Plus Four + At Basin Street

~ Release by Clifford Brown & Sonny Rollins (see all versions of this release, 1 available)

Annotation

Twofer:
Sonny Rollins Plus Four, Prestige LP7038 (later released as Three Giants!)
Clifford Brown and Max Roach At Basin Street, EmArcy MG36070

1 - 5, Hackensack, NJ, March 22, 1956
6 -8, New York, January 4, 1956
9 -14, New York, February 16, 1956

Annotation last modified on 2021-07-08 03:42 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Valse Hot
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
recording of:
Valse Hot (on 1956-03-22)
composer:
Sonny Rollins (American saxophonist)
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow8:38
2Kiss and Run
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
recording of:
Kiss and Run (on 1956-03-22)
composer:
Sam Coslow
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow7:11
3I Feel a Song Coming On
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
instrumental recording of:
I Feel a Song Comin’ On (on 1956-03-22)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter) and George Oppenheimer
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow5:17
4Count Your Blessings
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
instrumental recording of:
Count Your Blessings (on 1956-03-22)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 27th Academy Award for Best Original Song (number: 2)
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow2:33
5Pent-up House
recording engineer:
Rudy van Gelder
double bass:
George Morrow (on 1956-03-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-03-22)
piano:
Richie Powell (on 1956-03-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-03-22)
trumpet:
Clifford Brown (trumpet) (on 1956-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-03-22)
recording of:
Pent-Up House (on 1956-03-22)
composer:
Sonny Rollins (American saxophonist)
part of:
The Real Book (compilation of jazz standards, volume I)
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow8:55
6Gertrude's Bounce
producer:
Bob Shad
double bass:
George Morrow (on 1956-01-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-01-04)
piano:
Richie Powell (on 1956-01-04)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-01-04)
trumpet:
Clifford Brown (trumpet) (on 1956-01-04)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-01-04)
recording of:
Gertrude’s Bounce (on 1956-01-04)
composer:
Richie Powell
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow4:10
7Step Lightly (Junior's Arrival)
producer:
Bob Shad
double bass:
George Morrow (on 1956-01-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-01-04)
piano:
Richie Powell (on 1956-01-04)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-01-04)
trumpet:
Clifford Brown (trumpet) (on 1956-01-04)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-01-04)
recording of:
Step Lightly (Junior's Arrival) (on 1956-01-04)
writer:
Benny Golson (American jazz saxophonist and composer)
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow3:33
8Powell's Prances
recorded in:
New York, New York, United States (on 1956-01-04)
producer:
Bob Shad
double bass:
George Morrow (on 1956-01-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-01-04)
piano:
Richie Powell (on 1956-01-04)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-01-04)
trumpet:
Clifford Brown (trumpet) (on 1956-01-04)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-01-04)
recording of:
Powell's Prances (on 1956-01-04)
writer:
Richie Powell
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow3:28
9I'll Remember April
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-17)
piano:
Richie Powell (on 1956-02-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-17)
trumpet:
Clifford Brown (trumpet) (on 1956-02-17)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
instrumental recording of:
I’ll Remember April (on 1956-02-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow9:13
10Time
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
celesta and piano:
Richie Powell (on 1956-02-17)
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-17)
trumpet:
Clifford Brown (trumpet) (on 1956-02-17)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
recording of:
Time (on 1956-02-17)
writer:
Richie Powell
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow5:04
11The Scene Is Clean
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-17)
piano:
Richie Powell (on 1956-02-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-17)
trumpet:
Clifford Brown (trumpet) (on 1956-02-17)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
recording of:
The Scene Is Clean (on 1956-02-17)
composer:
Tadd Dameron
arranger:
Joe Lovano (American jazz artist)
publisher:
Bregman, Vocco & Conn, Inc.
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow6:05
12Flossie Lou
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow3:56
13What Is This Thing Called Love
recorded in:
New York, New York, United States (on 1956-02-16)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-16)
piano:
Richie Powell (on 1956-02-16)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-16)
trumpet:
Clifford Brown (trumpet) (on 1956-02-16)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-16)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-16)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow7:33
14Love Is A Many Splendored Thing
recorded in:
New York, New York, United States (on 1956-02-16)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-16)
piano:
Richie Powell (on 1956-02-16)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-16)
trumpet:
Clifford Brown (trumpet) (on 1956-02-16)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-16)
instrumental recording of:
Love Is a Many‐Splendored Thing (on 1956-02-16)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1955 winner)
Clifford Brown, Sonny Rollins, Max Roach, Richie Powell, George Morrow4:17