep Is the Ocean
recording of:
How Deep Is the Ocean?
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:55
21You Call It Madness (But I Call It Love)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-05-01)
guitar:
Oscar Moore (on 1946-05-01)
piano:
Nat King Cole (on 1946-05-01)
vocals:
Nat King Cole (on 1946-05-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-05-01)
recording of:
You Call It Madness (But I Call It Love) (on 1946-05-01)
writer:
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad (songwriter and producer), Gladys DuBois and Paul Gregory (Songwriter)
part of:
Going Hollywood (1933 film)
3:04
22For Sentimental Reasons (I Love You)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-08-22)
guitar:
Oscar Moore (on 1946-08-22)
piano:
Nat King Cole (on 1946-08-22)
vocals:
Nat King Cole (on 1946-08-22)
performer:
The Nat King Cole Trio (on 1946-08-22)
recorded at:
WMCA Studios in New York, New York, United States (on 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (on 1946-08-22)
lyricist:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
42:54
23You're the Cream in My Coffee2:28
24Come in Out of the Rain
2:55
25The Christmas Song
vocals:
Nat King Cole
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire)
lyricist:
Robert Wells (songwriter) (in 1945-07) and Mel Tormé (“The Velvet Fog”) (in 1945-07)
composer:
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
3:12
2CD