Bach Edition, I: Orchestral Works/Chamber Music

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▶CD: Brandenburg Concertos 1-2-3
2▶CD: Brandenburg Concertos 4-5-6
3▶CD: Orchestral Suites 1 & 2, BWV 1066 & 1067
4▶CD: Orchestral Suites 3 & 4, BWV 1068 & 1069
5▶CD: Violin Concertos
6▶CD: Harpsichord Concertos BWV 1052-1055
7▶CD: Harpsichord Concertos BWV 1056-1057-1058-1060-1065
8▶CD: Concertos for 2 & 3 Harpsichords BWV 1061-1064
9▶CD: Double Concertos 1043-1044-1055-1060
10▶CD: Sonate e Partite per Violino Solo I
11▶CD: Sonate e Partite per Violino Solo II
12▶CD: Cello Suites 1-3-5
13▶CD: Cello Suites 2-4-6
14▶CD: Flute Sonatas I
15▶CD: Flute Sonatas II
16▶CD: Lute Works I
17▶CD: Lute Works II
18▶CD: Viola da Gamba Sonatas
19▶CD: Musikalisches Opfer, BWV 1079
20▶CD: Violin Sonatas I
21▶CD: Violin Sonatas II
22▼CD: Notenbüchlein für Anna Magdalena Bach
#TitleRatingLength
1Menuet BWV Anh. 113
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet F-Dur, BWV Anh. 113 (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 3) and Bach-Werke-Verzeichnis (number: BWV Anh. 113)
1:28
2Menuet BWV Anh. 114 (Christian Petzold)
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard) (from 1999-10-26 until 1999-11-16)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
1:25
3Menuet BWV Anh. 115 (Christian Petzold)
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Menuet in G minor, BWV Anh. 115 (from 1999-10-26 until 1999-11-16)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
1:30
4Rondeau, Les Bergeries BWV Anh. 183 (François Couperin)
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Rondeau, BWV Anh. 183 (from 1999-10-26 until 1999-11-16)
composer:
François Couperin (French composer of the Baroque era)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 6), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 183), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 1, S. 638) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 183)
3:43
5Menuet BWV Anh. 116
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Minuet in G major, BWV Anh. 116 (from 1999-10-26 until 1999-11-16)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 116) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 116)
1:37
6Polonaise BWV Anh.117
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Polonaise F-Dur, BWV Anh. 117b (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 8), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 117b) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 117)
1:52
7Menuet BWV Anh. 118
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Minuet in B-flat major, BWV Anh. 118 (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 9) and Bach-Werke-Verzeichnis (number: BWV Anh. 118)
1:14
8Polonaise BWV Anh.119
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Polonaise in G minor, BWV Anh. 119 (from 1999-10-26 until 1999-11-16)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 10) and Bach-Werke-Verzeichnis (number: BWV Anh. 119)
0:53
9Choral- Wer nur den lieben Gott lässt walten BWV 691
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Wer nur den lieben Gott läßt walten, BWV 691 (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Chorale Preludes, Kirnberger Collection (number: 2), Notebook for Anna Magdalena Bach (1725) (number: 11), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 691) and Bach Compendium (number: BC K 99)
is based on:
Wer nur den lieben Gott läßt walten (1641 hymn)
1:29
10Gib dich zufrieden und sei stille BWV 510
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Choralsatz F-Dur, BWV 510 “Gib dich zufrieden und sei stille” (attribution doubtful) (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 12), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 510) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 510)
1:44
11Gib dich zufrieden und sei stille BWV 511
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
organ:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Choralsatz, BWV 511 “Gib dich zufrieden und sei stille” (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1666)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 13a), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 511), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 511) and Bach Compendium (number: BC F 214a)
1:23
12Gib dich zufrieden und sei stille BWV 512
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
clavichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Choralsatz, BWV 512 “Gib dich zufrieden und sei stille” (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 13), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 512) and Bach Compendium (number: BC F 214b)
1:14
13Menuet BWV Anh. 120
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet a-Moll, BWV Anh. 120 (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 14) and Bach-Werke-Verzeichnis (number: BWV Anh. 120)
1:11
14Menuet BWV Anh. 121
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Menuett c-Moll, BWV Anh. 121 (from 1999-10-26 until 1999-11-16)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 15), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 121) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 121)
0:59
15Marche BWV Anh. 122 (C.P.E. Bach)
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1 (from 1999-10-26 until 1999-11-16)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/1), Notebook for Anna Magdalena Bach (1725) (number: 16) and Bach-Werke-Verzeichnis (number: BWV Anh. 122)
1:00
16Polonaise BWV Anh. 123 (C.P.E. Bach)
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Polonaise in G minor, BWV Anh. 123, H. 1/2 (from 1999-10-26 until 1999-11-16)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Repertorium Carl Philipp Emanuel Bach (BR‑CPEB) (number: BR‑CPEB A‑Juv 3), Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/2), Notebook for Anna Magdalena Bach (1725) (number: 17), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 123 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 123)
1:16
17Marche BWV Anh. 124 (C.P.E. Bach)
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Marche in G major, BWV Anh. 124, H. 1/3 (from 1999-10-26 until 1999-11-16)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/3), Notebook for Anna Magdalena Bach (1725) (number: 18) and Bach-Werke-Verzeichnis (number: BWV Anh. 124)
1:22
18Polonaise BWV Anh. 125 (C.P.E. Bach)
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Polonaise in G minor, BWV Anh. 125, H. 1/4 (from 1999-10-26 until 1999-11-16)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/4), Notebook for Anna Magdalena Bach (1725) (number: 19) and Bach-Werke-Verzeichnis (number: BWV Anh. 125)
1:46
19Aria- So oft ich meine Tobackspfeife BWV 515a
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
clavichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Klavierbüchlein für Anna Magdalene Bach: Nr. 20 B "Erbauliche Gedanken eines Tobackrauchers", BWV 515a (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
6:08
20Menuet, fait par Mons, Böhm
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Menuet G-Dur (from 1999-10-26 until 1999-11-16)
composer:
Georg Böhm (German organist and composer)
part of:
Georg Böhm, Sämtliche Werke (number: 12)
1:10
21Musette BWV Anh. 126
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Musette in D major, BWV Anh. 126 (from 1999-10-26 until 1999-11-16)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 22) and Bach-Werke-Verzeichnis (number: BWV Anh. 126)
1:02
22Marche BWV Anh. 127
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Marche Es-dur, BWV Anh. 127 (from 1999-10-26 until 1999-11-16)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Repertorium Carl Philipp Emanuel Bach (BR‑CPEB) (number: BR‑CPEB A‑Juv 6.3), Notebook for Anna Magdalena Bach (1725) (number: 23), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 127) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 127)
1:38
23Polonaise BWV Anh. 128
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Polonaise d-Moll, BWV Anh. 128 (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 24), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 128) and Bach-Werke-Verzeichnis (number: BWV Anh. 128)
1:26
24Bist du bei mir BWV 508 (G.H. Stölzel)
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
clavichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1999-10-26 until 1999-11-16)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
2:40
25Aria BWV 988
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:56
26Solo per il Cembalo BWV Anh. 129 (C.P.E. Bach)
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Keyboard Sonata in E-flat major, Wq. 65 no. 7, BWV Anh. 129, H. 16 (from 1999-10-26 until 1999-11-16)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1736)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
revised by:
Carl Philipp Emanuel Bach (German classical composer) (in 1744)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 16) and Notebook for Anna Magdalena Bach (1725) (number: 27)
part of:
Vollständige sammlung aller ungedruckten Clavier-Sonaten, Wq. 65
2:58
27Polonaise BWV Anh. 130 (J. A. Hasse)
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Polonaise, BWV Anh. 130 (from 1999-10-26 until 1999-11-16)
composer:
Johann Adolf Hasse (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 28), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 130 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 130)
1:52
28Präludium BWV 846
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
2:41
29Without title BWV Anh. 131
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
March in F, BWV Anh. 131 (from 1999-10-26 until 1999-11-16)
composer:
Johann Christian Bach (German composer, son of JSB)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johann Christian Bach, Thematic catalog (number: W. A22), Notebook for Anna Magdalena Bach (1725) (number: 32), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 131 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 131)
0:46
30Aria- Warum betrübst du dich BWV 516
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
organ:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Aria “Warum betrübst du dich”, BWV 516 (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 33) and Bach-Werke-Verzeichnis (number: BWV 516)
1:48
31Rezitativ und Arie- Ich habe genug BWV 82
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
clavichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
8:25
32Schaff's mit mir, Gott BWV 514
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
organ:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Choral “Schaffs mit mir, Gott”, BWV 514 (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Benjamin Schmolck
part of:
Notebook for Anna Magdalena Bach (1725) (number: 35), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 514), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 514) and Bach Compendium (number: BC F 216)
0:52
33Menuet BWV Anh. 132
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
harpsichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Menuett in d-Moll, BWV Anh. 132 (from 1999-10-26 until 1999-11-16)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 36), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 132) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 132)
0:46
34Aria di Giovannini BWV 518
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
clavichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful) (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/An/13), Notebook for Anna Magdalena Bach (1725) (number: 37), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 518), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 518) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 518)
2:30
35Choral- Dir, Dir, Jehova, will ich singen BWV 299
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
organ:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo) (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Bartholomäus Crasselius (German hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39b), Bach Compendium (number: BC F 250) and Bach-Werke-Verzeichnis (number: BWV 452)
adaptation of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach)
1:17
36Wie wohl ist mir, o Freund der Seelen BWV 517
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
clavichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: “Wie wohl ist mir, o Freund der Seelen”, BWV 517 (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Wolfgang Christoph Dessler (in 1692)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 40) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 517)
1:12
37Aria- Gedenke doch, mein Geist BWV 509
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
clavichord:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VI , Gedenke doch mein Geist, BWV 509 (attribution doubtful) (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 41) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 509)
1:25
38O Ewigkeit, du Donnerwort BWV 513
recording engineer:
Arts Music Recording (Recording studios, Rotterdam)
organ:
Pieter-Jan Belder (flutist, harpsichordist and conductor)
soprano vocals:
Johannette Zomer (soprano)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1999-10-26 until 1999-11-16)
recording of:
O Ewigkeit, du Donnerwort, BWV 513 (from 1999-10-26 until 1999-11-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1642)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 42), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 513) and Bach Compendium (number: BC F 218)
1:20
23▶CD: Violin Sonatas BWV 1021-1023 / Trio Sonatas BWV 1038, 1039

Credits

Release group

included in:Complete Edition (Brilliant 2010 Bach edition)
part of:Bach Edition: Complete Works (2001 version) (number: 1)