Autumn Leaves: The Best Male Jazz Vocals

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1As Time Goes By
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
bass:
Richard Jeffries (Bassist)
cello:
Anthony Pleeth (cellist)
drums (drum set):
John Sutton (drums)
guitar:
Nils Solberg
harp:
Hugh Webb (harpist)
ondes Martenot:
Cynthia Millar (English Ondes Martenot player)
piano:
Colin Good
viola:
Philip Dukes (classical viola soloist)
violin:
Dave Woodcock (violinist) and Gavyn Wright (UK violinist, conductor)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
phonographic copyright (℗) by:
Virgin Schallplatten GmbH & Co. KG (not for release label use!) (in 1999)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
cover recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Bryan Ferry32:38
2The Touch of Your LipsChet Baker2:43
3In the Wee Small Hours of the Morning
Johnny Hartman2:47
4The Continental
recorded in:
Los Angeles, California, United States (in 1952-12)
producer:
Norman Granz
bass guitar:
Ray Brown (jazz bassist)
double bass:
Ray Brown (jazz bassist) (in 1952-12)
drums (drum set):
Alvin Stoller (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
trumpet:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
The Continental (from the 1934 film "The Gay Divorcee") (in 1952-12)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (songwriter and producer) (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 1934 winner)
cover recording of:
The Continental (from the 1934 film "The Gay Divorcee")
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (songwriter and producer) (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 1934 winner)
Fred Astaire3:31
5What a Wonderful World
recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong2:20
6For Once in My Life
cover recording of:
For Once in My Life
lyricist:
Ronald Miller (Motown songwriter Ronald Norman Miller)
composer:
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
James Brown4:34
7Old Folks
Jack Teagarden2:51
8La Fille au rasoir
producer:
Claude Dejacques
double bass:
Michel Gaudry (in 1963-11)
electric guitar:
Elek Bacsik (in 1963-11)
vocals:
Serge Gainsbourg (in 1963-11)
recorded at:
Studio DMS in Paris, Île-de-France, France (in 1963-11)
recording of:
La Fille au rasoir (in 1963-11)
lyricist and composer:
Serge Gainsbourg
Serge Gainsbourg2:18
9I've Got a Crush on You
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
vocals:
Bill Henderson (US jazz vocalist & actor)
recording of:
I’ve Got a Crush on You (in 1963-02)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
Bill Henderson4:05
10Just in Time
Mel Tormé3:28
11Cheek to Cheek
recording engineer:
Alan Emig
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-06-12) and Bud Shank (on 1956-06-12)
baritone saxophone:
Chuck Gentry (on 1956-06-12)
bass:
Joe Mondragon (on 1956-06-12)
cello:
Edgar Lustgarden (on 1956-06-12)
drums (drum set):
Alvin Stoller (on 1956-06-12)
guitar:
Barney Kessel (on 1956-06-12)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-06-12)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-06-12) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-06-12)
trombone:
Milt Bernhart (on 1956-06-12), Francis Howard (trombone) (on 1956-06-12), George Roberts (american bass trombone) (on 1956-06-12), Frank Rosolino (on 1956-06-12) and Lloyd Ulyate (on 1956-06-12)
trumpet:
Pete Candoli (on 1956-06-12), Harry “Sweets” Edison (on 1956-06-12), Maynard Ferguson (on 1956-06-12) and Conrad Gozzo (on 1956-06-12)
viola:
Virginia Majewski (violist) (on 1956-06-12)
violin:
Lew Raderman (on 1956-06-12)
vocals:
Bing Crosby (on 1956-06-12)
orchestra:
Buddy Bregman & Orchestra (on 1956-06-12)
conductor:
Buddy Bregman (on 1956-06-12)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-06-12)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1956-06-12)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Bing Crosby4:03
12How Deep Is the Ocean?
Doc Cheatham5:57
13Our Game
Till Brönner6:44
14Angel Eyes
Jeffery Smith4:11
15If You Could See Me Now
cover recording of:
If You Could See Me Now (jazz standard)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Billy Eckstine3:26
16Fascinatin' Rhythm
recording of:
Fascinatin’ Rhythm
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
Antonio Carlos Jobim2:13