Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Madama Butterfly: Atto I. “Dovunque al mondo”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Baritongesang [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:21
2Madama Butterfly: Atto I. “Ancora un passo”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Baritongesang [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
chorus master:
Bonaventura Somma (chorus master) (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Ah, ah! Quanto cielo!”… “Ancora un passo or via” (Le amiche, Butterfly, Sharpless) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:33
3Madama Butterfly: Atto I. “O amico fortunato”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Baritongesang [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
chorus master:
Bonaventura Somma (chorus master) (in 1958-07)
recording of:
Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
quotes music from:
君が代
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini1:26
4Madama Butterfly: Atto I. “Quest’ obi pomposa” – “Con moti di scoiattolo”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Quest’obi pomposa” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:12
5Madama Butterfly: Atto I. “Bimba dagli occi pieni di malia”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini4:05
6Madama Butterfly: Atto I. “Vogliatemi bene”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Chorgesang:
Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini8:02
7Madama Butterfly: Atto II. “Io te lo dico”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Mezzosoprangesang [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:18
8Madama Butterfly: Atto II. “Un bel di vedremo”
Produzent(in):
Christopher Raeburn (producer) und James Walker (ballet/opera conductor, classical recordings producer for Decca)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
Interpret(in):
Renata Tebaldi (soprano)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:52
9Madama Butterfly: Atto II. “Ebbene, che fareste, Madama Butterfly”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Baritongesang [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Ebbene, che fareste, Madama Butterfly” … “Due cose potrei far” (Butterfly, Sharpless) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:10
10Madama Butterfly: Atto II. “Che tua madre dovrà”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Baritongesang [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
Mezzosoprangesang [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Tenor-Gesang [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Io scendo al piano” (Sharpless, Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini6:11
11Madama Butterfly: Atto II. “Una nave da guerra” – “Gettiamo a mani piene…!”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Mezzosoprangesang [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini12:12
12Madama Butterfly: Atto II. Coro a bocca chiusa
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
chorus master:
Bonaventura Somma (chorus master) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:20
13Madama Butterfly: Atto III. “Io so che alle sue pene”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Baritongesang [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
Mezzosoprangesang [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:46
14Madama Butterfly: Atto III. “Addio, fiorito asil”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Baritongesang [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:58
15Madama Butterfly: Atto III. “A lui devo obbedir” – “Con onor muore” – “Tu, tu, piccolo iddio!”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Baritongesang [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
Mezzosoprangesang [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Soprangesang [Kate]:
Lidia Nerozzi (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini9:41