Lucia di Lammermoor

~ Release by Donizetti; Maria Callas, Ferruccio Tagliavini, Piero Cappuccilli, Bernard Ładysz, Philharmonia Orchestra and Chorus, Tullio Serafin (see all versions of this release, 6 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Lucia di Lammermoor: Preludio
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:35
2Lucia di Lammermoor: Act I, Scene 1. Percorrete...Percorriamo le spiagge vicine
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:25
3Lucia di Lammermoor: Act I, Scene 1. Tu sei turbato!...E n'ho ben d'onde
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti3:00
4Lucia di Lammermoor: Act I, Scene 1. Cruda, funesta smania
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:10
5Lucia di Lammermoor: Act I, Scene 1. Il tuo dubbio è omai certezza...Come vinti da stanchezza
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:19
6Lucia di Lammermoor: Act I, Scene 1. La pietade in suo favore
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:42
7Lucia di Lammermoor: Act I, Scene 2. Ancor non giunse?
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3a) Scena “Ancor non giunse!” (Lucia, Alisa) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:01
8Lucia di Lammermoor: Act I, Scene 2. Regnava nel silenzio alta la notte e bruna
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Alisa]:
Margreta Elkins (mezzo-soprano) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:06
9Lucia di Lammermoor: Act I, Scene 2. Quando rapito in estasi
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Alisa]:
Margreta Elkins (mezzo-soprano) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1959-03-16 until 1959-03-21)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:01
10Lucia di Lammermoor: Act I, Scene 2. Egli s'avanza...Lucia, perdona se ad ora inusitata
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Alisa]:
Margreta Elkins (mezzo-soprano) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:29
11Lucia di Lammermoor: Act I, Scene 2. Sulla tomba che rinserra il tradito genitore
producer:
Walter Legge (British classical producer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti3:00
12Lucia di Lammermoor: Act I, Scene 2. Qui di sposa eterna fede...ah, soltanto il nostro foco
producer:
Walter Legge (British classical producer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:36
13Lucia di Lammermoor: Act I, Scene 2. Ah, talor del tuo pensiero venga un foglio messaggero
producer:
Walter Legge (British classical producer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti0:58
14Lucia di Lammermoor: Act I, Scene 2. Verrano a te sull'aure i miei sospiri ardenti
producer:
Walter Legge (British classical producer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:39
15Lucia di Lammermoor: Act II, Scene 1. Lucia fra poco a te verrà...Tremante l'aspetto
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:13
16Lucia di Lammermoor: Act II, Scene 1. Appressati, Lucia...Il pallor funesto, orrendo
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6a) Recitativo “Appressati, Lucia” (Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti5:19
17Lucia di Lammermoor: Act II, Scene 1. Soffriva nel pianto...Un folle t'accese
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:39
18Lucia di Lammermoor: Act II, Scene 1. Che fia?...Suonar di giubilo
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:34
19Lucia di Lammermoor: Act II, Scene 1. Se tradirmi tu potrai...Tu che vedi il pianto mio
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:06
20Lucia di Lammermoor: Act II, Scene 2. Per te d'immenso giubilo...Per poco fra le tenebre sparì la...
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:25
21Lucia di Lammermoor: Act II, Scene 2. Dov'è Lucia?...Qui giungere or la vedrem
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:42
22Lucia di Lammermoor: Act II, Scene 2. Piange la madre estinta
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9b) Quartetto “Ecco il tuo sposo” (Enrico, Lucia, Arturo, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:20
23Lucia di Lammermoor: Act II, Scene 2. Chi mi frena in tal momento
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
mezzo-soprano vocals [Alisa]:
Margreta Elkins (mezzo-soprano) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:35
24Lucia di Lammermoor: Act II, Scene 2. T'allontana, sciagurato...Rispettate in me di Dio
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:13
25Lucia di Lammermoor: Act II, Scene 2. Sconsigliato! In queste porte chi ti guida?
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (on 1959-03-16)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:00
26Lucia di Lammermoor: Act II, Scene 2. Esci, fuggi, il foror che mi accende
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:19
27Lucia di Lammermoor: Act III, Scene 1. D'imenso giubilo s'innalzi un grido
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:24
28Lucia di Lammermoor: Act III, Scene 1. Dalle stanze ove Lucia tratta avea col suo consorte
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:25
29Lucia di Lammermoor: Act III, Scene 1. Oh! Qual funesto avvenimento!
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:14
30Lucia di Lammermoor: Act III, Scene 1. Il dolce suno mi colpi di sua voce!...Ardon gli incensi
engineer:
Douglas Larter
producer:
Walter Legge (British classical producer) and Dino Olivieri (Italian musician, conductor and composer)
bass vocals:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom and Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (on 1953-02-03)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti11:51
31Lucia di Lammermoor: Act III, Scene 1. Spargi d'amaro pianto
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:08
32Lucia di Lammermoor: Act III, Scene 2. Tombe degli avi miei
producer:
Walter Legge (British classical producer)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:01
33Lucia di Lammermoor: Act III, Scene 2. Fra poco a me ricovero darà negletto avello
producer:
Walter Legge (British classical producer)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:05
34Lucia di Lammermoor: Act III, Scene 2. Oh, meschina! Oh, fato orrendo!
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:24
35Lucia di Lammermoor: Act III, Scene 2. Tu che a Dio spiegasti l'ali
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:04

Credits

Release group

included in:The Complete Studio Recordings 1949-1969 by Maria Callas (soprano)
excerpts:Lucia di Lammermoor: Highlights (1959 London recording) by Donizetti (Italian opera composer); Callas (soprano), Tagliavini (tenor), Cappuccilli (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Serafin (conductor)
Discogs:https://www.discogs.com/master/560848 [info]
other databases:https://www.operadis-opera-discography.org.uk/ALDOLUCI.HTM#152 [info]
Allmusic:https://www.allmusic.com/album/mw0001515211 [info]