Annotation

℗ «1977 BMG Music»

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Annotation last modified on 2024-11-30 04:07 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Andrea Chénier: Atto I. “Questo azzurro sofà là collochiam”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:40
2Andrea Chénier: Atto I. “Compiacente á colloquii”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:54
3Andrea Chénier: Atto I. “Son sessant’anni, o vecchio”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:30
4Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:40
5Andrea Chénier: Atto I. “L’orribile gonnella”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:31
6Andrea Chénier: Atto I. “Commososo … lusingato”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” (Maddalena, Contessa, Bersi)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:49
7Andrea Chénier: Atto I. “Debole è il Re …”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto I. “Debole è il Re!” (L'Abate, Fléville, Contessa, Coro)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano3:15
8Andrea Chénier: Atto I. “O pastorelle, addio!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:06
9Andrea Chénier: Atto I. “Signor Chénier?”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto I. “Signor Chénier” … “Madame la Contessa?” (Contessa, Chénier, Fléville, L'Abate, Maddalena)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:51
10Andrea Chénier: Atto I. “Al mio dire perdono ed al mio ardire!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto I. “Al mio dire perdono” (Maddalena, Coro, Chénier, Contessa)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:47
11Andrea Chénier: Atto I. “Un dì all’azzurro spazio”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano4:59
12Andrea Chénier: Atto I. “La notte il giorno”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena, Contessa, Gérard, Maestro di Casa) / “La notte il giorno portiamo” (Voci lontane)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:09
13Andrea Chénier: Atto II. “Per ex l’inferno!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:12
14Andrea Chénier: Atto II. “Temer? … Perché? Perché temer dovrò?”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto II. “Temer? Perché?” (Bersi)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:56
15Andrea Chénier: Atto II. “No, non m’inganno!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto II. “No, non m'inganno!” (L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:35
16Andrea Chénier: Atto II. “Credo a una possanza arcana”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto II. “Roucher!” (Chénier, Roucher) / “Credo a una possanza arcana” (Chénier)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:45
17Andrea Chénier: Atto II. “Calliagrafia in vero femminil!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto II. “Calligrafia invero femminil!” (Roucher, Chénier)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:28
18Andrea Chénier: Atto II. “Viva Robespierre! Evviva!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto II. “Ecco laggiù Gérard!” (La Folla, Mathieu) / “La donna che mi hai chiesto di cercare” (L'Incredibile, Chénier, Gérard, Roucher, La Folla)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano6:46
19Andrea Chénier: Atto II. “Ecco l’altare”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:05
20Andrea Chénier: Atto II. “Eravate possente”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:21
21Andrea Chénier: Atto II. “Ora soave, sublime ora d’amore!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:52
22Andrea Chénier: Atto II. “Maddalena di Coigny!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto II. “Maddalena di Coigny!” (Gérard, Maddalena, Chénier, Roucher, L'Incredibile, Mathieu, La Folla)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:40
23Andrea Chénier: Atto III. “Doumouriez traditore e girondino”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto III. “Dumouriez traditore” (Mathieu, Cittadini) / “Grazie, cittadini!” (Gérard, Mathieu, Cittadini)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano3:08
24Andrea Chénier: Atto III. “Lacrime e sangue dà la Francia!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto III. “Lacrime e sangue dà la Francia!” (Gérard, Cittadini, Madelon)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano1:30
25Andrea Chénier: Atto III. “Prendi! É un ricordo” (Son la vecchia Madelon)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Andrea Chénier: Atto III. “Son la vecchia Madelon” (Madelon, Gérard) / “Amici ancor cantiam” (Voci dalla strada, L'Incredibile, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano4:41
26Andrea Chénier: Atto III. “Amici, ancor cantiam, beviam”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Andrea Chénier: Atto III. “Son la vecchia Madelon” (Madelon, Gérard) / “Amici ancor cantiam” (Voci dalla strada, L'Incredibile, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano1:36
27Andrea Chénier: Atto III. “Donnina innamorata”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto III. “L'uccello è nella rete! ... Donnina innamorata” (L'Incredibile, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano2:34
28Andrea Chénier: Atto III. “Nemico della patria?”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto III. “Nemico della patria?” … “Or io rinnego il santo grido!” (Gérard, L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano6:15
29Andrea Chénier: Atto III. “Se ancor di me vi sovvenite non so!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto III. “Carlo Gérard?” (Maddalena, Mathieu, Gérard) / “Io t'aspettava!” (Gérard, Maddalena)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano5:09
30Andrea Chénier: Atto III. “La mamma morta”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano6:08
31Andrea Chénier: Atto III. “Perduto!”Umberto Giordano1:20
32Andrea Chénier: Atto III. “Mamma Cadet”Umberto Giordano3:36
33Andrea Chénier: Atto III. “Si, fui soldato”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto III. “Sì, fui soldato” … “Passa la vita mia” (Chénier)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano2:17
34Andrea Chénier: Atto III. “Udiamo i testimoni!”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto III. “Udiamo i testimoni!” (Fouquier-Tinville, Gérard, Cittadini) / “Qui la giustizia ha nome tirannia” (Gérard, Cittadini, Chénier)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano3:02
35Andrea Chénier: Atto IV. “Cittadino, men duol, ma è tardi assai”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto IV. “Cittadino, men duol” (Schmidt, Roucher, Chénier)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Umberto Giordano1:43
36Andrea Chénier: Atto IV. “Come un bel dì di maggio”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier)
composer:
Umberto Giordano (Italian opera composer) (in 1896)
librettist:
Luigi Illica (in 1896)
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:49
37Andrea Chénier: Atto IV. “Viene a costei concesso”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto IV. ‘La Marseillaise’ (Mathieu) - "Viene a costei concesso" (Gérard, Schmidt, Maddalena)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:28
38Andrea Chénier: Atto IV. “Vicino a te s’acqueta”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto IV. “Vicino a te” (Chénier, Maddalena)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:33
39Andrea Chénier: Atto IV. “La nostra morte”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
recording of:
Andrea Chénier: Atto IV. “La nostra morte è il trionfo dell'amor!” (Chénier, Maddalena, Schmidt)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:24