Atlantic R&B 1947–1974 (reissue)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

8 jewel cases in a simple cardboard slipcase

cat# is per discogs, doesn't appear as such anywhere on cover art that I can see. Nor does the label "Atlantic" appear anywhere other than the title. The only other logo besides Rhino is the "Warner Platinum" series logo.

Disc liners are the only notes, simple two-parge credits lists, so no helpful metadata. All disc liners carry the following note:

"In previous editions wrong takes were used on some songs.
In this edition, the proper takes have been used in all cases."

According to this extensive review, that was already fixed as of the 1991 US reissue

Anmerkung zuletzt geändert am 2025-05-08 11:14 UTC.

Titelliste

1▶CD: 1947–52
2▶CD: 1952–54
3▶CD: 1955–57
4▼CD: 1957–60
Nr.TitelKünstlerBewertungLänge
1Young Blood
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Techniker(in):
Bunny Robyn (Aufgabe: recording) und Tom Dowd
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Barney Kessel (bis 1957-02-15) und Adolph Jacobs (am 1957-02-15)
Klavier:
Mike Stoller (am 1957-02-15)
Kontrabass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (am 1957-02-15)
Schlagzeug [drums]:
Jesse Sailes (am 1957-02-15)
Tenorsaxophon:
Gil Bernal (am 1957-02-15)
vocals:
The Coasters (am 1957-02-15), Carl Gardner (am 1957-02-15), Billy Guy (r&b vocalist) (am 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (am 1957-02-15) und Young Jessie (am 1957-02-15)
arranger:
Mike Stoller
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 414)
recording of:
Young Blood (am 1957-02-15)
Texter:
Jerry Leiber und Doc Pomus
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Copyright Records, EMI Broadcast Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Pomus Songs Inc. und Sony/ATV Songs LLC
The Coasters2.52:21
2Mr. Lee
recorded in:
New York, New York, Vereinigte Staaten (am 1957-02-28)
Produzent(in):
Ahmet Ertegun (US songwriter/producer)
Gitarre:
Al Caiola (am 1957-02-28) und Allen Hanlon (jazz guitarist) (am 1957-02-28)
Klavier:
Ray Ellis (US producer, arranger and conductor) (am 1957-02-28)
Kontrabass [bass]:
Milt Hinton (am 1957-02-28)
Schlagzeug [drums]:
Joe Marshall (jazz drummer) (am 1957-02-28)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1957-02-28)
vocals:
The Bobbettes (am 1957-02-28)
conductor:
Reggie Obrecht (am 1957-02-28)
arranger:
Reggie Obrecht
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 36)
recording of:
Mr. Lee (am 1957-02-28)
Verfasser(in):
Reather Dixon, Emma Ruth Pought, Helen Gathers, Jannie Pought und Laura Webb
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Bobbettes42:14
3Long Lonely Nights
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Gitarre:
Al Caiola
Klavier:
Ernie Hayes (American pianist, organist and arranger)
Kontrabass [bass]:
Wendell Marshall
Marimba:
Phil Kraus
Schlagzeug [drums]:
Joe Marshall (jazz drummer)
Tenorsaxophon:
Budd Johnson
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Clyde McPhatter
arranger:
Budd Johnson
recording of:
Long Lonely Nights
Verfasser(in):
Bernice Davis, Douglas Henderson, Lee Andrews und Mimi Uniman (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Clyde McPhatter2:25
4Betty and Dupree
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-30)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-10-30)
Bass:
Lloyd Trotman (US jazz bassist) (am 1957-10-30)
Gitarre:
Kenny Burrell (am 1957-10-30), Al Caiola (am 1957-10-30) und Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1957-10-30)
Klavier:
Mike Stoller (am 1957-10-30)
Schlagzeug:
Joe Marshall (jazz drummer) (am 1957-10-30)
Tenorsaxophon:
King Curtis (saxophonist) (am 1957-10-30)
xylophone:
Harry Breuer (am 1957-10-30)
Hintergrundgesang:
Elise Bretton (am 1957-10-30), Carter Farris (am 1957-10-30), Bob Harter (am 1957-10-30), Marcia Nell (am 1957-10-30), Rudy Williams (vocals) (am 1957-10-30) und Myriam Workman (am 1957-10-30)
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1957-10-30)
arranger:
Jesse Stone
recording of:
Betty and Dupree (am 1957-10-30)
Verfasser(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
Chuck Willis2:26
5What Am I Livin’ For?
recorded in:
New York, New York, Vereinigte Staaten (am 1958-02-14)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Gitarre:
George Barnes (am 1958-02-14) und Al Caiola (am 1958-02-14)
Klavier:
Sam Price (jazz/blues/boogie pianist) (am 1958-02-14)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1958-02-14)
Schlagzeug [drums]:
Joe Marshall (jazz drummer) (am 1958-02-14)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-02-14)
Vibraphon [vibes]:
Teddy Charles (am 1958-02-14)
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1958-02-14)
arranger:
Reggie Obrecht
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 35)
recording of:
What Am I Living For?
Verfasser(in):
Art Harris und Fred Jay
publisher:
Carlin Music Corporation
Chuck Willis2:28
6Hang Up My Rock and Roll Shoes
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Gitarre:
George Barnes (am 1958-02-14) und Al Caiola (am 1958-02-14)
Klavier:
Sam Price (jazz/blues/boogie pianist) (am 1958-02-14)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1958-02-14)
Schlagzeug [drums]:
Joe Marshall (jazz drummer) (am 1958-02-14)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-02-14)
Vibraphon [vibes]:
Teddy Charles (am 1958-02-14)
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1958-02-14)
arranger:
Reggie Obrecht
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 13)
recording of:
Hang Up My Rock and Roll Shoes (am 1958-02-14)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Tideland Music Publishing Corporation und Unichappell Music, Inc.
Chuck Willis2:20
7Yakety Yak
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-17)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
George Barnes (am 1958-03-17) und Allen Hanlon (jazz guitarist) (am 1958-03-17)
Klavier:
Mike Stoller (am 1958-03-17)
Kontrabass [bass]:
Wendell Marshall (am 1958-03-17)
Schlagzeug [drums]:
Joe Marshall (jazz drummer) (am 1958-03-17)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-03-17)
vocals:
The Coasters (am 1958-03-17)
arranger:
Mike Stoller
recording of:
Yakety Yak (am 1958-03-17)
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters31:50
8A Lover’s Question
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Carl Lynch (am 1958-08-07) und Sal Salvador (am 1958-08-07)
Klavier:
Cliff Smalls (am 1958-08-07)
Kontrabass [bass]:
Milt Hinton (am 1958-08-07)
Schlagzeug [drums]:
Belton Evans (am 1958-08-07)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-08-07)
vocals:
Clyde McPhatter (am 1958-08-07)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1958-08-07)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
A Lover's Question (am 1958-08-07)
Komponist(in):
Brook Benton und Jimmy Williams (50s/60s US funk/soul songwriter)
Clyde McPhatter32:36
9I Cried a Tear
recorded in:
New York, New York, Vereinigte Staaten (am 1958-09-11)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
alto saxophone:
Leon Cohen (woodwind player) (am 1958-09-11)
Bass:
Milt Hinton (am 1958-09-11)
Gitarre:
Everett Barksdale (am 1958-09-11) und Al Caiola (am 1958-09-11)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-09-11)
Posaune:
Urbie Green (am 1958-09-11)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1958-09-11)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-09-11)
Hintergrundgesang:
Bill Marine (am 1958-09-11), Marcia Neil (am 1958-09-11), Jerry Packer (am 1958-09-11) und Mike Stewart (late 1950s R&B choir/background vocalist) (am 1958-09-11)
vocals:
LaVern Baker (US rhythm & blues singer)
conductor:
Reggie Obrecht (am 1958-09-11)
arranger:
Reggie Obrecht
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 38)
recording of:
I Cried a Tear (am 1958-09-11)
Verfasser(in):
Fred Jay und Al Julia
LaVern Baker2:36
10The Right Time
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Leiber and Stoller (songwriting team) und Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (am 1958-10-28)
Bass:
Edgar Willis (bass) (am 1958-10-28)
Hybrid-Piano:
Ray Charles (soul musician, singer and songwriter) (am 1958-10-28)
Schlagzeug:
Milt Turner (am 1958-10-28)
Solo-alto saxophone [alto sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1958-10-28)
Trompete:
Marcus Belgrave (am 1958-10-28) und Lee "Ricky" Harper" (Lee Harper, trumpet player (Ray Charles)) (am 1958-10-28)
Hintergrundgesang:
The Raelettes (am 1958-10-28)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1958-10-28) und Margie Hendrix (am 1958-10-28)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1958-10-28)
cover recording of:
Night Time Is the Right Time (am 1958-10-28)
Komponist(in):
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. und Tro-Essex Music
Ray Charles3.53:25
11Charlie Brown
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-11)
Techniker(in):
Tom Dowd
Produzent(in):
Leiber and Stoller (songwriting team)
Akustikgitarre:
Allen Hanlon (jazz guitarist) (am 1958-12-11)
E-Gitarre:
Sammy Clarke (am 1958-12-11)
Gitarre:
George Barnes (am 1958-12-11), Sammy Clarke (am 1958-12-11) und Allen Hanlon (jazz guitarist) (am 1958-12-11)
Klavier:
Mike Stoller (am 1958-12-11)
Kontrabass [bass]:
Wendell Marshall (am 1958-12-11)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1958-12-11)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-12-11)
vocals:
The Coasters (am 1958-12-11), Carl Gardner (am 1958-12-11), Cornell Gunter (am 1958-12-11), Billy Guy (r&b vocalist) (am 1958-12-11) und Will “Dub” Jones (US R&B/doo wop vocalist) (am 1958-12-11)
arranger:
Mike Stoller
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1958-12-11)
recording of:
Charlie Brown (am 1958-12-11)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Sony/ATV Songs LLC
The Coasters52:20
12What’d I Say, Part 1 & 2
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-18)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
Bennie Crawford (am 1959-02-18)
Keyboard:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
Kontrabass [bass]:
Edgar Willis (bass) (am 1959-02-18)
Saxophon:
David “Fathead” Newman (American jazz saxophonist) (am 1959-02-18)
Schlagzeug:
Milt Turner (am 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’d I Say
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles45:07
13There Goes My Baby
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Reggie Kimber (am 1959-03-06)
Baritongesang:
Dock Green (am 1959-03-06)
Bass-Gesang:
Elsbeary Hobbs (am 1959-03-06)
Sologesang:
Ben E. King (am 1959-03-06)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1959-03-06)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1959-03-06)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
aufgenommen bei:
Coastal Recording in New York, New York, Vereinigte Staaten (am 1959-03-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 2) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 193)
recording of:
There Goes My Baby (am 1959-03-06)
Texter und Komponist(in):
Benjamin Nelson, Lover Patterson und George Treadwell
publisher:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. und Sony/ATV Songs LLC
The Drifters4.52:11
14Along Came Jones
recorded in:
New York, New York, Vereinigte Staaten (am 1959-03-26)
Techniker(in):
Tom Dowd
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
George Barnes (am 1959-03-26), Allen Hanlon (jazz guitarist) (am 1959-03-26) und Tony Mottola (am 1959-03-26)
Klavier:
Mike Stoller (am 1959-03-26)
Kontrabass [bass]:
Abie Baker (am 1959-03-26)
Schlagzeug [drums]:
Sticks Evans (am 1959-03-26)
Tenorsaxophon:
King Curtis (saxophonist) (am 1959-03-26)
vocals:
The Coasters (am 1959-03-26), Carl Gardner (am 1959-03-26), Cornell Gunter (am 1959-03-26), Billy Guy (r&b vocalist) (am 1959-03-26) und Will “Dub” Jones (US R&B/doo wop vocalist) (am 1959-03-26)
arranger:
Mike Stoller
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-26)
recording of:
Along Came Jones (am 1959-03-26)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
The Coasters42:57
15Let the Good Times Roll
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun und Jerry Wexler
alto saxophone:
Marshall Royal (von 1959-05-06 bis 1959-06-23)
flute und Saxophon:
Frank Wess (von 1959-05-06 bis 1959-06-23)
Klavier:
Ray Charles (soul musician, singer and songwriter) (von 1959-05-06 bis 1959-06-23)
Posaune:
Quentin Jackson (von 1959-05-06 bis 1959-06-23) und Melba Liston (US jazz trombonist) (von 1959-05-06 bis 1959-06-23)
Tenorsaxophon:
Paul Gonsalves (von 1959-05-06 bis 1959-06-23), David “Fathead” Newman (American jazz saxophonist) (von 1959-05-06 bis 1959-06-23) und Zoot Sims (US jazz saxophonist) (von 1959-05-06 bis 1959-06-23)
Trompete:
Marcus Belgrave (von 1959-05-06 bis 1959-06-23), Joe Newman (US jazz trumpeter) (von 1959-05-06 bis 1959-06-23), Ernie Royal (von 1959-05-06 bis 1959-06-23), Clark Terry (American swing trumpeter) (von 1959-05-06 bis 1959-06-23) und Snookie Young (von 1959-05-06 bis 1959-06-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (von 1959-05-06 bis 1959-06-23)
arranger:
Quincy Jones
aufgenommen bei:
6 West Recording in New York, New York, Vereinigte Staaten (von 1959-05-06 bis 1959-06-23)
cover recording of:
Let the Good Times Roll (von 1959-05-06 bis 1959-06-23)
Verfasser(in):
Fleecie Moore (in 1946) und Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing und Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Ray Charles22:52
16Poison Ivy
Techniker(in):
Tom Dowd
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
George Barnes (am 1959-07-16), Sammy Clarke (am 1959-07-16) und Allen Hanlon (jazz guitarist) (am 1959-07-16)
Klavier:
Mike Stoller (am 1959-07-16)
Kontrabass [bass]:
Wendell Marshall (am 1959-07-16)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1959-07-16)
Tenorsaxophon:
King Curtis (saxophonist) (am 1959-07-16)
vocals:
The Coasters (am 1959-07-16), Carl Gardner (am 1959-07-16), Cornell Gunter (am 1959-07-16), Billy Guy (r&b vocalist) (am 1959-07-16) und Will “Dub” Jones (US R&B/doo wop vocalist) (am 1959-07-16)
arranger:
Mike Stoller
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-07-17)
recording of:
Poison Ivy (am 1959-07-16)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC und Warner/Chappell Music Ltd. (1996–2019)
The Coasters3.252:42
17Dance With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1959-07-09)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Mundell Lowe (am 1959-07-09)
Klavier:
Mike Stoller (am 1959-07-09)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1959-07-09)
Schlagzeug [drums]:
Osie Johnson (am 1959-07-09)
Vibraphon [vibes]:
Sal Gubin (am 1959-07-09)
vocals:
The Drifters (US doo wop/R&B vocal group) (am 1959-07-09)
arranger:
Richard Wess
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
Dance With Me (am 1959-07-09)
Verfasser(in):
Lewis Lebish, Jerry Leiber, Irving Nahan, Mike Stoller und George Treadwell
publisher:
Sony/ATV Songs LLC
The Drifters52:25
18Just for a Thrill
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun und Jerry Wexler
Bass:
Wendell Marshall (von 1959-05-06 bis 1959-06-23)
Klavier:
Ray Charles (soul musician, singer and songwriter) (von 1959-05-06 bis 1959-06-23)
Ventilposaune:
Bob Brookmeyer (von 1959-05-06 bis 1959-06-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (von 1959-05-06 bis 1959-06-23)
arranger:
Ralph Burns
aufgenommen bei:
6 West Recording in New York, New York, Vereinigte Staaten (von 1959-05-06 bis 1959-06-23)
cover recording of:
Just for a Thrill (von 1959-05-06 bis 1959-06-23)
Texter:
Don Raye
Komponist(in):
Lil Hardin Armstrong
arranger:
Vance Thompson
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Universal Music Corp. (USA, affiliated with ASCAP)
Ray Charles13:25
19This Magic Moment
recorded in:
New York, New York, Vereinigte Staaten (am 1959-12-23)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
George Barnes (am 1959-12-23) und Bucky Pizzarelli (am 1959-12-23)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1959-12-23)
Kontrabass [bass]:
George Duvivier (am 1959-12-23)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1959-12-23)
Saxophon:
Phil Bodner (Woodwind player) (am 1959-12-23)
Schlagzeug [drums]:
Shep Shepherd (am 1959-12-23)
vocals:
The Drifters (US doo wop/R&B vocal group) (am 1959-12-23)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1959-12-23)
arranger:
Stan Applebaum (US composer, arranger and conductor)
recording of:
This Magic Moment
Texter und Komponist(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Unichappell Music, Inc.
The Drifters2:34
20Save the Last Dance for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-05-19)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1960-05-19)
Baritongesang:
Doc Green (am 1960-05-19)
Bass-Gesang:
Elsbeary Hobbs (am 1960-05-19)
Sologesang:
Benny Nelson (am 1960-05-19)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1960-05-19) und Johnny Williams (soul/blues vocalist) (am 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 182)
recording of:
Save the Last Dance for Me (am 1960-05-19)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters52:29
21Shopping for Clothes
recorded in:
New York, New York, Vereinigte Staaten (am 1960-07-29)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Sonny Forriest (am 1960-07-29) und Phil Spector (am 1960-07-29)
Klavier:
Mike Stoller (am 1960-07-29)
Kontrabass [bass]:
Wendell Marshall (am 1960-07-29)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1960-07-29)
Tenorsaxophon:
King Curtis (saxophonist) (am 1960-07-29)
vocals:
The Coasters (am 1960-07-29)
arranger:
Mike Stoller
recording of:
Shoppin’ for Clothes (am 1960-07-29)
Verfasser(in):
Kent Harris (Boogaloo), Jerry Leiber und Mike Stoller
publisher:
Five Points Music und Sony/ATV Songs LLC
Version von:
Clothesline (Wrap It Up)
The Coasters3:00
22Spanish Harlem
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
Cello:
Charles McCracken (cellist) (am 1960-10-27)
Gitarre:
Al Caiola (am 1960-10-27)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1960-10-27)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1960-10-27)
Perkussion:
Phil Kraus (am 1960-10-27)
Rohrblattinstrumente:
Romeo Penque (am 1960-10-27)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1960-10-27)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1960-10-27)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 350)
recording of:
Spanish Harlem (am 1960-10-27)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Ben E. King4.42:59
23Young Boy Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
Cello:
Charles McCracken (cellist) (am 1960-10-27)
Gitarre:
Al Caiola (am 1960-10-27)
Instrumente:
Ernie Hayes (American pianist, organist and arranger) (am 1960-10-27)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1960-10-27)
Perkussion:
Phil Kraus (am 1960-10-27)
Rohrblattinstrumente:
Romeo Penque (am 1960-10-27)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1960-10-27)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1960-10-27)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
recording of:
Young Boy Blues (am 1960-10-27)
Verfasser(in):
Doc Pomus und Phil Spector
Ben E. King42:20
24Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
25Gee Whiz
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1960) und Nashville, Tennessee, Vereinigte Staaten (in 1960)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Carla Thomas (in 1960)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 29)
recording of:
Gee Whiz (Look at His Eyes) (in 1960)
Texter und Komponist(in):
Carla Thomas
publisher:
Irving Music, Inc.
Carla Thomas2:22
26Saved
recorded in:
New York, New York, Vereinigte Staaten (am 1960-12-07)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
alto saxophone:
Rudy Powell (am 1960-12-07)
Bass:
Abie Baker (am 1960-12-07)
Gitarre:
Phil Spector (am 1960-12-07)
große Trommel:
Sticks Evans (am 1960-12-07)
Klavier:
Bert Keyes (piano, soul/funk producer/writer) (am 1960-12-07)
membranophone:
Gary Chester (studio drummer and educator) (am 1960-12-07)
Orgel:
Lilton Mitchell (am 1960-12-07)
Tenorsaxophon:
Al Sears (am 1960-12-07)
Trompete:
Taft Jordan (am 1960-12-07) und Dick Vance (US jazz trumpeter and arranger) (am 1960-12-07)
Vibraphon:
Eddie Costa (am 1960-12-07)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1960-12-07)
conductor:
Howard Biggs (am 1960-12-07)
arranger:
Howard Biggs
recording of:
Saved (am 1960-12-07)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Hill and Range Songs, Inc. (publisher) und Sony/ATV Songs LLC
LaVern Baker32:58
27Just Out of Reach (of My Empty Arms)
recorded in:
New York, New York, Vereinigte Staaten (am 1960-12-13)
Produzent(in):
Bert Burns und Jerry Wexler
alto saxophone:
Leon Cohen (woodwind player) (am 1960-12-13)
Gitarre:
Alan Hanlon (jazz guitarist) (am 1960-12-13), George Barnes (am 1960-12-13) und Billy Bauer (US cool jazz guitarist) (am 1960-12-13)
Klavier:
Moe Weschler (am 1960-12-13)
Kontrabass [bass]:
Wendell Marshall (am 1960-12-13)
Orgel:
Bert Keyes (piano, soul/funk producer/writer) (am 1960-12-13)
Schlagzeug [drums]:
Ted Sommer (am 1960-12-13)
Vibraphon [vibes]:
Phil Kraus (am 1960-12-13)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1960-12-13)
vocals:
Solomon Burke (am 1960-12-13)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1960-12-13)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
Just Out of Reach (of My Two Empty Arms) (am 1960-12-13)
Texter und Komponist(in):
Virgil F. Stewart
publisher:
Sony / ATV Acuff Rose Music
Solomon Burke2:47
5▶CD: 1961–65
6▶CD: 1965–67
7▶CD: 1967–69
8▶CD: 1970–74

Nennungen

Veröffentlichungsgruppe

Teil von:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
Atlantic R&B 1947-1974 (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/474792 [Info]
andere Datenbanken:https://www.45cat.com/cdalbum/cd/nc485740uk [Info]