Misbehave!

~ Release by Ulrich Tukur & Die Rhythmus Boys (see all versions of this release, 1 available)

Tracklist

1▼Medium
#	Title	Rating	Length
1	Let's misbehave assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Märtens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Let’s Misbehave (Paris musical) lyricist and composer: Cole Porter (composer) (in 1927) part of: Anything Goes		?:??
2	Opus One assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Märtens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Opus One (1943 song) lyricist: Sidney Reginald Garris composer: Sy Oliver publisher: Embassy Music Corp. (on 1943-06-23) part of: New York, New York (1977 musical film soundtrack)		?:??
3	Puttin' on the ritz assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Märtens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Puttin’ On the Ritz lyricist and composer: Irving Berlin (in 1929) publisher: Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) part of: Idiot’s Delight (film)		?:??
4	Miss Otis regrets assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Miss Otis Regrets lyricist and composer: Cole Porter (composer) (in 1934) publisher: Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)		?:??
5	Begin the Beguine assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Begin the Beguine lyricist and composer: Cole Porter (composer) (in 1935) publisher: Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) part of: Jubilee		?:??
6	Mississippi mud assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Mississippi Mud writer: Harry Barris (in 1927) and James Cavanaugh (in 1927)		?:??
7	Love me or leave me assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Love Me or Leave Me lyricist: Gus Kahn composer: Walter Donaldson publisher: EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)		?:??
8	Nagasaki assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Nagasaki lyricist: Mort Dixon composer: Harry Warren (US composer and lyricist) (in 1928)		?:??
9	Shall we dance assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Shall We Dance lyricist: Ira Gershwin composer: George Gershwin (composer) publisher: Gershwin Publishing Corp (in 1937) included in: An American in Paris (2015 Broadway musical) part of: Crazy for You (1992 musical) part of: Shall We Dance (1937 film soundtrack)		?:??
10	These foolish things assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: These Foolish Things (Remind Me of You) lyricist: Holt Marvell (in 1935) additional composer: Harry Link (US vaudeville actor & songwriter) composer: Jack Strachey (in 1935) publisher: Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.		?:??
11	I can't give you anything but love assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: I Can’t Give You Anything but Love, Baby lyricist: Dorothy Fields (American librettist and lyricist) writer: Dorothy Fields (American librettist and lyricist) composer: Jimmy McHugh (songwriter) publisher: Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated) sub-publisher: EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)		?:??
12	Georgia on my mind assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Georgia on My Mind anthem of: Georgia, United States (from 1979 to present) lyricist: Stuart Gorrell (in 1930) composer: Hoagy Carmichael (in 1930) publisher: Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present) sub-publisher: ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) arrangement of: Georgia on My Mind (Solo piano arrangement)		?:??
13	Happy feet assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Happy Feet lyricist: Jack Yellen composer: Milton Ager publisher: Warner Bros., Inc. (not for release label use!) (in 1930)		?:??
14	Stardust assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany recording of: Stardust (the jazz standard) lyricist: Mitchell Parish (in 1929) composer: Hoagy Carmichael (in 1927) publisher: Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP) sub-publisher: イーエムアイ音楽出版ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) part of: American Splendor		?:??
15	Why don't women like me assistant recording engineer: Linda Gerdes (recording engineer from Hamburg, Germany) and Sebastian Muxfeldt recording engineer: Clemens Matznick mixer: Günter Mertens and Clemens Matznick recorded at: Clouds Hill Studio in Hamburg, Germany mixed at: The White Studio in Berlin, Germany cover recording of: Why Don’t Women Like Me? writer: Bud Bennett, Jack Cottrell (songwriter) and George Formby (Junior, musical film star 1904–1961)		?:??