The Classics

~ Pubblicazione di Tony Bennett (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

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1I Left My Heart in San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-01-23)
direttore d'orchestra:
Marty Manning
arrangiatore:
Marty Manning
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett32:53
2Smile
voce ospite:
Barbra Streisand
registrata presso:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, Stati Uniti (il 2006-02-03)
registrazione cover di:
Smile (song version w/ lyrics)
paroliere:
Geoffrey Parsons (lyricist) e John Turner (lyricist)
compositore:
Charlie Chaplin (filmmaker)
editore:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. e Bourne Co. (not for release label use, this is a music publisher) (nel 1954)
sub-editore:
Editions Vedette Sprl e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Smile (Modern Times; original instrumental version)
parte di:
Chaplin
Tony Bennett duet with Barbra Streisand4:41
3The Good Life
pianoforte :
John Bunch (jazz pianist) e Ralph Sharon
voce:
Tony Bennett (US jazz/standards vocalist)
registrazione cover di:
The Good Life
paroliere:
Jack Reardon (American songwriter)
compositore:
Sacha Distel (nel 1962)
editore:
Intersong USA, Inc. (publisher) e Prosadis
versione di:
Marina
Tony Bennett42:06
4Don’t Get Around Much Anymore
tecnico di registrazione e tecnico di missaggio:
Dae Bennett
assistente tecnico:
Alessandro Perrotta, Adam Bancroft e Brian Chirlo
produttore:
Dae Bennett e Phil Ramone
basso :
Marshall Wood
batteria :
Harold Jones (jazz drummer)
chitarra :
Gray Sargent
pianoforte :
Lee Musiker
sassofono baritono :
Roger Rosenberg
sassofono contralto :
Lawrence Feldman (flutist and saxophonist) e Lou Marini
sassofono tenore :
Charlie Pillow
tromba :
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck e Bob Millikan (trumpeter)
trombone basso :
George Flynn (trombone)
trombone tenore :
Larry Farrell, Mike Davis (US jazz trombonist) e Keith O’Quinn (trombonist)
voce principale:
Tony Bennett (US jazz/standards vocalist) e Michael Bublé
direttore d'orchestra:
Marion Evans
arrangiatore:
Marion Evans
registrata presso e mixata presso:
Bennett Studios in Englewood, New Jersey, Stati Uniti
registrazione cover di:
Don’t Get Around Much Anymore
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
Tony Bennett duet with Michael Bublé42:41
5Stranger in Paradise
registrata a:
New York, Stati Uniti (il 1953-10-13)
voce:
Tony Bennett (US jazz/standards vocalist), Tony Bennett (US jazz/standards vocalist) e The Ray Charles Singers
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (il 1953-10-13)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
Tony Bennett3:05
6Body and Soul
tecnico di registrazione e tecnico di missaggio:
Dae Bennett
assistente tecnico:
Alessandro Perrotta, Adam Bancroft e Brian Chirlo
produttore:
Dae Bennett e Phil Ramone
produttore esecutivo:
Danny Bennett
arpa :
Grace Paradise
basso :
Marshall Wood
batteria :
Harold Jones (jazz drummer)
chitarra :
Gray Sargent
clarinetto basso e clarinetto :
Charles Pillow
contrabbasso :
Tim Cobb (double bassist) e David Finck
corno francese :
Bob Carlisle (french hornist), Barbara Jöstlein, Thomas Jöstlein, Philip Myers (hornist), Ann Scherer e Currie Scherer
corno inglese [English horn] e oboe :
Diane Lesser
fagotto :
Marc Goldberg (bassoonist)
flauto e ottavino :
Katherin Fink e Pamela Sklar
percussione :
Ben Herman (American percussionist), Erik Charlston e Gordon Gottlieb (American percussionist and conductor)
pianoforte :
Lee Musiker
tromba :
Tony Kadleck
trombone basso :
George Flynn (trombone)
trombone tenore :
Mike Davis (US jazz trombonist)
viola :
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard (viola), David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith e Judy Witmer
violino :
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Yoon Kwon, Ann Leathers (US violinist), Matthew Lehmann, Katherine Livolsi, Laura McGinniss (violin), Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) e Nancy Wu (violinist)
violoncello :
Diane Barere, Stephanie Cummins (cello), Dave Eggar, Jeanne LeBlanc, Richard Locker (cellist) e Ellen Westermann
voce principale:
Tony Bennett (US jazz/standards vocalist) e Amy Winehouse
direttore d'orchestra:
Jorge Calandrelli
arrangiatore:
Jorge Calandrelli
primo violino:
Elena Barere (violinist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2011) e Island Records (Island, imprint of Island Records, a division of Universal Music Group) (nel 2015)
registrata presso e mixata presso:
Bennett Studios in Englewood, New Jersey, Stati Uniti
parte di:
Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2012 winner)
registrazione cover di:
Body and Soul (nel 2011-03)
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Tony Bennett duet with Amy Winehouse2.63:22
7How Do You Keep the Music Playing
registrazione cover di:
How Do You Keep the Music Playing?
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
compositore:
Michel Legrand
editore:
Warner Olive Music LLC e WB Music Corp. (1929–2019) (nel 1982)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Tony Bennett4:18
8Just in Time
voce:
Tony Bennett (US jazz/standards vocalist) (il 1956-09-19)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione di:
Just in Time (Bells Are Ringing) (il 1956-09-19)
paroliere:
Betty Comden (nel 1956) e Adolph Green (nel 1956)
compositore:
Jule Styne (nel 1956)
editore:
Chappell Music (UK), Stratford Music Corporation e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Bells Are Ringing (stage musical)
registrazione cover di:
Just in Time (Bells Are Ringing)
paroliere:
Betty Comden (nel 1956) e Adolph Green (nel 1956)
compositore:
Jule Styne (nel 1956)
editore:
Chappell Music (UK), Stratford Music Corporation e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Bells Are Ringing (stage musical)
Tony Bennett2:34
9New York, New York
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
assistente tecnico di missaggio:
Carl Glanville
basso :
Chuck Berghofer (Jazz bassist) (nel 1993)
batteria :
Gregg Field (drums, producer) (nel 1993)
chitarra :
Ron Anthony (nel 1993)
voce:
Tony Bennett (US jazz/standards vocalist) (il 1979-09-19, il 1993-08-11) e Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1993-07-06)
arrangiatore:
Don Costa (US pop music arranger & producer)
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
Theme From “New York, New York” (usually just titled “New York, New York”) (il 1979-09-19)
dedicata a:
New York, New York, Stati Uniti
paroliere:
Fred Ebb (lyricist)
compositore:
John Kander (composer)
editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (conclusa), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
New York, New York (1977 musical film soundtrack)
registrazione cover di:
Theme From “New York, New York” (usually just titled “New York, New York”) (nel 1993)
dedicata a:
New York, New York, Stati Uniti
paroliere:
Fred Ebb (lyricist)
compositore:
John Kander (composer)
editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (conclusa), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
New York, New York (1977 musical film soundtrack)
Tony Bennett duet with Frank Sinatra43:31
10The Way You Look Tonight
registrazione cover di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
Tony Bennett3:24
11One for My Baby (And One More for the Road)
tecnico di registrazione e tecnico di missaggio:
Dae Bennett
assistente tecnico:
Alessandro Perrotta, Adam Bancroft e Brian Chirlo
produttore:
Dae Bennett e Phil Ramone
basso :
Marshall Wood
batteria :
Harold Jones (jazz drummer)
chitarra :
Gray Sargent
pianoforte :
Lee Musiker
sassofono baritono :
Roger Rosenberg
sassofono contralto :
Lawrence Feldman (flutist and saxophonist) e Lou Marini
sassofono tenore :
Charlie Pillow e Dave Mann (saxophonist)
tromba :
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck e Bob Millikan (trumpeter)
trombone basso :
George Flynn (trombone)
trombone tenore :
Larry Farrell, Mike Davis (US jazz trombonist) e Keith O’Quinn (trombonist)
voce principale:
Tony Bennett (US jazz/standards vocalist) e John Mayer (US singer‐songwriter)
direttore d'orchestra:
Marion Evans
arrangiatore:
Marion Evans
registrata presso e mixata presso:
Bennett Studios in Englewood, New Jersey, Stati Uniti
registrazione cover di:
One for My Baby (and One More for the Road)
paroliere:
Johnny Mercer (nel 1943)
compositore:
Harold Arlen (nel 1943)
editore:
Chappell/Morris Ltd. e Harwin Music
parte di:
The Sky’s the Limit (1943 film)
Tony Bennett duet with John Mayer42:57
12I Wanna Be Around
tecnico:
Ted Brosnan e Frank Laico
produttore:
Ernest Altschuler
pianoforte :
Ralph Sharon (il 1962-10-19)
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-10-19)
direttore d'orchestra:
Marty Manning (il 1962-10-19)
arrangiatore:
Ralph Burns e Marty Manning
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1962-10-19)
registrazione cover di:
I Wanna Be Around (il 1962-10-19)
paroliere:
Johnny Mercer e Sadie Vimmerstedt
compositore:
Johnny Mercer
editore:
Commander Publications
Tony Bennett2:13
13For Once in My Life
esecutore ospite:
Stevie Wonder
registrazione cover di:
For Once in My Life
paroliere:
Ronald Miller (Motown songwriter Ronald Norman Miller)
compositore:
Orlando Murden
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Tony Bennett duet with Stevie Wonder3:23
14The Lady Is a Tramp
tecnico di registrazione e tecnico di missaggio:
Dae Bennett
assistente tecnico:
Alessandro Perrotta, Adam Bancroft e Brian Chirlo
produttore:
Dae Bennett e Phil Ramone
basso :
Marshall Wood
batteria :
Harold Jones (jazz drummer)
chitarra :
Gray Sargent
pianoforte :
Lee Musiker
sassofono baritono :
Ron Janelli
sassofono contralto :
Dave Mann (saxophonist) e Lawrence Feldman (flutist and saxophonist)
sassofono tenore :
Mark Phaneuf (saxaphonist) e Andy Snitzer
tromba :
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck e Bob Millikan (trumpeter)
trombone basso :
George Flynn (trombone)
trombone tenore :
Larry Farrell, Mike Davis (US jazz trombonist) e Keith O’Quinn (trombonist)
voce principale:
Tony Bennett (US jazz/standards vocalist) e Lady Gaga
direttore d'orchestra:
Marion Evans
arrangiatore:
Marion Evans
registrata presso e mixata presso:
Bennett Studios in Englewood, New Jersey, Stati Uniti
registrazione cover di:
The Lady Is a Tramp (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Babes in Arms (full musical)
parte di:
Pal Joey
registrazione di:
The Lady Is a Tramp (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Babes in Arms (full musical)
parte di:
Pal Joey
Tony Bennett duet with Lady Gaga43:18
15Who Can I Turn To (When Nobody Needs Me)
voce:
Tony Bennett (US jazz/standards vocalist)
direttore d'orchestra:
George Siravo
arrangiatore:
George Siravo
registrazione cover di:
Who Can I Turn To (When Nobody Needs Me)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. e TRO Muscal Comedy Productions, Inc.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Tony Bennett2:57
16Evenin’
tecnico:
Christina Paakkari
produttore:
Phil Ramone
produttore esecutivo:
Danny Bennett
basso :
Paul Langosch
batteria :
Clayton Cameron
chitarra :
Gray Sargent
pianoforte :
Ralph Sharon
voce:
Tony Bennett (US jazz/standards vocalist) e Ray Charles (soul musician, singer and songwriter)
registrazione cover di:
Evenin’
paroliere:
Mitchell Parish (nel 1934)
compositore:
Harry White (jazz trombonist) (nel 1934)
registrazione di:
Evenin’
paroliere:
Mitchell Parish (nel 1934)
compositore:
Harry White (jazz trombonist) (nel 1934)
Tony Bennett duet with Ray Charles4:16
17What a Wonderful World
tecnico di registrazione e tecnico di missaggio:
Dae Bennett
tecnico:
Tom Young (engineer)
produttore:
T‐Bone Burnett (musician, songwriter and producer)
produttore esecutivo:
Danny Bennett
basso :
Paul Langosch
chitarra :
Gray Sargent
membranofono :
Clayton Cameron
voce:
Tony Bennett (US jazz/standards vocalist) e k.d. lang
esecutore:
k.d. lang
arrangiatore voci:
Rob Mathes
registrazione cover di:
What a Wonderful World
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Tony Bennett duet with k.d. lang3:21
18The Shadow of Your Smile
esecutore ospite:
Juanes (Colombian singer)
registrazione parziale cover di:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
paroliere:
Paul Francis Webster
compositore:
Johnny Mandel (American composer and arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 38th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1965 winner)
Tony Bennett duet with Juanes4:34
19The Best Is Yet to Come
esecutore ospite:
Diana Krall
registrazione cover di:
The Best Is Yet to Come
paroliere:
Carolyn Leigh (nel 1959)
compositore:
Cy Coleman (nel 1959)
editore:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. e WB Music Corp. (1929–2019)
Tony Bennett duet with Diana Krall3:41
20Steppin’ Out With My Baby
tecnico di registrazione e tecnico di missaggio:
Dae Bennett
produttore:
Dae Bennett (voce principale) e Phil Ramone
basso :
Paul Langosch
batteria :
Harold Jones (jazz drummer)
chitarra :
Gray Sargent
pianoforte :
Lee Musiker
mixata presso:
Bennett Studios in Englewood, New Jersey, Stati Uniti
registrazione cover di:
Steppin’ Out With My Baby (Easter Parade)
paroliere e compositore:
Irving Berlin (nel 1948)
editore:
Irving Berlin Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
parte di:
Easter Parade (full musical)
Tony Bennett duet with Christina Aguilera52:03