The Late ’50s: The Top Ten Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Green Door
recording of:
Green Door
Texter:
Marvin Moore (songwriter, best known for “Four Walls” and “The Green Door”)
Komponist(in):
Bob Davie
Jim Lowe2:15
2Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
Elvis Presley and The Jordanaires3.82:04
3Chances Are
leitende(r) Produzent(in):
Michael Berniker und Jerry Shulman
Produzent(in):
Al Ham und Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1957)
Orchester:
Ray Conniff and His Orchestra
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1957)
Teil von:
Grammy Hall of Fame (Nummer: 1998)
recording of:
Chances Are (in 1957)
Texter:
Al Stillman
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (beendet), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis with Ray Conniff and His Orchestra3:04
4Butterfly
vocals:
Andy Williams (US pop/jazz vocalist)
conductor:
Archie Bleyer
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
cover recording of:
Butterfly
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Mayland‐Presley
Andy Williams12:22
5Diana
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 26)
recording of:
Diana (am 1957-05-20)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet), Epa Publishing, Robert Mellin Music Publishing Corp. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:29
6Round and Round
recording of:
Round and Round
Verfasser(in):
Joe Shapiro (US songwriter) (in 1956) und Lou Stallman (Songwriter and producer active since the 1950s) (in 1956)
Perry Como with Mitchell Ayres and His Orchestra & The Ray Charles Singers2:34
7Honeycomb
cover recording of:
Honeycomb (in 1957)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1954)
Jimmie Rodgers42:18
8That’ll Be the Day
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:19
9Wake Up Little Suzie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
10Love Letters in the Sand
Produzent(in):
Randy Wood (producer)
Bass:
Larry Breen (am 1956-11-24)
Gitarre:
Barney Kessel (am 1956-11-24) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-11-24)
Klarinette:
Ryland Weston (am 1956-11-24)
Klavier:
Milt Rogers (bandleader, arranger and composer) (am 1956-11-24)
Saxophon:
Babe Russin (am 1956-11-24) und Justin Gordon (am 1956-11-24)
Schlagzeug:
Dick Shanahan (am 1956-11-24)
Vibraphon:
Bernie Mattinson (am 1956-11-24)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-11-24)
vocals:
Pat Boone (am 1956-11-24)
conductor:
Billy Vaughn (am 1956-11-24)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-24)
cover recording of:
Love Letters in the Sand (am 1956-11-24)
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone2:16
11Tammy
Debbie Reynolds2:45
12Jailhouse Rock
E-Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-04-30)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-04-30)
Schlagzeug:
D.J. Fontana (am 1957-04-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1957-04-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957) und BMG Music (in 1957)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 67) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 216)
recording of:
Jailhouse Rock (am 1957-04-30)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.42:30
13It’s All in the Game
conductor:
Leroy Holmes
arranger:
Leroy Holmes
cover recording of:
It’s All in the Game
Texter:
Carl Sigman (in 1951)
Komponist(in):
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
basiert auf:
Melody in A major (instrumental)
Tommy Edwards42:40
14It’s Only Make Believe
recording of:
It’s Only Make Believe
Verfasser(in):
Jack Nance (in 1958) und Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:15
15Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
The Champs4.32:14
16Nel blu dipinto di blu (Volare)
recorded in:
Italien
vocals:
Domenico Modugno
phonographisches Urheberrecht (℗) von:
Nuova Fonit Cetra S.p.A. (company credits only; do NOT use as release label) (in 1958) und Warner Music Italia S.r.l. (not for release label use! Italian subsidiary of Warner Music International Inc.) (in 1958)
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1959 winner), Billboard Hot 100: 1958-08-11 (Nummer: 2), Italy in the Eurovision Song Contest (Italien beim Eurovision Song Contest) (Nummer: 1958) und Winners of the Sanremo Music Festival (Nummer: 1958)
recording of:
Nel blu dipinto di blu (Volare) (in 1958)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
publisher:
Curci und EMI Robbins Catalog Inc. (ASCAP)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1959 winner)
Domenico Modugno43:39
17Don’t
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-09-05 bis 1957-09-07)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-09-05 bis 1957-09-07) und Elvis Presley (“The King of Rock and Roll”) (von 1957-09-05 bis 1957-09-07)
Klavier:
Dudley Brooks (von 1957-09-05 bis 1957-09-07)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
Schlagzeug:
D.J. Fontana (, von 1957-09-05 bis 1957-09-07)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (von 1957-09-05 bis 1957-09-07) und Millie Kirkham (von 1957-09-05 bis 1957-09-07)
zusätzlich Hintergrundgesang und zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957, in 1958), BMG Entertainment (in 1958), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1958) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-09-05 bis 1957-09-07)
cover recording of:
Don’t (von 1957-09-05 bis 1957-09-07)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
Elvis Presley and The Jordanaires3.22:51
18All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers2:21
19Witch Doctor
recording of:
Witch Doctor
Texter und Komponist(in):
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
publisher:
Armen Bagdasarian und Bourne Music Ltd.
David Seville2:20
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ASIN:US: B000QCM9G0 [Info]