Bach Cantatas

~ Release by Johann Sebastian Bach; Andreas Scholl, Kammerorchester Basel (see all versions of this release, 2 available)

Tracklist

1▼CD
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1Ich habe genug BWV 82: 1. Aria: “Ich habe genug, ich habe den Heiland”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 82a "Ich habe genug": I. Aria (Soprano) "Ich habe genug" (from 2011-01-23 until 2011-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach7:01
2Ich habe genug BWV 82: 2. Recitative: “Ich habe genug! Mein Trost ist”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" (from 2011-01-23 until 2011-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach1:14
3Ich habe genug BWV 82: 3. Aria: “Schlummert ein, ihr matten Augen”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (from 2011-01-23 until 2011-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach10:05
4Ich habe genug BWV 82: 4. Recitative: “Mein Gott! wann kommt das”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 82a "Ich habe genug": IV. Recitativo (Soprano) "Mein Gott! wann kömmt das schöne: Nun!" (from 2011-01-23 until 2011-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach0:45
5Ich habe genug BWV 82: 5. Aria: “Ich freue mich auf meinen Tod”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 82a "Ich habe genug": V. Aria (Soprano) "Ich freue mich auf meinen Tod" (from 2011-01-23 until 2011-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach4:05
6Gott soll allein mein Herze haben BWV 169: 1. Sinfonia
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach7:55
7Gott soll allein mein Herze haben BWV 169: 2. Arioso: “Gott soll allein mein Herze haben”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach2:46
8Gott soll allein mein Herze haben BWV 169: 3. Aria: “Gott soll allein mein Herze haben”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach6:18
9Gott soll allein mein Herze haben BWV 169: 4. Recitative: “Was ist die Liebe Gottes?”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:53
10Gott soll allein mein Herze haben BWV 169: 5. Aria: “Stirb in mir”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach5:07
11Gott soll allein mein Herze haben BWV 169: 6. Recitative: “Doch meint es auch dabei”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:28
12Gott soll allein mein Herze haben BWV 169: 7. Chorale: “Du süße Liebe, schenk uns deine Gunst”
bass vocals:
Raitis Grigalis (Latvian conductor and bass)
countertenor vocals:
Andreas Scholl (countertenor)
soprano vocals:
Junko Takamaya (soprano)
tenor vocals:
Michael Feyfar (Swiss tenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 256)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach1:14
13Nach dir, Herr, verlanget mich BWV 150: 1. Sinfonia
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (from 2011-01-23 until 2011-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:35
14Bekennen will ich seinen Namen BWV 200: Aria: “Bekennen will ich seinen Namen”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Gottfried Heinrich Stölzel (composer)
librettist:
[anonymous] (special purpose artist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1742 until 1743)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 200), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 200), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 200) and Bach Compendium (number: BC A 192)
Johann Sebastian Bach4:14
15Komm, du süße Todesstunde BWV 161: 4. Recitative: “Der Schluss ist schon gemacht”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 2011-01-23 until 2011-01-28)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:04
16Schlage doch, gewünschte Stunde BWV 53: Aria: “Schlage doch, gewünschte Stunde”
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Aria, BWV 53 "Schlage doch, gewünschte Stunde" (from 2011-01-23 until 2011-01-28)
composer:
[anonymous] (special purpose artist)
librettist:
Salomon Franck
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician) and Georg Melchior Hoffmann (composer and organist)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 53), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 53 / Anh. II 23‑>) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 703)
Johann Sebastian Bach7:31