100 Mp3 Vintage Legends

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD dati
#TitoloArtistaValutazioneDurata
1Memories Are Made of This
registrazione cover di:
Memories Are Made of This
autore:
Richard Dehr (nel 1955), Terry Gilkyson (nel 1955) e Frank Miller (American singer & songwriter) (nel 1955)
editore:
Montclare Music
Dean Martin2:15
2Unforgettable
arpa :
Ann Mason Stockton (American harpist) (il 1951-08-17)
batteria :
Nick Fatool (il 1951-08-17)
celesta e pianoforte :
Buddy Cole (il 1951-08-17)
chitarra :
Bob Bain (guitarist) (il 1951-08-17)
congas :
Joe Costanzo (il 1951-08-17)
contrabbasso :
Joe Comfort (il 1951-08-17)
viola :
Paul Robyn (il 1951-08-17) e Dave Sterkin (il 1951-08-17)
violino :
Alex Beller (il 1951-08-17), Harry Bluestone (il 1951-08-17), Walter Edelstein (il 1951-08-17), Henry Hill (Violin player) (il 1951-08-17), Dan Lube (il 1951-08-17), Erno Neufeld (il 1951-08-17), Mischa Russell (violinist) (il 1951-08-17) e Marshall Sosson (il 1951-08-17)
violoncello :
Cy Bernard (il 1951-08-17) e Eleanor Slatkin (US cellist, b. Aller) (il 1951-08-17)
voce:
Nat King Cole (il 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (il 1951-08-17)
direttore d'orchestra:
Nelson Riddle (il 1951-08-17)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1951-08-17)
registrazione di:
Unforgettable (il 1951-08-17)
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Nat King Cole43:10
3South of the Border
Frank Sinatra2:47
4I Love You but I Don’t Like You
registrazione di:
I Love You but I Don’t Like You
autore:
Heinie Beau e Peggy Lee (jazz vocalist)
Peggy Lee2:30
5It’s a Lovely Day Today
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (nel 1950) e The Fontane Sisters (nel 1950)
esecutore:
Mitchell Ayres and His Orchestra (nel 1950)
registrazione di:
It’s a Lovely Day Today
paroliere e compositore:
Irving Berlin (nel 1950)
Perry Como2:42
6Please Don’t Talk About Me When I’m Gone
registrazione cover di:
Please Don’t Talk About Me When I’m Gone
paroliere:
Sidney Clare
compositore:
Sam H. Stept
editore:
Bourne Co. (not for release label use, this is a music publisher) e Remick Music Corp.
Sammy Davis Jr.2:38
7Blueberry Hill
registrazione cover di:
Blueberry Hill
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino2:18
8I Was the OneElvis Presley2:34
9Only You
registrazione di:
Only You
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:37
10Sous le ciel de Paris
voce:
Édith Piaf
direttore d'orchestra:
Robert Chauvigny (French composer, orchestra leader and conductor)
registrazione cover di:
Sous le ciel de Paris (Under Paris Skies, original French version) (il 1954-10-20)
paroliere:
Jean Dréjac e Hubert Giraud
compositore:
Hubert Giraud
editore:
Éditions Choudens e Première Music Group
Édith Piaf3:32
11Under the Bridges of Paris
registrazione cover di:
Under the Bridges of Paris
paroliere:
Jean Rodor
compositore:
Vincent Scotto
traduttore:
Dorcas Cochran
editore:
Fortin Euromusic, Unichappell Music e Zodiac Music Corp.
versione tradotta di:
Sous les ponts de Paris
Dean Martin2:45
12Ain’t We Got Fun?
Doris Day2:35
13Whatever Lola Wants
voce:
Sarah Vaughan (il 1955-03-17)
direttore d'orchestra:
Hugo Peretti (il 1955-03-17)
arrangiatore:
Hugo Peretti
registrazione cover di:
Whatever Lola Wants (Damn Yankees) (il 1955-03-17)
paroliere e compositore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
parte di:
Damn Yankees (1955 musical)
Sarah Vaughan2:34
14If I May
direttore d'orchestra:
Ralph Carmichael (il 1961-04-03)
registrata presso:
Capitol Studios (New York City) in New York, New York, Stati Uniti (il 1961-04-03)
registrazione di:
If I May (il 1961-04-03)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
Nat King Cole3:02
15Three Coins in a FountainFrank Sinatra3:03
16Hey Good Lookin’
registrazione cover di:
Hey, Good Lookin’
paroliere e compositore:
Hank Williams (country music legend)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Acuff-Rose Publications, Inc. (BMI) (il 1951-03-16)
Tennessee Ernie Ford & Helen O’Connell2:04
17Jambalaya (On the Bayou)
registrazione di:
Jambalaya (On the Bayou) (il 1952-06-13)
paroliere e compositore:
Hank Williams (country music legend)
editore:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1952-07-28)
Hank Williams42:52
18Mexican Joe
registrazione dal vivo di:
Mexican Joe (nel 1959)
paroliere e compositore:
Mitchell Torok
registrazione di:
Mexican Joe
paroliere e compositore:
Mitchell Torok
Jim Reeves42:37
19Mambo Italiano
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1954-11-26)
orchestra:
Dick Stabile and His Orchestra (il 1954-11-26)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954)
registrazione cover di:
Mambo Italiano (original english version) (il 1954-11-26)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Dean Martin2:16
20I Found Out My Troubles
Johnny Otis2:41
21The Lady Is a Tramp
registrazione di:
The Lady Is a Tramp (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Babes in Arms (full musical)
parte di:
Pal Joey
Rosemary Clooney2:06
22I Get a Kick Out of You
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
registrazione di:
I Get a Kick Out of You
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
Frank Sinatra2:53
23Dream a Little Dream of Me
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald3:04
24Une enfant
voce:
Édith Piaf
direttore d'orchestra:
Robert Chauvigny (French composer, orchestra leader and conductor)
registrazione di:
Une enfant (de 16 ans) (il 1951-07-04)
paroliere:
Charles Aznavour
compositore:
Charles Aznavour e Robert Chauvigny (French composer, orchestra leader and conductor)
Édith Piaf3:21
25Sway
voce:
Dean Martin (American singer/actor) (nel 1954)
orchestra:
Dick Stabile and His Orchestra (nel 1954)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954)
registrazione cover di:
Sway (nel 1954)
paroliere:
Norman Gimbel
compositore:
Pablo Beltrán Ruiz
editore:
Latin-American Music Publishing Co. Ltd.
versione di:
¿Quién será?
Dean Martin2:41
26I Can’t Go On (Rosalie)
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
registrazione di:
I Can't Go On (il 1955-10-15)
paroliere e compositore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
Fats Domino42:04
27I’m Just a Dancing Partner
registrata a:
Chicago, Illinois, Stati Uniti (nel 1955-09)
The Platters2:13
28Stranger in Paradise
registrazione cover di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
Tony Bennett3:04
29April in Paris
batteria :
Alvin Stoller (il 1956-08-18)
chitarra :
Barney Kessel (il 1956-08-18)
contrabbasso :
Red Mitchell (jazz double-bassist, composer and lyricist) (il 1956-08-18)
pianoforte :
Jimmy Rowles (il 1956-08-18)
sassofono tenore :
Ben Webster (il 1956-08-18)
tromba :
Harry “Sweets” Edison (il 1956-08-18)
voce:
Billie Holiday (il 1956-08-18)
registrazione di:
April in Paris (il 1956-08-18)
paroliere:
Yip Harburg (nel 1932)
compositore:
Vernon Duke (nel 1932)
editore:
Chappell Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
Billie Holiday3:02
30Ça
voce:
Charles Aznavour (nel 1955)
direttore d'orchestra:
Jo Moutet (nel 1955)
registrazione di:
Ça ! (C’est formidable) (nel 1955)
paroliere:
Charles Aznavour
compositore:
Gilbert Bécaud
Charles Aznavour3:01
31A Guy Is a Guy
voce:
Doris Day (il 1952-02-07)
orchestra:
Paul Weston Orchestra (il 1952-02-07)
direttore d'orchestra:
Paul Weston (il 1952-02-07)
registrazione di:
A Guy Is a Guy (il 1952-02-07)
paroliere e compositore:
Oscar Brand
editore:
Ludlow Music
Doris Day2:41
32Tina Marie
Perry Como2:32
33Because I Love My Baby So
Johnny Otis3:05
34Candy Lips
voce:
Doris Day (nel 1953) e Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (nel 1953)
orchestra:
Paul Weston and His Orchestra (nel 1953)
registrazione di:
Candy Lips
paroliere e compositore:
Fred Rose (songwriter)
Doris Day2:03
35Ain’t Misbehavin’
registrazione di:
Ain’t Misbehavin’
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Louis Armstrong3:59
36I’m in Love Again
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 6)
registrazione di:
I’m in Love Again (il 1955-10-15)
autore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
Fats Domino51:51
37I Walk the Line
registrazione di:
I Walk the Line
paroliere e compositore:
John R. Cash (country music legend) (nel 1956)
editore:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) e House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash2:42
38Everytime
voce:
Peggy Lee (jazz vocalist)
Peggy Lee2:59
39Standing on the Corner
produttore:
Lee Gillette e Voyle Gilmore
voce:
Dean Martin (American singer/actor) (nel 1956)
orchestra:
Dick Stabile and His Orchestra (nel 1956)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1956)
registrazione cover di:
Standing on the Corner (The Most Happy Fella) (nel 1956)
paroliere e compositore:
Frank Loesser
parte di:
The Most Happy Fella (full musical)
Dean Martin2:48
40Papa Loves Mambo
produttore:
Joe Carlton
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1954-08-31) e The Ray Charles Singers (il 1954-08-31)
orchestra:
Mitchell Ayres and His Orchestra (il 1954-08-31)
registrazione di:
Papa Loves Mambo (il 1954-08-31)
autore:
Al Hoffman, Dick Manning (American songwriter) e Bickley Reichner
Perry Como2.52:39
41In the Cool, Cool, Cool of the Evening
registrazione di:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”)
paroliere:
Johnny Mercer
compositore:
Hoagy Carmichael
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 24th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1951 winner)
Rosemary Clooney3:00
42Love & Marriage
registrazione di:
Love and Marriage
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Barton Music Corp. e WB Music Corp. (1929–2019)
Frank Sinatra2:37
43I Ain’t Got Nobody
Sammy Davis Jr.2:23
44Let’s Do It
tecnico:
Val Valentin
produttore:
Norman Granz
batteria [drums] :
Alvin Stoller (il 1956-02-09)
contrabbasso [bass] :
Joe Mondragon (il 1956-02-09)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-09)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-09)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-09)
registrazione cover di:
Let’s Do It (Let’s Fall in Love) (Paris musical) (il 1956-02-09)
paroliere e compositore:
Cole Porter (composer) (nel 1928)
parte di:
Can‐Can (1960 musical film)
parte di:
Paris (1928 musical)
Ella Fitzgerald3.653:32
45All of Me
registrazione di:
All of Me
autore:
Gerald Marks (nel 1932) e Seymour Simons (nel 1932)
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
Peermusic e 日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday3:50
46Cold Cold Heart
registrazione cover di:
Cold, Cold Heart
paroliere e compositore:
Hank Williams (country music legend)
editore:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1951-02-16)
Dinah Washington3:18
47La Valse de l’amour
voce:
Édith Piaf
direttore d'orchestra:
Robert Chauvigny (French composer, orchestra leader and conductor)
registrazione di:
La Valse de l’amour (il 1951-04-13)
paroliere:
Marcel Achard, Mitty Goldin e Édith Piaf
compositore:
Marguerite Monnot
Édith Piaf2:21
48The Great Pretender
registrazione di:
The Great Pretender
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters2:39
49Love Me Tender
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04, il 1956-09-01), Charles Prescott (dal 1956-08-24 al 1956-09-04, il 1956-09-01) e Rad Robinson (dal 1956-08-24 al 1956-09-04, il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 437)
registrazione di:
Love Me Tender (dal 1956-08-24 al 1956-09-04)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
Elvis Presley3.552:40
50Roll Over Beethoven
registrazione di:
Roll Over Beethoven
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry2:22
51I Want You to Be My Baby
Louis Jordan2:55
52I’ll Remember April
Count Basie3:17
53A Kiss to Build a Dream On
registrazione di:
A Kiss to Build a Dream On
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1935) e Bert Kalmar (nel 1935)
compositore:
Harry Ruby (nel 1935)
editore:
EMI Miller Catalog, Inc.
parte di:
The 24th Academy Award for Best Original Song (numero: 2)
parte di:
Fallout 2: A Post Nuclear Role Playing Game
parte di:
The Strip (1951 film)
Louis Armstrong3:00
54Waiting for the Train to Come In
registrazione di:
Waiting for the Train to Come In
autore:
Martin Block (composer) e Sunny Skylar
Peggy Lee3:04
55Rags to Riches
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione di:
Rags to Riches (il 1953-03-17)
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
registrazione cover di:
Rags to Riches
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
Tony Bennett2:48
56At Sundown
registrazione di:
At Sundown
paroliere e compositore:
Walter Donaldson (nel 1927)
editore:
Donaldson Publishing Co. e Leo Feist, Inc.
Doris Day1:32
57I Don’t Care If the Sun Don’t Shine
registrazione cover di:
I Don’t Care If the Sun Don’t Shine
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Dean Martin1:52
58When You’re Smiling
registrazione di:
When You’re Smiling (the Whole World Smiles With You)
paroliere:
Mark Fisher (early 20th century songwriter) e Joe Goodwin
compositore:
Larry Shay
editore:
Mills Music, Inc.
Perry Como2:13
59Mixed Emotions
registrazione di:
Mixed Emotions
paroliere e compositore:
Stuart F. Louchheim (Stuart Fleischer Louchheim)
Rosemary Clooney3:06
60In the Wee Small Hours of the Morning
tecnico di registrazione:
John Palladino
produttore:
Voyle Gilmore
arpa :
Kathryn Julye
batteria :
Louis Singer (percussionist)
chitarra :
George van Eps
contrabbasso :
Morty Corb (bass, USA) e Meyer "Mike" Rubin (US bassist 1930s - 1960s)
pianoforte :
Bill Miller (pianist)
viola :
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn e Dave Sterkin
violino :
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin e Marshall Sosson
violoncello :
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) e Eleanor Slatkin (US cellist, b. Aller)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (il 1955-02-17)
direttore d'orchestra:
Nelson Riddle (il 1955-02-17)
arrangiatore:
Nelson Riddle
registrata presso:
KHJ Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1955-02-17)
registrazione di:
In the Wee Small Hours of the Morning (il 1955-02-17)
paroliere:
Bob Hilliard
compositore:
David Mann (American songwriter)
editore:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company e Rytvoc, Inc. (ASCAP)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Frank Sinatra32:59
61I Cried
Patti Page2:44
62I Don’t Want to Take a Chance
Ella Fitzgerald3:12
63So Long
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
registrazione di:
So Long (il 1955-11-30)
paroliere e compositore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
Fats Domino42:07
64Voo Vee Ah Vee
The Platters2:10
65All of Me
batteria :
Barrett Deems
clarinetto :
Edmond Hall (American jazz clarinetist, bandleader)
contrabbasso [bass] :
Arvell Shaw
pianoforte :
Billy Kyle
trombone :
Trummy Young
voce:
Louis Armstrong
registrazione di:
All of Me
autore:
Gerald Marks (nel 1932) e Seymour Simons (nel 1932)
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
Peermusic e 日音 Synch事業部 (NICHION, INC. Synch Division)
Louis Armstrong3:48
66It’s a Good Day
registrazione cover di:
It’s a Good Day
autore:
Dave Barbour e Peggy Lee (jazz vocalist)
editore:
Denslow Music, Inc. e Michael H. Goldsen Inc.
Peggy Lee2:51
67Shake, Rattle and Roll
Bill Haley and His Comets2:27
68Cry Cry Cry
registrazione di:
Cry! Cry! Cry!
paroliere e compositore:
Johnny Cash (country music legend)
editore:
Carlin Music Corporation e Hill & Range Songs, Inc. (publisher)
Johnny Cash2:24
69(Love Is) The Tender Trap
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1955-09-13)
ance :
Plas Johnson (il 1955-09-13)
tromba :
Harry “Sweets” Edison (il 1955-09-13)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1955-09-13)
orchestra:
The Nelson Riddle Orchestra (il 1955-09-13)
direttore d'orchestra:
Nelson Riddle (il 1955-09-13)
arrangiatore:
Nelson Riddle
registrazione di:
(Love Is) The Tender Trap (il 1955-09-13)
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Barton Music Corp. e Maraville Music Corp.
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Frank Sinatra22:56
70Moments to Remember
voce:
The Four Lads
voce di mezzosoprano [singing voice on 1st lead and harmony]:
Lois Winters
voce parlata [poetic spoken voice]:
Pat Kirby (American jazz singer)
orchestra:
Ray Ellis and His Orchestra & Chorus
direttore d'orchestra:
Ray Ellis (US producer, arranger and conductor)
registrazione di:
Moments to Remember (1955 song)
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Adaken Music Holding LLC, Charlie Deitcher Productions, Inc., Memory Lane Music Ltd. e フジパシフィックミュージック (Fujipacific Music, Inc.)
The Four Lads3:17
71Kiss
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1957)
orchestra:
Gus Levene and His Orchestra (nel 1957)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1957)
registrazione cover di:
Kiss (Niagara) (nel 1957)
paroliere:
Haven Gillespie
compositore:
Lionel Newman
Dean Martin52:22
72Night Lights
registrazione di:
Night Lights
paroliere:
Sammy Gallop
Nat King Cole2:48
73Ain’t That a ShameFats Domino2:24
74There You Go
registrazione di:
There You Go
paroliere e compositore:
Johnny Cash (country music legend)
editore:
Carlin Music
Johnny Cash2:15
75Bimbo
registrazione di:
Bimbo (1953 song) (il 1953-10-08)
paroliere e compositore:
Rod Morris
editore:
EMI Unart Catalog Inc.
Jim Reeves2:46
76Sixteen Tons
registrazione cover di:
Sixteen Tons
paroliere e compositore:
Merle Travis
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
adattamenti:
16 Tons
Tennessee Ernie Ford2:37
77Blue Moon
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
Elvis Presley2:37
78Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:08
79I Got a Woman
registrazione di:
I Got a Woman
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:52
80Again
registrazione di:
Again
paroliere:
Dorcas Cochran
compositore:
Lionel Newman
Doris Day2:46
81What a Little Moonlight Can Do
registrazione di:
What a Little Moonlight Can Do
paroliere e compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) e Warner Brothers Music Inc.
Billie Holiday3:11
82From Here to Eternity
registrazione di:
From Here to Eternity
paroliere:
Robert Wells (songwriter)
compositore:
Freddie Karger (Frederick Maxwell Karger, Jr)
editore:
Barton Music Corp.
Frank Sinatra2:58
83Walking My Baby Back Home
registrazione di:
Walkin’ My Baby Back Home
paroliere:
Roy Turk (nel 1930)
compositore:
Fred Ahlert (nel 1930)
editore:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Nat King Cole2:38
84Bye Bye Blackbird
registrazione di:
Bye Bye Blackbird
paroliere:
Mort Dixon (nel 1926)
compositore:
Ray Henderson (nel 1926)
editore:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) e Warner Bros., Inc. (not for release label use!)
Dean Martin3:03
85Rambling Rose
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (nel 1947) e The Satisfiers (nel 1947)
esecutore:
Russ Case and His Orchestra (nel 1947)
registrazione di:
Rambling Rose
paroliere:
Joseph McCarthy (lyricist, 1885–1943) (nel 1947)
compositore:
Joe Burke (American composer) (nel 1947)
Perry Como2:35
86Quand on n’a que l’amour
voce:
Jacques Brel (il 1956-09-18)
direttore d'orchestra:
André Popp (il 1956-09-18)
registrazione di:
Quand on n’a que l’amour (il 1956-09-18)
paroliere e compositore:
Jacques Brel
Jacques Brel52:24
87Padam… padam
voce:
Édith Piaf (il 1951-10-15)
direttore d'orchestra:
Robert Chauvigny (French composer, orchestra leader and conductor) (il 1951-10-15)
registrazione di:
Padam… padam (il 1951-10-15)
paroliere:
Henri Contet
compositore:
Norbert Glanzberg
editore:
Éditions Salabert
Édith Piaf3:16
88À t’regarder
voce:
Charles Aznavour (nel 1955)
direttore d'orchestra:
Jo Moutet (nel 1955)
registrazione di:
À t’regarder (nel 1955)
paroliere:
Charles Aznavour
compositore:
Jean Constantin
Charles Aznavour2:41
89What Is This Thing Called Love?
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1956-02-09)
chitarra :
Barney Kessel (il 1956-02-09)
contrabbasso :
Joe Mondragon (il 1956-02-09)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-09)
trombone :
Milt Bernhart (il 1956-02-09), Joe Howard (american trombone player) (il 1956-02-09) e Lloyd Ulyate (American trombonist (1927-2004)) (il 1956-02-09)
trombone basso :
George Roberts (american bass trombone) (il 1956-02-09)
voce principale:
Ella Fitzgerald (American jazz singer) (nel 1956, il 1956-02-09)
direttore d'orchestra:
Buddy Bregman (nel 1956, il 1956-02-09)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-09)
registrazione cover di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1956-02-09)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
registrazione cover di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (nel 1956)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
Ella Fitzgerald2:02
90Too Marvellous for Words
registrazione di:
Too Marvelous for Words
paroliere:
Johnny Mercer (nel 1937)
compositore:
Richard A. Whiting (composer) (nel 1937)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) e Harms, Inc. (il 1937-01-25)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson2:48
91Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:47
92My Funny Valentine
registrazione di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker2:17
93Love Me or Leave Me
voce:
Doris Day
registrazione di:
Love Me or Leave Me
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
Doris Day2:15
94I Wish I Had a Record
Perry Como2:15
95Love Is a Many Splendoured Thing
The Four Aces2:53
96I’ve Got the World on a String
registrazione cover di:
I’ve Got the World on a String
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Ella Fitzgerald3:16
97What a Difference a Day MadeSarah Vaughan2:47
98My Baby Just Cares for MeTony Bennett2:19
99Pennies From Heaven
Dave Brubeck6:27
100Mack the Knife
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:22