The Complete Masters 1925–1945

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Track lengths on disc 2 are off.
According to one amazon.com commenter, "On my copy of Disc 2, the great Hot Sevens are not in the order shown on the sleeve and in the booklet, and not in the right date order."
Does anyone have / have access to this set?

edit 2022-10-24: Tried to look via the fingerprints and durations then here what I found (track. old name --> correct name)
6. Alligator Crawl --> Gully Low Blues
7. Potato Head Blues --> That's When I'll Come Back to You
8. Melancholy Blues --> Alligator Crawl
9. Weary Blues --> Potato Head Blues
10. Twelfth Street Rag --> Melancholy Blues
11. Keyhole Blues --> Weary Blues
12. S.O.L. Blues --> Twelfth Street Rag
13. Gully Low Blues --> Keyhole Blues
14. That's When I'll Come Back to You --> S.O.L. Blues

Anmerkung zuletzt geändert am 2022-10-24 04:06 UTC.

Titelliste

1CD: 1925–1926
2CD: 1926–1928
3CD: 1928–1929
4CD: 1929–1930
5CD: 1930–1931
6CD: 1932–1933
7CD: 1933–1935
8CD: 1935–1936
9CD: 1936–1937
10CD: 1937–1938
11CD: 1938–1939
Nr.TitelKünstlerBewertungLänge
1Naturally
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
Naturally (1938 song) (am 1938-06-24)
Texter und Komponist(in):
Harry Barris und Joseph McCarthy (lyricist, 1885–1943)
publisher:
Larry Spier Music LLC
Louis Armstrong & His Orchestra2:47
2I’ve Got a Pocketful of Dreams
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
I’ve Got a Pocketful of Dreams (am 1938-06-24)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Santly Joy Select, Inc. (am 1938-05-07)
Louis Armstrong & His Orchestra2:55
3I Cant Give You Anything but Love
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Posaune:
Al Philburn (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Johnny McGhee (trumpet) (am 1938-06-24) und Robert Cusumano (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Bearbeitung von:
I Can't Give You Anything but Love (with pre-groove chatter) von Louis Armstrong
recording of:
I Can’t Give You Anything but Love, Baby (am 1938-06-24)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Louis Armstrong & His Orchestra2:57
4Ain’t Misbehavin’
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
Sologesang:
Louis Armstrong (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
Ain’t Misbehavin’ (am 1938-06-24)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Louis Armstrong & His Orchestra32:57
5Elder Eatmore’s Sermon on Throwing Stones
recorded in:
New York, New York, Vereinigte Staaten (am 1938-08-11)
Orgel:
Harry Mills (am 1938-08-11)
Sprecher:
Louis Armstrong (am 1938-08-11) und Harry Mills (am 1938-08-11)
recording of:
Elder Eatmore's Sermon on Throwing Stones (am 1938-08-11)
Komponist(in):
Shorty Rogers (trumpet)
Louis Armstrong4:20
6Elder Eatmore’s Sermon on Generosity
recorded in:
New York, New York, Vereinigte Staaten (am 1938-08-11)
Orgel:
Harry Mills (am 1938-08-11)
Sprecher:
Louis Armstrong (am 1938-08-11) und Harry Mills (am 1938-08-11)
recording of:
Elder Eatmore's Sermon on Generosity (am 1938-08-11)
Komponist(in):
Shorty Rogers (trumpet)
Louis Armstrong4:24
7Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-01-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-01-18)
Gitarre:
Lee Blair (am 1939-01-18)
Klavier:
Luis Russell (am 1939-01-18)
Kontrabass:
George "Pops" Foster (am 1939-01-18)
Posaune:
Wilbur de Paris (am 1939-01-18), J.C. Higginbotham (am 1939-01-18) und Bull City Red (aka George Washington) (am 1939-01-18)
Schlagzeug:
Sid Catlett (am 1939-01-18)
Tenorsaxophon:
Bingie Madison (am 1939-01-18) und Albert Nicholas (am 1939-01-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-01-18), Louis Armstrong (am 1939-01-18), Shelton "Scad" Hemphill (am 1939-01-18) und Otis Johnson (trumpet) (am 1939-01-18)
vocals:
Louis Armstrong (am 1939-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1939-01-18)
Interpret(in):
Louis Armstrong & His Orchestra
spätere Veröffentlichungen:
Jeepers Creepers von Louis Armstrong
recording of:
Jeepers Creepers (am 1939-01-18)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Louis Armstrong & His Orchestra42:40
8What Is This Thing Called Swing?
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-01-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-01-18)
Bass:
George "Pops" Foster (am 1939-01-18)
Gitarre:
Lee Blair (am 1939-01-18)
Instrumente:
Louis Armstrong & His Orchestra (am 1939-01-18)
Klavier:
Luis Russell (am 1939-01-18)
Posaune:
Wilbur de Paris (am 1939-01-18), J.C. Higginbotham (am 1939-01-18) und Bull City Red (aka George Washington) (am 1939-01-18)
Schlagzeug:
Sid Catlett (am 1939-01-18)
Tenorsaxophon:
Bingie Madison (am 1939-01-18) und Albert Nicholas (am 1939-01-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-01-18), Louis Armstrong (am 1939-01-18), Shelton "Scad" Hemphill (am 1939-01-18) und Otis Johnson (trumpet) (am 1939-01-18)
vocals:
Louis Armstrong (am 1939-01-18)
recording of:
What Is That Thing Called Swing (am 1939-01-18)
Texter und Komponist(in):
Cole Porter (composer)
Louis Armstrong & His Orchestra3:07
9Rockin’ Chair
recorded in:
New York, New York, Vereinigte Staaten (am 1939-02-20)
alto saxophone:
Glen Gray (am 1939-02-20), Clarence Hutchenrider (am 1939-02-20), Murray McEachern (am 1939-02-20), Art Ralston (am 1939-02-20) und Kenny Sargent (am 1939-02-20)
baritone saxophone:
Kenny Sargent (am 1939-02-20)
Gitarre:
Jack Blanchette (am 1939-02-20)
Klavier:
Joe "Horse" Hall (US jazz pianist, swing era) (am 1939-02-20)
Kontrabass:
Stanley Dennis (am 1939-02-20)
Posaune:
Pee Wee Hunt (am 1939-02-20), Murray McEachern (am 1939-02-20) und Billy Rauch (US jazz trombonist) (am 1939-02-20)
Rohrblattinstrumente:
Art Ralston (am 1939-02-20)
Schlagzeug:
Tony Briglia (am 1939-02-20)
Tenorsaxophon:
Dan D’Andrea (am 1939-02-20) und Pat Davis (Jazz saxophonist) (am 1939-02-20)
Trompete:
Louis Armstrong (am 1939-02-20), Sonny Dunham (am 1939-02-20), Frank Ryerson (am 1939-02-20) und Grady Watts (trumpeter and composer) (am 1939-02-20)
vocals:
Louis Armstrong (am 1939-02-20) und Pee Wee Hunt (am 1939-02-20)
Orchester:
Glen Gray & the Casa Loma Orchestra (am 1939-02-20)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (am 1939-02-20)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong with The Casa Loma Orchestra3:17
10Lazybones
recorded in:
New York, New York, Vereinigte Staaten (am 1939-02-20)
alto saxophone:
Glen Gray (am 1939-02-20), Clarence Hutchenrider (am 1939-02-20), Murray McEachern (am 1939-02-20), Art Ralston (am 1939-02-20) und Kenny Sargent (am 1939-02-20)
baritone saxophone:
Kenny Sargent (am 1939-02-20)
Gitarre:
Jack Blanchette (am 1939-02-20)
Klavier:
Joe "Horse" Hall (US jazz pianist, swing era) (am 1939-02-20)
Kontrabass:
Stanley Dennis (am 1939-02-20)
Posaune:
Pee Wee Hunt (am 1939-02-20), Murray McEachern (am 1939-02-20) und Billy Rauch (US jazz trombonist) (am 1939-02-20)
Rohrblattinstrumente:
Art Ralston (am 1939-02-20)
Schlagzeug:
Tony Briglia (am 1939-02-20)
Tenorsaxophon:
Dan D’Andrea (am 1939-02-20) und Pat Davis (Jazz saxophonist) (am 1939-02-20)
Trompete:
Louis Armstrong (am 1939-02-20), Sonny Dunham (am 1939-02-20), Frank Ryerson (am 1939-02-20) und Grady Watts (trumpeter and composer) (am 1939-02-20)
vocals:
Pee Wee Hunt (am 1939-02-20) und Louis Armstrong (am 1939-04-05)
Orchester:
Glen Gray & the Casa Loma Orchestra (am 1939-02-20)
recording of:
Lazy Bones (am 1939-02-20)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong with The Casa Loma Orchestra53:16
11Hear Me Talkin’ to Ya
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Hear Me Talkin' to Ya (am 1939-04-05)
Texter und Komponist(in):
Louis Armstrong
Louis Armstrong & His Orchestra3:06
12Save It, Pretty Mama
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Save It, Pretty Mama (am 1939-04-05)
Verfasser(in):
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) und Don Redman
Louis Armstrong & His Orchestra2:59
13West End Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong and His Orchestra (in 1939) und Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
West End Blues (Armstrong recording) (am 1939-04-05)
Komponist(in):
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
Arrangement von:
West End Blues (original instrumental)
Louis Armstrong & His Orchestra3:10
14Savoy Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Savoy Blues (am 1939-04-05)
Verfasser(in):
Kid Ory
Louis Armstrong & His Orchestra3:13
15I’m Confessin’ (That I Love You)
recording of:
I’m Confessin’ (That I Love You) (am 1939-04-25)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
Louis Armstrong3:15
16Our Monday Date
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-25)
Bass:
George "Pops" Foster (am 1939-04-25)
Gitarre:
Lee Blair (am 1939-04-25)
Klavier:
Luis Russell (am 1939-04-25)
Posaune:
Wilbur de Paris (am 1939-04-25), J.C. Higginbotham (am 1939-04-25) und George Washington (jazz trombonist) (am 1939-04-25)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-25), Joe Garland (saxophonist, composer) (am 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-25) und Bingie Madison (am 1939-04-25)
Schlagzeug:
Sid Catlett (am 1939-04-25)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-25), Louis Armstrong (am 1939-04-25), Bernard Flood (am 1939-04-25) und Shelton "Scad" Hemphill (am 1939-04-25)
vocals:
Louis Armstrong (am 1939-04-25)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-25)
recording of:
My Monday Date (am 1939-04-25)
Komponist(in):
Earl Hines (jazz pianist and bandleader)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
adaptations:
My Monday Date (with lyrics)
Louis Armstrong2:28
17If It’s Good (Then I Want It)
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-25)
Bass:
George "Pops" Foster (am 1939-04-25)
Gitarre:
Lee Blair (am 1939-04-25)
Klavier:
Luis Russell (am 1939-04-25)
Posaune:
Wilbur de Paris (am 1939-04-25), J.C. Higginbotham (am 1939-04-25) und George Washington (jazz trombonist) (am 1939-04-25)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-25), Joe Garland (saxophonist, composer) (am 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-25) und Bingie Madison (am 1939-04-25)
Schlagzeug:
Sid Catlett (am 1939-04-25)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-25), Louis Armstrong (am 1939-04-25), Bernard Flood (am 1939-04-25) und Shelton "Scad" Hemphill (am 1939-04-25)
vocals:
Louis Armstrong (am 1939-04-25)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-25)
recording of:
If It’s Good (Then I Want It) (am 1939-04-25)
Verfasser(in):
Walter Hirsch und Gerald Marks
Louis Armstrong2:36
18Me and Brother Bill
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-25)
Bass:
George "Pops" Foster (am 1939-04-25)
Gitarre:
Lee Blair (am 1939-04-25)
Klavier:
Luis Russell (am 1939-04-25)
Posaune:
Wilbur de Paris (am 1939-04-25), J.C. Higginbotham (am 1939-04-25) und George Washington (jazz trombonist) (am 1939-04-25)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-25), Joe Garland (saxophonist, composer) (am 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-25) und Bingie Madison (am 1939-04-25)
Schlagzeug:
Sid Catlett (am 1939-04-25)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-25), Louis Armstrong (am 1939-04-25), Bernard Flood (am 1939-04-25) und Shelton "Scad" Hemphill (am 1939-04-25)
vocals:
Louis Armstrong (am 1939-04-25)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-25)
recording of:
Me and Brother Bill (am 1939-04-25)
Verfasser(in):
[traditional] (special purpose artist)
Louis Armstrong2:44
19Happy Birthday to Bing
Louis Armstrong2:02
20Baby Won’t You Please Come Home?
recorded in:
New York, New York, Vereinigte Staaten (am 1939-06-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-06-15)
Bass:
George "Pops" Foster (am 1939-06-15)
Gitarre:
Lee Blair (am 1939-06-15)
Klavier:
Luis Russell (am 1939-06-15)
Posaune:
Wilbur de Paris (am 1939-06-15), J.C. Higginbotham (am 1939-06-15) und George Washington (jazz trombonist) (am 1939-06-15)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-06-15)
Saxophon:
Joe Garland (saxophonist, composer) (am 1939-06-15)
Schlagzeug:
Sid Catlett (am 1939-06-15)
Tenorsaxophon:
Bingie Madison (am 1939-06-15)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-06-15), Louis Armstrong (am 1939-06-15), Bernard Flood (am 1939-06-15) und Shelton "Scad" Hemphill (am 1939-06-15)
vocals:
Louis Armstrong (am 1939-06-15)
Orchester:
Louis Armstrong & His Orchestra (am 1939-06-15)
Interpret(in):
Louis Armstrong (am 1939-12-18)
cover recording of:
Baby Won’t You Please Come Home (am 1939-06-15)
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
Louis Armstrong & His Orchestra3:18
21Poor Old Joe
recorded in:
New York, New York, Vereinigte Staaten (am 1939-06-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-06-15)
Bass:
George "Pops" Foster (am 1939-06-15)
Gitarre:
Lee Blair (am 1939-06-15)
Klavier:
Luis Russell (am 1939-06-15)
Posaune:
Wilbur de Paris (am 1939-06-15), J.C. Higginbotham (am 1939-06-15) und George Washington (jazz trombonist) (am 1939-06-15)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-06-15)
Saxophon:
Joe Garland (saxophonist, composer) (am 1939-06-15)
Schlagzeug:
Sid Catlett (am 1939-06-15)
Tenorsaxophon:
Bingie Madison (am 1939-06-15)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-06-15), Louis Armstrong (am 1939-06-15), Bernard Flood (am 1939-06-15) und Shelton "Scad" Hemphill (am 1939-06-15)
vocals:
Louis Armstrong (am 1939-06-15)
Orchester:
Louis Armstrong & His Orchestra (am 1939-06-15)
recording of:
Poor Old Joe (am 1939-06-15)
Verfasser(in):
Hoagy Carmichael
Louis Armstrong & His Orchestra2:56
22Shanty Boat on the Mississippi
recorded in:
New York, New York, Vereinigte Staaten (am 1939-06-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-06-15)
Bass:
George "Pops" Foster (am 1939-06-15)
Gitarre:
Lee Blair (am 1939-06-15)
Klavier:
Luis Russell (am 1939-06-15)
Posaune:
Wilbur de Paris (am 1939-06-15), J.C. Higginbotham (am 1939-06-15) und George Washington (jazz trombonist) (am 1939-06-15)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-06-15)
Saxophon:
Joe Garland (saxophonist, composer) (am 1939-06-15)
Schlagzeug:
Sid Catlett (am 1939-06-15)
Tenorsaxophon:
Bingie Madison (am 1939-06-15)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-06-15), Louis Armstrong (am 1939-06-15), Bernard Flood (am 1939-06-15) und Shelton "Scad" Hemphill (am 1939-06-15)
vocals:
Louis Armstrong (am 1939-06-15)
Orchester:
Louis Armstrong & His Orchestra (am 1939-06-15)
recording of:
Shanty Boat on the Mississippi (am 1939-06-15)
Verfasser(in):
Jimmy Eaton (songwriter) und Terry Shand (jazz pianist/composer)
Louis Armstrong & His Orchestra3:19
12CD: 1939–1941
13CD: 1941–1945
14CD: 1923–1927 Selected Tracks

Nennungen

Veröffentlichungsgruppe

Teil von:The Jazz Masters (Reihenfolge: 2)
Allmusic:https://www.allmusic.com/album/mw0002237538 [Info]