Billion Dollar Babies (deluxe edition)

~ Release by Alice Cooper (see all versions of this release, 26 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Hello Hooray (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-28) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live cover recording of:
Hello Hooray (from 1973-04-28 until 1973-04-29)
lyricist and composer:
Rolf Kempf
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019) (in 1968)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:05
2Billion Dollar Babies (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-28) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live recording of:
Billion Dollar Babies (from 1973-04-28 until 1973-04-29)
writer:
Michael Bruce (of Alice Cooper), Alice Cooper (the singer, active as a solo artist 1975‐present) and Reggie Vincent
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Ezra Music (, in 1973), Ezra Music Corp., Ezra Music, Inc., Famous Chappell, Primary Wave Music Publishing, Rockin' Reggie Music, Sony/ATV Songs LLC, Universal Music Publishing Group, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4.53:48
3Elected (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-28) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live recording of:
Elected (from 1973-04-28 until 1973-04-29)
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Sony Songs Inc. (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music Corp., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC and Ezra Music (in 1973)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
revision of:
Reflected
52:29
4I’m Eighteen (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-29) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live recording of:
I’m Eighteen (from 1973-04-28 until 1973-04-29)
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, EMI Blackwood Music Inc., Ezra Music Corp., Famous Chappell, Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
54:51
5Raped and Freezin’ (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-29) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live recording of:
Raped and Freezin’ (from 1973-04-28 until 1973-04-29)
writer:
Michael Bruce (of Alice Cooper) and Alice Cooper (the singer, active as a solo artist 1975‐present)
publisher:
Ezra Music Corp., Sony/ATV Songs LLC and Ezra Music (in 1973)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:14
6No More Mr. Nice Guy (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-28) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live recording of:
No More Mr. Nice Guy (from 1973-04-28 until 1973-04-29)
writer:
Michael Bruce (of Alice Cooper) and Alice Cooper (the singer, active as a solo artist 1975‐present)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music (, in 1973), Ezra Music Corp., Primary Wave Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:08
7My Stars (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-29) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live recording of:
My Stars (from 1973-04-28 until 1973-04-29)
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Bob Ezrin
publisher:
Arc Music Corp. Canada, Bizarre Music Co. (US work publisher), Ezra Music Corp., Third Palm Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
57:32
8Unfinished Sweet (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-29) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live recording of:
Unfinished Sweet (from 1973-04-28 until 1973-04-29)
writer:
Michael Bruce (of Alice Cooper), Alice Cooper (the singer, active as a solo artist 1975‐present) and Neal Smith (former Alice Cooper drummer)
publisher:
Ezra Music Corp., Sony/ATV Songs LLC and Ezra Music (in 1973)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
quotes music from:
James Bond Theme
56:01
9Sick Things (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-29) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live recording of:
Sick Things (from 1973-04-28 until 1973-04-29)
writer:
Michael Bruce (of Alice Cooper), Alice Cooper (the singer, active as a solo artist 1975‐present) and Bob Ezrin
publisher:
Ezra Music Corp., Sony/ATV Songs LLC and Ezra Music (in 1973)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:17
10Dead Babies (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-29) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live recording of:
Dead Babies (from 1973-04-28 until 1973-04-29)
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Third Palm Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
52:59
11I Love the Dead (live, 1973)
sound engineer:
Artie King
additional guitar:
Mick Mashbir (from 1973-04-28 until 1973-04-29)
additional keyboard:
Bob Dolin (from 1973-04-28 until 1973-04-29)
recorded at:
Alice Cooper at Dallas Memorial Auditorium (1973-04-28) and Alice Cooper at Sam Houston Coliseum (1973-04-29)
recorded at:
Kay Bailey Hutchison Convention Center Dallas: Arena in Dallas, Texas, United States (on 1973-04-29) and Sam Houston Coliseum in Houston, Texas, United States (on 1973-04-29)
live recording of:
I Love the Dead (from 1973-04-28 until 1973-04-29)
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Bob Ezrin
publisher:
All By Myself Music, All by Myself Publishing Company, Ezra Music (, in 1973), Ezra Music Corp., Primary Wave Music Publishing, Sony/ATV Songs LLC and Universal Music Publishing Group
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
54:48
12Coal Black Model T (outtake)
recording of:
Coal Black Model T
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Dennis Dunaway (original bass player for Alice Cooper)
publisher:
Ezra Music Corp. and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
54:28
13Son of Billion Dollar Babies (Generation Landslide) (outtake)
partial recording of:
Generation Landslide
written in:
Canarias (Canary Islands), Spain
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Ezra Music Corp., Sony/ATV Songs LLC, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Ezra Music (in 1973)
53:45
14Slick Black Limousine
producer:
Bob Ezrin
guitar:
Mick Mashbir
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and The Cooper Mansion in Greenwich, Connecticut, United States
recording of:
Slick Black Limousine
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Dennis Dunaway (original bass player for Alice Cooper)
publisher:
Ezra Music Corp. and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
Coal Black Model T
54:26

Credits

Release

manufactured in:United States
printed in:United States
art direction:Greg Allen (LA-based graphic designer and photographer)
Hugh Brown (US art director and photographer)
photography:David Bailey (UK photographer)
Lynn Goldsmith
Neal Preston (photographer)
engineer:Robin Black (engineer)
Frank Hubach
Jack (The Rock) Douglas
Ed Sprigg
Shelly Yakus
producer:Bob Ezrin
Bill Inglot (archival music producer/remastering engineer)
David McLees
Brian Nelson
editor:Bill Inglot (archival music producer/remastering engineer) (in 2000-11)
Brian Kehew (in 2000-11)
remastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
remixer:Bill Inglot (archival music producer/remastering engineer) (in 2000-11)
Brian Kehew (in 2000-11)
design:Greg Allen (LA-based graphic designer and photographer)
Pacific Eye & Ear
copyrighted (©) by and phonographic copyright (℗) by:Rhino Entertainment Company (not for release label use!) (in 1973, in 2001)
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973, in 2001)
recorded at:The Cooper Mansion in Greenwich, Connecticut, United States (in 1972-08, in 1972-10)
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-12)
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1972-12 until 1973-01)
remastered at:DigiPrep Mastering in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/2080701 [info]
ASIN:US: B000056W0F [info]