Enchantment

~ Release by Magdalena Kožená (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Cinq Mars: Nuit Resplendissante (Marie)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Mahler Chamber Orchestra
conductor:
Marc Minkowski (bassoonist and conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France
recording of:
Cinq Mars : Acte I. « Nuit resplendissante » (Marie) (in 2002-12)
composer:
Charles Gounod (French composer)
part of:
Cinq-Mars, CG 10
Charles‐François Gounod5:29
2Carmen: Les tringles des sistres tintaient (Carmen)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Mahler Chamber Orchestra
conductor:
Marc Minkowski (bassoonist and conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 2002-12)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:14
3Le Nozze di Figaro, K. 492: Voi che sapete che cosa è amor (Cherubino)
mezzo-soprano vocals [Cherubino]:
Magdalena Kožená (Czech mezzo-soprano) (in 2001-09)
orchestra:
Prague Philharmonia (in 2001-09)
conductor:
Michel Swierczewski (in 2001-09)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (in 2001-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 2001-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:51
4Giulio Cesare in Egitto, HWV 17: Che sento? (Cleopatra)
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2002-11)
orchestra:
Les Musiciens du Louvre (in 2002-11)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2002-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2003)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 2002-11)
live recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 28. Recitativo accompagnato “Che sento? Oh Dio! Morrà Cleopatra ancora” (Cleopatra) (in 2002-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel1:15
5Giulio Cesare in Egitto, HWV 17: Se pietà di me non senti (Cleopatra)
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2002-11)
orchestra:
Les Musiciens du Louvre (in 2002-11)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2002-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2003)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 2002-11)
live recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 29. Aria “Se pietà di me non senti” (Cleopatra) (in 2002-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
George Frideric Handel9:22
6Giulio Cesare in Egitto, HWV 17: Piangerò la sorte mia (Cleopatra)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2002-11)
orchestra:
Les Musiciens du Louvre (in 2002-11)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2002-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2003)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 2002-11)
live recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra) (in 2002-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel6:04
7Giulio Cesare in Egitto, HWV 17: Da tempeste il legno infranto (Cleopatra)
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2002-11)
orchestra:
Les Musiciens du Louvre (in 2002-11)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2002-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2003)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 2002-11)
live recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 40. Aria “Da tempeste il legno infranto” (Cleopatra) (in 2002-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
George Frideric Handel5:31
8Dardanus: Air gracieux – L’Amour, le seul Amour (Une Bergère)
producer:
Michel Gache and Arand Prohman (recording producer)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 1998-01)
orchestra:
Les Musiciens du Louvre (in 1998-01)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1998-01)
balance engineer:
Didier Gervais (engineer)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France (in 1998-01)
live recording of:
Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour » (Vénus) (in 1998-01)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus, RCT 35 : Prologue
Jean‐Philippe Rameau2:04
9Dardanus: Air – Allez, jeune guerrier (Première Phrygienne)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Les Musiciens du Louvre
conductor:
Marc Minkowski (bassoonist and conductor)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France
live recording of:
Dardanus, RCT 35 : Acte I, Scène 3. Air « Allez, jeune guerrier » (Première Phrygienne) (in 1998-01)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus, RCT 35 : Acte I
Jean‐Philippe Rameau2:42
10Languet Anima Mea: O vulnera, vita coelestis
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne)
conductor:
Reinhard Goebel (violinist and conductor)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
Languet anima mea: II. Aria: O vulnera, vita coelestis (in 2003-02)
composer:
Francesco Bartolomeo Conti (composer)
part of:
Languet anima mea
Francesco Bartolomeo Conti3:27
11Cantata “Vergnügte Ruh, beliebte Seelenlust,” BWV 170: Vergnügte Ruh
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 2003-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach4:28
12St. Matthew Passion, BWV 244: Erbarme dich
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Musica Florea
conductor:
Marek Štryncl (conductor)
recorded at:
Concert Hall, Kromeriz in Kroměříž (Kroměříž District), Zlínský kraj (Zlín Region), Czechia
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1996-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:35
13Cantata “Tra le Fiamme”, HWV 170: Voli per l’aria – L’uomo, che nacque
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Les Musiciens du Louvre
conductor:
Marc Minkowski (bassoonist and conductor)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France
live recording of:
Tra le fiamme, HWV 170: V. Aria "Voli per l'aria chi può volate" (in 1999-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
part of:
Tra le fiamme, HWV 170
live recording of:
Tra le fiamme, HWV 170: VI. Recitativo "L'uomo, che nacque per salire al cielo" (in 1999-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
part of:
Tra le fiamme, HWV 170
George Frideric Handel2:54
14Cantata “Tra le Fiamme”, HWV 170: Tra le fiamme tu scherzi
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Les Musiciens du Louvre
conductor:
Marc Minkowski (bassoonist and conductor)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France
live recording of:
Tra le fiamme, HWV 170: VII. Aria da capo "Tra le fiamme tu scherzi" (in 1999-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
part of:
Tra le fiamme, HWV 170
George Frideric Handel2:23
15Ach, daß ich Wassers g’nug hätte
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
recording of:
Ach, dass ich Wassers g’nug hätte (attribution doubtful) (in 2003-02)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
previously attributed to:
Heinrich Bach
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/B/9) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 2, S. 642)
Johann Christoph Bach7:23
16Cantata “Was mir behagt”, BWV 208: Schafe können sicher weiden
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Musica Florea
conductor:
Marek Štryncl (conductor)
recorded at:
Concert Hall, Kromeriz in Kroměříž (Kroměříž District), Zlínský kraj (Zlín Region), Czechia
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:05
17Cantata “Freue dich, erlöste Schar”, BWV 30: Kommt, ihr angefochtnen Sünder
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Musica Florea
conductor:
Marek Štryncl (conductor)
recorded at:
Concert Hall, Kromeriz in Kroměříž (Kroměříž District), Zlínský kraj (Zlín Region), Czechia
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" (from 1996-07 until 1996-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" (in 1996-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach5:24
18Dixit Dominus, in G minor, HWV 232: De torrente
choir vocals:
Chœur des Musiciens du Louvre (Choir of the Musicians of the Louvre)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
soprano vocals:
Annick Massis (soprano)
orchestra:
Les Musiciens du Louvre
conductor:
Marc Minkowski (bassoonist and conductor)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France
live recording of:
Dixit Dominus in G minor, HWV 232: VIII. Duet & Chorus "De torrente in via bibet" (in 1998-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Dixit Dominus in G minor, HWV 232
George Frideric Handel4:11
19L’Olimpiade, EvaM 10:C12: Che non mi disse un dì! (Argene)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2001-09)
orchestra:
The City of Prague Philharmonic Orchestra and Pražská komorní filharmonie (Prague Philharmonia) (in 2001-09)
conductor:
Michel Swierczewski (in 2001-09)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia and Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (in 2001-09)
recording of:
L'Olimpiade, Act 2: Aria "Che non mi disse un dì!" (Argene) (in 2001-09)
composer:
Josef Mysliveček (composer)
part of:
L'Olimpiade
Josef Mysliveček3:18
20Paride ed Elena, Wq. 39: Quegli occhi belli (Paride)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
soprano vocals:
Susan Gritton (soprano) and Carolyn Sampson (soprano)
orchestra:
Gabrieli Players
conductor:
Paul McCreesh (conductor)
recording of:
Paride ed Elena, Wq. 39: Act III. "Quegli occhi belli" (Paride) (in 2003-10)
composer:
Christoph Willibald Gluck (composer)
part of:
Paride ed Elena, Wq. 39
Christoph Willibald Gluck7:05
21La Clemenza di Tito, K. 621: Deh, per questo istante solo (Sesto)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Scottish Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom
partial recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) (in 2005-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart7:03
22Cléopâtre: J’ai versé le poison (Cléopâtre)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
orchestra:
Mahler Chamber Orchestra
conductor:
Marc Minkowski (bassoonist and conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France
recording of:
Cléopâtre : « J’ai versé le poison » (Cléopâtre) (in 2002-12)
composer:
Jules Massenet (French Romantic composer)
librettist:
Louis Payen
part of:
Cléopâtre
Jules Massenet4:04
23Il tramonto, P. 101
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
performer:
Henschel Quartett (Henschel Quartet)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany
recording of:
Il tramonto, P. 101 (in 2003-03)
lyricist:
Percy Bysshe Shelley
composer:
Ottorino Respighi (composer) (in 1914)
Ottorino Respighi15:22
24Satirï, op. 109: Potomki
piano:
Malcolm Martineau (pianist)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany
recording of:
Satires (Pictures of the Past). 5 Romances for Soprano and Piano, op. 109: 3. Descendants (in 2003-03)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1960)
part of:
Satires (Pictures of the Past). 5 Romances for Soprano and Piano, op. 109
Dmitri Shostakovich2:14
25A Charm of Lullabies, op. 41: The Highland Balou
piano:
Malcolm Martineau (pianist)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany
recording of:
A Charm of Lullabies, op. 41: No. 2. The Highland Balou (for voice and piano) (in 2003-03)
lyricist:
Robert Burns (18th century Scottish poet/lyricist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
part of:
A Charm of Lullabies, op. 41 (for voice and piano)
Benjamin Britten2:01
26Moravská lidová poezie v písních, JW 5/2: No. 17. Komu kytka
piano:
Graham Johnson (pianist)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Moravská lidová poezie v písních, JW 5/2: No. 17. Komu kytka (Who is the posy for) (in 1998-10)
composer:
Leoš Janáček (Czech composer)
part of:
Moravská lidová poezie v písních, JW 5/2 (53 Moravian folk poetry in songs)
Leoš Janáček1:32
27Moravská lidová poezie v písních, JW 5/2: No. 5. Obrázek milého
piano:
Graham Johnson (pianist)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Moravská lidová poezie v písních, JW 5/2: No. 5. Obrázek milého (A lover's picture) (in 1998-10)
composer:
Leoš Janáček (Czech composer)
part of:
Moravská lidová poezie v písních, JW 5/2 (53 Moravian folk poetry in songs)
Leoš Janáček0:55
28Moravská lidová poezie v písních, JW 5/2: No. 19. Pérecko
piano:
Graham Johnson (pianist)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Moravská lidová poezie v písních, JW 5/2: No. 19. Pérecko (Little posy) (in 1998-10)
composer:
Leoš Janáček (Czech composer)
part of:
Moravská lidová poezie v písních, JW 5/2 (53 Moravian folk poetry in songs)
Leoš Janáček1:27
29Moravská lidová poezie v písních, JW 5/2: No. 16. Stálost’
piano:
Graham Johnson (pianist)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Moravská lidová poezie v písních, JW 5/2: No. 16. Stálost’ (Constancy) (in 1998-10)
composer:
Leoš Janáček (Czech composer)
part of:
Moravská lidová poezie v písních, JW 5/2 (53 Moravian folk poetry in songs)
Leoš Janáček1:07
30Moravská lidová poezie v písních, JW 5/2: No. 1. Láska
piano:
Graham Johnson (pianist)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Moravská lidová poezie v písních, JW 5/2: No. 1. Láska (Love) (in 1998-10)
composer:
Leoš Janáček (Czech composer)
part of:
Moravská lidová poezie v písních, JW 5/2 (53 Moravian folk poetry in songs)
Leoš Janáček1:18
31Moravská lidová poezie v písních, JW 5/2: No. 38. Loucení
piano:
Graham Johnson (pianist)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Moravská lidová poezie v písních, JW 5/2: No. 38. Loucení (Parting) (in 1998-10)
composer:
Leoš Janáček (Czech composer)
part of:
Moravská lidová poezie v písních, JW 5/2 (53 Moravian folk poetry in songs)
Leoš Janáček1:30
32Moravská lidová poezie v písních, JW 5/2: No. 18. Konícky milého
piano:
Graham Johnson (pianist)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Moravská lidová poezie v písních, JW 5/2: No. 18. Konícky milého "Dybych já vedela" (My lovers horses "If only I knew") (in 1998-10)
composer:
Leoš Janáček (Czech composer)
part of:
Moravská lidová poezie v písních, JW 5/2 (53 Moravian folk poetry in songs)
Leoš Janáček1:02
33Dobrú noc, má mila, B. 146/1, op. 73/1
piano:
Graham Johnson (pianist) (in 1998-10)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 1998-10)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-10)
recording of:
V národním tónu, B. 146, op. 73: No. 1. Dobrú noc, má milá (in 1998-10)
lyricist:
[traditional] (special purpose artist)
composer:
Antonín Dvořák (composer) (until 1886-09-13)
part of:
V národním tónu, B. 146, op. 73 (In Folk Tone, B. 146, op. 73, for voice and piano)
Antonín Dvořák3:36
34V národním tónu, B. 146, op. 73: No. 2. Žalo dievča
piano:
Ludovit Marcinger (pianist)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
recording of:
V národním tónu, B. 146, op. 73: No. 2. Žalo dievča (A girl mowed a meadow)
lyricist:
[traditional] (special purpose artist)
composer:
Antonín Dvořák (composer) (until 1886-09-13)
part of:
V národním tónu, B. 146, op. 73 (In Folk Tone, B. 146, op. 73, for voice and piano)
Antonín Dvořák2:17