The Complete Sony Recordings

~ Release by Esa‐Pekka Salonen (see all versions of this release, 1 available)

Tracklist

1▶CD: Bach Transcriptions
2▶CD: Bartók: Concerto for Orchestra / Music for Strings, Percussion and Celesta
3▶CD: Bartók: The Three Piano Concertos
4▶CD: Bruckner: Symphony no. 4 in E‐flat major “Romantic”
5▶CD: Corigliano: The Red Violin
6▶CD: Dallapiccola: Il prigioniero / Canti di prigionia
7▶CD: Debussy: Images / Prélude à l’après‐midi d’un faune / La Mer
8▶CD: Debussy: Nocturnes / La Damoiselle élue / Le Martyre de Saint Sebastien
9▶CD: Grieg: Peer Gynt
10▶CD: Haydn: Symphonies no. 22 “Der Philosoph”, no. 78 & no. 82 “L’Ours”
11▼CD: Herrmann: The Film Scores
#TitleArtistRatingLength
1The Man Who Knew Too Much: Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
The Man Who Knew Too Much: Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:40
2Psycho: A Suite for Strings: Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann2:04
3Psycho: A Suite for Strings: The City
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The City (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:44
4Psycho: A Suite for Strings: The Rainstorm
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Rainstorm (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:25
5Psycho: A Suite for Strings: The Madhouse
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Madhouse (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann2:36
6Psycho: A Suite for Strings: The Murder
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Murder (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:01
7Psycho: A Suite for Strings: The Water
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Water (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:11
8Psycho: A Suite for Strings: The Swamp
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Swamp (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann2:28
9Psycho: A Suite for Strings: The Stairs
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Stairs (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:32
10Psycho: A Suite for Strings: The Knife
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Knife (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann0:28
11Psycho: A Suite for Strings: The Cellar
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: The Cellar (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:16
12Psycho: A Suite for Strings: Finale
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Psycho: A Suite for Strings: Finale (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Psycho (A Narrative for Orchestra)
Bernard Herrmann1:57
13Marnie: Suite: I. Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Marnie: Suite: I. Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann5:13
14Marnie: Suite: II. The Hunt
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Marnie: Suite: II. The Hunt (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann5:45
15North by Northwest: Overture
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Overture (North by Northwest) (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
North by Northwest (1959 film score)
Bernard Herrmann2:46
16Vertigo: Suite: I. Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Vertigo Suite: I. Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Vertigo Suite
Bernard Herrmann2:58
17Vertigo: Suite: II. The Nightmare
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Vertigo Suite: II. The Nightmare (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Vertigo Suite
Bernard Herrmann2:08
18Vertigo: Suite: III. Scène d’amour
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Vertigo Suite: III. Scene d’Amour (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
part of:
Vertigo Suite
Bernard Herrmann6:49
19Torn Curtain: I. Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Torn Curtain: I. Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:17
20Torn Curtain: II. Gromek
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Torn Curtain: II. Gromek (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:54
21Torn Curtain: III. The Killing
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Torn Curtain: III. The Killing (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:16
22Fahrenheit 451: Suite for Strings, Harps, and Percussion: Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
medley of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Fire Engine
Bernard Herrmann1:32
23Fahrenheit 451: Suite for Strings, Harps, and Percussion: Fire Engine
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Fire Engine (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:01
24Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Bedroom
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Bedroom (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:38
25Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Reading
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Reading (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:04
26Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Garden
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Garden (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:26
27Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Nightmare
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Nightmare (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:51
28Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flowers of Fire
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Flowers of Fire (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:43
29Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flamethrower
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Flamethrower (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann0:37
30Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Captain’s Death
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Captain’s Death (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann1:00
31Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Road
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: The Road (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:14
32Fahrenheit 451: Suite for Strings, Harps, and Percussion: Finale
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Fahrenheit 451: Suite for Strings, Harp and Percussion: Finale (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
Bernard Herrmann2:25
33Taxi Driver: A Night‐Piece for Orchestra with Obbligato Alto Saxophone: Prelude
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Prelude (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
arranger:
Christopher Palmer (arranger)
part of:
Taxi Driver: Night Piece for Saxophone & Orchestra
Bernard Herrmann0:54
34Taxi Driver: A Night‐Piece for Orchestra with Obbligato Alto Saxophone: Blues
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Blues (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
arranger:
Christopher Palmer (arranger)
part of:
Taxi Driver: Night Piece for Saxophone & Orchestra
Bernard Herrmann3:10
35Taxi Driver: A Night‐Piece for Orchestra with Obbligato Alto Saxophone: Night Prowl
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Night Prowl (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
arranger:
Christopher Palmer (arranger)
part of:
Taxi Driver: Night Piece for Saxophone & Orchestra
Bernard Herrmann0:29
36Taxi Driver: A Night‐Piece for Orchestra with Obbligato Alto Saxophone: Bloodbath
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Bloodbath (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
arranger:
Christopher Palmer (arranger)
part of:
Taxi Driver: Night Piece for Saxophone & Orchestra
Bernard Herrmann1:27
37Taxi Driver: A Night‐Piece for Orchestra with Obbligato Alto Saxophone: Finale
assistant engineer:
Todd Whitelock (engineer)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
David Mottley (producer)
editor:
Robert F. Wolff (engineer)
orchestra:
Los Angeles Philharmonic (from 1996-04-15 until 1996-04-16)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1996-04-15 until 1996-04-16)
recorded at:
Todd-AO Scoring Studio in Studio City, Los Angeles, California, United States (from 1996-04-15 until 1996-04-16)
recording of:
Taxi Driver: A Night‐Piece for Orchestra With Obbligato Alto Sax: Finale (from 1996-04-15 until 1996-04-16)
composer:
Bernard Herrmann (composer)
arranger:
Christopher Palmer (arranger)
part of:
Taxi Driver: Night Piece for Saxophone & Orchestra
Bernard Herrmann0:45
12▶CD: Dahlgren: Jag vill se min älskade komma från det vilda
13▶CD: Hindemith: Sinfoniche metamorphosen / Die vier temperamente / Mathis der maler
14▶CD: Larsson: Förklädd gud / Pastoral Suite / Violin Concerto
15▶CD: Ligeti: Le Grand Macabre(1)
16▶CD: Ligeti: Le Grand Macabre(2)
17▶CD: Ligeti: Vocal Works: Madrigals / Mysteries / Aventures / Songs
18▶CD: Lindberg: Cantigas / Cello Concerto / Parada / Fresco
19▶CD: Schoenberg: Piano Concerto / Liszt: Piano Concertos Nos. 1 & 2
20▶CD: Lutosławski: Symphony no. 2 / Chantefleurs et chantefables / Piano Concerto
21▶CD: Lutosławski: Fanfare / Symphonies nos. 1 & 2
22▶CD: Lutosławski: Symphonies nos. 3 & 4 / Les Espaces Du Sommeil
23▶CD: Mahler: Symphony no. 3(1)
24▶CD: Mahler: Symphony no. 3(2)
25▶CD: Mahler: Symphony no. 4
26▶CD: Mahler: Das Lied von der Erde
27▶CD: Marsalis: All Rise(1)
28▶CD: Marsalis: All Rise(2)
29▶CD: Messiaen: Turangalîla‐Symphonie
30▶CD: Messiaen: Des Canyons aux étoiles(I–IX)
31▶CD: Messiaen: Des Canyons aux étoiles (X–XII) / Oiseaux exotiques / Couleurs de la cité céleste
32▶CD: Nielsen: Symphony No.1 / Little Suite, Op.1
33▶CD: Nielsen: Symphony no. 2 “Four Temperaments” / Pan & Syrinx, op. 49 / Aladdin Suite
34▶CD: Nielsen: Symphonies No. 3 & 6
35▶CD: Nielsen: Symphony No. 4 / Helios Overture
36▶CD: Nielsen: Symphony no. 5 / Masquerade: Overture, Prelude, Dance
37▶CD: Sibelius & Nielsen: Violin Concertos
38▶CD: Nielsen: Flute Concerto / Clarinet Concerto / Springtime on Funen / Rhapsodic Overture / Prelude to Act II of “Saul and David”
39▶CD: Prokofiev: Romeo and Juliet – Highlights
40▶CD: Prokofiev, Stravinsky: Violin Concertos
41▶CD: Rachmaninoff: Piano Concertos nos. 2 & 3
42▶CD: Sensemayá: The Music of Silvestre Revueltas
43▶CD: Saariaho: Château de l’âme / Graal théâtre / Amers
44▶CD: Salonen: LA Variations / Five Images after Sappho / Mania / Gambit / Giro
45▶CD: Schönberg: Transfigured Night
46▶CD: Shostakovich: Piano Concertos No. 1 Op. 35 & No. 2 Op. 102 / Quintet for Piano & Strings
47▶CD: Sibelius: Symphony no. 5 / Pohjola’s Daughter
48▶CD: Sibelius: Lemminkäinen Legends, op. 22 / En saga, op. 9
49▶CD: Sibelius: Kullervo
50▶CD: Sibelius, Goldmark: Violin Concertos
51▶CD: Strauss: Metamorphosen / Duet‐Concertino for Clarinet & Bassoon with String Orchestra and Harp / Prelude to Capriccio
52▶CD: Stravinsky: Petrouchka / Orpheus
53▶CD: Stravinsky: The Firebird / Jeu De Cartes
54▶CD: Stravinsky: Le Sacre du printemps / Symphony in Three Movements
55▶CD: Stravinsky: Pulcinella / Octet / Renard / Rag‐Time
56▶CD: Stravinsky: Works for Piano and Orchestra
57▶CD: Stravinsky: Apollon musagète / Concerto in D / Cantata
58▶CD: Stravinsky: Oedipus Rex
59▶CD: Takemitsu Played by John Williams
60▶CD: Tomasi: Concerto for Trumpet and Orchestra / Jolivet: Concerto no. 2 for Trumpet / Concertino for Trumpet, String Orchestra and Piano
61▶CD: A Nordic Festival