Aangenaam klassiek 2005

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Cantate, BWV 170: "Vergnügte Ruh, beliebte Seelenlust "
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Marita Prohmann
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2003-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 2003-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-02)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 2003-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach4:26
2Rondo in A voor piano vierhandig, D 951, op. 107
recording of:
Rondo in A major, D. 951 “Grand Rondeau”
composer:
Franz Schubert (composer) (in 1828-06)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 951)
Franz Schubert7:16
3Adagio for Strings
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (from 1991-09-30 until 1991-10-01)
conductor:
David Zinman (conductor) (from 1991-09-30 until 1991-10-01)
balance engineer:
Simon Eadon (classical music engineer) (from 1991-09-30 until 1991-10-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1992) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, United States (from 1991-09-30 until 1991-10-01)
recording of:
Adagio for Strings (from 1991-09-30 until 1991-10-01)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:45
4Fantasía para un gentilhombre: Villano
partial recording of:
Fantasía para un gentilhombre: I. Villano y ricercare
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo2:31
5Ständchen, D 920
recording of:
Ständchen (Zögernd leise), D. 920
lyricist:
Franz Grillparzer
composer:
Franz Schubert (composer) (in 1827-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 920)
Franz Schubert6:01
6Le Nozze di Figaro: Ouverture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:57
7Serenade in D, KV 239, Serenata notturna: Marcia: Maestoso
recording engineer:
Brad Michel (engineer) (from 2003-02-28 until 2003-03-02)
producer:
Robina G. Young (producer)
orchestra:
The English Concert (from 2003-02-28 until 2003-03-02)
conductor:
Andrew Manze (violinist and conductor) (from 2003-02-28 until 2003-03-02)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2003-02-28 until 2003-03-02)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: I. Marcia. Maestoso (from 2003-02-28 until 2003-03-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
Wolfgang Amadeus Mozart4:18
8Klänge aus Mähren: op. 32: Ich schwimm’ dir davon
piano:
Malcolm Martineau (pianist)
mezzo-soprano vocals:
Angelika Kirchschlager (mezzo soprano)
soprano vocals:
Barbara Bonney (soprano)
recording of:
Mahrische Duette, op. 29 Nr. 1: Ich schwimm' dir davon
composer:
Antonín Dvořák (composer)
Antonín Dvořák2:24
9La rondine: Atto I. “Ch’il bel sogno di Doretta”
soprano vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini2:55
10Tabula Rasa: Ludus: Con moto
prepared piano:
Erik Risberg (in 1997-08)
violin:
Adele Anthony (violinist) (in 1997-08) and Gil Shaham (violinist) (in 1997-08)
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1997-08)
conductor:
Neeme Järvi (Estonian conductor) (in 1997-08)
recording of:
Tabula rasa: I. Ludus: Con moto (in 1997-08)
composer:
Arvo Pärt (Estonian composer) (in 1977)
publisher:
Universal Edition (publisher; do NOT use as release label)
part of:
Tabula rasa
Arvo Pärt9:47
11Lamentations of Jeremiah I
choir vocals:
The Tallis Scholars
recording of:
Lamentations of Jeremiah (I), P. 102
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (I–II)
Thomas Tallis8:39
12Sibi-la Mallorquina: Aprés se badarà molt fort
[anonymous]2:14
13Like an Angel Passing Through My Room
mixer:
Benny Andersson (ABBA) and Elvis Costello
cello:
Mattias Helldén
piano and synclavier:
Benny Andersson (ABBA)
viola:
Örjan Högberg
violin:
Jonas Lindgren (violinist)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 2000-10)
arranger:
Elvis Costello
recorded at:
Atlantis Grammofon AB in Stockholm, Stockholms län (Stockholm county), Sweden (from 2000-10-09 until 2001-01)
cover recording of:
Like an Angel Passing Through My Room
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Union Songs AB (publisher), Universal (Sweden), Bocu Music Ltd. (in 1980), Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.) (in 1980) and Artwork Music Co., Inc. (in 1981)
recording of:
Like an Angel Passing Through My Room
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Union Songs AB (publisher), Universal (Sweden), Bocu Music Ltd. (in 1980), Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.) (in 1980) and Artwork Music Co., Inc. (in 1981)
Björn Ulvaeus & Benny Andersson3.55:03
14Há palavras que nos beijam
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) and Yura Ranevski
double bass:
Denner Campolina (bassist)
French horn:
Ismael Oliveira
viola:
Jesuina Passoroto, Marie Springuell and Ricardo Taboada
violin:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota and Rogério Rosa (Brazilian violinist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (strings)
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Há palavras que nos beijam (Mariza song)
lyricist:
Alexandre O’Neill
composer:
Mário Pacheco (Fado guitarist)
is based on:
Há palavras que nos beijam (Alexandre O’Neill poem)
Mariza2:57
15Requiem: Introit
engineer:
Nigel Hitchcock, Jody Jenkins (production music), Steve Price (UK recording engineer/producer/orchestrator/arranger) and Hywel Wigley (engineer)
producer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
choir vocals:
Côr Caerdydd and Serendipity (choir)
orchestra:
West Kazakhstan Philharmonic Orchestra (from 2005-01-12 until 2005-01-13)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (from 2005-01-12 until 2005-01-13)
phonographic copyright (℗) by:
Karl Jenkins Music Ltd. (from 2005 to present)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2005-01-12 until 2005-01-13)
recording of:
Requiem: Introit
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
Requiem (by Karl Jenkins)
Karl Jenkins6:46

Credits

Release group

part of:Aangenaam Klassiek (number: 2005) (order: 9)