Bach 333: Organ & keyboard (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Organ Works (Introduction 1)
2▶CD: Organ Works (Introduction 2)
3▶CD: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
4▶CD: Passacaglia & Fugue, BWV 582 / Other Weimar works
5▶CD: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
6▶CD: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
7▶CD: 6 Trio Sonatas, BWV 525-530 (Koopman)
8▶CD: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
9▶CD: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
10▶CD: Early Chorale Preludes / Chorale Partitas
11▶CD: Chorale Preludes (Mühlhausen & Weimar)
12▶CD: Breitkopf Collection, BWV 690-713
13▶CD: Orgelbüchlein (Preston)
14▶CD: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
15▶CD: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
16▶CD: 21 Chorale Preludes, BWV 669-689 (Walcha)
17▶CD: Clavier-Übung III (1) (Preston)
18▼CD: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
#TitleRatingLength
1Duet in E minor, BWV 802
producer:
Helmut Burk
organ:
Simon Preston (organist, conductor, composer) (in 2000-01)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Nidarosdom (Nidaros Cathedral, Norway's only cathedral) in Trondheim, Sør-Trøndelag, Norway (in 2000-01)
recording of:
Duetto Nr. 1 e-Moll, BWV 802 (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 802)
2:20
2Duet in F major, BWV 803
producer:
Helmut Burk
organ:
Simon Preston (organist, conductor, composer) (in 2000-01)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Nidarosdom (Nidaros Cathedral, Norway's only cathedral) in Trondheim, Sør-Trøndelag, Norway (in 2000-01)
recording of:
Duetto Nr. 2 F-Dur, BWV 803 (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 803)
3:18
3Duet in G major, BWV 804
producer:
Helmut Burk
organ:
Simon Preston (organist, conductor, composer) (in 2000-01)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Nidarosdom (Nidaros Cathedral, Norway's only cathedral) in Trondheim, Sør-Trøndelag, Norway (in 2000-01)
recording of:
Duetto Nr. 3 G-dur, BWV 804 (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 804)
2:49
4Duet in A minor, BWV 805
producer:
Helmut Burk
organ:
Simon Preston (organist, conductor, composer) (in 2000-01)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Nidarosdom (Nidaros Cathedral, Norway's only cathedral) in Trondheim, Sør-Trøndelag, Norway (in 2000-01)
recording of:
Duetto Nr. 4 a-Moll, BWV 805 (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Bach Compendium (number: BC J 77) and Bach-Werke-Verzeichnis (number: BWV 805)
2:31
5Prelude and Fugue in E flat major "St. Anne", BWV 552: Fuga a 5 con pedale pro Organo pleno
producer:
Helmut Burk
organ:
Simon Preston (organist, conductor, composer) (in 2000-01)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Nidarosdom (Nidaros Cathedral, Norway's only cathedral) in Trondheim, Sør-Trøndelag, Norway (in 2000-01)
recording of:
Präludium und Fuge Es-Dur, BWV 552: II. Fuge (in 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge Es-Dur, BWV 552 (Prelude and Fugue in E-flat major, BWV 552)
6:29
6Kyrie, Gott Vater in Ewigkeit alio modo, BWV 672
producer:
Tini Mathot (Dutch classical keyboardist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-08)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Raphaëlpleinkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-08)
recording of:
Choralbearbeitung, BWV 672 "Kyrie, Gott Vater in Ewigkeit" (in 1991-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 4), Bach Compendium (number: BC K 4) and Bach-Werke-Verzeichnis (number: BWV 672)
1:01
7Christe, aller Welt Trost, BWV 673
producer:
Tini Mathot (Dutch classical keyboardist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-08)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Raphaëlpleinkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-08)
recording of:
Choralbearbeitung, BWV 673 "Christe, aller Welt Trost" (in 1991-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 5), Bach Compendium (number: BC K 5) and Bach-Werke-Verzeichnis (number: BWV 673)
1:05
8Kyrie, Gott heiliger Geist, BWV 674
producer:
Tini Mathot (Dutch classical keyboardist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-08)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Raphaëlpleinkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-08)
recording of:
Choralbearbeitung, BWV 674 "Kyrie, Gott heiliger Geist" (in 1991-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 6), Bach Compendium (number: BC K 6) and Bach-Werke-Verzeichnis (number: BWV 674)
1:17
9Fughetta super: Allein Gott in der Höh sei Ehr, BWV 677
producer:
Tini Mathot (Dutch classical keyboardist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-08)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Raphaëlpleinkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-08)
recording of:
Choralvorspiel, BWV 677: Fughetta super "Allein Gott in der Höh sei Ehr" (in 1991-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 9), Bach Compendium (number: BC K 9) and Bach-Werke-Verzeichnis (number: BWV 677)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
1:12
10Fughetta super: Dies sind die heiligen zehen Gebot, BWV 679
producer:
Tini Mathot (Dutch classical keyboardist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-08)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Raphaëlpleinkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-08)
recording of:
Choralbearbeitung, BWV 679 "Dies sind die heil'gen zehn Gebot'" (in 1991-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 11), Bach Compendium (number: BC K 11) and Bach-Werke-Verzeichnis (number: BWV 679)
1:46
11Fughetta super: Wir glauben all an einen Gott, BWV 681
producer:
Tini Mathot (Dutch classical keyboardist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-08)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Raphaëlpleinkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-08)
recording of:
Choralbearbeitung, BWV 681 "Wir glauben all' an einen Gott" (in 1991-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 13), Bach Compendium (number: BC K 13) and Bach-Werke-Verzeichnis (number: BWV 681)
1:40
12Vater unser im Himmelreich alio modo, BWV 683
producer:
Tini Mathot (Dutch classical keyboardist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-08)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Raphaëlpleinkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-08)
recording of:
Choralbearbeitung, BWV 683 "Vater unser im Himmelreich" (in 1991-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 15), Bach Compendium (number: BC K 15) and Bach-Werke-Verzeichnis (number: BWV 683)
1:23
13Christ, unser Herr, zum Jordan kam alio modo, BWV 685
producer:
Tini Mathot (Dutch classical keyboardist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-08)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Raphaëlpleinkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-08)
recording of:
Choralbearbeitung, BWV 685 "Christ, unser Herr, zum Jordan kam" (in 1991-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 17), Bach Compendium (number: BC K 17) and Bach-Werke-Verzeichnis (number: BWV 685)
1:19
14Aus tiefer Not schrei ich zu dir alio modo, BWV 687
producer:
Tini Mathot (Dutch classical keyboardist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-08)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Raphaëlpleinkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-08)
recording of:
Aus tiefer Not schrei ich zu dir, BWV 687 (in 1991-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 19), Bach Compendium (number: BC K 19) and Bach-Werke-Verzeichnis (number: BWV 687)
4:48
15Fuga super: Jesus Christus, unser Heiland, BWV 689
producer:
Tini Mathot (Dutch classical keyboardist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1991-08)
balance engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
recorded at:
Raphaëlpleinkerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1991-08)
recording of:
Jesus Christus, unser Heiland (Fuga super), BWV 689 (in 1991-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 21), Bach Compendium (number: BC K 21) and Bach-Werke-Verzeichnis (number: BWV 689)
3:57
166 Schübler Chorales: Wachet auf, ruft uns die Stimme, BWV 645
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1982-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
4:11
176 Schübler Chorales: Wo soll ich fliehen hin / Auf meinen lieben Gott, BWV 646
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1982-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1982-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wo soll ich fliehen hin, BWV 646 (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1748 until 1749)
part of:
Bach-Werke-Verzeichnis (number: BWV 646)
part of:
Sechs Choräle von verschiedener Art
1:40
186 Schübler Chorales: Wer nur den lieben Gott lässt walten, BWV 647
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1982-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1982-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 647)
part of:
Sechs Choräle von verschiedener Art
4:12
196 Schübler Chorales: Meine Seele erhebt den Herren, BWV 648
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1982-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1982-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648 (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 648)
is based on:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit"
part of:
Sechs Choräle von verschiedener Art
3:29
206 Schübler Chorales: Ach bleib bei uns, Herr Jesu Christ, BWV 649
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1982-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1982-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 649)
is based on:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"
part of:
Sechs Choräle von verschiedener Art
2:23
216 Schübler Chorales: Kommst du nun, Jesu, vom Himmel herunter, BWV 650
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1982-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 650)
part of:
Sechs Choräle von verschiedener Art
3:34
22Vom Himmel hoch, da komm ich her, BWV 769a Canonic Variations: Variatio 1 nel canone all’ottava
producer:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
organ:
Bernard Foccroulle (Belgian instrumentalist (organ, harpsichord), composer and opera director) (in 1991-10)
recorded at:
Freiberger Dom St. Marien in Freiberg, Sachsen (Saxony), Germany (in 1991-10)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a: I. Canon all' Ottava. Pedal. Canto fermo (Variatio 1) (in 1991-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a
1:40
23Vom Himmel hoch, da komm ich her, BWV 769a Canonic Variations: Variatio 2 alio modo / nel canone alla quinta
producer:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
organ:
Bernard Foccroulle (Belgian instrumentalist (organ, harpsichord), composer and opera director) (in 1991-10)
recorded at:
Freiberger Dom St. Marien in Freiberg, Sachsen (Saxony), Germany (in 1991-10)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a: II. Canon alla Quinta. Canto fermo in Pedel (Variatio 2) (in 1991-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a
1:30
24Vom Himmel hoch, da komm ich her, BWV 769a Canonic Variations: Variatio 5 L’altra sorte del canone al rovescio. 1. alla sesta / 2. alla terza / 3. alla seconda e / 4. alla nona
producer:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
organ:
Bernard Foccroulle (Belgian instrumentalist (organ, harpsichord), composer and opera director) (in 1991-10)
recorded at:
Freiberger Dom St. Marien in Freiberg, Sachsen (Saxony), Germany (in 1991-10)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a: III. Canto fermo in Canone all Sesta è all' rovescio (Variatio 3) (in 1991-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a
3:30
25Vom Himmel hoch, da komm ich her, BWV 769a Canonic Variations: Variatio 3 Canone alla settima. Cantabile
producer:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
organ:
Bernard Foccroulle (Belgian instrumentalist (organ, harpsichord), composer and opera director) (in 1991-10)
recorded at:
Freiberger Dom St. Marien in Freiberg, Sachsen (Saxony), Germany (in 1991-10)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a: IV. Canon alla Settima (Variatio 4) (in 1991-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a
2:43
26Vom Himmel hoch, da komm ich her, BWV 769a Canonic Variations: 1Variatio 4 per augmentationem / nel canone all’ottava
producer:
Jérôme Lejeune (Belgian gambist, musicologist, label manager)
organ:
Bernard Foccroulle (Belgian instrumentalist (organ, harpsichord), composer and opera director) (in 1991-10)
recorded at:
Freiberger Dom St. Marien in Freiberg, Sachsen (Saxony), Germany (in 1991-10)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a: IV. a 2 clav e Ped. Canon per augmentationem (in canone all' ottava) (Variatio 5) (in 1991-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769a
3:54
19▶CD: Free Works of Unproven Authenticity
20▶CD: Chorale-Based Works of Unproven Authenticity (Fragments)
21▶CD: Keyboard Works (Introduction 1: Harpsichord)
22▶CD: Keyboard Works (Introduction 2: Piano)
23▶CD: Early Fugues & Capriccios
24▶CD: Early Suites & Sonatas
25▶CD: Toccatas, BWV 910-916
26▶CD: Virtuoso Fantasias & Fugues
27▶CD: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
28▶CD: 2- & 3-Part Inventions / Preludes, BWV 924-943
29▶CD: English Suites 1-3 (Dreyfus)
30▶CD: English Suites 4-6 (Dreyfus)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]