The Royal Edition, Volume 96: Symphony No. 4 / Fantasia on a Theme by Thomas Tallis / Fantasia on Greensleeves / Serenade to Music

~ Release by Vaughan Williams; New York Philharmonic, Leonard Bernstein (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Symphony no. 4: I. Allegro
orchestra:
New York Philharmonic (on 1965-10-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-10-21)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1965-10-21)
recording of:
Symphony no. 4 in F minor: I. Allegro (on 1965-10-21)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
Ralph Vaughan Williams9:16
2Symphony no. 4: II. Andante moderato
orchestra:
New York Philharmonic (on 1965-10-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-10-21)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1965-10-21)
recording of:
Symphony no. 4 in F minor: II. Andante moderato (on 1965-10-21)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
Ralph Vaughan Williams10:24
3Symphony no. 4: III. Scherzo. Allegro molto
orchestra:
New York Philharmonic (on 1965-10-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-10-21)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1965-10-21)
recording of:
Symphony no. 4 in F minor: III. Scherzo: Allegro molto (on 1965-10-21)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
Ralph Vaughan Williams5:33
4Symphony no. 4: IV. Finale. Allegro molto
orchestra:
New York Philharmonic (on 1965-10-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-10-21)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1965-10-21)
partial recording of:
Symphony no. 4 in F minor: IV. Finale (Allegro molto) con epilogo fugato (Con anima) (on 1965-10-21)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
Ralph Vaughan Williams6:09
5Symphony no. 4: Epilogo Fugato. Con anima
orchestra:
New York Philharmonic (on 1965-10-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1965-10-21)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1965-10-21)
partial recording of:
Symphony no. 4 in F minor: IV. Finale (Allegro molto) con epilogo fugato (Con anima) (on 1965-10-21)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
Ralph Vaughan Williams2:29
6Fantasia on a Theme by Thomas Tallis
orchestra:
New York Philharmonic (on 1976-12-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-12-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1976-12-21)
recording of:
Fantasia on a Theme by Thomas Tallis (on 1976-12-21)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams18:10
7Fantasia on "Greensleeves"
violin:
David Nadien (on 1969-12-08)
orchestra:
New York Philharmonic (on 1969-12-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1969-12-08)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1969-12-08)
recording of:
Fantasia on “Greensleeves” (on 1969-12-08)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams5:06
8Serenade to Music: Andantino
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: Andantino (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams2:27
9Serenade to Music: "How sweet the moonlight"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “How Sweet the Moonlight” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
recording of:
Serenade to Music: “How Sweet the Moonlight” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams2:25
10Serenade to Music: "Look how the floor of heaven..."
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Look How the Floor of Heaven…” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:55
11Serenade to Music: "Come, ho! and wake Diana with a hymn"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Come, Ho! and Wake Diana With a Hymn” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:18
12Serenade to Music: "I am never merry when I hear sweet music"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “I Am Never Merry When I Hear Sweet Music” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:22
13Serenade to Music: "Music! hark!"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Music! Hark!” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:08
14Serenade to Music: "How many things by season..."
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “How Many Things by Season…” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:10
15Serenade to Music: "Soft Stillness and the night"
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Soft Stillness and the night” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:48

Credits

Release

part of:The Royal Edition (Tribute edition of 100 items (119 CDs) to Leonard Bernstein released via Sony Classical) (number: 96) (order: 94)
ASIN:DE: B000025IIQ [info]
other databases:https://www.worldcat.org/oclc/941808438 [info]