The Young Rebel

~ Veröffentlichung von Charles Mingus (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Merle’s Mood
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1945-08)
alto saxophone:
John Brown (alto saxophone player) (in 1945-08)
baritone saxophone:
Arthur Dennis (in 1945-08)
Gitarre:
Ulysses Livingston (in 1945-08)
Klavier:
Bill Doggett (in 1945-08)
Kontrabass:
Charles Mingus (in 1945-08)
Schlagzeug:
Al Wichard (US blues & jazz drummer) (in 1945-08)
Tenorsaxophon:
Illinois Jacquet (in 1945-08)
Trompete:
Russell Jacquet (American trumpeter) (in 1945-08)
Illinois Jacquet & His All Stars2:59
2Wondering and Thinking of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-08-02)
alto saxophone:
John Brown (alto saxophone player) (am 1945-08-02)
baritone saxophone:
Arthur Dennis (am 1945-08-02)
Gitarre:
Ulysses Livingston (am 1945-08-02)
Klavier:
Bill Doggett (am 1945-08-02)
Kontrabass:
Charles Mingus (am 1945-08-02)
Schlagzeug:
Al Wichard (US blues & jazz drummer) (am 1945-08-02)
Tenorsaxophon:
Illinois Jacquet (am 1945-08-02)
Trompete:
Russell Jacquet (American trumpeter) (am 1945-08-02)
vocals:
Russell Jacquet (American trumpeter) (am 1945-08-02)
Illinois Jacquet & His All Stars3:09
3(I Don’t Stand) A Ghost of a Chance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1945-08)
alto saxophone:
John Brown (alto saxophone player) (in 1945-08)
baritone saxophone:
Arthur Dennis (in 1945-08)
Gitarre:
Ulysses Livingston (in 1945-08)
Klavier:
Bill Doggett (in 1945-08)
Kontrabass:
Charles Mingus (in 1945-08)
Schlagzeug:
Al Wichard (US blues & jazz drummer) (in 1945-08)
Tenorsaxophon:
Illinois Jacquet (in 1945-08)
Trompete:
Russell Jacquet (American trumpeter) (in 1945-08)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
Illinois Jacquet & His All Stars3:11
4The Texas Hop
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1945-09 bis 1945-11)
Klavier:
Bob Mosley (40s jazz trumpeter who died during the 50s) (von 1945-09 bis 1945-11)
Kontrabass:
Charles Mingus (von 1945-09 bis 1945-11)
Schlagzeug:
Roy Porter (von 1945-09 bis 1945-11)
Tenorsaxophon:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (von 1945-09 bis 1945-11) und William “Brother” Woodman (40s jazz trumpeter and saxophonist) (von 1945-09 bis 1945-11)
Trompete:
Nathanial Robert "Nat" Bates (40s jazz trumpeter) (von 1945-09 bis 1945-11)
vocals:
Oradell Mitchell (40s jazz singer) (von 1945-09 bis 1945-11)
Charles Mingus2:49
5Lonesome Woman Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1945-09 bis 1945-11)
Klavier:
Bob Mosley (40s jazz trumpeter who died during the 50s) (von 1945-09 bis 1945-11)
Kontrabass:
Charles Mingus (von 1945-09 bis 1945-11)
Schlagzeug:
Roy Porter (von 1945-09 bis 1945-11)
Tenorsaxophon:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (von 1945-09 bis 1945-11) und William “Brother” Woodman (40s jazz trumpeter and saxophonist) (von 1945-09 bis 1945-11)
Trompete:
Nathanial Robert "Nat" Bates (40s jazz trumpeter) (von 1945-09 bis 1945-11)
vocals:
Oradell Mitchell (40s jazz singer) (von 1945-09 bis 1945-11)
Charles Mingus3:11
6Swingin’ an Echo
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1945-09 bis 1945-11)
Klavier:
Bob Mosley (40s jazz trumpeter who died during the 50s) (von 1945-09 bis 1945-11)
Kontrabass:
Charles Mingus (von 1945-09 bis 1945-11)
Schlagzeug:
Roy Porter (von 1945-09 bis 1945-11)
Tenorsaxophon:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (von 1945-09 bis 1945-11) und William “Brother” Woodman (40s jazz trumpeter and saxophonist) (von 1945-09 bis 1945-11)
Trompete:
Nathanial Robert "Nat" Bates (40s jazz trumpeter) (von 1945-09 bis 1945-11)
Charles Mingus3:07
7Beggin’ Mama Blues
Dinah Washington with Lucky Thompson’s All Stars2:54
8Pacific Coast Blues
Dinah Washington with Lucky Thompson’s All Stars2:41
9Ain’t Jivin’ Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1946-01)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (in 1946-01)
baritone saxophone und Klarinette:
Gene Porter (40s west coast jazz cat) (in 1946-01)
Gitarre:
Buddy Harper (1940s US jazz guitarist) (in 1946-01)
Klavier:
Wilbert Baranco (40s west coast jazz bandleader and producer) (in 1946-01)
Kontrabass:
Charles Mingus (in 1946-01)
Posaune:
Henry Coker (jazz trombonist) (in 1946-01)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (in 1946-01)
Tenorsaxophon:
Lucky Thompson (in 1946-01)
Trompete:
Karl George (US jazz trumpeter) (in 1946-01) und John Plonsky (40s west coast jazz trumpetist) (in 1946-01)
vocals:
Claude Trenier (in 1946-01)
recording of:
Ain’t Jivin’ Blues (Mingus – Cryor)
Verfasser(in):
Charles Mingus
Charles Mingus Sextet2:56
10Shuffle Bass Boogie
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1946-01)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (in 1946-01)
baritone saxophone und Klarinette:
Gene Porter (40s west coast jazz cat) (in 1946-01)
Gitarre:
Buddy Harper (1940s US jazz guitarist) (in 1946-01)
Klavier:
Wilbert Baranco (40s west coast jazz bandleader and producer) (in 1946-01)
Kontrabass:
Charles Mingus (in 1946-01)
Posaune:
Henry Coker (jazz trombonist) (in 1946-01)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (in 1946-01)
Tenorsaxophon:
Lucky Thompson (in 1946-01)
Trompete:
Karl George (US jazz trumpeter) (in 1946-01) und John Plonsky (40s west coast jazz trumpetist) (in 1946-01)
recording of:
Shuffle Bass Boogie
Komponist(in):
Charles Mingus
Charles Mingus Sextet2:57
11Weird Nightmare
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1946-01)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (in 1946-01)
baritone saxophone und Klarinette:
Gene Porter (40s west coast jazz cat) (in 1946-01)
Gitarre:
Buddy Harper (1940s US jazz guitarist) (in 1946-01)
Klavier:
Wilbert Baranco (40s west coast jazz bandleader and producer) (in 1946-01)
Kontrabass:
Charles Mingus (in 1946-01)
Posaune:
Henry Coker (jazz trombonist) (in 1946-01)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (in 1946-01)
Tenorsaxophon:
Lucky Thompson (in 1946-01)
Trompete:
Karl George (US jazz trumpeter) (in 1946-01) und John Plonsky (40s west coast jazz trumpetist) (in 1946-01)
vocals:
Claude Trenier (in 1946-01)
recording of:
Weird Nightmare (in 1946-01)
Texter und Komponist(in):
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus Sextet3:05
12Make Believe
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-20)
alto saxophone und Klarinette:
Buddy Collette (am 1946-04-20)
baritone saxophone und Tenorsaxophon:
William “Brother” Woodman (40s jazz trumpeter and saxophonist) (am 1946-04-20)
Gitarre:
Louis Speigner (40s jazz guitarist) (am 1946-04-20)
Klavier:
Lady Will Carr (am 1946-04-20)
Kontrabass:
Charles Mingus (am 1946-04-20)
Posaune:
Britt Woodman (am 1946-04-20)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1946-04-20)
Trompete:
John Anderson (US jazz trumpeter) (am 1946-04-20) und Karl George (US jazz trumpeter) (am 1946-04-20)
vocals:
Claude Trenier (am 1946-04-20)
recording of:
Make Believe (Ralph – Mingus)
Verfasser(in):
Charles Mingus
Barron Mingus & His Rhythm2:44
13Bedspread
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-20)
alto saxophone und Klarinette:
Buddy Collette (am 1946-04-20)
baritone saxophone und Tenorsaxophon:
William “Brother” Woodman (40s jazz trumpeter and saxophonist) (am 1946-04-20)
Gitarre:
Louis Speigner (40s jazz guitarist) (am 1946-04-20)
Klavier:
Lady Will Carr (am 1946-04-20)
Kontrabass:
Charles Mingus (am 1946-04-20)
Posaune:
Britt Woodman (am 1946-04-20)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1946-04-20)
Trompete:
John Anderson (US jazz trumpeter) (am 1946-04-20) und Karl George (US jazz trumpeter) (am 1946-04-20)
recording of:
Bedspread
Komponist(in):
Buddy Collette
Barron Mingus & His Rhythm3:06
14Honey, Take a Chance With Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-20)
alto saxophone und Klarinette:
Buddy Collette (am 1946-04-20)
baritone saxophone und Tenorsaxophon:
William “Brother” Woodman (40s jazz trumpeter and saxophonist) (am 1946-04-20)
Gitarre:
Louis Speigner (40s jazz guitarist) (am 1946-04-20)
Klavier:
Lady Will Carr (am 1946-04-20)
Kontrabass:
Charles Mingus (am 1946-04-20)
Posaune:
Britt Woodman (am 1946-04-20)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1946-04-20)
Trompete:
John Anderson (US jazz trumpeter) (am 1946-04-20) und Karl George (US jazz trumpeter) (am 1946-04-20)
vocals:
Claude Trenier (am 1946-04-20)
recording of:
Honey, Take a Chance With Me
Komponist(in):
Charles Mingus
Barron Mingus & His Rhythm3:15
15This Subdues My Passion
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-20)
alto saxophone und Klarinette:
Buddy Collette (am 1946-04-20)
baritone saxophone und Tenorsaxophon:
William “Brother” Woodman (40s jazz trumpeter and saxophonist) (am 1946-04-20)
Gitarre:
Louis Speigner (40s jazz guitarist) (am 1946-04-20)
Klavier:
Lady Will Carr (am 1946-04-20)
Kontrabass:
Charles Mingus (am 1946-04-20)
Posaune:
Britt Woodman (am 1946-04-20)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1946-04-20)
Trompete:
John Anderson (US jazz trumpeter) (am 1946-04-20) und Karl George (US jazz trumpeter) (am 1946-04-20)
recording of:
This Subdues My Passion
Komponist(in):
Charles Mingus
Barron Mingus & His Rhythm2:52
16Mingus Fingers
alto saxophone:
Ben Kynard (am 1947-11-10) und Bobby Plater (am 1947-11-10)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1947-11-10)
Klavier:
Milt Buckner (US jazz pianist/organist) (am 1947-11-10)
Kontrabass:
Joe Comfort (am 1947-11-10)
Posaune:
Andrew Penn (jazz trombonist) (am 1947-11-10) und Britt Woodman (am 1947-11-10)
Rohrblattinstrumente:
Jack Kelso (am 1947-11-10)
Schlagzeug:
Earl Walker (jazz drummer) (am 1947-11-10)
Solo-Kontrabass:
Charles Mingus (am 1947-11-10)
Tenorsaxophon:
Morris Lane (saxophonist) (am 1947-11-10) und Johnny Sparrow (am 1947-11-10)
Trompete:
Teddy Buckner (US dixieland jazz trumpeter) (am 1947-11-10), Wendell Culley (jazz trumpeter) (am 1947-11-10) und Duke Garrette (jazz trumpeter) (am 1947-11-10)
Vibraphon:
Lionel Hampton (am 1947-11-10)
arranger:
Milt Buckner (US jazz pianist/organist) (am 1947-11-10)
recording of:
Mingus Fingers (am 1947-11-10)
Komponist(in):
Charles Mingus
Lionel Hampton and His Orchestra3:06
17Zoo‐Baba‐Da‐Oo‐Ee
Vibraphon:
Lionel Hampton (am 1947-11-14)
Lionel Hampton and His Sextet2:38
18Spooky Boogie
Earl Hines and His Orchestra / Curley Hamner & Orchestra3:09
19No Good Woman Blues
Earl Hines and His Orchestra / Curley Hamner & Orchestra3:11
20Body and Soul
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Lionel Hampton and His Orchestra3:31
21Mingus Fingers
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1948-11)
alto saxophone und Klarinette:
Buddy Collette (in 1948-11)
Klavier:
Jimmy Bunn (40s jazz pianist) (in 1948-11)
Kontrabass:
Charles Mingus (in 1948-11)
Schlagzeug:
Chuck Thompson (1940s–50s US jazz drummer) (in 1948-11)
recording of:
Mingus Fingers (in 1948-11)
Komponist(in):
Charles Mingus
Barron Mingus & His Rhythm3:01
22These Foolish Things
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1948-11)
alto saxophone und Klarinette:
Buddy Collette (in 1948-11)
Klavier:
Jimmy Bunn (40s jazz pianist) (in 1948-11)
Kontrabass:
Charles Mingus (in 1948-11)
Schlagzeug:
Chuck Thompson (1940s–50s US jazz drummer) (in 1948-11)
recording of:
These Foolish Things (Remind Me of You) (in 1948-11)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
Barron Mingus & His Rhythm3:19
23He’s Gone
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1949-02)
alto saxophone:
Bud Hooven (40s jazz cat) (in 1949-02)
alto saxophone, Klarinette und flute:
Bob Olney (40s west coast jazz reedman, bandleader and school director) (in 1949-02)
baritone saxophone:
Herb Caro (40s west coast talented jazz cat who died at 22) (in 1949-02)
Cello:
Jean McGuire (in 1949-02)
flute:
Dante Perfumo (in 1949-02)
Klavier:
Richard Wyands (in 1949-02)
Kontrabass:
Charles Mingus (in 1949-02)
Perkussion:
Johnny Berger (in 1949-02)
Posaune:
Hawes Coleman (in 1949-02), Johnny Haig (Jazz band leader who emerged during the 40s) (in 1949-02) und Bob Lowry (in 1949-02)
Schlagzeug:
Cal Tjader (in 1949-02)
Tenorsaxophon:
Alex Megyesy (in 1949-02), Don Smith (tenor) (in 1949-02) und Morrie Stewart (in 1949-02)
Trompete:
Vernon Carlson (40s trumpeter and later saxophonist) (in 1949-02), John Coppola (trumpet, West coast jazz cat who emerged during the 40s) (in 1949-02), Andy Peele (40s jazz trumpeter) (in 1949-02) und Allen Smith (UK hard trance & hardcore producer) (in 1949-02)
vocals:
Herb Gayle (in 1949-02)
recording of:
He’s Gone (Manza – Stevens)
Baron Mingus Presents His Symphonic Airs3:33
24The Story of Love
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1949-02)
alto saxophone:
Bud Hooven (40s jazz cat) (in 1949-02)
alto saxophone, Klarinette und flute:
Bob Olney (40s west coast jazz reedman, bandleader and school director) (in 1949-02)
baritone saxophone:
Herb Caro (40s west coast talented jazz cat who died at 22) (in 1949-02)
Cello:
Jean McGuire (in 1949-02)
flute:
Dante Perfumo (in 1949-02)
Klavier:
Richard Wyands (in 1949-02)
Kontrabass:
Charles Mingus (in 1949-02)
Perkussion:
Johnny Berger (in 1949-02)
Posaune:
Hawes Coleman (in 1949-02), Johnny Haig (Jazz band leader who emerged during the 40s) (in 1949-02) und Bob Lowry (in 1949-02)
Schlagzeug:
Cal Tjader (in 1949-02)
Tenorsaxophon:
Alex Megyesy (in 1949-02), Don Smith (tenor) (in 1949-02) und Morrie Stewart (in 1949-02)
Trompete:
Vernon Carlson (40s trumpeter and later saxophonist) (in 1949-02), John Coppola (trumpet, West coast jazz cat who emerged during the 40s) (in 1949-02), Andy Peele (40s jazz trumpeter) (in 1949-02) und Allen Smith (UK hard trance & hardcore producer) (in 1949-02)
recording of:
Story of Love
Komponist(in):
Charles Mingus
Baron Mingus Presents His Symphonic Airs2:54
25Pennies From Heaven
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1949-02)
baritone saxophone:
Herb Caro (40s west coast talented jazz cat who died at 22) (in 1949-02)
Klavier:
Elmer "Buzz" Wheeler (40s west coast jazz pianist) (in 1949-02)
Kontrabass:
Charles Mingus (in 1949-02)
Schlagzeug:
Warren Thompson (40s jazz drummer) (in 1949-02)
vocals:
Herb Gayle (in 1949-02)
recording of:
Pennies From Heaven (in 1949-02)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Barron Mingus & His Rhythm2:26
26Lyon’s Roar
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1949-02)
baritone saxophone:
Herb Caro (40s west coast talented jazz cat who died at 22) (in 1949-02)
Klavier:
Elmer "Buzz" Wheeler (40s west coast jazz pianist) (in 1949-02)
Kontrabass:
Charles Mingus (in 1949-02)
Schlagzeug:
Warren Thompson (40s jazz drummer) (in 1949-02)
recording of:
Lyon’s Roar (Caro – Mingus)
Verfasser(in):
Charles Mingus
Barron Mingus & His Rhythm2:36
27Boppin’ in Boston
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1949-03)
Klavier:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (in 1949-03)
Kontrabass:
Charles Mingus (in 1949-03)
Posaune:
Bob Lowry (in 1949-03)
Schlagzeug:
Johnny Berger (in 1949-03)
Tenorsaxophon:
Herb Caro (40s west coast talented jazz cat who died at 22) (in 1949-03)
Trompete:
Tommy Alexander (singer-songwriter) (in 1949-03)
vocals:
Charles Mingus (in 1949-03)
recording of:
Boppin’ in Boston
Komponist(in):
Charles Mingus
Barron Mingus & His Rhythm2:53
28Say It Isn’t So
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1949-03)
Klavier:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (in 1949-03)
Kontrabass:
Charles Mingus (in 1949-03)
Posaune:
Bob Lowry (in 1949-03)
Schlagzeug:
Johnny Berger (in 1949-03)
Tenorsaxophon:
Herb Caro (40s west coast talented jazz cat who died at 22) (in 1949-03)
Trompete:
Tommy Alexander (singer-songwriter) (in 1949-03)
vocals:
Helen Carr (40s jazz singer) (in 1949-03)
recording of:
Say It Isn’t So (in 1949-03)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
Barron Mingus & His Rhythm2:40
29The Story of Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1949-03 bis 1949-05)
alto saxophone und Klarinette:
Jewell Grant (US saxophonist) (von 1949-03 bis 1949-05) und Art Pepper (von 1949-03 bis 1949-05)
alto saxophone, Klarinette und flute:
Eric Dolphy (von 1949-03 bis 1949-05)
baritone saxophone und Klarinette:
Gene Porter (40s west coast jazz cat) (von 1949-03 bis 1949-05)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1949-03 bis 1949-05)
Klarinette und Tenorsaxophon:
Herb Caro (40s west coast talented jazz cat who died at 22) (von 1949-03 bis 1949-05)
Klarinette, flute und Tenorsaxophon:
William Green (woodwind) (von 1949-03 bis 1949-05)
Klavier:
Russ Freeman (pianist) (von 1949-03 bis 1949-05)
Kontrabass:
Red Callender (von 1949-03 bis 1949-05) und Charles Mingus (von 1949-03 bis 1949-05)
Perkussion:
Johnny Berger (von 1949-03 bis 1949-05)
Posaune:
Jimmy Knepper (trombonist) (von 1949-03 bis 1949-05), Marty Smith (trombonist) (von 1949-03 bis 1949-05) und Britt Woodman (von 1949-03 bis 1949-05)
Schlagzeug:
Roy Porter (von 1949-03 bis 1949-05)
Trompete:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1949-03 bis 1949-05), John Anderson (US jazz trumpeter) (von 1949-03 bis 1949-05), Buddy Childers (American jazz trumpeter & composer) (von 1949-03 bis 1949-05), Hobart Dotson (von 1949-03 bis 1949-05) und Eddie Preston (von 1949-03 bis 1949-05)
recording of:
Story of Love
Komponist(in):
Charles Mingus
Charlie Mingus and His 22 Piece Bebop Band2:43
30Inspiration, Parts 1 & 2
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1949-03 bis 1949-05)
alto saxophone und Klarinette:
Jewell Grant (US saxophonist) (von 1949-03 bis 1949-05) und Art Pepper (von 1949-03 bis 1949-05)
alto saxophone, Klarinette und flute:
Eric Dolphy (von 1949-03 bis 1949-05)
baritone saxophone und Klarinette:
Gene Porter (40s west coast jazz cat) (von 1949-03 bis 1949-05)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1949-03 bis 1949-05)
Klarinette und Tenorsaxophon:
Herb Caro (40s west coast talented jazz cat who died at 22) (von 1949-03 bis 1949-05)
Klarinette, flute und Tenorsaxophon:
William Green (woodwind) (von 1949-03 bis 1949-05)
Klavier:
Russ Freeman (pianist) (von 1949-03 bis 1949-05)
Kontrabass:
Red Callender (von 1949-03 bis 1949-05) und Charles Mingus (von 1949-03 bis 1949-05)
Perkussion:
Johnny Berger (von 1949-03 bis 1949-05)
Posaune:
Jimmy Knepper (trombonist) (von 1949-03 bis 1949-05), Marty Smith (trombonist) (von 1949-03 bis 1949-05) und Britt Woodman (von 1949-03 bis 1949-05)
Schlagzeug:
Roy Porter (von 1949-03 bis 1949-05)
Trompete:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1949-03 bis 1949-05), John Anderson (US jazz trumpeter) (von 1949-03 bis 1949-05), Buddy Childers (American jazz trumpeter & composer) (von 1949-03 bis 1949-05), Hobart Dotson (von 1949-03 bis 1949-05) und Eddie Preston (von 1949-03 bis 1949-05)
Charlie Mingus and His 22 Piece Bebop Band4:04
31Swedish Pastry
recording of:
Swedish Pastry (am 1950-05-03)
Komponist(in):
Barney Kessel
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
Red Norvo Trio2:29
32Cheek to Cheek
Red Norvo Trio2:43
33Night and Day
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-05-03)
Kontrabass:
Charlie Mingus (am 1950-05-03)
Vibraphon:
Red Norvo (am 1950-05-03)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1950-05-03)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Red Norvo Trio4:09
34Time and Tide
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1949 bis 1950)
E-Gitarre [guitar]:
Tal Farlowe (jazz guitarist) (von 1949 bis 1950)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-05-03)
Kontrabass:
Charlie Mingus (am 1950-05-03)
Kontrabass [bass]:
Charles Mingus (von 1949 bis 1950)
Vibraphon:
Red Norvo (von 1949 bis 1950, am 1950-05-03)
recording of:
Time and Tide
Komponist(in):
Robert Bilder
Red Norvo Trio2:35
35I’ve Got a Feeling I’m Falling
Mel Tormé with The Red Norvo Trio2:53
36September Song
Red Norvo Trio3:33
37Move
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1950-10-31)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
Interpret(in):
The Red Norvo Trio
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
recording of:
Move (am 1950-10-13)
Komponist(in):
Denzil Best
recording of:
Move (am 1950-10-31)
Komponist(in):
Denzil Best
recording of:
Move (am 1951-04-13)
Komponist(in):
Denzil Best
Red Norvo Trio2:38
38I’ve Got You Under My Skin
Red Norvo Trio2:25
39I Get a Kick Out of You
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I Get a Kick Out of You (am 1950-10-13)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
instrumental recording of:
I Get a Kick Out of You (am 1950-10-31)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Red Norvo Trio2:27
40I’ll Remember April
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I’ll Remember April (am 1950-10-13)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
instrumental recording of:
I’ll Remember April (am 1950-10-31)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
Red Norvo Trio3:21
41I Can’t Believe That You’re in Love With Me
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
I Can’t Believe That You’re in Love With Me (am 1950-10-13)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
instrumental recording of:
I Can’t Believe That You’re in Love With Me (am 1950-10-31)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
Red Norvo Trio2:54
42Little White Lies
Bass:
Charlie Mingus (am 1950-10-13)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
instrumental recording of:
Little White Lies (am 1950-10-31)
Texter und Komponist(in):
Walter Donaldson
publisher:
Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
Red Norvo Trio3:47
43Have You Met Miss Jones
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-31)
Kontrabass:
Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-31)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1950-10-31)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
Red Norvo Trio3:01
44Zing! Went the Strings of My Heart
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1950-10-31) und Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-04-13)
Gitarre:
Tal Farlow (jazz guitarist) (am 1950-10-13, am 1950-10-31)
Kontrabass:
Charlie Mingus (am 1950-10-13) und Charles Mingus (am 1950-10-31)
Vibraphon:
Red Norvo (am 1950-10-13, am 1950-10-31)
Interpret(in):
The Red Norvo Trio
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental cover recording of:
Zing! Went the Strings of My Heart (am 1950-10-13)
Texter und Komponist(in):
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
instrumental cover recording of:
Zing! Went the Strings of My Heart (am 1950-10-31)
Texter und Komponist(in):
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Red Norvo Trio3:28
45Good Bait
Red Norvo Trio1:48
46September in the Rain
instrumental recording of:
September in the Rain
Texter:
Al Dubin (in 1937)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) und Peermusic (UK) Limited (in 1937)
Red Norvo Trio2:21
47Budo
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1949 bis 1950)
E-Gitarre [guitar]:
Tal Farlowe (jazz guitarist) (von 1949 bis 1950)
Kontrabass [bass]:
Charles Mingus (von 1949 bis 1950)
Vibraphon:
Red Norvo (von 1949 bis 1950)
recording of:
Budo
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Bud Powell
basiert auf:
Hallucinations
Red Norvo Trio1:58
48East of the Sun
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1949 bis 1950)
E-Gitarre [guitar]:
Tal Farlowe (jazz guitarist) (von 1949 bis 1950)
Kontrabass [bass]:
Charles Mingus (von 1949 bis 1950)
Vibraphon:
Red Norvo (von 1949 bis 1950)
instrumental recording of:
East of the Sun (and West of the Moon)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
Red Norvo Trio2:11
49If I Had You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-04-13)
Gitarre:
Tal Farlow (jazz guitarist) (am 1951-04-13)
Kontrabass:
Charlie Mingus (am 1951-04-13)
Vibraphon:
Red Norvo (am 1951-04-13)
phonographisches Urheberrecht (℗) von:
NIPPON COLUMBIA CO., LTD. (holding company - normally not a release label)
instrumental recording of:
If I Had You (jazz standard) (am 1951-04-13)
Verfasser(in):
James Campbell (British songwriter and music publisher), Reginald Connelly und Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) und Robbins Music Corp.
Red Norvo Trio4:08
50This Can’t Be Love
Red Norvo Trio2:32
51I’m Yours
Red Norvo Trio4:05
52Godchild
Red Norvo Trio4:42
53What Is This Thing Called Love?
Strings and Keys3:08
54Body and Soul
Strings and Keys3:39
55Lady Bird
Miles Davis All Stars5:40
56I’m Beginning to See the Light
Billy Taylor Trio5:23
57All the Things You Are
Billy Taylor Trio8:11
58Cello Again
Cello:
Oscar Pettiford (am 1951-02-21)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1951-02-21)
Kontrabass:
Charles Mingus (am 1951-02-21)
Schlagzeug:
Charlie Smith (US jazz drummer) (am 1951-02-21)
Oscar Pettiford Quartet2:39
59Ah‐Dee‐Dong Blues
Cello:
Oscar Pettiford (am 1951-02-21)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1951-02-21)
Kontrabass:
Charles Mingus (am 1951-02-21)
Schlagzeug:
Charlie Smith (US jazz drummer) (am 1951-02-21)
Oscar Pettiford Quartet2:34
60Extrasensory Perception
Charles Mingus Quintet2:52
61Precognition
Charles Mingus Quintet2:48
62Portrait
recording of:
Portrait
Texter und Komponist(in):
Charles Mingus
Charles Mingus Quintet3:15
63Potter’s Luck
Stan Getz Quintet5:10
64I Can’t Get Started
Stan Getz Quintet3:02
65Make Believe
Charles Mingus Quintet3:08
66Paris in Blue
Charles Mingus Quintet3:16
67Montage
Charles Mingus Quintet2:55
68Ornithology
recording of:
Ornithology
Komponist(in):
Benny Harris und Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker5:54
6952nd Street Theme
recording of:
52nd Street Theme
Komponist(in):
Thelonious Monk
publisher:
Embassy Music Corporation
Charlie Parker4:58
70I’ll Remember April
Charlie Parker Jam Session10:56
71Groovin’ High
recording of:
Groovin’ High
Komponist(in):
Dizzy Gillespie, Frank Paparelli und Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker5:29
72Don’t Blame Me
recording of:
Don’t Blame Me
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Ireneadele Publishing
Charlie Parker9:02
73Scrapple From the Apple
Charlie Parker5:58
74Cheryl
recording of:
Cheryl
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp/BMI (BMI)
Charlie Parker5:29
75Embraceable You
Bud Powell Trio3:33
76Salt Peanuts
Bud Powell Trio4:18
77Smooch
Klavier:
Charles Mingus (am 1953-05-19)
Kontrabass:
Percy Heath (am 1953-05-19)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1953-05-19)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1953-05-19)
recording of:
Smooch (am 1953-05-19)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Charles Mingus
Miles Davis3:07
78In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
Charlie Parker3:25
79Autumn in New York
Bud Powell Trio2:12
80I Want to Be Happy
Bud Powell Trio4:22
81Moose the Mooche
recording of:
Moose the Mooche
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Bud Powell Trio plus Charlie Parker5:05
82Dance of the Infidels
recording of:
Dance of the Infidels
Komponist(in):
Bud Powell
publisher:
EMI Longitude Music
Bud Powell Trio plus Charlie Parker5:28
83Bass‐Ically Speaking
recorded in:
New York, New York, Vereinigte Staaten (in 1953)
Klavier:
Billy Taylor (jazz/bop pianist) (in 1953)
Kontrabass [bass]:
Charles Mingus (in 1953)
Schlagzeug:
Art Taylor (in 1953)
recording of:
Bass-ically Speaking (in 1953)
Charles Mingus3:59
84Chazzanova
Jazz Workshop5:02
85Pink Topsy
Charles Mingus Octet3:07
86Blue Tide
Charles Mingus Octet3:12
87Miss Bliss
Charles Mingus Octet3:08
88Eclipse
Charles Mingus Octet2:59