Kantaten, Vol. 5: Sonntage nach Trinitatis II

~ Release by Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▼CD
#TitleArtistRatingLength
1Cantata No. 130, "Herr Gott, dich loben alle wir,": 1. Chor und Choral. Herr Gott, dich loben alle wir
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": I. Coro "Herr Gott, dich loben alle wir" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach3:01
2Cantata No. 130, "Herr Gott, dich loben alle wir,": 2. Rezitativ. Ihr heller Glanz und hohe Weisheit zeigt
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": II. Recitativo (Alt) "Ihr heller Glanz und hohe Weisheit zeigt" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:11
3Cantata No. 130, "Herr Gott, dich loben alle wir,": 3. Arie. Der alte Drache brennt vor Neid
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": III. Aria (Bass) "Der alte Drache brennt vor Neid" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach4:00
4Cantata No. 130, "Herr Gott, dich loben alle wir,": 4. Rezitativ. Wohl aber uns, daß Tag und Nacht
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
soprano vocals:
Edith Mathis (soprano) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": IV. Recitativo (Sopran, Tenor) "Wohl aber uns, daß Tag und Nacht" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:23
5Cantata No. 130, "Herr Gott, dich loben alle wir,": 5. Arie. Laß, o Fürst der Cherubinen
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": V. Aria (Tenor) "Laß, o Fürst der Cherubinen" (in 1976-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach4:31
6Cantata No. 130, "Herr Gott, dich loben alle wir,": 6. Choral. Darum wir billig loben dich
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
timpani:
Mathias Holm (German timpanist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet I]:
John Wilbraham (trumpet player) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1978-02)
recording of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir": VI. Choral "Darum wir billig loben dich" (in 1976-03)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 131)
part of:
Kantate, BWV 130 "Herr Gott, dich loben alle wir"
Johann Sebastian Bach1:25
7Cantata No. 80, "Ein feste Burg ist unser Gott,": 1. Chor. Ein feste Burg ist unser Gott
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:52
8Cantata No. 80, "Ein feste Burg ist unser Gott,": 2. Duett mit Choral. Alles, was von Gott geboren
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
soprano vocals:
Edith Mathis (soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
9Cantata No. 80, "Ein feste Burg ist unser Gott,": 3. Rezitativ. Erwäge doch, Kind gottes, die so große Liebe
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach2:14
10Cantata No. 80, "Ein feste Burg ist unser Gott,": 4. Arie. Komm in mein Herzenshaus
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
soprano vocals:
Edith Mathis (soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
performer:
Edith Mathis (soprano) (in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:26
11Cantata No. 80, "Ein feste Burg ist unser Gott,": 5. Choral. Und wenn die Welt voll Teufel wär
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:05
12Cantata No. 80, "Ein feste Burg ist unser Gott,": 6. Rezitativ. So stehe denn bei Christi blutgefärbter Fahne
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:28
13Cantata No. 80, "Ein feste Burg ist unser Gott,": 7. Duett. Wie selig sind doch die, die Gott im Munde tragen
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:11
14Cantata No. 80, "Ein feste Burg ist unser Gott,": 8. Choral. Das Wort sie sollen lassen stahn
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1978-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:37
15Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"): 1. Sonatina. Molto Adagio
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:48
16Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"): 2a. Chor. Gottes Zeit ist die allerbeste Zeit
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:22
17Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"): 2b. Arioso. Ach Herr, lehre uns bedenken
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
tenor vocals:
Ernst Haefliger (tenor) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:17
18Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"): 2c. Arie. Bestelle dein Haus
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:18
19Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"): 2d. Chor und Arioso mit instrumentalem Choral (Blockflöten). Es ist der alte Bund
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:30
20Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"): 3a. Arie. In deine Hände befehl ich meinen Geist
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:12
21Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"): 3b. Arioso mit Choral. Heute wirst du mit mir im Paradies sein /
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
contralto vocals:
Hertha Töpper (mezzo soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
partial recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:09
22Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"): 3b cont. Mit Fried und Freud ich fahr dahin
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
partial recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:45
23Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"): 4. Chor. Glorie, Lob, Ehr und Herrlichkeit
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:59

Credits

Release

part of:Bach · Kantaten (Archiv Produktion) (number: 5) (order: 5)
ASIN:DE: B000025H5X [info]
other databases:https://d-nb.info/355014076 [info]
discography entry:http://www.deutschegrammophon.com/cat/4393942 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002151149 [info]