Cabaret: The New Broadway Cast Recording

~ Release by Kander & Ebb (see all versions of this release, 3 available)

Annotation

℗ «1998, BMG Entertainment»

== Countries where available==
(As of 2020-08-09).

  • Northern America: 🇺🇸 United States (us)
Annotation last modified on 2020-08-16 02:00 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Willkommen
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Alan Cumming (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Willkommen (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
7:31
2So What
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Mary Louise Wilson (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
So What? (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
part of:
Cabaret (musical)
part of:
Cabaret (musical)
3:14
3Don’t Tell Mama
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Alan Cumming (on 1998-04-13) and Natasha Richardson (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Don’t Tell Mama (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
translator:
Jelle de Vries
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
4:13
4Mein Herr
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Alan Cumming (on 1998-04-13) and Natasha Richardson (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Mein Herr (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
part of:
Cabaret (musical)
4:19
5Perfectly Marvelous
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
John Benjamin Hickey (on 1998-04-13) and Natasha Richardson (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Perfectly Marvelous (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
2:46
6Two Ladies
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Alan Cumming (on 1998-04-13), Erin Hill (on 1998-04-13) and Michael O’Donnell (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Two Ladies (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
2:51
7It Couldn’t Please Me More
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Ron Rifkin (on 1998-04-13) and Mary Louise Wilson (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
It Couldn’t Please Me More (A Pineapple) (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
part of:
Cabaret (musical)
3:33
8Tomorrow Belongs to Me
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Alex Bowen (on 1998-04-13) and Alan Cumming (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Tomorrow Belongs to Me (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
1:10
9Maybe This Time
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Natasha Richardson (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Maybe This Time (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
3:00
10Money
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Alan Cumming (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Money, Money (Cabaret, 1972 film version) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
recording of:
The Money Song (Cabaret, 1987/1998 Broadway revival version) (in 1998)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
3:19
11Married
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Michele Pawk (on 1998-04-13), Ron Rifkin (on 1998-04-13) and Mary Louise Wilson (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Married (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
part of:
Cabaret (musical)
3:40
12Tomorrow Belongs to Me (reprise)
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Denis O’Hare (on 1998-04-13) and Michele Pawk (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Tomorrow Belongs to Me (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
2:27
13Entr’acte
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Entr’acte (Cabaret) (on 1998-04-13)
composer:
John Kander (composer)
part of:
Cabaret (musical)
5:13
14Married (reprise)
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Ron Rifkin (on 1998-04-13) and Mary Louise Wilson (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Married (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
part of:
Cabaret (musical)
1:07
15If You Could See Her
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Joyce Chittick (on 1998-04-13) and Alan Cumming (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
If You Could See Her (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
3:40
16What Would You Do?
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
John Benjamin Hickey (on 1998-04-13) and Mary Louise Wilson (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
What Would You Do? (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
part of:
Cabaret (musical)
3:29
17I Don’t Care Much
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Alan Cumming (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
I Don’t Care Much (Cabaret; included in 1987/1993/1998/2012/2014/2021 revivals) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
translator:
Jelle de Vries
publisher:
Alley Music Corp. and Trio Music Company
part of:
Cabaret (musical)
2:54
18Cabaret
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Alan Cumming (on 1998-04-13) and Natasha Richardson (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Cabaret (title song from the Kander & Ebb musical) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
4:15
19Finale
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Alan Cumming (on 1998-04-13) and John Benjamin Hickey (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
Finale (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
4:29