Bluebird Sessions

~ Release by Lionel Hampton (see all versions of this release, 1 available)

Tracklist

1▶Medium
2▶Medium
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4▼Medium
#TitleRatingLength
1Singin’ the Blues Till Morning
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2Smart Aleck
recording of:
Smart Alec (Hampton-Ashby)
composer:
Irving Ashby and Lionel Hampton
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3Stand by for Further Announcements
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4Stompology
recorded in:
New York, New York, United States (on 1937-04-14)
alto saxophone:
Johnny Hodges (on 1937-04-14)
clarinet:
Mezz Mezzrow (on 1937-04-14)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-04-14)
drums (drum set):
Cozy Cole (on 1937-04-14)
guitar:
Allan Reuss (on 1937-04-14)
piano:
Jess Stacy (on 1937-04-14)
trombone:
Lawrence Brown (jazz trombonist) (on 1937-04-14)
trumpet:
Cootie Williams (on 1937-04-14)
vibraphone:
Lionel Hampton (on 1937-04-14)
orchestra:
Lionel Hampton and His Orchestra (on 1937-04-14)
recording of:
Stompology
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5Sweethearts on Parade
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
Milt Hinton (on 1939-04-05)
drums (drum set):
Cozy Cole (on 1939-04-05)
guitar:
Allan Reuss (on 1939-04-05)
piano:
Clyde Hart (on 1939-04-05)
tenor saxophone:
Leon “Chu” Berry (on 1939-04-05)
vibraphone:
Lionel Hampton (on 1939-04-05)
vocals:
Lionel Hampton (on 1939-04-05)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-05)
instrumental recording of:
Sweethearts on Parade (on 1939-04-05)
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
recording of:
Sweethearts on Parade (on 1939-04-05)
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
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6Tempo and Swing
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
recording of:
Tempo and Swing (on 1940-02-26)
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7The Jumpin Jive
recorded in:
New York, New York, United States (on 1939-06-13)
baritone saxophone:
Harry Carney (on 1939-06-13)
bass:
Billy Taylor Sr. (jazz bassist) (on 1939-06-13)
cornet:
Rex Stewart (on 1939-06-13)
drums (drum set):
Sonny Greer (on 1939-06-13)
piano:
Clyde Hart (on 1939-06-13)
trombone:
Lawrence Brown (jazz trombonist) (on 1939-06-13)
vibraphone:
Lionel Hampton (on 1939-06-13)
orchestra:
Lionel Hampton and His Orchestra (on 1939-06-13)
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8The Object of My Affection
recorded in:
New York, New York, United States (on 1937-09-05)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1937-09-05)
drums (drum set):
Cozy Cole (on 1937-09-05)
guitar:
Allan Reuss (on 1937-09-05)
piano:
Jess Stacy (on 1937-09-05)
reeds:
Vido Musso (on 1937-09-05)
tenor saxophone:
Art Rollini (on 1937-09-05)
trumpet:
Ziggy Elman (on 1937-09-05)
vibraphone:
Lionel Hampton (on 1937-09-05)
orchestra:
Lionel Hampton and His Orchestra (on 1937-09-05)
recording of:
The Object of My Affection
writer:
Jimmie Grier (US jazz clarinetist), Coy Poe (Songwriter) and Pinky Tomlin (singer, actor, songwriter, and bandleader)
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9The Sun Will Shine Tomorrow
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10Three Quarter Boogie
recorded in:
Chicago, Illinois, United States (on 1941-04-08)
clarinet:
Marshall Royal (on 1941-04-08)
double bass:
Vernon Alley (on 1941-04-08)
drums (drum set):
Shadow Wilson (on 1941-04-08)
electric guitar:
Irving Ashby (on 1941-04-08)
piano:
Sir Charles Thompson (jazz) (on 1941-04-08)
trumpet:
Karl George (US jazz trumpeter) (on 1941-04-08)
vibraphone:
Lionel Hampton (on 1941-04-08)
performer:
Lionel Hampton and His Sextette (on 1941-04-08)
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11Till Tom Special
recorded in:
New York, New York, United States (on 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (on 1940-02-26) and Toots Mondello (on 1940-02-26)
double bass:
Artie Bernstein (on 1940-02-26)
drums (drum set):
Nick Fatool (on 1940-02-26)
guitar:
Ernest Ashley (on 1940-02-26)
piano:
Spencer Odom (on 1940-02-26)
tenor saxophone:
Jerry Jerome (on 1940-02-26) and Budd Johnson (on 1940-02-26)
trumpet:
Ziggy Elman (on 1940-02-26)
vibraphone:
Lionel Hampton (on 1940-02-26)
orchestra:
Lionel Hampton and His Orchestra (on 1940-02-26)
recording of:
Till Tom Special (on 1940-02-26)
writer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
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12Twelfth Street Rag
recorded in:
New York, New York, United States (on 1939-06-13)
baritone saxophone:
Harry Carney (on 1939-06-13)
cornet:
Rex Stewart (on 1939-06-13)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1939-06-13)
drums (drum set):
Sonny Greer (on 1939-06-13)
piano:
Lionel Hampton (on 1939-06-13) and Clyde Hart (on 1939-06-13)
piano [piano (bottom)]:
Clyde Hart (on 1939-06-13)
piano [piano (top)] and vibraphone:
Lionel Hampton (on 1939-06-13)
trombone:
Lawrence Brown (jazz trombonist) (on 1939-06-13)
orchestra:
Lionel Hampton and His Orchestra (on 1939-06-13)
recording of:
Twelfth Street Rag (on 1939-06-13)
lyricist:
Andy Razaf
composer:
Euday L. Bowman
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13When the Lights Are Low
recording of:
When Lights Are Low
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
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14Whoa Babe
recorded in:
New York, New York, United States (on 1937-04-14)
alto saxophone:
Johnny Hodges (on 1937-04-14)
clarinet:
Mezz Mezzrow (on 1937-04-14)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-04-14)
drums (drum set):
Cozy Cole (on 1937-04-14)
guitar:
Allan Reuss (on 1937-04-14)
piano:
Jess Stacy (on 1937-04-14)
trombone:
Lawrence Brown (jazz trombonist) (on 1937-04-14)
trumpet:
Cootie Williams (on 1937-04-14)
vibraphone:
Lionel Hampton (on 1937-04-14)
vocals:
Lionel Hampton (on 1937-04-14)
orchestra:
Lionel Hampton and His Orchestra (on 1937-04-14)
recording of:
Whoa Babe (on 1937-04-14)
lyricist and composer:
Larry Clinton
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15Wizzin the Wizz
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
Milt Hinton (on 1939-04-05)
drums (drum set):
Cozy Cole (on 1939-04-05)
guitar:
Allan Reuss (on 1939-04-05)
piano:
Lionel Hampton (on 1939-04-05) and Clyde Hart (on 1939-04-05)
tenor saxophone:
Leon “Chu” Berry (on 1939-04-05)
orchestra:
Lionel Hampton and His Orchestra (on 1939-04-05)
recording of:
Wizzin the Wizz (on 1939-04-05)
composer:
Lionel Hampton
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16You’re My Ideal
recorded in:
New York, New York, United States (on 1938-01-18)
alto saxophone:
Johnny Hodges (on 1938-01-18)
baritone saxophone:
Edgar Sampson (on 1938-01-18)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1938-01-18)
drums (drum set):
Sonny Greer (on 1938-01-18)
guitar:
Allan Reuss (on 1938-01-18)
piano:
Jess Stacy (on 1938-01-18)
trumpet:
Cootie Williams (on 1938-01-18)
vibraphone:
Lionel Hampton (on 1938-01-18)
orchestra:
Lionel Hampton and His Orchestra (on 1938-01-18)
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