Sad 70’s Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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(As of 2020-03-31).

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Anmerkung zuletzt geändert am 2020-09-08 08:30 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Love Don’t Live Here Anymore
recording of:
Love Don’t Live Here Anymore
Texter und Komponist(in):
Miles Gregory
publisher:
Sony/ATV Ballad und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce4.53:52
2She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
3Until You Come Back to Me (That’s What I Am Going to Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:26
4Thin Line Between Love and Hate
The Persuaders3:22
5Lonely Boy
assistierende(r) Techniker(in):
Dennis Kirk und Greg Ladanyi
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1976-03 bis 1976-10)
cowbell, Klavier und Tamburin:
Andrew Gold (von 1976-03 bis 1976-10)
Gitarre:
Dan Dugmore (von 1976-03 bis 1976-10)
Gitarre [Lead Guitar]:
Waddy (von 1976-03 bis 1976-10)
Glocken [Sleigh] und Schlagzeug:
Michael Botts (von 1976-03 bis 1976-10)
Händeklatschen:
Peter Asher (von 1976-03 bis 1976-10) und Andrew Gold (von 1976-03 bis 1976-10)
Hybrid-Piano und Synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (von 1976-03 bis 1976-10)
Hintergrundgesang:
Linda Ronstadt (von 1976-03 bis 1976-10)
vocals:
Andrew Gold (von 1976-03 bis 1976-10)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-03 bis 1976-10)
recording of:
Lonely Boy (von 1976-03 bis 1976-10)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
6Will You Cry (When You Hear This Song)
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
recording of:
Will You Cry (When You Hear This Song)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Chic4:09
7Lonely People
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Band:
Pete Henderson (engineer)
Bass, Bass, Gitarre und Keyboard, Gitarre und Keyboard:
America (US folk/soft rock band)
Schlagzeug und Perkussion:
Willie Leacox
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Lonely People
Verfasser(in):
Catherine Peek und Dan Peek
live recording of:
Lonely People
Verfasser(in):
Catherine Peek und Dan Peek
America3.852:30
8My Eyes Adored You
recording of:
My Eyes Adored You
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Sound of Nolan Music, Stone Diamond Music Corporation und TannyBoy Music
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Frankie Valli3:32
9Ending of a Song
recording of:
Ending of a Song
Verfasser(in):
Marilyn Mason (songwriter)
Orleans3:19
10Sideshow
Techniker(in):
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) und Joe Tarsia (engineer)
Produzent(in):
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1973)
vocals:
Blue Magic (US R&B/soul vocal quintet) (in 1973)
conductor:
Don Renaldo (in 1973: Blechblasinstrumente [horns], Saiteninstrumente)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Don Renaldo
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Sideshow (in 1973)
Verfasser(in):
Bobby Eli und Gwendolyn Hines Woolfolk
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zella Music
Blue Magic54:06
11A Song for You
cover recording of:
A Song for You
Texter und Komponist(in):
Leon Russell
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Donny Hathaway45:26
12Love Hurts
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1983)
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons & Emmylou Harris4:17
13Worn Out Broken Heart
recording of:
Worn Out Broken Heart
Texter und Komponist(in):
Sam Dees und Sandra Drayton (songwriter)
Sam Dees3:21
14Dismal Day
Techniker(in):
Bruce Botnick
recording of:
Dismal Day
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread2:16
15Don’t Say Goodbye
recording of:
Don’t Say Goodbye
Texter:
John Bettis und Christopher Cross (US singer‐songwriter)
Komponist(in):
Billy Alessi und Christopher Cross (US singer‐songwriter)
Christopher Cross3:41
16Love Won’t Let Me Wait
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (in 1974)
Produzent(in):
Bobby Eli
Bassgitarre [bass]:
Ronnie Baker (in 1974)
Blechblasinstrumente [horns] und Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1974)
Gitarre:
Bobby Eli (in 1974)
Keyboard:
Ron Kersey (in 1974)
Schlagzeug [drums]:
Earl Young (in 1974)
Vibraphon [vibes]:
Vince Montana (in 1974)
vocals:
Major Harris (in 1974)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Don Renaldo
arranger:
Bobby Eli
recording of:
Love Won’t Let Me Wait (in 1974)
Verfasser(in):
Vinnie Barrett und Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Winot Music
Major Harris5:33
17So Very Hard to Go
Tower of Power53:37
18Time Heals
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1981)
recording of:
Time Heals
Texter und Komponist(in):
Todd Rundgren
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Todd Rundgren33:34
19I Just Want to Fall in Love
The Spinners3:51
20Quits
Danny O’Keefe3:19
21Easy to Slip
recording engineer und Mix:
Donn Landee
Produzent(in):
Ted Templeman
Bassgitarre:
Roy Estrada
Gast-Perkussion:
Milt Holland
Gitarre und Sologesang:
Lowell George
Keyboard:
Bill Payne
Perkussion und Schlagzeug:
Richie Hayward
Hintergrundgesang:
Roy Estrada und Richie Hayward
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recording of:
Easy to Slip
Verfasser(in):
Lowell George und Martin Kibbee (singer-songwriter)
publisher:
Naked Snake Music
Little Feat53:21
22King of Nothing
recording of:
King of Nothing
Texter und Komponist(in):
James Seals
Seals & Crofts3:19
23Fool Me Again
Produzent(in):
Andrew Gold
recording of:
Fool Me Again
Verfasser(in):
Burt Bacharach und Carole Bayer Sager
Nicolette Larson4:05

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Music Group – X5 Music Group (in 2019)
kostenlos streamen:https://open.spotify.com/album/7cCUs2HeronO1ZPn6kdb6o [Info]
https://www.deezer.com/album/107354192 [Info]
Streaming-Seite:Amazon Music US [Info]