| # | Title | Artist | Rating | Length |
|---|
| 1 | Lullaby- assistant engineer:
- Roy Spong and Richard Sullivan
- engineer:
- David M. Allen , Robert Smith and Smudger
- producer:
- David M. Allen , The Cure, Chris Parry, Mark Saunders and Robert Smith
- mixer:
- Chris Parry, Mark Saunders and Robert Smith
- bass guitar:
- Simon Gallup (from 1988-11 until 1989-02)
- bass guitar [six string bass guitar]:
- Robert Smith
- drums (drum set):
- Boris Williams (from 1988-11 until 1989-02)
- guitar:
- Robert Smith (from 1988-11 until 1989-02) and Porl Thompson (from 1988-11 until 1989-02)
- instruments:
- Lol Tolhurst (from 1988-11 until 1989-02)
- keyboard:
- Roger O’Donnell (from 1988-11 until 1989-02) and Robert Smith (from 1988-11 until 1989-02)
- lead vocals:
- Robert Smith (from 1988-11 until 1989-02)
- remixer:
- Chris Parry, Mark Saunders and Robert Smith (in 2009-07)
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1989) and Fiction Records Ltd. (in 1989)
- recorded at:
- Outside Studios in Checkendon, Oxfordshire, England, United Kingdom (from 1988-11 until 1989-02) and Wembley Arena in Wembley, Brent , London , England, United Kingdom (in 1989-07)
- mixed at:
- RAK Studio Three in London , England, United Kingdom (in 1989)
- music videos:
- Lullaby by The Cure
- recording of:
- Lullaby (from 1988-11 until 1989-02)
- lyricist:
- Robert Smith
- composer:
- Simon Gallup, Roger O’Donnell, Robert Smith , Porl Thompson, Lol Tolhurst and Boris Williams
- publisher:
- APB Music Co. and Fiction Songs Ltd. (in 1989)
- live recording of:
- Lullaby (in 1989-07)
- lyricist:
- Robert Smith
- composer:
- Simon Gallup, Roger O’Donnell, Robert Smith , Porl Thompson, Lol Tolhurst and Boris Williams
- publisher:
- APB Music Co. and Fiction Songs Ltd. (in 1989)
| The Cure | 3.95 | 4:08 |
| 2 | Do You Really Want to Hurt Me | Culture Club | 3.95 | 4:20 |
| 3 | Poison Arrow- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Mark Lickley
- lead vocals:
- Martin Fry
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1982)
- part of:
- The Downloader’s Music Source Book (number: 76)
- recording of:
- Poison Arrow
- writer:
- Martin Fry, Mark Lickley, Stephen Singleton and Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music , Virgin Music (Publishers) Ltd. and Virgin Music (Publishing) Ltd.
- part of:
- Mantrap
| ABC | 4.4 | 3:23 |
| 4 | Love Plus One | Haircut 100 | 4 | 3:30 |
| 5 | Rio | Duran Duran | 4.15 | 4:44 |
| 6 | Here Comes the Rain Again | Eurythmics | 4.15 | 4:53 |
| 7 | Shout | Tears for Fears | 4.5 | 4:04 |
| 8 | Shout to the Top (single edit) | The Style Council | 4.35 | 3:24 |
| 9 | Digging Your Scene | The Blow Monkeys | 3.75 | 4:06 |
| 10 | Real Gone Kid | Deacon Blue | 4 | 4:05 |
| 11 | Come Live With Me | Heaven 17 | | 4:18 |
| 12 | Chant No. 1 (I Don’t Need This Pressure on) | Spandau Ballet | 4 | 4:01 |
| 13 | Talking Loud and Clear | Orchestral Manoeuvres in the Dark | 1 | 3:54 |
| 14 | And She Was | Talking Heads | 4.15 | 3:39 |
| 15 | My Perfect Cousin | The Undertones | | 2:34 |
| 16 | E = Mc² | Big Audio Dynamite | 3 | 4:22 |
| 17 | (This Is Not a) Love Song | Public Image Ltd | 4 | 4:11 |
| 18 | Senses Working Overtime | XTC | 5 | 4:46 |
| 19 | Go Wild in the Country | Bow Wow Wow | 3 | 2:58 |
| 20 | Papa’s Got a Brand New Pigbag | Pigbag | 4.5 | 3:37 |
| 21 | Town Called Malice | The Jam | 4.8 | 2:55 |
| 22 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:29 |
| 23 | How Soon Is Now? | The Smiths | 4.5 | 3:41 |
| 24 | Ashes to Ashes (single version)- producer:
- David Bowie and Tony Visconti
- mixer:
- Tony Visconti
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980-02) and Good Earth Studios in Soho, Westminster, London , England, United Kingdom (in 1980-04)
- recording of:
- Ashes to Ashes (from 1980-02 until 1980-04)
- lyricist and composer:
- David Bowie
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
| David Bowie | 4 | 3:35 |
| 25 | Ziggy Stardust- engineer:
- Mike Robinson
- producer:
- Bauhaus and John Sparrow
- phonographic copyright (℗) by:
- Beggars Banquet (in 1982)
- cover recording of:
- Ziggy Stardust
- lyricist and composer:
- David Bowie
- publisher:
- BMG RM Chrysalis Music France, Chrysalis Music , Chrysalis Music Group Inc., Chrysalis Music Ltd. , Chrysalis Songs, Éditer à Paris, EMI Music Publishing , EMI Music Publishing France, EMI Music Publishing Ltd. , Fleur Music Ltd. , Jones Music America, Mainman Saag , RZO Music Ltd, Screen Gems–EMI Music, Inc. , Tintoretto Music, フジパシフィックミュージック , 渡辺音楽出版 CM事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Bauhaus | 3.85 | 3:13 |
| 26 | Pretty in Pink | The Psychedelic Furs | 4.65 | 4:00 |
| 27 | Eloise (single version) | The Damned | 3.5 | 5:09 |
| 28 | Rise | Public Image Ltd | | 4:28 |
| 29 | Hit Me With Your Rhythm Stick | Ian Dury & the Blockheads | 3.9 | 3:43 |
| 30 | Antmusic | Adam & the Ants | 4 | 3:36 |
| 31 | Ghost Town | The Specials | 3.95 | 3:41 |
| 32 | One in Ten | UB40 | 3.65 | 4:33 |
| 33 | Johnny Come Home | Fine Young Cannibals | 3.7 | 3:29 |
| 34 | It Ain’t What You Do It’s the Way That You Do It | Fun Boy Three & Bananarama | 3.65 | 2:48 |
| 35 | Baggy Trousers- producer:
- Clive Langer and Alan Winstanley
- recorded at:
- Hammersmith Palais in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom (on 1981-12-19)
- recording of:
- Baggy Trousers
- lyricist:
- Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson and Daniel Woodgate
- composer:
- Mike Barson, Mark Bedford, Chris Foreman , Carl Smyth, Lee “Kix” Thompson and Daniel Woodgate
- publisher:
- EMI Music Publishing Ltd.
| Madness | 4 | 2:28 |
| 36 | The Tears of a Clown | The Beat | 3 | 2:41 |
| 37 | Thinking of You | The Colourfield | 3 | 3:28 |
| 38 | Swords of a 1000 Men | Tenpole Tudor | 4.2 | 2:55 |
| 39 | I Want to Be Free | Toyah | 4 | 3:08 |
| 40 | Theme for Great Cities | Simple Minds | 4.65 | 5:52 |
| 41 | Geno | Dexys Midnight Runners | 3 | 3:27 |
| 42 | The Whole of the Moon | The Waterboys | 4.45 | 5:00 |
| 43 | Running Up That Hill (A Deal with God)- assistant engineer:
- Pearse Dunne
- engineer:
- Haydn Bendall , James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker
- producer:
- Kate Bush
- mixer:
- Brian Tench
- balalaika:
- Paddy Bush
- bass:
- Del Palmer
- drums (drum set):
- Stuart Elliott
- guitar:
- Alan Murphy
- vocals:
- Kate Bush
- phonographic copyright (℗) by:
- EMI America Records (in 1985), EMI Korea (in 1985), EMI Records (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (in 1993), Universal Domestic Division (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
- recorded at:
- Wickham Farm Home Studio in Welling, Bexley , London , England, United Kingdom
- engineered at:
- Windmill Lane Studios in Dublin, County Dublin, Leinster, Ireland
- music videos:
- Running Up That Hill by Kate Bush
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 7), Billboard Year-End Hot 100 singles of 2022 (number: 23), Billboard Hot 100: 2026-01-17 (number: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 60), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 279)
- recording of:
- Running Up That Hill
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Germany GmbH , EMI Music Publishing Ltd. , Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing LLC and ソニー・ミュージックパブリッシング EMI外国事業部
| Kate Bush | 3.95 | 5:00 |
| 44 | Perfect | Fairground Attraction | 4.25 | 3:35 |
| 45 | Somewhere in My Heart | Aztec Camera | 3.65 | 3:57 |
| 46 | Happy Hour- engineer:
- Phil Bodger
- producer:
- John Williams
- bass guitar:
- Norman Cook (in 1986)
- chimes:
- P.d. Heaton (in 1986)
- drums (drum set):
- Hugh Whitaker (in 1986)
- guitar:
- Stan Cullimore (in 1986)
- background vocals:
- Norman Cook (in 1986), Stan Cullimore (in 1986), P.d. Heaton (in 1986) and Hugh Whitaker (in 1986)
- lead vocals:
- Paul Heaton (in 1986)
- phonographic copyright (℗) by:
- Mercury Records Ltd.
- recorded at:
- Strongroom in Shoreditch, Hackney, London , England, United Kingdom (in 1986)
- mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- recording of:
- Happy Hour (in 1986)
- lyricist:
- Paul Heaton
- composer:
- Stan Cullimore
- publisher:
- Go! Discs Music
| The Housemartins | 4.5 | 2:22 |
| 47 | Rip It Up | Orange Juice | 4.65 | 5:20 |
| 48 | Road to Nowhere- recording engineer and mixer:
- Eric “E.T.” Thorngren
- assistant engineer:
- Melanie West (task: second engineer)
- producer:
- Talking Heads
- bass synthesizer [synth bass]:
- Tina Weymouth
- drums (drum set):
- Chris Frantz
- guest accordion:
- Jimmy MacDonell
- guest bongos, guest congas and guest tambourine:
- Steve Scales
- guest saxophone:
- Lenny Pickett
- guest washboard:
- Andrew Cader
- guitar:
- David Byrne and Jerry Harrison
- guitar and keyboard and keyboard:
- Jerry Harrison
- background vocals:
- Jerry Harrison and Tina Weymouth
- guest background vocals:
- Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
- lead vocals:
- David Byrne
- vocals:
- David Byrne
- arranger:
- David Byrne , Chris Frantz, Jerry Harrison and Tina Weymouth
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1985), Sire Records Company (in 1985) and Talking Heads Tours Inc. (in 1985)
- recorded at and mixed at:
- Sigma Sound in New York, New York, United States
- music videos:
- Road to Nowhere by Talking Heads
- recording of:
- Road to Nowhere
- lyricist and composer:
- David Byrne
- publisher:
- Bleu Disque Music Co. , Index Music, Inc., Warner Bros. Music Co., Ltd. and Warner Bros. Music Corp.
| Talking Heads | 4.2 | 4:21 |
| 49 | Church of the Poison Mind- engineer:
- Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar and piano:
- Roy Hay (in 1983)
- harmonica:
- Judd Lander
- organ:
- Phil Pickett
- saxophone:
- Steve Grainger
- trumpet:
- Terry Bailey
- background vocals:
- Helen Terry
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (from 1983 to present, in 1983, in 2003) and Virgin Records (in 1983)
- produced for:
- Do Not Erase Productions
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Church of the Poison Mind by Culture Club
- recording of:
- Church of the Poison Mind (in 1983)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay and Jon Moss
- publisher:
- J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd. (from 1983 to present)
| Culture Club | 3.5 | 3:30 |
| 50 | Is There Something I Should Know | Duran Duran | 3.1 | 4:09 |
| 51 | Labour of Love (edit) | Hue and Cry | 3.2 | 3:33 |
| 52 | House of Fun | Madness | 3.65 | 2:45 |
| 53 | Our Lips Are Sealed | Fun Boy Three | 3.2 | 2:51 |
| 54 | Red Red Wine (edit) | UB40 | 3.8 | 3:02 |
| 55 | Don’t Call Me Baby | Voice of the Beehive | | 3:05 |
| 56 | Echo Beach | Martha and the Muffins | 3.6 | 3:35 |
| 57 | A New England | Kirsty MacColl | 4 | 3:49 |
| 58 | They Don’t Know | Tracey Ullman | | 3:00 |
| 59 | Since Yesterday | Strawberry Switchblade | 4.65 | 2:55 |
| 60 | Love Changes (Everything) | Climie Fisher | 3.9 | 4:25 |
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