Edition I: Dido and Aeneas / King Arthur / The Fairy Queen

~ Veröffentlichung von Purcell; William Christie, Nikolaus Harnoncourt (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Dido and Aeneas was recorded November 1994 at Théâtre-Opéra de Massy in Essonne, France. King Arthur February 1995 at Salle Berthier, Paris. Faerie Queen December 1994.
All recordings were copyrighted and released under separate covers during 1995.

Anmerkung zuletzt geändert am 2019-06-01 02:21 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Dido and Aeneas, Act I, Overture
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Overture
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626
Henry Purcell1:57
2Dido and Aeneas, Act I, Shake the cloud off from your brow
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Soprangesang:
Sophie Marin-Degor (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:03
3Dido and Aeneas, Act I, Ah Belinda, I am prest with torment not to be confest
Soprangesang:
Véronique Gens (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:38
4Dido and Aeneas, Act I, Grief increases by concealing ... When monarchs unite
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Soprangesang:
Véronique Gens (soprano) und Sophie Marin-Degor (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:42
5Dido and Aeneas, Act I, Whence could so much virtue spring?
Soprangesang:
Véronique Gens (soprano) und Sophie Marin-Degor (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:55
6Dido and Aeneas, Act I, Fear no danger to ensue
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Soprangesang:
Sophie Marin-Degor (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:34
7Dido and Aeneas, Act I, See, your royal guest appears ... Cupid only throws the dart
bass-baritone vocals:
Nathan Berg (operatic bass-baritone)
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Soprangesang:
Sophie Marin-Degor (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:10
8Dido and Aeneas, Act I, If not for mine, for Empire's sake ... Pursue thy conquest
bass-baritone vocals:
Nathan Berg (operatic bass-baritone)
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Soprangesang:
Sophie Marin-Degor (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:15
9Dido and Aeneas, Act I, The Triumphing Dance
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance
Komponist(in):
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:14
10Dido and Aeneas, Act II, Prelude for the witches. Wayward sisters
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Mezzosoprangesang:
Claire Brua
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:15
11Dido and Aeneas, Act II, The queen of Carthage ... Ho ho ho ho ho ho!
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Mezzosoprangesang:
Claire Brua
Soprangesang:
Sophie Daneman (soprano) und Gaëlle Méchaly (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:53
12Dido and Aeneas, Act II, But ere we this perform, we'll conjure up a storm
Soprangesang:
Sophie Daneman (soprano) und Gaëlle Méchaly (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:11
13Dido and Aeneas, Act II, In our deep vaulted cell
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:22
14Dido and Aeneas, Act II, Ritornelle. Thanks to these lonesome vales
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Soprangesang:
Sophie Marin-Degor (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle
Komponist(in):
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:36
15Dido and Aeneas, Act II, Oft she visits this lov'd mountain
Soprangesang:
Sophie Daneman (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:56
16Dido and Aeneas, Act II, Behold, upon my bending spear ... Haste, haste to town
bass-baritone vocals:
Nathan Berg (operatic bass-baritone)
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Soprangesang:
Véronique Gens (soprano) und Sophie Marin-Degor (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:13
17Dido and Aeneas, Act II, Stay, Prince, and hear great Jove's command
bass-baritone vocals:
Nathan Berg (operatic bass-baritone)
Tenor-Gesang:
Jean-Paul Fouchécourt (tenor)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:04
18Dido and Aeneas, Act II, Then since our charms have sped. The Grove's Dance
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) (unnumbered)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:28
19Dido and Aeneas, Act III, Come away, fellow sailors
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Tenor-Gesang:
Jean-Paul Fouchécourt (tenor)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance
Komponist(in):
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance
Komponist(in):
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:21
20Dido and Aeneas, Act III, See, see the flags and streamers
Mezzosoprangesang:
Claire Brua
Soprangesang:
Sophie Daneman (soprano) und Gaëlle Méchaly (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:41
21Dido and Aeneas, Act III, Destruction's our delight, delight our greatest sorrow
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:31
22Dido and Aeneas, Act III, The Witches' Dance
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
Komponist(in):
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:35
23Dido and Aeneas, Act III, Your counsel all is urg'd in vain
bass-baritone vocals:
Nathan Berg (operatic bass-baritone)
Soprangesang:
Véronique Gens (soprano) und Sophie Marin-Degor (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:35
24Dido and Aeneas, Act III, Great minds against themselves conspire ... Thy hand, Belinda
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Soprangesang:
Véronique Gens (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:03
25Dido and Aeneas, Act III, When I am laid in earth
Soprangesang:
Véronique Gens (soprano)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:47
26Dido and Aeneas, Act III, With drooping wings
Chorgesang:
Les Arts Florissants (French baroque ensemble)
Orchester:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:58
27King Arthur, Overture
Sound-Engineering:
Jean Chatauret
Produzent(in):
Nicholas Parker (classical violinist, producer, engineer)
Orchester:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographisches Urheberrecht (℗) von:
Erato Disques S.A. (not for release label use, for copyrights use only) (vom 1995 bis heute)
aufgenommen bei:
Théâtre du Châtelet in Paris, Île-de-France, Frankreich (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (in 1995-02)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
King Arthur, Z. 628: Act I
Henry Purcell1:53
28King Arthur, Air
Sound-Engineering:
Jean Chatauret
Produzent(in):
Nicholas Parker (classical violinist, producer, engineer)
Orchester:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographisches Urheberrecht (℗) von:
Erato Disques S.A. (not for release label use, for copyrights use only) (vom 1995 bis heute)
aufgenommen bei:
Théâtre du Châtelet in Paris, Île-de-France, Frankreich (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (in 1995-02)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
King Arthur, Z. 628: Act I
Henry Purcell1:32
29King Arthur, Act I, Woden, first to thee a milk-white steed
Sound-Engineering:
Jean Chatauret
Produzent(in):
Nicholas Parker (classical violinist, producer, engineer)
Bass-Gesang:
Luthea Salom (in 1995-02)
Chorgesang [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
Tenor-Gesang:
Mark Padmore (British tenor) (in 1995-02)
Orchester:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographisches Urheberrecht (℗) von:
Erato Disques S.A. (not for release label use, for copyrights use only) (vom 1995 bis heute)
aufgenommen bei:
Théâtre du Châtelet in Paris, Île-de-France, Frankreich (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene II, 4. “Woden first to thee” (tenor, bass and chorus) (in 1995-02)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act I
Henry Purcell2:50
30King Arthur, Act I, The white horse neigh'd ... To Woden, our defender
Sound-Engineering:
Jean Chatauret
Produzent(in):
Nicholas Parker (classical violinist, producer, engineer)
Bass-Gesang:
Luthea Salom (in 1995-02)
Chorgesang [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
Tenor-Gesang:
Mark Padmore (British tenor) (in 1995-02)
Orchester:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographisches Urheberrecht (℗) von:
Erato Disques S.A. (not for release label use, for copyrights use only) (vom 1995 bis heute)
aufgenommen bei:
Théâtre du Châtelet in Paris, Île-de-France, Frankreich (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene II, 5. “The white horse neigh’d aloud.” … “To Woden thanks we render” (tenor, alto, chorus) (in 1995-02)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act I
Henry Purcell1:22
31King Arthur, Act I, The lot is cast, and Tanfan pleas'd
Sound-Engineering:
Jean Chatauret
Produzent(in):
Nicholas Parker (classical violinist, producer, engineer)
Soprangesang:
Véronique Gens (soprano) (in 1995-02)
Orchester:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographisches Urheberrecht (℗) von:
Erato Disques S.A. (not for release label use, for copyrights use only) (vom 1995 bis heute)
aufgenommen bei:
Théâtre du Châtelet in Paris, Île-de-France, Frankreich (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene II, 6. “The lot is cast, and Tanfan pleas’d” (Soprano) (in 1995-02)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act I
Henry Purcell0:33
32King Arthur, Act I, Brave souls, to be renown'd in story
Sound-Engineering:
Jean Chatauret
Produzent(in):
Nicholas Parker (classical violinist, producer, engineer)
Chorgesang [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
Orchester:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographisches Urheberrecht (℗) von:
Erato Disques S.A. (not for release label use, for copyrights use only) (vom 1995 bis heute)
aufgenommen bei:
Théâtre du Châtelet in Paris, Île-de-France, Frankreich (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene II, 7. “Brave souls, to be renown’d in story” (Chorus) (in 1995-02)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act I
Henry Purcell2:46
33King Arthur, Act I, I call you all to Woden's Hall
Sound-Engineering:
Jean Chatauret
Produzent(in):
Nicholas Parker (classical violinist, producer, engineer)
Chorgesang [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
Tenor-Gesang:
Mark Padmore (British tenor) (in 1995-02)
Orchester:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographisches Urheberrecht (℗) von:
Erato Disques S.A. (not for release label use, for copyrights use only) (vom 1995 bis heute)
aufgenommen bei:
Théâtre du Châtelet in Paris, Île-de-France, Frankreich (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene II, 8. “I call you all to Woden’s Hall” (Alto and chorus) (in 1995-02)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act I
Henry Purcell2:08
34King Arthur, Act I, "Come if you dare", our trumpets sound
Sound-Engineering:
Jean Chatauret
Produzent(in):
Nicholas Parker (classical violinist, producer, engineer)
Chorgesang [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
Tenor-Gesang:
Iain Paton (tenor) (in 1995-02)
Orchester:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographisches Urheberrecht (℗) von:
Erato Disques S.A. (not for release label use, for copyrights use only) (vom 1995 bis heute)
aufgenommen bei:
Théâtre du Châtelet in Paris, Île-de-France, Frankreich (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (in 1995-02)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
John Dryden (English poet)
Teil von:
King Arthur, Z. 628: Act I
Henry Purcell4:13
2▶CD
3▶CD
4▶CD

Nennungen