Verdi Edition: The Complete Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

1▶CD: Disc 01 - Oberto (Marriner, 1997)
2▶CD: Disc 02 - Oberto (Marriner, 1997)
3▶CD: Disc 03 - Un giorno di regno (Gardelli, 1973)
4▶CD: Disc 04 - Un giorno di regno (Gardelli, 1973)
5▶CD: Disc 05 - Nabucco (Gardelli, 1965)
6▶CD: Disc 06 - Nabucco (Gardelli, 1965)
7▶CD: Disc 07 – I Lombardi (Gardelli, 1972)
8▶CD: Disc 08 – I Lombardi (Gardelli, 1972)
9▶CD: Disc 09 – Ernani (Bonynge, 1987/1998)
10▶CD: Disc 10 – Ernani (Bonynge, 1987/1998)
11▶CD: Disc 11 - I due Foscari (Gardelli, 1977)
12▶CD: Disc 11 - I due Foscari (Gardelli, 1977)
13▶CD: Disc 13 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
14▶CD: Disc 14 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
15▶CD: Disc 15 - Alzira (Luisi, 2001)
16▶CD: Disc 16 - Alzira (Luisi, 2001)
17▶CD: Disc 17 - Attila (Gardelli, 1972)
18▶CD: Disc 18 - Attila (Gardelli, 1972)
19▶CD: Disc 19 - Macbeth (Abbado, 1976)
20▶CD: Disc 20 - Macbeth (Abbado, 1976)
21▶CD: Disc 21 – I masnadieri (Bonynge, 1982)
22▶CD: Disc 22 – I masnadieri (Bonynge, 1982)
23▶CD: Disc 23 - Jérusalem (Luisi, 1998)
24▶CD: Disc 24 - Jérusalem (Luisi, 1998)
25▶CD: Disc 25 - Jérusalem (Luisi, 1998)
26▶CD: Disc 26 - Il corsaro (Gardelli, 1975)
27▶CD: Disc 27 - Il corsaro (Gardelli, 1975)
28▶CD: Disc 28 - La battaglia di Legnano (Gardelli, 1977)
29▶CD: Disc 29 - La battaglia di Legnano (Gardelli, 1977)
30▶CD: Disc 30 - Luisa Miller (Maazel, 1979)
31▶CD: Disc 31 - Luisa Miller (Maazel, 1979)
32▶CD: Disc 32 - Stiffelio (1979)
33▶CD: Disc 33 - Stiffelio (1980)
34▶CD: Disc 34 - Rigoletto (Chailly, 1989)
35▶CD: Disc 35 - Rigoletto (Chailly, 1989)
36▶CD: Disc 36 – Il trovatore (Mehta, 1990)
37▼CD: Disc 37 – Il trovatore (Mehta, 1990)
#TitleRatingLength
1Il trovatore: Atto III. Or Co’ Dadi, ma fra poco
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Ferrando]:
Francesco Ellero d’Artegna (operatic bass) (from 1990-06-18 until 1990-07-02)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:04
2Il trovatore: Atto III. Squilli, echeggi la tromba guerriera
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Ferrando]:
Francesco Ellero d’Artegna (operatic bass) (from 1990-06-18 until 1990-07-02)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:23
3Il trovatore: Atto III. In braccio al mio rival!
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
bass vocals [Ferrando]:
Francesco Ellero d’Artegna (operatic bass) (from 1990-06-18 until 1990-07-02)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:18
4Il trovatore: Atto III. Giorni poveri vivea
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
bass vocals [Ferrando]:
Francesco Ellero d’Artegna (operatic bass) (from 1990-06-18 until 1990-07-02)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
5:13
5Il trovatore: Atto III. Quale d’armi fragor
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:04
6Il trovatore: Atto III. Ah si, ben mio
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:57
7Il trovatore: Atto III. L’onda de’ suoni mistici
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
tenor vocals [Ruiz]:
Piero de Palma (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
1:41
8Il trovatore: Atto III. Di quella pira
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
tenor vocals [Ruiz]:
Piero de Palma (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
3:14
9Il trovatore: Atto IV. Siam giunti: Ecco la torre
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Ruiz]:
Piero de Palma (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
2:58
10Il trovatore: Atto IV. D’amor sull’ali rosee
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
4:12
11Il trovatore: Atto IV. Miserere d’un’alma già vicina
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
4:49
12Il trovatore: Atto IV. Tu vedrai che amore in terra
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “Tu vedrai che amore in terra” (Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
3:36
13Il trovatore: Atto IV. Udiste? Come albeggi
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
0:53
14Il trovatore: Atto IV. A te davanti
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
0:51
15Il trovatore: Atto IV. Mira di acerbe lagrime
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
3:11
16Il trovatore: Atto IV. Vivrà! … contende il giubilo
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
2:13
17Il trovatore: Atto IV. Madre, non dormi?
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
5:13
18Il trovatore: Atto IV. Sì; La stanchezza m’opprime, o figlio
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
3:29
19Il trovatore: Atto IV. Che! … non m’inganna quel fioco lume?
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
1:17
20Il trovatore: Atto IV. Parlar no vuoi?
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
3:04
21Il trovatore: Atto IV. Ti scosta! - non respingermi!
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
1:08
22Il trovatore: Atto IV. Prima che d’altri vivere
recording engineer:
Andrew Groves (engineer), James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Il Conte di Luna]:
Leo Nucci (baritone) (from 1990-06-18 until 1990-07-02)
soprano vocals [Azucena]:
Shirley Verrett (mezzo-soprano) (from 1990-06-18 until 1990-07-02)
soprano vocals [Leonora]:
Antonella Banaudi (from 1990-06-18 until 1990-07-02)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (from 1990-06-18 until 1990-07-02)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1990-06-18 until 1990-07-02)
conductor:
Zubin Mehta (conductor) (from 1990-06-18 until 1990-07-02)
chorus master:
Roberto Gabbiani (chorus master) (from 1990-06-18 until 1990-07-02)
recorded at:
Teatro Communale Maggio Musicale Fiorentino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1990-06-18 until 1990-07-02)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (from 1990-06-18 until 1990-07-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
3:50
38▶CD: Disc 38 – La traviata (Pritchard, 1962)
39▶CD: Disc 39 – La traviata (Pritchard, 1962)
40▶CD: Disc 40 – I vespri siciliani (Levine, 1973)
41▶CD: Disc 41 – I vespri siciliani (Levine, 1973)
42▶CD: Disc 42 – I vespri siciliani (Levine, 1973)
43▶CD: Disc 43 - Simon Boccanegra (Solti, 1989)
44▶CD: Disc 44 - Simon Boccanegra (Solti, 1989)
45▶CD: Disc 45 - Aroldo (Luisi, 2001)
46▶CD: Disc 46 - Aroldo (Luisi, 2001)
47▶CD: Disc 47 - Un ballo in maschera (Bartoletti, 1970)
48▶CD: Disc 48 - Un ballo in maschera (Bartoletti, 1970)
49▶CD: Disc 49 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
50▶CD: Disc 50 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
51▶CD: Disc 51 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
52▶CD: Disc 52 – Don Carlo (Solti, 1965)
53▶CD: Disc 53 – Don Carlo (Solti, 1965)
54▶CD: Disc 54 – Don Carlo (Solti, 1965)
55▶CD: Disc 55 - La forza del destino (Sinopoli, 1987)
56▶CD: Disc 56 - La forza del destino (Sinopoli, 1987)
57▶CD: Disc 57 - La forza del destino (Sinopoli, 1987)
58▶CD: Disc 58 – Aida (Karajan, 1959)
59▶CD: Disc 59 – Aida (Karajan, 1959)
60▶CD: Disc 60 - Requiem (1968)
61▶CD: Disc 61 - Requiem (1968)
62▶CD: Disc 62 – Don Carlos (Abbado, 1984)
63▶CD: Disc 63 – Don Carlos (Abbado, 1984)
64▶CD: Disc 64 – Don Carlos (Abbado, 1984)
65▶CD: Disc 65 – Don Carlos (Abbado, 1984)
66▶CD: Disc 66 - Otello (1954)
67▶CD: Disc 67 - Otello (1954)
68▶CD: Disc 68 - Falstaff (Solti, 1963)
69▶CD: Disc 69 - Falstaff (Solti, 1963)
70▶CD: Disc 70 - Opere sacre (Messa solenne) (2000)
71▶CD: Disc 71 – Canzoni (Margaret Price, Geoffrey Parsons, 1987)
72▶CD: Disc 72 - Quattro pezzi sacri, inno delle nazioni, musiche di scena (2009)
73▶CD: Disc 73 - Quartetto d'archi, Luisa Miller (Transkription for String Quartet) (1995)
74▶CD: Disc 74 - Rarita e inediti ("Discoveries", Chailly, 2003)

Credits

Release

ASIN:US: B0032CJ37E [info]