Kantaten, Vol. 5: Sonntage nach Trinitatis II

~ Release by Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Cantata No. 115, "Mache dich, mein Geist, bereit,": 1. Chor. Mache dich, mein Geist, bereit
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": I. Choral "Mache dich, mein Geist, bereit" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach3:56
2Cantata No. 115, "Mache dich, mein Geist, bereit,": 2. Arie. Ach schläfrige Seele, wie? ruhest du noch?
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": II. Aria (Alt) "Ach schläfrige Seele, wie? ruhest du noch?" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach9:04
3Cantata No. 115, "Mache dich, mein Geist, bereit,": 3. Rezitativ. Gott, so vor deine Seele wacht
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": III. Recitativo (Bass) "Gott, so vor deine Seele wacht" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach1:29
4Cantata No. 115, "Mache dich, mein Geist, bereit,": 4. Arie. Bete aber auch dabei
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": IV. Aria (Sopran) "Bete aber auch dabei" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach7:43
5Cantata No. 115, "Mache dich, mein Geist, bereit,": 5. Rezitativ. Er sehnet sich nach unserm Schreien
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": V. Recitativo (Tenor) "Er sehnet sich nach unsrem Schreien" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach1:04
6Cantata No. 115, "Mache dich, mein Geist, bereit,": 6. Choral. Drum so laßt uns immerdar
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": VI. Choral "Drum so laßt uns immerdar" (in 1978-03)
composer:
Johann Burchard Freystein (German lawyer and hymn writer) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 312)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach1:04
7Cantata No. 139, "Wohl dem, der sich auf seinen Gott,": 1. Chor. Wohl dem, der sich auf seinen Gott
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": I. Coro "Wohl dem, der sich auf seinen Gott" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach4:51
8Cantata No. 139, "Wohl dem, der sich auf seinen Gott,": 2. Arie. Gott ist mein Freund
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": II. Aria (Tenor) "Gott ist mein Freund" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach6:36
9Cantata No. 139, "Wohl dem, der sich auf seinen Gott,": 3. Rezitativ. Der Heiland sendet ja die Seinen
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": III. Recitativo (Alt) "Der Heiland sendet ja die Seinen" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach0:52
10Cantata No. 139, "Wohl dem, der sich auf seinen Gott,": 4. Arie. Das Unglück schlägt auf allen Seiten
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": IV. Aria (Bass) "Das Unglück schlägt auf allen Seiten" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach5:09
11Cantata No. 139, "Wohl dem, der sich auf seinen Gott,": 5. Rezitativ. Ja, trag ich gleich den größten Feind in mir
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": V. Recitativo (Sopran) "Ja, trag ich gleich den größten Feind in mir" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach1:05
12Cantata No. 139, "Wohl dem, der sich auf seinen Gott,": 6. Choral. Dahero Trotz der Höllen Heer
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": VI. Choral "Dahero Trotz der Höllen Heer!" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 238)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach1:08
13Cantata No. 60, "O Ewigkeit, du Donnerwort,": 1. Duett. O Ewigkeit, du Donnerwort / Herr, ich warte auf dein Heil
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
horn:
Kurt Richter (German horn player) (in 1964-02)
oboe d'amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
violin:
Fritz Sonnleitner (in 1964-02)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1964-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1964-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1964-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-02)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort" (in 1964-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach4:04
14Cantata No. 60, "O Ewigkeit, du Donnerwort,": 2. Rezitativ. O schwerer Gang / Mein Beistand ist schon da
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
horn:
Kurt Richter (German horn player) (in 1964-02)
oboe d'amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
violin:
Fritz Sonnleitner (in 1964-02)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1964-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1964-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-02)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang" (in 1964-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach2:12
15Cantata No. 60, "O Ewigkeit, du Donnerwort,": 3. Duett. Mein letztes Lager will mich schrecken / Mich wird des Heilands hand bedecken
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
horn:
Kurt Richter (German horn player) (in 1964-02)
oboe d'amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
violin:
Fritz Sonnleitner (in 1964-02)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1964-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1964-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-02)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Alto, Tenore) "Mein letztes Lager will mich schrecken" (in 1964-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:14
16Cantata No. 60, "O Ewigkeit, du Donnerwort,": 4. Rezitativ / Arioso. Der Tod bleibt doch der menschlichen Natur verhaßt / Selig sind die Toten
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
horn:
Kurt Richter (German horn player) (in 1964-02)
oboe d'amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
violin:
Fritz Sonnleitner (in 1964-02)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1964-02)
bass vocals:
Kieth Engen (operatic bass) (in 1964-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-02)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso) "Der Tod bleibt doch der menschlichen Natur verhaßt" (in 1964-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach5:05
17Cantata No. 60, "O Ewigkeit, du Donnerwort,": 5. Choral. Es ist genug
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
horn:
Kurt Richter (German horn player) (in 1964-02)
oboe d'amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
violin:
Fritz Sonnleitner (in 1964-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1964-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-02)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt" (in 1964-02)
lyricist:
Franz Joachim Burmeister (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 91)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:45
18Cantata No. 26, "Ach wie flüchtig, ach wie nichtig,": 1. Chor. Ach wie flüchtig, ach wie nichtig
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach2:27
19Cantata No. 26, "Ach wie flüchtig, ach wie nichtig,": 2. Arie. So schnell ein rauschend Wasser schieß
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
tenor vocals:
Ernst Haefliger (tenor) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach6:08
20Cantata No. 26, "Ach wie flüchtig, ach wie nichtig,": 3. Rezitativ. Die Freude wird zur Traurigkeit
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach1:17
21Cantata No. 26, "Ach wie flüchtig, ach wie nichtig,": 4. Arie. An irdische Schätze das Herze zu hängen
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach3:40
22Cantata No. 26, "Ach wie flüchtig, ach wie nichtig,": 5. Rezitativ. Die höchste Herrlichkeit und Pracht
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
soprano vocals:
Ursula Buckel (soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:55
23Cantata No. 26, "Ach wie flüchtig, ach wie nichtig,": 6. Choral. Ach wie flüchtig, ach wie nichtig
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (in 1966-10)
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:59
4▶CD
5▶CD

Credits

Release

part of:Bach · Kantaten (Archiv Produktion) (number: 5) (order: 5)
ASIN:DE: B000025H5X [info]
other databases:https://d-nb.info/355014076 [info]
discography entry:http://www.deutschegrammophon.com/cat/4393942 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002151149 [info]