NOW #1s: 70 Years of the Official Singles Chart

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Bohemian Rhapsody
tecnico audio aggiunto:
Gary Lyons (UK engineer & producer)
tecnico aggiunto:
Kris Fredriksson
tecnico esecutivo:
Mike Stone (producer and engineer, 1960s–80s)
produttore:
Roy Thomas Baker (producer) e Queen (UK rock group)
produttore esecutivo:
Brian May (Queen guitarist) e Roger Taylor (Queen drummer)
batteria , gong e timpani :
Roger Taylor (Queen drummer) (dal 1975-08-24 al 1975-09-14)
chitarra :
Brian May (Queen guitarist) (dal 1975-08-24 al 1975-09-14)
chitarra basso :
John Deacon (dal 1975-08-24 al 1975-09-14)
pianoforte e voce principale e altra voce [operatic vocals]:
Freddie Mercury (dal 1975-08-24 al 1975-09-14)
altra voce [operatic vocals]:
Brian May (Queen guitarist) (dal 1975-08-24 al 1975-09-14) e Roger Taylor (Queen drummer) (dal 1975-08-24 al 1975-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1975, nel 2011)
registrata presso:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito (dal 1975-08-24 al 1975-09-14)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
video musicali:
Bohemian Rhapsody di Queen (UK rock group)
parte di:
SWR1 Hitparade 2006 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2018 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2019 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2020 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2021 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2023 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2010 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2015 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2016 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2017 (Baden-Württemberg) (numero: 2), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 3), SWR1 Hitparade 2003 (Baden-Württemberg) (numero: 3), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 14), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 17), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Spotify: Top Hits of 2019 (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 163)
registrazione di:
Bohemian Rhapsody (dal 1975-08-24 al 1975-09-14)
paroliere e compositore:
Freddie Mercury
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
compresa in:
We Will Rock You (Queen musical)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen4.45:54
2Mull of Kintyre
assistente tecnico di registrazione:
Tim Summerhayes (dal 1977-08-09 al 1977-10)
tecnico di registrazione:
Geoff Emerick (British recording engineer) (dal 1977-08-09 al 1977-10)
produttore:
Paul McCartney (The Beatles)
tecnico di missaggio:
Geoff Emerick (British recording engineer)
basso acustico e voce principale:
Paul McCartney (The Beatles) (dal 1977-08-09 al 1977-10)
batteria :
Tommy Blue (dal 1977-08-09 al 1977-10), Joe English (dal 1977-08-09 al 1977-10), Campbell Maloney (dal 1977-08-09 al 1977-10) e Jimmy McGeachy (dal 1977-08-09 al 1977-10)
chitarra acustica :
Denny Laine (dal 1977-08-09 al 1977-10) e Paul McCartney (The Beatles) (dal 1977-08-09 al 1977-10)
chitarra elettrica :
Denny Laine (dal 1977-08-09 al 1977-10)
cornamusa :
John Lang Brown (dal 1977-08-09 al 1977-10), Campbelltown Pipe Band (dal 1977-08-09 al 1977-10), Archie Coffield (dal 1977-08-09 al 1977-10), Dougie Lang (dal 1977-08-09 al 1977-10), John McGeachy (dal 1977-08-09 al 1977-10), Ian McKerral (dal 1977-08-09 al 1977-10) e Tony Wilson (bagpipes) (dal 1977-08-09 al 1977-10)
percussione :
Linda McCartney (dal 1977-08-09 al 1977-10)
voce di accompagnamento:
Denny Laine (dal 1977-08-09 al 1977-10), Linda McCartney (dal 1977-08-09 al 1977-10), Paul McCartney (The Beatles) (dal 1977-08-09 al 1977-10), Ian McKerral (dal 1977-08-09 al 1977-10) e Dave Paton (dal 1977-08-09 al 1977-10)
diritti fonografici (℗) detenuti da:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
registrata presso:
Spirit of Ranachan Studio in Scotland, Regno Unito (il 1977-08-09) e Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1977-10)
registrazione di:
Mull of Kintyre (dal 1977-08-09 al 1977-10)
autore:
Denny Laine e Paul McCartney (The Beatles)
editore:
ATV Music
Paul McCartney & Wings2.84:44
3Maggie May
registrazione di:
Maggie May
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart5:16
4I’m Not in Love
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1975)
registrazione di:
I’m Not in Love
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc5:59
5Good Vibrations
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys3:37
6Jailhouse Rock
basso elettrico :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1957-04-30)
batteria :
D.J. Fontana (il 1957-04-30)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1957-04-30)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1957-04-30)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1957-04-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-04-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957) e BMG Music (nel 1957)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 67) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 216)
registrazione di:
Jailhouse Rock (il 1957-04-30)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC e Sony/ATV Songs LLC
sub-editore:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.42:35
7(We’re Gonna) Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:11
8Cathy’s Clown
basso :
Floyd Chance (il 1960-03-18)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1960-03-18)
chitarra :
Don Everly (il 1960-03-18)
pianoforte :
Floyd Cramer (il 1960-03-18)
esecutore:
The Everly Brothers (il 1960-03-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 149)
registrazione di:
Cathy’s Clown (il 1960-03-18)
paroliere e compositore:
Don Everly
autore:
Don Everly e Phil Everly
editore:
Acuff-Rose (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers3.52:24
9Oh, Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.32:58
10Hello
produttore:
James Anthony Carmichael e Lionel Richie
esecutore:
Ocobamba
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Hello
paroliere e compositore:
Lionel Richie
autore aggiunto:
James Anthony Carmichael
editore:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:08
11True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:29
12Every Breath You Take
tecnico:
Hugh Padgham
produttore:
Hugh Padgham e The Police (British rock band)
basso elettrico e voce principale:
Sting (singer, songwriter & member of The Police) (nel 1983)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer) (nel 1983)
chitarra elettrica :
Andy Summers (nel 1983)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1981, nel 2003), A&M Records (nel 1983, nel 2016), A&M Records Limited (nel 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1983) e A&M Records, Inc. (nel 1997)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1983) e Le Studio in Morin‐Heights, Québec (Quebec), Canada (nel 1983)
video musicali:
Every Breath You Take di The Police (British rock band)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 287) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 305)
registrazione di:
Every Breath You Take (nel 1983)
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) e Virgin Music (Publishers) Ltd.
sub-editore:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Police4.054:11
13Is There Something I Should Know?
co-produttore:
Duran Duran (English rock band) e Ian Little (producer, engineer, songwriter)
produttore:
Duran Duran (English rock band) e Ian Little (producer, engineer, songwriter)
tecnico di missaggio:
Ian Little (producer, engineer, songwriter) e Alex Sadkin
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
Is There Something I Should Know?
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran3.14:10
14Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:57
15Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
16Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:58
17Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce principale:
Deborah Harry
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1978), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1978)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1978-06)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.34:13
18Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders4.43:04
19My Heart Will Go On (love theme from "Titanic")
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:41
20I Will Always Love You
tecnico:
David Reitzas, Bill Schnee e Peter Yianilos
produttore:
David Foster (Canadian music producer, arranger and composer)
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive) e Whitney Houston
tecnico di missaggio:
David Reitzas
direzione creativa:
Rickey Minor (bass player, music director, composer, music producer)
sassofono solista :
Kirk Whalum
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore voci:
Whitney Houston
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1992)
mixata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 60), New York Post: 100 Greatest Covers (2007) (numero: 59), Billboard: Greatest of All Time Hot 100 Songs (numero: 60) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 94)
registrazione cover di:
I Will Always Love You
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Whitney Houston4.54:31
2CD
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4CD
5CD

Accreditamenti

Pubblicazione

fabbricata a:EU (Europa)
società di diritti:BIEM (international rights organization representing member societies from 58 countries)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Now That’s What I Call Music LLP (British holding company) (nel 2022)
Discogs:https://www.discogs.com/release/25044217 [info]
acquistare per corrispondenza:https://nowmusic.com/*/*/NOW-1s-5CD/7LE10000000 [info]
voce della discografia:https://music-box.life/disco/33379-now-1s-70-years-of-the-official-singles-chart-5cd-2022.html [info]