| # | Title | Rating | Length |
|---|
| 1 | Home Is Where the Hatred Is- engineer:
- Rudy van Gelder
- producer:
- Creed Taylor
- alto saxophone:
- Hank Crawford (in 1971-12)
- baritone saxophone:
- David Liebman (in 1971-12)
- bass:
- Gordon Edwards (in 1971-12)
- cello:
- Charles McCracken (in 1971-12) and Alan Shulman (in 1971-12)
- drums (drum set):
- Bernard Purdie (in 1971-12)
- flugelhorn and trumpet:
- John Eckert (in 1971-12) and John Gatchell (in 1971-12)
- flute:
- David Liebman (in 1971-12) and Frank Vicari (in 1971-12)
- guitar:
- Cornell Dupree (in 1971-12) and Eric Gale (in 1971-12)
- harp:
- Margaret Ross (in 1971-12)
- organ and piano:
- Richard Tee (in 1971-12)
- percussion:
- Airto Moreira (in 1971-12)
- tenor saxophone:
- Frank Vicari (in 1971-12)
- trombone:
- Sam Burtis (in 1971-12) and Dick Griffin (in 1971-12)
- viola:
- Harold Coletta (in 1971-12) and Harry Zaratzian (in 1971-12)
- violin:
- Michael Comins (in 1971-12), Max Hollander (in 1971-12), Leo Kahn (in 1971-12), Charles Libove (in 1971-12), Guy Lumia (in 1971-12), Max Pollikoff (in 1971-12), Alvin Rogers (in 1971-12), Paul Winter (in 1971-12) and Jack Zayde (in 1971-12)
- lead vocals:
- Esther Phillips (in 1971-12)
- vocals:
- Hilda Harris (in 1971-12), Joshie Armstead (in 1971-12), Barbara Massey (in 1971-12), Louis St. Louis (in 1971-12) and Tasha Thomas (in 1971-12)
- conductor:
- Pee Wee Ellis (in 1971-12)
- strings arranger:
- Don Sebesky
- arranger:
- Pee Wee Ellis
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (in 1971-12)
- cover recording of:
- Home Is Where the Hatred Is (in 1971-12)
- lyricist and composer:
- Gil Scott‐Heron
| | 3:25 |
| 2 | From a Whisper to a Scream | | 4:23 |
| 3 | That’s All Right With Me | | 3:17 |
| 4 | ’Til My Back Ain’t Got No Bone | | 6:10 |
| 5 | Baby, I’m for Real- engineer:
- Rudy van Gelder
- producer:
- Creed Taylor
- alto saxophone:
- Hank Crawford (in 1971-12)
- baritone saxophone:
- David Liebman (in 1971-12)
- bass:
- Gordon Edwards (in 1971-12)
- cello:
- Charles McCracken (in 1971-12) and Alan Shulman (in 1971-12)
- drums (drum set):
- Bernard Purdie (in 1971-12)
- flugelhorn and trumpet:
- John Eckert (in 1971-12) and John Gatchell (in 1971-12)
- flute:
- David Liebman (in 1971-12) and Frank Vicari (in 1971-12)
- guitar:
- Cornell Dupree (in 1971-12) and Eric Gale (in 1971-12)
- harp:
- Margaret Ross (in 1971-12)
- organ and piano:
- Richard Tee (in 1971-12)
- percussion:
- Airto Moreira (in 1971-12)
- tenor saxophone:
- Frank Vicari (in 1971-12)
- trombone:
- Sam Burtis (in 1971-12) and Dick Griffin (in 1971-12)
- viola:
- Harold Coletta (in 1971-12) and Harry Zaratzian (in 1971-12)
- violin:
- Michael Comins (in 1971-12), Max Hollander (in 1971-12), Leo Kahn (in 1971-12), Charles Libove (in 1971-12), Guy Lumia (in 1971-12), Max Pollikoff (in 1971-12), Alvin Rogers (in 1971-12), Paul Winter (in 1971-12) and Jack Zayde (in 1971-12)
- lead vocals:
- Esther Phillips (in 1971-12)
- vocals:
- Hilda Harris (in 1971-12), Joshie Armstead (in 1971-12), Barbara Massey (in 1971-12), Louis St. Louis (in 1971-12) and Tasha Thomas (in 1971-12)
- conductor:
- Pee Wee Ellis (in 1971-12)
- strings arranger:
- Don Sebesky
- arranger:
- Pee Wee Ellis
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (in 1971-12)
- cover recording of:
- Baby I’m for Real
- writer:
- Anna Gordy Gaye and Marvin Gaye
- publisher:
- FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music and ソニー・ミュージックパブリッシング フジパシフィック事業部
| | 4:17 |
| 6 | Scarred Knees- engineer:
- Rudy van Gelder
- producer:
- Creed Taylor
- alto saxophone:
- Hank Crawford (in 1971-12)
- baritone saxophone:
- David Liebman (in 1971-12)
- bass:
- Gordon Edwards (in 1971-12)
- cello:
- Charles McCracken (in 1971-12) and Alan Shulman (in 1971-12)
- drums (drum set):
- Bernard Purdie (in 1971-12)
- flugelhorn and trumpet:
- John Eckert (in 1971-12) and John Gatchell (in 1971-12)
- flute:
- David Liebman (in 1971-12) and Frank Vicari (in 1971-12)
- guitar:
- Cornell Dupree (in 1971-12) and Eric Gale (in 1971-12)
- harp:
- Margaret Ross (in 1971-12)
- organ and piano:
- Richard Tee (in 1971-12)
- percussion:
- Airto Moreira (in 1971-12)
- tenor saxophone:
- Frank Vicari (in 1971-12)
- trombone:
- Sam Burtis (in 1971-12) and Dick Griffin (in 1971-12)
- viola:
- Harold Coletta (in 1971-12) and Harry Zaratzian (in 1971-12)
- violin:
- Michael Comins (in 1971-12), Max Hollander (in 1971-12), Leo Kahn (in 1971-12), Charles Libove (in 1971-12), Guy Lumia (in 1971-12), Max Pollikoff (in 1971-12), Alvin Rogers (in 1971-12), Paul Winter (in 1971-12) and Jack Zayde (in 1971-12)
- lead vocals:
- Esther Phillips (in 1971-12)
- vocals:
- Hilda Harris (in 1971-12), Joshie Armstead (in 1971-12), Barbara Massey (in 1971-12), Louis St. Louis (in 1971-12) and Tasha Thomas (in 1971-12)
- conductor:
- Pee Wee Ellis (in 1971-12)
- additional arranger:
- Jack Wilson
- arranger:
- Pee Wee Ellis
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (in 1971-12)
| | 6:18 |
| 7 | How Blue Can You Get? | | 5:08 |
| 8 | A Beautiful Friendship | | 4:53 |
| 9 | Use Me | | 3:51 |
| 10 | I Don’t Want to Do Wrong | | 4:16 |
| 11 | Let Me in Your Life | | 3:37 |
| 12 | I’ve Never Found a Man (to Love Me Like You Do) | | 3:24 |
| 13 | Alone Again (Naturally) | | 3:19 |
| 14 | Georgia Rose | | 5:03 |
| 15 | Cherry Red (live) | | 4:54 |
| 16 | God Bless the Child (live) | | 6:51 |
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