The Real... Nina Simone (The Ultimate Nina Simone Collection)

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Ain’t Got No / I Got Life
recording engineer:
Ray Hall (engineer) (am 1968-06-24)
E-Bass:
Jerry Jemmott (am 1968-06-24)
Gitarre:
Eric Gale (am 1968-06-24), Carl Lynch (am 1968-06-24) und Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-24)
Klavier:
Paul Griffin (American pianist, session musician) (am 1968-06-24) und Nina Simone (am 1968-06-24)
Orgel:
Ernest Hayes (American pianist, organist and arranger) (am 1968-06-24)
Pauke und Schlagzeug:
Bernard “Pretty” Purdie
Perkussion, Tamburin und Vibraphon:
Specs Powell (am 1968-06-24)
Posaune:
Garnett Brown (am 1968-06-24)
Trompete:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (am 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (am 1968-06-24) und Joe Shepley (am 1968-06-24)
Sologesang:
Nina Simone (am 1968-06-24)
vocals:
Nina Simone
conductor:
Horace Ott (am 1968-06-24)
arranger:
Horace Ott
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-06-24)
cover recording of:
Ain’t Got No, I Got Life (am 1968-06-24)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
12:58
2In the Dark
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Romance in the Dark
Verfasser(in):
Sam Coslow
Komponist(in):
Auteur, Big Bill Broonzy, Bud Green und Gertrude Niesen
3.52:54
3Do I Move You?
recording engineer:
Mickey Crofford (am 1966-12-19) und Ray Hall (engineer) (am 1966-12-19)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-19)
recording of:
Do I Move You? (am 1966-12-19)
Texter und Komponist(in):
Nina Simone
publisher:
Filmtrax Mogull (publisher; do NOT use as release label)
42:46
4Since I Fell for You
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Since I Fell for You (am 1967-01-05)
Texter und Komponist(in):
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (beendet), Warner Bros., Inc. (not for release label use!) (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.52:49
5My Man’s Gone Now
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (am 1967-01-05)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America und WB Music Corp. (1929–2019) (bis 2019-05-28)
Version von:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
2.354:16
6Go to Hell
cover recording of:
Go to Hell (am 1967-06-21)
Verfasser(in):
Morris Bailey (Philadelphia-based composer, producer, saxophonist)
32:48
7It Be’s That Way Sometime
recording of:
It Be’s That Way Sometime
Komponist(in):
Sam Waymon
22:57
8Turn Me On
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
cover recording of:
Turn Me On (am 1967-06-13)
Texter und Komponist(in):
John D. Loudermilk
publisher:
Loudermilk Music, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1961-08-09)
3.52:29
9Do What You Gotta Do
recording engineer:
Ray Hall (engineer) (am 1968-06-24)
A&R-Management:
Tom Berman
Produzent(in):
Joe René
E-Bass:
Jerry Jemmott (am 1968-06-24)
Gitarre:
Eric Gale (am 1968-06-24), Carl Lynch (am 1968-06-24) und Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-24)
Klavier:
Paul Griffin (American pianist, session musician) (am 1968-06-24) und Nina Simone (am 1968-06-24)
Orgel:
Ernest Hayes (American pianist, organist and arranger) (am 1968-06-24)
Pauke und Schlagzeug:
Bernard “Pretty” Purdie
Perkussion, Tamburin und Vibraphon:
Specs Powell (am 1968-06-24)
Posaune:
Garnett Brown (am 1968-06-24)
Trompete:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (am 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (am 1968-06-24) und Joe Shepley (am 1968-06-24)
Sologesang:
Nina Simone (am 1968-06-24)
conductor:
Horace Ott (am 1968-06-24)
arranger:
Horace Ott
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-06-24)
Bearbeitung von:
Do What You Gotta Do (1968 version, full length) von Nina Simone
cover recording of:
Do What You Gotta Do (am 1968-06-24)
Texter und Komponist(in):
Hazel O’Connor und Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
33:01
10To Love Somebody
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Klavier und Sologesang:
Nina Simone (in 1967)
Schlagzeug:
Don Alias (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-12-20)
cover recording of:
To Love Somebody (am 1967-12-20)
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Teil von:
50/50
3.852:39
11In the Morning
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (am 1968-05-13)
Produzent(in):
Joe René
Bass:
Gene Taylor (US jazz bassist) (am 1968-05-13)
E-Gitarre:
Rudy Stevenson (am 1968-05-13)
Klavier:
Nina Simone (am 1968-05-13)
Orgel:
Sam Waymon (am 1968-05-13)
Schlagzeug:
Buck Clarke (am 1968-05-13)
vocals:
Nina Simone (am 1968-05-13)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-05-13)
cover recording of:
In the Morning (aka “Morning of My Life”) (am 1968-05-13)
Texter und Komponist(in):
Barry Gibb (in 1965)
publisher:
Bramsdene Music Corporation, Campbell Connelly, Campbell Connelly & Co. Ltd., Careers–BMG Music Publishing, Inc., Connelly Musikverlag, Gibb Brothers Music, Norman Whiteley Ltd., Penjane Music (Australia) Pty. Limited und Plymouth Music Co., Inc.
12:43
12I Can’t See Nobody
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Klavier und Sologesang:
Nina Simone
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten
cover recording of:
I Can’t See Nobody
geschrieben in:
Brisbane, Queensland, Australien
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
23:15
13The Turning Point
recording of:
Turning Point
Texter und Komponist(in):
Martha Holmes (vocalist)
2.352:02
14Westwind (live)
Bongos:
Don Alias (am 1969-10-26)
Conga:
Jumma Santos (am 1969-10-26)
vocals:
Nina Simone (am 1969-10-26)
aufgenommen bei:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1969-10-26)
Bearbeitung von:
Westwind (live, 1969‐10‐26: Philharmonic Hall, New York City, NY, USA) von Nina Simone
live cover recording of:
West Wind (am 1969-10-26)
Verfasser(in):
William Salter und Caiphus Semenya (South African musician and composer)
publisher:
Editions ESPERANCE
8:48
15Sunday in Savannah (live)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Klavier:
Nina Simone (am 1968-04-07)
Orgel:
Sam Waymon (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
vocals:
Nina Simone (am 1968-04-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
live cover recording of:
Sunday in Savannah (am 1968-04-07)
Texter und Komponist(in):
Hugh M. MacKay
publisher:
Irving Music (BMI)
Teil von:
Martin Luther King Suite
6:02
16Backlash Blues (live)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
live recording of:
Backlash Blues (am 1968-04-07)
Texter:
Langston Hughes
Komponist(in):
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) und Rolls Royce Music (publisher; do NOT use as release label)
23:34
17Mississippi Goddam (live)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-04-07)
E-Gitarre:
Rudy Stevenson (am 1968-04-07)
Klavier:
Nina Simone (am 1968-04-07)
Orgel:
Sam Waymon (am 1968-04-07)
Schlagzeug:
Buck Clarke (am 1968-04-07)
vocals:
Nina Simone (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
Bearbeitung von:
Mississippi Goddam (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA) von Nina Simone
live recording of:
Mississippi Goddam (am 1968-04-07)
Texter und Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. und Sam Fox Publishing Company (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
25:32
18Why? (The King of Love Is Dead) (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
Bearbeitung von:
Why? (The King of Love Is Dead) (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA, unabridged version) von Nina Simone
live recording of:
Why? (The King of Love Is Dead) (am 1968-04-07)
Texter und Komponist(in):
Gene Taylor (US jazz bassist)
gewidmet:
Dr. Martin Luther King (group)
publisher:
Ninandy Music Co. (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
55:45
2▶CD
3▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:The Real… The Ultimate Collection (Sony Music / Columbia / RCA Victor compilations) (Reihenfolge: 6)