The Guide to Good Sax

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Desafinado
Bassgitarre:
Gene Byrd (jazz lyrical bassist) (am 1962-02-13)
Gitarre:
Charlie Byrd (am 1962-02-13) und Gene Byrd (jazz lyrical bassist) (am 1962-02-13)
Kontrabass:
Keter Betts (am 1962-02-13)
Perkussion:
Buddy Deppenschmidt (American jazz drummer) (am 1962-02-13) und Bill Reichenbach (jazz drummer) (am 1962-02-13)
Tenorsaxophon:
Stan Getz (am 1962-02-13)
Trompete:
Charlie Byrd (am 1962-02-13)
arranger:
Antônio Carlos Jobim und Newton Mendonça
aufgenommen bei:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., Vereinigte Staaten (am 1962-02-13)
instrumental cover recording of:
Desafinado (am 1962-02-13)
Texter:
Newton Mendonça
Komponist(in):
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz and Charlie Byrd5:54
2How Long Has This Been Going On?
Coleman Hawkins3:58
3It Might as Well Be Spring
James Moody5:55
4Almost Like Being in Love
Lester Young3:35
5Joshua
Joe Henderson6:21
6I Can't Give You Anything but Love
Sonny Stitt4:05
7That Old Feeling
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-12)
baritone saxophone und Tenorsaxophon:
Stan Getz (am 1957-10-12) und Gerry Mulligan (am 1957-10-12)
Klavier:
Lou Levy (am 1957-10-12)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-12)
Schlagzeug:
Stan Levey (am 1957-10-12)
Tenorsaxophon:
Stan Getz (am 1957-10-22)
instrumental cover recording of:
That Old Feeling (am 1957-10-12)
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
Gerry Mulligan & Stan Getz46:00
8K.C. Blues
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1951-01-17)
Klavier:
Walter Bishop, Jr. (American jazz pianist) (am 1951-01-17)
Kontrabass:
Teddy Kotick (am 1951-01-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1951-01-17)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1951-01-17)
recording of:
K.C. Blues (am 1951-01-17)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker3:29
9Soul Station
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1960-06-07)
Techniker(in):
Ron Malo
Produzent(in):
Jack Tracy
Bass:
Don Garrett (am 1960-06-07)
Blasinstrumente und Tenorsaxophon:
Ira Sullivan (am 1960-06-07)
Keyboard:
William Burton (keyboardist) (am 1960-06-07)
Klavier:
Ron Burton (am 1960-06-07)
Saxophon:
Roland Kirk (am 1960-06-07)
Schlagzeug:
Sonny Brown (US jazz drummer) (am 1960-06-07)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1960-06-07)
Roland Kirk5:30
10Our Love Is Here to Stay
Benny Carter3:40
11Willow Weep for Me
Ben Webster4:42
12(I'm Afraid) The Masquerade Is Over
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (am 1955-10-28)
Texter:
Herb Magidson
Komponist(in):
Allie Wrubel (US composer and songwriter)
publisher:
Chappell Morris Ltd. und Crawford Music Corp.
Cannonball Adderley3:15
13Body and Soul
Sonny Rollins and Max Roach6:54
14Grooveyard
Frank Morgan4:48
15You'd Be So Nice to Come Home To
Coleman Hawkins and Ben Webster4:19
16Three and Six (orig. "Wounded Love")
Johnny Hodges2:22
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