Black History in Music Sampler 1999

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1On Black Power
Malcolm X1:16
2I Never Loved a Man (The Way I Loved You)
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24) und Chips Moman (am 1967-01-24)
Klavier:
Aretha Franklin (am 1967-01-24) und Spooner Oldham (am 1967-01-24)
Posaune:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-01-24)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-01-24)
Tenorsaxophon:
Joe Arnold (am 1967-01-24) und Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-01-24)
Trompete:
Ken Laxton (am 1967-01-24)
vocals:
Aretha Franklin (am 1967-01-24)
conductor:
Tom Dowd (am 1967-01-24)
Horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 186)
recording of:
I Never Loved a Man (The Way I Love You) (am 1967-01-24)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und Pronto Music (publisher)
Aretha Franklin42:49
3I Was Made To Love Her
Produzent(in):
Henry Cosby
Bass:
James Jamerson (am 1967-03-31)
E-Sitars:
Eddie Willis (am 1967-03-31)
Instrumente:
The Funk Brothers (am 1967-03-31)
Mundharmonika und Sologesang:
Stevie Wonder (am 1967-03-31)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1967-03-31)
recording of:
I Was Made to Love Her (am 1967-03-31)
Verfasser(in):
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.72:36
4That's How It Feels
recording of:
That's How It Feels
Komponist(in):
Don Covay und Bobby Womack
The Soul Clan3:35
5Women In Paris (excerpt)
Redd Foxx0:24
6Foxey Lady
recording of:
Foxy Lady
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, Experience Hendrix, L.L.C., Intersong Music Ltd., Sea-Lark Enterprises, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Yameta Co. Ltd.
The Jimi Hendrix Experience3:04
7I Want You Back
Produzent(in):
The Corporation (Motown songwriters)
Bassgitarre:
Wilton Felder (in 1969-07)
Gitarre:
Donald Peake, David T. Walker und Tito Jackson (in 1969-07)
Gitarre [lead guitar]:
Louis Shelton (in 1969-07)
Keyboard:
Clarence McDonald und Ronnie Rancifer (in 1969-07)
Klavier:
Fonce Mizell, Freddie Perren, Joe Sample und Ronnie Rancifer (in 1969-07)
Perkussion:
Sandra Crouch und Marlon Jackson (in 1969-07)
Schlagzeug:
Gene Pello und Johnny Jackson (drummer for Jackson 5) (in 1969-07)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) und Tito Jackson (in 1969-07)
Sologesang:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
The Sound Factory West in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1969-07, von 1969-07 bis 1969-09)
Musikvideos:
I Want You Back von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 23), Billboard Year-End Hot 100 singles of 1970 (Nummer: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 104) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 120)
recording of:
I Want You Back (in 1969-07)
Texter und Komponist(in):
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. und Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
The Jackson 54.153:00
8The Thrill Is Gone
recording engineer:
Joe “Ears” Zagarino (von 1969-06-24 bis 1969-06-25) und Bill Szymczyk (von 1969-06-24 bis 1969-06-25)
Produzent(in):
Bill Szymczyk
Bass:
Gerald “Fingers” Jemmott (von 1969-06-24 bis 1969-06-25)
Gitarre:
B.B. King (von 1969-06-24 bis 1969-06-25) und Hugh McCracken (von 1969-06-24 bis 1969-06-25)
Hybrid-Piano, Klavier und Orgel:
Paul Harris (American keyboardist/pianist session player) (von 1969-06-24 bis 1969-06-25)
Schlagzeug:
Herbie Lovelle (von 1969-06-24 bis 1969-06-25)
Sologesang:
B.B. King (von 1969-06-24 bis 1969-06-25)
vocals:
B.B. King (von 1969-06-24 bis 1969-06-25)
Interpret(in):
Ravon Darnell (von 1969-06-24 bis 1969-06-25) und Roy Hawkins (von 1969-06-24 bis 1969-06-25)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1969-06-24 bis 1969-06-25)
Remaster:
The Thrill Is Gone von B.B. King
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1985)
recording of:
The Thrill Is Gone (1951 blues song) (von 1969-06-24 bis 1969-06-25)
Verfasser(in):
Roy Hawkins (in 1951) und Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. und Universal Music Careers
B.B. King4.45:25
9Heart Attacks (excerpt)
Richard Pryor0:41
10Get Up (I Feel Like Being a) Sex Machine, Part 1
Bass:
Bootsy Collins (US funk musician & songwriter) (am 1970-04-25)
Gitarre:
Catfish Collins (am 1970-04-25)
Klavier und Sologesang:
James Brown (The Godfather of Soul) (am 1970-04-25)
membranophone:
John Starks (am 1970-04-25)
Orgel und Hintergrundgesang:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (am 1970-04-25)
Tenorsaxophon:
Robert McCollough (am 1970-04-25)
Trompete:
Clayton Gunnells (am 1970-04-25) und Darryl Hassan Jamison (am 1970-04-25)
aufgenommen bei:
Starday Sound Studios in Nashville, Tennessee, Vereinigte Staaten (am 1970-04-25)
teilweise recording of:
Get Up (I Feel Like Being Like a) Sex Machine (am 1970-04-25)
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown42:53
11Family Affair
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 138)
recording of:
Family Affair
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:05
12New Years Eve Bust (excerpt)
Dick Gregory1:02
13Freddie's Dead
Produzent(in):
Curtis Mayfield
Bearbeitung von:
Freddie’s Dead von Curtis Mayfield
recording of:
Freddie’s Dead
Texter und Komponist(in):
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Curtom Publishing Co Inc (vom 1972 bis ????)
Curtis Mayfield53:18
14I'll Be Around
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
I’ll Be Around (in 1973)
Komponist(in):
Thom Bell (keyboards, songwriter, producer) und Phil Hurtt
publisher:
Mighty Three Music Ld. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:11
15Best Thing That Ever Happened To Me
cover recording of:
Best Thing That Ever Happened to Me
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:45
16Tear the Roof Off the Sucker (Give Up the Funk)
recording of:
Give Up the Funk (Tear the Roof Off the Sucker)
Komponist(in):
Jerome Brailey, George Clinton (US funk musician) und Bootsy Collins (US funk musician & songwriter)
Parliament53:45
17Le Freak
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 26)
recording of:
Le Freak
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4:19
18Bad Girls
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 409)
recording of:
Bad Girls (in 1979)
Verfasser(in):
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson und Bruce Sudano
publisher:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Donna Summer54:01
19Rapper's Delight
recording of:
Rapper’s Delight
Verfasser(in):
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson und Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
basiert auf:
Good Times
The Sugarhill Gang35:05
20I Wanna Be Your Lover
assistierende(r) Techniker(in):
Mark Ettel
Techniker(in):
Gary Brandt
Produzent(in):
Prince (“The Artist Formerly Known as…”)
Akustikgitarre, Clavinet, E-Bass, E-Gitarre, Hybrid-Piano [Yamaha CP-70], Schlagzeug, string synthesizer [ARP String Ensemble], Synthesizer [Minimoog], Synthesizer [Oberheim 4-Voice], Synthesizer [Polymoog], Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”)
remixer:
Bob Mockler (engineer) und Prince (“The Artist Formerly Known as…”)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
aufgenommen bei:
Alpha Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
I Wanna Be Your Lover
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince32:58
21Let's Groove
recording of:
Let’s Groove
Verfasser(in):
Wayne Vaughn und Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Earth, Wind & Fire54:05
22The Message
recording of:
The Message (in 1982)
Verfasser(in):
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five feat. Melle Mel & Duke Bootee4:47
23Address To The Democratic Convention (excerpt)
Jesse Jackson1:47
24Rebel Without A Pause
recording of:
Rebel Without a Pause
Verfasser(in):
Carlton Douglas Ridenhour, Norman Lee Rogers, Eric Sadler und Hank Shocklee
Public Enemy4:23
25Check the Rhime
recording engineer und Mix:
Bob Power und A Tribe Called Quest
Produzent(in):
A Tribe Called Quest
produced for:
The Ummah
Samples:
Baby, This Love I Have von Minnie Riperton, Fly Like an Eagle von Steve Miller Band (American rock band), Hydra von Grover Washington, Jr. und Love Your Life von Average White Band
recording of:
Check the Rhime
Verfasser(in):
Roger Ball, Steve Ferrone, Alan Gorrie, Jonathan Davis (American rapper), Malcolm Duncan, Malik Isaac Taylor, Ali Shaheed Muhammad, Onnie McIntyre (Scottish guitarist and vocalist), Minnie Riperton, Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer), Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
A Tribe Called Quest3.953:38

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