Aussie BBQ

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Counting the Beat
producer:
David Tickle
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1981) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 2002)
recording of:
Counting the Beat
writer:
Bones Hillman, Phil Judd and Buster Stiggs
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
part of:
APRA Silver Scroll Awards Winners (number: 1981) and APRA Top 100 New Zealand Songs of All Time (number: 4)
The Swingers3:03
2To Her Door
part of:
triple j’s Hottest 100 of Australian Songs (number: 22)
recording of:
To Her Door
lyricist and composer:
Paul Kelly (Australian singer/songwriter)
publisher:
Mushroom Music Publishing and Sony/ATV Music Publishing
Paul Kelly and the Coloured Girls33:17
3I’d Die to Be With You Tonight
engineer:
James Cadsky (engineer) and Thom Panunzio
producer:
Gary Gersh and Chas Sandford
bass:
Kenny Gradney
drums (drum set):
Tony Braunagel
guitar:
Mal Eastick (Australian blues guitarist), Chas Sandford and Waddy Wachtel
keyboard:
William D. “Smitty” Smith (organist/keyboardist)
percussion:
Arno Lucas
background vocals:
Kim Carnes
lead vocals:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
remixer:
Mark Opitz (in 1996-08)
phonographic copyright (℗) by:
Freight Train Music (in 1987)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
remixed at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (in 1996-08)
recording of:
I’d Die to Be With You Tonight
lyricist and composer:
Chas Sandford
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner/Chappell Music Australia Pty. Ltd.
Jimmy Barnes3:54
4The Honeymoon Is Over
phonographic copyright (℗) by:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1993) and Polydor Records Australia (in 1993)
recording of:
The Honeymoon Is Over
writer:
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) and Dan Rumour
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Cruel Sea2.53:08
5Eagle Rock
bass:
Wayne Duncan (Australian musician)
drums (drum set):
Gary Young (Australian drummer)
guitar:
Ross Hannaford and Ross Wilson (Australian singer-songwriter, guitarist and producer)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1971), Sparmac (in 1971), Wizard (Australian rock) (in 1971), Wizard Records (Germany, hard-trance) (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1998)
part of:
triple j’s Hottest 100 of Australian Songs (number: 45)
recording of:
Eagle Rock
writer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Daddy Cool4:10
6Just Ace
assistant recording engineer:
Greg Courtney (in 1997-02)
recording engineer:
Phillip McKellar (Australian producer and engineer) (in 1997-02)
producer:
Grinspoon and Phillip McKellar (Australian producer and engineer) (in 1997-02)
assistant mixer:
Aaron Pratley (in 1997-04)
mixer:
Phillip McKellar (Australian producer and engineer) (in 1997-04)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 1997)
recorded at:
Rockinghorse in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (in 1997-02)
mixed at:
Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (in 1997-04)
produced at:
RockingHorse Studios in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (in 1997-02)
recording of:
Just Ace (in 1997-02)
writer:
Phil Jamieson (Australian musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Shock Music Publishing Pty. Ltd.
Grinspoon31:48
7Who Listens to the Radio
producer:
Pete Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1978), Mushroom Records (in 1979, in 1996) and Stiff Records (in 1979)
recording of:
Who Listens to the Radio?
lyricist and composer:
Stephen Cummings and Andrew Pendlebury
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Pty. Ltd., EMI Music (do not use as release label! this is a music publisher) (in 1979) and Street Music Ltd. (in 1979)
The Sports3:15
8Shape I’m In
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1979)
recording of:
Shape I'm In
composer:
Jeff Burstin, Joe Camilleri and Tony Faehse
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Publishing and Warner/Chappell Pty. Ltd.
Jo Jo Zep and the Falcons3:31
9Shakin’ All Over
phonographic copyright (℗) by:
Sunshine Records (60s Australia) (in 1974)
cover recording of:
Shakin’ All Over
lyricist and composer:
Frederick Heath and Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Normie Rowe & The Playboys2:33
10Computer Games
bass:
Don Martin (bassist and vocalist)
drums (drum set):
Richard Hodgkinson
guitar:
Kevin Stanton
keyboard:
Murray Burns
vocals:
Steve Gilpin
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1979), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1979), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1979) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1980)
recording of:
Computer Games
lyricist:
Steve Gilpin and Kevin Stanton
composer:
Murray Burns and Kevin Stanton
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), BMG Music, BMG Music Ltd., BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, EMI Songs Australia Pty. Ltd. and Universal Music Publishers MGB Australia Pty Ltd
Mi‐Sex3:57
11Girls on the Avenue
recording of:
Girls on the Avenue (Richard Clapton song)
writer:
Richard Clapton
publisher:
Festival Music, Festival Music Pty, Ltd., Festival Music Publishing (APRA-affiliated), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Richard Clapton3:13
12Blow Up the Pokies
phonographic copyright (℗) by:
Black Yak / Phantom (in 1999)
recording of:
Blow Up the Pokies
writer:
Tim Freedman (Lead singer for The Whitlams) and Greta Gertler
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Whitlams3.53:24
13What About Me?
producer:
Charles Fisher (Australian producer)
bass:
Ian Lees (Australian bassist)
brass and keyboard:
Charlie Cole (Australian keyboards)
drums (drum set):
Paul Freeland
guitar:
Garry Frost
vocals:
Alex Smith (Australian artist ex. Moving Pictures)
phonographic copyright (℗) by:
WBE Records (label founded by Glenn Wheatley) (in 1981)
recording of:
What About Me (Moving Pictures song)
writer:
Garry Frost and Frances Swan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Warner Chapell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Pty. Ltd.
Moving Pictures3:32
14I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:47
15I Was Only 19 (A Walk in the Light Green)
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1983), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1983) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1983)
part of:
triple j’s Hottest 100 of Australian Songs (number: 63)
recording of:
I Was Only 19 (A Walk in the Light Green)
lyricist and composer:
John Schumann
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Universal/MCA Music Publishing Pty Ltd
Redgum4:20
16C’mon
recording of:
C’mon
writer:
Dave Gleeson and Richard Lara
The Screaming Jets2:49
17Howzat
phonographic copyright (℗) by:
Festival Records (Australian) (in 1976), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1976) and Sherbet Record Productions (in 1976)
recording of:
Howzat
writer:
Tony Mitchell (bass, songwriter, Australia) and Garth Porter
publisher:
Heath Levy Music Ltd. (publisher), Rondor Music and Rondor Music (Australia) Pty Ltd
Sherbet23:46
18So Many Nights
producer and mixer:
John Porter (producer and musician US and UK)
assistant mixer:
Colin Suzuki
cello:
Leah Hooper (from 2007-04 until 2007-05)
keyboard [keyboards]:
Ollie McGill (from 2007-04 until 2007-05)
membranophone:
Will Hull-Brown (from 2007-04 until 2007-05)
strings:
Ryan Monro (from 2007-04 until 2007-05)
viola:
Su-Ying Aw (from 2007-04 until 2007-05)
violin:
Robert John (violin) (from 2007-04 until 2007-05) and Mark Zorz (from 2007-04 until 2007-05)
strings arranger:
Ollie McGill
recording of:
So Many Nights (from 2007-04 until 2007-05)
writer:
Felix Riebl
The Cat Empire33:32
19Berlin Chair
recording engineer:
Wayne Connolly (from 1993-07-27 until 1993-08-03)
assistant engineer:
Mark Mason (sound engineer) (from 1993-07-27 until 1993-08-03) and Brent Sigmeth (from 1993-07-27 until 1993-08-03)
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
phonographic copyright (℗) by:
rooArt (in 1993)
produced for:
Lazy Eight Productions
recorded at:
Pachyderm Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Studio in New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 81)
recording of:
Berlin Chair (from 1993-07-27 until 1993-08-03)
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
MMA Music (publisher) (ended), Mushroom Music Publishing, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) and Universal Music Publishing (use ONLY if no country‐specific information is available)
You Am I3.52:36
20Girls Like That (Don’t Go for Guys Like Us)
producer and mixer:
Magoo (Australian producer Lachlan Goold)
bass guitar:
Paul Medew
bass synthesizer [roland sh101], membranophone and shakers:
Glenn Thompson
guitar:
David McCormack
guitar [lead]:
Matthew Strong
recorded at:
The Dirty Room in Fortitude Valley, Brisbane, Queensland, Australia (from 1998-07-26 until 1998-07-28)
mixed at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-08)
music videos:
Girls Like That (Don’t Go for Guys Like Us) by Custard (Australian rock band)
recording of:
Girls Like That (Don’t Go for Guys Like Us)
lyricist and composer:
Trevor J. Ludlow, David McCormack and Dylan McCormack
publisher:
PolyGram Music Publishing (ended), Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music Publishing
Custard2.53:14