My Perfect List: 40 titres: Slows

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:50
2And I Love Him
registrazione cover di:
And I Love Her
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Esther Phillips2:40
3Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer, b. 1969) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:49
4Thin Line Between Love and Hate
The Persuaders3:22
5I’ve Been Loving You Too Long (to Stop Now)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 25)
registrazione di:
I’ve Been Loving You Too Long
autore:
Jerry Butler (soul singer) (nel 1965) e Otis Redding (nel 1965)
editore:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) e Wildwood Music Ltd.
Otis Redding32:55
6Sideshow
tecnico:
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) e Joe Tarsia (engineer)
produttore:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
voce:
Blue Magic (US R&B/soul vocal quintet) (nel 1973)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1973)
direttore d'orchestra:
Don Renaldo (nel 1973: ottoni [horns], archi)
arrangiatore archi e arrangiatore ottoni [horns] :
Don Renaldo
arrangiatore:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrazione di:
Sideshow (nel 1973)
autore:
Bobby Eli e Gwendolyn Hines Woolfolk
editore:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zella Music
Blue Magic54:06
7When Something Is Wrong With My Baby
registrazione di:
When Something Is Wrong With My Baby
compositore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Sam & Dave3:14
8Love Won’t Let Me Wait
registrazione di:
Love Won’t Let Me Wait
autore:
Vinnie Barrett e Bobby Eli
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Winot Music
Major Harris3:47
9Ain’t No Sunshine
tecnico:
Willie Clarke
produttore:
Willie Clarke e Clarence Reid
arrangiatore archi e arrangiatore corno :
Mike Lewis (US composer, arranger and producer)
arrangiatore strumenti:
Little Beaver
registrazione cover di:
Ain’t No Sunshine
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Betty Wright3:15
10Summertime
registrazione di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Booker T. & the MG’s4:37
11A Song for You (2007 remastered version)
registrazione cover di:
A Song for You
paroliere e compositore:
Leon Russell
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Donny Hathaway45:23
12Only Your Love Song LastsRandy Crawford4:04
13Settle for My Love
diritti fonografici (℗) detenuti da:
Strut Records (British) (nel 2017)
Patrice Rushen5:12
14When We Pull the Shades
Eugene Record6:16
15Fill the Need
George Duke5:32
16Drown in My Own Tears (remastered version)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
batteria :
David "Panama" Francis (US swing jazz drummer) (il 1955-11-30)
contrabbasso [bass] :
Paul West (bass) (il 1955-11-30)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1955-11-30)
sassofono baritono [baritone sax] :
Cecil Payne (il 1955-11-30)
sassofono tenore [tenor sax] :
Donald Wilkerson (US jazz/R&B saxophonist) (il 1955-11-30)
tromba :
Joe Bridgewater (il 1955-11-30) e Joshua "Jack" Willis (trumpet) (il 1955-11-30)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1955-11-30)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1955-11-30)
registrazione cover di:
Drown in My Own Tears (il 1955-11-30)
paroliere e compositore:
Henry Glover
editore:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music e Trio Music Co., Inc.
Ray Charles3.353:18
17Bring It On Home to Me (2007 remastered version)
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-07-01 al 1967-07-03)
tecnico di registrazione:
Tom Dowd (dal 1967-07-01 al 1967-07-03)
basso [electric bass] :
Tommy Cogbill (dal 1967-07-01 al 1967-07-03)
batteria :
Gene Chrisman (dal 1967-07-01 al 1967-07-03)
chitarra :
Reggie Young (guitarist and songwriter) (dal 1967-07-01 al 1967-07-03)
chitarra [lead guitar] :
Bobby Womack (dal 1967-07-01 al 1967-07-03)
organo :
Bobby Emmons (dal 1967-07-01 al 1967-07-03)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (dal 1967-07-01 al 1967-07-03)
sassofono baritono :
Floyd Newman (dal 1967-07-01 al 1967-07-03)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1967-07-01 al 1967-07-03) e King Curtis (saxophonist) (dal 1967-07-01 al 1967-07-03)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1967-07-01 al 1967-07-03)
voce:
Wilson Pickett (dal 1967-07-01 al 1967-07-03)
registrazione cover di:
Bring It On Home to Me (dal 1967-07-01 al 1967-07-03)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
Wilson Pickett3:05
18The Rose
produttore:
Paul A. Rothchild
produttore aggiunto:
Bill Gazecki
voce:
Bette Midler (nel 1979)
voce principale:
Bette Midler (nel 1979)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
Paul A. Rothchild
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrazione di:
The Rose (nel 1979)
paroliere e compositore:
Amanda McBroom
editore:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:41
19Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:54
20A Whiter Shade of Pale
registrazione cover di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Joe Cocker5:22
21Power of Love
produttore:
David Kershenbaum
registrazione cover di:
The Power of Love (Jennifer Rush song)
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende e Jennifer Rush
editore:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (fino al 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Laura Branigan5:25
22Baby, Come to Me
voce ospite:
Patti Austin
registrazione di:
Baby, Come to Me
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) e Rondor Music (London) Ltd.
Patti Austin & James Ingram3:35
23All I Have to Do Is Dream
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 141) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 323)
registrazione di:
All I Have to Do Is Dream (il 1958-03-06)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers42:23
24Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
25I Won’t Let You Down
registrazione di:
I Won’t Let You Down
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Tony Hymas
Ph.D.44:03
26You Might Need Somebody
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
produttore:
Tommy LiPuma
basso :
Abraham Laboriel
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Dean Parks (American session guitarist)
corno :
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) e Larry Williams (trumpet, flugelhorn, French horn)
percussione :
Lenny Castro
tastiera :
Leon Pendarvis
voce di accompagnamento:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas e Phyllis St. James
arrangiatore archi :
Nick de Caro
arrangiatore corno :
Bill Reichenbach, Jr. (jazz trombonist)
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Randy Crawford4:15
27She’s Gone (single version)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 413)
registrazione di:
She’s Gone
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates4.53:24
28I Want to Know What Love Is (remastered)
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:05
29Miss You Like Crazy
produttore:
Michael Masser
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1991)
registrazione di:
Miss You Like Crazy
autore:
Preston Glass, Gerry Goffin e Michael Masser
editore:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) e Prince Street Music (Also known as "Prince St. Music")
Natalie Cole33:54
30Moondance (45 version)
registrazione di:
Moondance (arr. Philippe for jazz band)
compositore:
Van Morrison
arrangiatore:
Roy Phillippe
arrangiamento di:
Moondance
Van Morrison4:32
31Sailing
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , voce di accompagnamento e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Victor Feldman (jazz musician)
pianoforte :
Michael Omartian
pianoforte elettrico e sintetizzatore :
Rob Meurer
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979, nel 1981, nel 2001)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Sailing
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music–MGB Songs
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:16
32Waiting for a Girl Like You (2008 remastered LP version)
assistente tecnico:
Edwin Hobgood (engineer) e Michael Sauvage
tecnico:
Tony Platt (UK engineer and producer), Brad Samuelsohn e Dave Wittman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Robert John “Mutt” Lange (Robert John Lange)
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica [lead guitar] :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sintetizzatore :
Thomas Dolby
tastiera :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Bob Mayo (US session keyboardist & guitarist)
voce di accompagnamento:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981, nel 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.354:48
33Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:18
34Rough Boy
tecnico:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) e Bob Ludwig (mastering engineer)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica e voce principale:
Billy Gibbons
voce:
Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Rough Boy
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Hamstein Music Ltd., Music of Stage Three, Songs of Mosaic e Hamstein Music Company (publisher) (nel 1985)
ZZ Top3.354:47
35To Be With You
assistente tecnico:
Chris Kupper, David Luke (engineer), Scott Ralston, Michael Semanick e Andy Udoff
tecnico e tecnico di missaggio:
Kevin Elson e Tom Size (US audio engineer)
produttore:
Kevin Elson
batteria [drums] :
Pat Torpey
chitarra :
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
chitarra basso [bass] :
Billy Sheehan
voce principale [vocals]:
Eric Martin (vocalist for Mr. Big)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1991), Warner Music International (trademark of Warner Music International the company) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti e Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
video musicali:
To Be With You di Mr. Big (American hard rock band)
registrazione di:
To Be With You
autore:
David Grahame e Eric Martin (vocalist for Mr. Big)
editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Dog Turner Music (dal 1991 a oggi), EMI April Music Inc. (dal 1991 a oggi), Eric Martin Songs (dal 1991 a oggi), Tasmanian Compositions (dal 1991 a oggi), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Mr. Big4.43:28
36Hunting High and Low
programmazione degli strumenti:
Magne Furuholmen
produttore:
Tony Mansfield (producer & songwriter)
tecnico di missaggio:
John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
parte di:
The Downloader’s Music Source Book (numero: 276)
registrazione di:
Hunting High and Low
paroliere e compositore:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. (nel 1984)
a‐ha3.453:44
37Save Me
produttore e tecnico di missaggio:
Jack Joseph Puig
registrazione di:
Save Me
autore:
Remy Zero
Remy Zero3:59
38Black Velvet (45 version)
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:45
39Falling
tecnico di registrazione:
Art Polhemus
co-produttore:
Angelo Badalamenti (American score composer) e David Lynch (filmmaker)
produttore:
Angelo Badalamenti (American score composer) e David Lynch (filmmaker)
tecnico di missaggio:
Jay Healy
batteria :
Grady Tate
chitarra elettrica :
Vinnie Bell e Eddie Dixon
clarinetto e flauto :
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) e Al Regni
pianoforte :
Angelo Badalamenti (American score composer)
sassofono tenore :
Al Regni
sintetizzatore :
Angelo Badalamenti (American score composer) e Kinny Landrum
voce:
Julee Cruise (US singer and actress)
arrangiatore e orchestratore:
Angelo Badalamenti (American score composer)
diritti fonografici (℗) detenuti da:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1990)
registrata presso:
Excalibur Sound in New York, New York, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
Falling (Twin Peaks theme song)
paroliere:
David Lynch (filmmaker)
compositore:
Angelo Badalamenti (American score composer)
editore:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
versione di:
Theme from Twin Peaks
parte di:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise4.355:22
40I Love You Always Forever (2006 remastered version)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 408)
registrazione di:
I Love You Always Forever
paroliere e compositore:
Donna Lewis
editore:
donna lewis ltd e Warner/Chappell Music, Inc.
Donna Lewis3.83:54

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Music France (nel 2010)
streaming gratuito:https://open.spotify.com/album/4ThUxCQquTRk0uBJXgsLaj [info]