Casey Kasem Presents America’s Top Ten 1970s: Rock’s Greatest Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Hot Blooded
tecnico:
David DeVore e Keith Olsen (US producer and engineer)
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) e Keith Olsen (US producer and engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
chitarra elettrica [lead guitar] :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sintetizzatore e tastiera :
Al Greenwood
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
arrangiatore strumenti:
David Paich
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti (dal 1977-12 al 1978-03)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 70)
registrazione di:
Hot Blooded
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner3.654:25
2I Want You to Want Me
tecnico:
Antonio Reale
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Kendun Recorders in Burbank, California, Stati Uniti (nel 1977)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 266)
registrazione di:
I Want You to Want Me (nel 1977)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (nel 1977) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1977)
parte di:
10 Things I Hate About You
Cheap Trick4.153:10
3Bang a Gong (Get It On)
registrazione di:
Get It On (Bang a Gong)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
T. Rex4:25
4Evil Ways
tecnico:
Bob Breault e Eric Prestidge
produttore:
Brent Dangerfield e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (drummer) (il 1969-05-12)
chitarra :
Carlos Santana (il 1969-05-12)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1969-05-12)
congas e percussione :
Michael Carabello (percussionist) (il 1969-05-12)
congas, percussione e timbales :
José “Chepito” Áreas (il 1969-05-12)
organo e pianoforte :
Gregg Rolie (keyboardist and vocalist) (il 1969-05-12)
voce:
Gregg Rolie (keyboardist and vocalist) (il 1969-05-12) e Carlos Santana (il 1969-05-12)
arrangiatore:
Alberto Gianquinto
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1969) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
registrata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti (il 1969-05-12)
mixata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 69)
registrazione cover di:
Evil Ways (il 1969-05-12)
paroliere e compositore:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
editore:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music e Universal–Songs of PolyGram International, Inc.
Santana3.853:58
5Don’t Look Back
assistente tecnico:
Eric Carr (Engineer), Dennis Coscia e Rob Rosati
tecnico e produttore:
Tom Scholz
tecnico di missaggio:
Wally Traugott (engineer, mastering engineer, cutting engineer, remastering, mixing engineer lacquer-cutting)
basso e percussione :
Fran Sheehan
batteria e percussione :
Sib Hashian
chitarra a 12 corde, chitarra acustica, basso, chitarra elettrica, organo e pianoforte :
Tom Scholz
chitarra, percussione e chitarra slide :
Barry Goudreau
voce:
Brad Delp
arrangiatore:
Tom Scholz
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso e mixata presso:
Tom Scholz Hideaway Studio in Massachusetts, Stati Uniti
registrazione di:
Don’t Look Back
paroliere e compositore:
Tom Scholz
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Pure Songs (nel 1978)
Boston36:06
6Feel Like Makin’ Love
tecnico di registrazione:
Ron Nevison (nel 1974-09)
produttore:
Bad Company (British blues-rock supergroup)
tecnico di missaggio:
Ron Nevison
basso elettrico :
Boz Burrell (English musician) (nel 1974-09)
batteria :
Simon Kirke (nel 1974-09)
chitarra :
Mick Ralphs (nel 1974-09) e Paul Rodgers (nel 1974-09)
pianoforte e voce principale:
Paul Rodgers (nel 1974-09)
tastiera :
Mick Ralphs (nel 1974-09)
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1975)
registrata presso:
Clearwell Castle in Gloucestershire, England, Regno Unito (nel 1974-09)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 78)
registrazione di:
Feel Like Makin’ Love (nel 1974-09)
autore:
Mick Ralphs e Paul Rodgers
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Badco Music, Inc. (dal 1974 a oggi)
Bad Company4.255:13
7The Joker
assistente tecnico e assistente tecnico di missaggio:
Gene Hicks
tecnico e tecnico di missaggio:
Jay Ranellucci
produttore:
Steve Miller (leader of Steve Miller Band)
diritti fonografici (℗) detenuti da:
Sailor Music (nel 1973)
registrazione di:
The Joker
autore:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) e Steve Miller (leader of Steve Miller Band)
editore:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.153:37
8Long Train Runnin’
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Long Train Runnin’
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (nel 1982) e Warner Chappell Music (publisher as Warner/Chappell Music) (nel 1991)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:28
9Frankenstein
registrazione di:
Frankenstein
compositore:
Edgar Winter
editore:
Longitude Music (conclusa), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Edgar Winter Group3:27
10Love Is Alive
registrata presso e mixata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Love Is Alive
paroliere e compositore:
Gary Wright (US singer/keyboardist)
editore:
High Wave Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal-MCA Publishing (US) e WB Music Corp.
Gary Wright53:52
11Spill the Wine
registrazione di:
Spill the Wine
autore:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar e Howard E. Scott (US funk/rock guitarist, member of War)
editore:
Far Out Music, Inc.
Eric Burdon & War4.654:54
12Lady
produttore:
John Ryan (producer a/k/a “The Chicago Kid”)
produttore esecutivo:
Bill Traut
voce principale:
Dennis DeYoung
registrazione di:
Lady (Styx song) (nel 1973)
paroliere e compositore:
Dennis DeYoung
editore:
Wooden Nickel Music, Inc. (work publisher) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Styx4.53:00
13Some Kind of Wonderful
produttore:
Jimmy Ienner (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979, nel 2001)
registrazione cover di:
Some Kind of Wonderful
paroliere e compositore:
Willie John Ellison (American/Canadian musician)
editore:
Crash Music, Dandelion Music Company e Fermata do Brasil
Grand Funk Railroad4.253:21
14Magic Man
tecnico:
Mike Flicker e Rolf Hennemann
assistente produttore:
Howard Leese
produttore:
Mike Flicker
batteria :
Dave Wilson (Canadian drummer)
chitarra acustica e chitarra elettrica :
Roger Fisher (US rock guitarist) e Nancy Wilson (guitarist/singer of “Heart”)
chitarra basso :
Steve Fossen
chitarra elettrica e sintetizzatore :
Howard Leese
congas :
Ray Ayotte
percussione :
Mike Flicker
voce principale:
Ann Wilson (lead singer of Heart)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976)
registrata presso e mixata presso:
Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
registrazione di:
Magic Man
autore:
Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
How About Music, Sony/ATV Tunes LLC (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing Pty Ltd
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.65:30
15Mama Told Me (Not to Come)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 11)
registrazione cover di:
Mama Told Me (Not to Come)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. e Warner/Chappell North America
Three Dog Night4.653:19
16Me and Bobby McGee
tecnico:
Phil Macy (50s-70s engineer)
produttore:
Paul Rothchild
batteria :
Clark Pierson (il 1970-09-25)
bonghi e congas ospite :
Bobbye Hall (il 1970-09-25)
bonghi ospite e congas ospite :
Bobbye Hall
chitarra :
John Till (rock guitarist) (il 1970-09-25)
chitarra acustica e voce principale:
Janis Joplin (il 1970-09-25)
chitarra basso :
Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25)
organo :
Ken Pearson (il 1970-09-25)
pianoforte :
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25)
tamburello ospite :
Sandra Crouch (il 1970-09-25)
voce di accompagnamento:
Phil Badella (il 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25), John Cooke (il 1970-09-25), Janis Joplin (il 1970-09-25), Vince Mitchell (il 1970-09-25), Ken Pearson (il 1970-09-25), Clark Pierson (il 1970-09-25) e John Till (rock guitarist) (il 1970-09-25)
esecutore:
Full Tilt Boogie (il 1970-09-25)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1970-09-25)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 31) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 148)
registrazione cover di:
Me and Bobby McGee (il 1970-09-25)
paroliere e compositore:
Fred Foster e Kris Kristofferson
editore:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. e Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:30
17I Hear You Knocking
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:49
18Miracles
tecnico di registrazione:
Jeffrey Husband e Steve Mantoani
tecnico:
Larry Cox (US engineer/producer)
produttore:
Larry Cox (US engineer/producer) e Jefferson Starship
diritti fonografici (℗) detenuti da:
BMG Music (nel 1975)
registrata presso e mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
edit di:
Miracles di Jefferson Starship
registrazione di:
Miracles (Jefferson Starship song)
paroliere e compositore:
Marty Balin
Jefferson Starship43:32
19School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the singer, active as a solo artist 1975‐present)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
20Long Cool Woman (In a Black Dress)
tecnico:
John Punter
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1971-07-16, dal 1971-07-27 al 1971-07-30)
registrazione di:
Long Cool Woman in a Black Dress (dal 1971-07-16 al 1971-07-30)
autore:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
The Hollies4.153:15

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ASIN:US: B000AAF26C [info]